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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #233F3E it is the complementary color #DCC0C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #233F3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #233F3E shade: #283F39, #39514C, #4A635F, #5B7572 and #6C8785

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #233F3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #233F3E shade: #233F3E, #122D2B, #011B18, #000905 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #233F3E shade: #223F3D, #223F36, #223F2E, #223F27 and #263F22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #233F3E shade: #223F3D, #22383F, #22303F, #22293F and #22223F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #233F3E shade matches the following richer shades: #223F3D, #1B4645, #134E4C, #0B5653 and #035E5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #233F3E shade: #223F3D, #2A3736, #322F2F, #3A2728 and #421F20

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #233F3E shade: #223F2E, #223F36, #223F3D, #22383F and #22313F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #233F3E shade: #050909, #142423, #223F3D, #315958 and #407472

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #233F3E shade: #233F3E, #27223F and #3F3222

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #233F3E shade: #233F3E, #3D223F and #3F3D22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #233F3E shade: #233F3E, #27223F, #3F2224 and #3A3F22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #233F3E shade: #233F3E, #2F223F, #3F2224 and #323F22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 2 / 75

HEX #233F3E

RGB 35 63 62

HSL 177.86, 0.29%, 0.19%

LAB 24.51, -10.85, -2.73

 

Complementary color

CMYK 0 / 13 / 12 / 14

HEX #DCC0C1

RGB 220 192 193

HSL 357.86, 0.29%, 0.81%

LAB 80.05, 10.08, 3.15

 

CMYK 37 / 0 / 10 / 75

HEX #283F39

RGB 40 63 57

HSL 164.35, 0.22%, 0.2%

LAB 24.64, -10.59, 0.81

 

CMYK 30 / 0 / 6 / 68

HEX #39514C

RGB 57 81 76

HSL 167.5, 0.17%, 0.27%

LAB 32.43, -10.39, -0.02

 

CMYK 25 / 0 / 4 / 61

HEX #4A635F

RGB 74 99 95

HSL 170.4, 0.14%, 0.34%

LAB 39.92, -10.23, -0.77

 

CMYK 22 / 0 / 3 / 54

HEX #5B7572

RGB 91 117 114

HSL 173.08, 0.13%, 0.41%

LAB 47.19, -10.11, -1.46

 

CMYK 20 / 0 / 1 / 47

HEX #6C8785

RGB 108 135 133

HSL 175.56, 0.11%, 0.48%

LAB 54.25, -10.02, -2.11

 

CMYK 44 / 0 / 2 / 75

HEX #233F3E

RGB 35 63 62

HSL 177.86, 0.29%, 0.19%

LAB 24.51, -10.85, -2.73

 

CMYK 60 / 0 / 4 / 82

HEX #122D2B

RGB 18 45 43

HSL 175.56, 0.43%, 0.12%

LAB 16.4, -10.89, -1.88

 

CMYK 96 / 0 / 11 / 89

HEX #011B18

RGB 1 27 24

HSL 173.08, 0.93%, 0.05%

LAB 7.73, -10.02, -0.95

 

CMYK 100 / 0 / 44 / 96

HEX #000905

RGB 0 9 5

HSL 153.33, 1%, 0.02%

LAB 1.86, -2.91, 0.68

 

CMYK 46 / 0 / 3 / 75

HEX #223F3D

RGB 34 63 61

HSL 175.86, 0.3%, 0.19%

LAB 24.42, -11.46, -2.2

 

CMYK 46 / 0 / 14 / 75

HEX #223F36

RGB 34 63 54

HSL 161.38, 0.3%, 0.19%

LAB 24.2, -13.46, 2.11

 

CMYK 46 / 0 / 27 / 75

HEX #223F2E

RGB 34 63 46

HSL 144.83, 0.3%, 0.19%

LAB 23.97, -15.52, 7.07

 

CMYK 46 / 0 / 38 / 75

HEX #223F27

RGB 34 63 39

HSL 130.34, 0.3%, 0.19%

LAB 23.81, -17.1, 11.4

 

