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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #233997 it is the complementary color #DCC668. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #233997. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #233997 shade: #283992, #394BA5, #4A5DB8, #5B6FCB and #6C81DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #233997. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #233997 shade: #233997, #122784, #011571, #00035E and #00004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #233997 shade: #233895, #2C2395, #4B2395, #692395 and #882395

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #233997 shade: #233895 and #232395

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #233997 shade matches the following richer shades: #233895, #142FA4 and #0526B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #233997 shade: #233895, #324286, #414B77, #4F5468 and #5E5D59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #233997 shade: #237695, #235895, #233A95, #2A2395 and #492395

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #233997 shade: #131F52, #1B2C73, #233895, #2B45B6 and #3956D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #233997 shade: #233997, #952395 and #679523

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #233997 shade: #233997, #95233A and #3A9523

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #233997 shade: #233997, #952395, #957E23 and #239523

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #233997 shade: #233997, #952373, #957E23 and #239545

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 62 / 0 / 41

HEX #233997

RGB 35 57 151

HSL 228.62, 0.62%, 0.36%

LAB 28.16, 26.39, -53.91

 

Complementary color

CMYK 0 / 10 / 53 / 14

HEX #DCC668

RGB 220 198 104

HSL 48.62, 0.62%, 0.64%

LAB 79.96, -4.12, 49.39

 

CMYK 73 / 61 / 0 / 43

HEX #283992

RGB 40 57 146

HSL 230.38, 0.57%, 0.36%

LAB 27.99, 25.11, -51.12

 

CMYK 65 / 55 / 0 / 35

HEX #394BA5

RGB 57 75 165

HSL 230, 0.49%, 0.44%

LAB 35.24, 22.77, -50.82

 

CMYK 60 / 49 / 0 / 28

HEX #4A5DB8

RGB 74 93 184

HSL 229.64, 