CMYK 40 / 0 / 46 / 75

HEX #263F22

RGB 38 63 34

HSL 111.72, 0.3%, 0.19%

LAB 23.94, -16.55, 14.81

 

CMYK 46 / 0 / 3 / 75

HEX #223F3D

RGB 34 63 61

HSL 175.86, 0.3%, 0.19%

LAB 24.42, -11.46, -2.2

 

CMYK 46 / 11 / 0 / 75

HEX #22383F

RGB 34 56 63

HSL 194.48, 0.3%, 0.19%

LAB 22.04, -6.47, -7.1

 

CMYK 46 / 24 / 0 / 75

HEX #22303F

RGB 34 48 63

HSL 211.03, 0.3%, 0.19%

LAB 19.28, -1.14, -11.31

 

CMYK 46 / 35 / 0 / 75

HEX #22293F

RGB 34 41 63

HSL 225.52, 0.3%, 0.19%

LAB 16.92, 3.78, -14.96

 

CMYK 46 / 46 / 0 / 75

HEX #22223F

RGB 34 34 63

HSL 240, 0.3%, 0.19%

LAB 14.64, 8.87, -18.53

 

CMYK 46 / 0 / 3 / 75

HEX #223F3D

RGB 34 63 61

HSL 175.86, 0.3%, 0.19%

LAB 24.42, -11.46, -2.2

 

CMYK 61 / 0 / 1 / 73

HEX #1B4645

RGB 27 70 69

HSL 178.6, 0.44%, 0.19%

LAB 26.86, -15.02, -3.9

 

CMYK 76 / 0 / 3 / 69

HEX #134E4C

RGB 19 78 76

HSL 177.97, 0.61%, 0.19%

LAB 29.69, -18.8, -4.26

 

CMYK 87 / 0 / 3 / 66

HEX #0B5653

RGB 11 86 83

HSL 177.6, 0.77%, 0.19%

LAB 32.59, -21.77, -4.42

 

CMYK 97 / 0 / 3 / 63

HEX #035E5B

RGB 3 94 91

HSL 178.02, 0.94%, 0.19%

LAB 35.56, -23.94, -5.04

 

CMYK 46 / 0 / 3 / 75

HEX #223F3D

RGB 34 63 61

HSL 175.86, 0.3%, 0.19%

LAB 24.42, -11.46, -2.2

 

CMYK 24 / 0 / 2 / 78

HEX #2A3736

RGB 42 55 54

HSL 175.38, 0.13%, 0.19%

LAB 21.91, -5.63, -1.16

 

CMYK 0 / 6 / 6 / 80

HEX #322F2F

RGB 50 47 47

HSL 0, 0.03%, 0.19%

LAB 19.71, 1.34, 0.48

 

CMYK 0 / 33 / 31 / 77

HEX #3A2728

RGB 58 39 40

HSL 356.84, 0.2%, 0.19%

LAB 17.94, 9.12, 2.9

 

CMYK 0 / 53 / 52 / 74

HEX #421F20

RGB 66 31 32

HSL 358.29, 0.36%, 0.19%

LAB 16.71, 16.97, 6.99

 

CMYK 46 / 0 / 27 / 75

HEX #223F2E

RGB 34 63 46

HSL 144.83, 0.3%, 0.19%

LAB 23.97, -15.52, 7.07

 

CMYK 46 / 0 / 14 / 75

HEX #223F36

RGB 34 63 54

HSL 161.38, 0.3%, 0.19%

LAB 24.2, -13.46, 2.11

 

CMYK 46 / 0 / 3 / 75

HEX #223F3D

RGB 34 63 61

HSL 175.86, 0.3%, 0.19%

LAB 24.42, -11.46, -2.2

 

CMYK 46 / 11 / 0 / 75

HEX #22383F

RGB 34 56 63

HSL 194.48, 0.3%, 0.19%

LAB 22.04, -6.47, -7.1

 

CMYK 46 / 22 / 0 / 75

HEX #22313F

RGB 34 49 63

HSL 208.97, 0.3%, 0.19%

LAB 19.62, -1.82, -10.78

 

CMYK 44 / 0 / 0 / 96

HEX #050909

RGB 5 9 9

HSL 180, 0.29%, 0.03%

LAB 2.23, -1.05, -0.37

 

CMYK 44 / 0 / 3 / 86

HEX #142423

RGB 20 36 35

HSL 176.25, 0.29%, 0.11%

LAB 12.81, -7.02, -1.48

 

CMYK 46 / 0 / 3 / 75

HEX #223F3D

RGB 34 63 61

HSL 175.86, 0.3%, 0.19%

LAB 24.42, -11.46, -2.2

 

CMYK 45 / 0 / 1 / 65

HEX #315958

RGB 49 89 88

HSL 178.5, 0.29%, 0.27%

LAB 35.01, -14.34, -3.85

 

CMYK 45 / 0 / 2 / 55

HEX #407472

RGB 64 116 114

HSL 177.69, 0.29%, 0.35%

LAB 45.35, -17.89, -4.34

 

CMYK 44 / 0 / 2 / 75

HEX #233F3E

RGB 35 63 62

HSL 177.86, 0.29%, 0.19%

LAB 24.51, -10.85, -2.73

 

CMYK 38 / 46 / 0 / 75

HEX #27223F

RGB 39 34 63

HSL 250.34, 0.3%, 0.19%

LAB 15.14, 10.53, -17.71

 

CMYK 0 / 21 / 46 / 75

HEX #3F3222

RGB 63 50 34

HSL 33.1, 0.3%, 0.19%

LAB 21.78, 3.19, 12.39

 

CMYK 44 / 0 / 2 / 75

HEX #233F3E

RGB 35 63 62

HSL 177.86, 0.29%, 0.19%

LAB 24.51, -10.85, -2.73

 

CMYK 3 / 46 / 0 / 75

HEX #3D223F

RGB 61 34 63

HSL 295.86, 0.3%, 0.19%

LAB 17.9, 18.54, -13.2

 

CMYK 0 / 3 / 46 / 75

HEX #3F3D22

RGB 63 61 34

HSL 55.86, 0.3%, 0.19%

LAB 25.29, -3.95, 16.94

 

CMYK 44 / 0 / 2 / 75

HEX #233F3E

RGB 35 63 62

HSL 177.86, 0.29%, 0.19%

LAB 24.51, -10.85, -2.73

 

CMYK 38 / 46 / 0 / 75

HEX #27223F

RGB 39 34 63

HSL 250.34, 0.3%, 0.19%

LAB 15.14, 10.53, -17.71

 

CMYK 0 / 46 / 43 / 75

HEX #3F2224

RGB 63 34 36

HSL 355.86, 0.3%, 0.19%

LAB 17.12, 14.19, 4.66

 

CMYK 8 / 0 / 46 / 75

HEX #3A3F22

RGB 58 63 34

HSL 70.34, 0.3%, 0.19%

LAB 25.47, -7.63, 17.08

 

CMYK 44 / 0 / 2 / 75

HEX #233F3E

RGB 35 63 62

HSL 177.86, 0.29%, 0.19%

LAB 24.51, -10.85, -2.73

 

CMYK 25 / 46 / 0 / 75

HEX #2F223F

RGB 47 34 63

HSL 266.9, 0.3%, 0.19%

LAB 16.04, 13.35, -16.23

 

CMYK 0 / 46 / 43 / 75

HEX #3F2224

RGB 63 34 36

HSL 355.86, 0.3%, 0.19%

LAB 17.12, 14.19, 4.66

 

CMYK 21 / 0 / 46 / 75

HEX #323F22

RGB 50 63 34

HSL 86.9, 0.3%, 0.19%

LAB 24.79, -11.38, 16.07

 

Description

Color code: HEX #233F3E | qconv.com Color code: HEX #233F3E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 63 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 63 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 2 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 2% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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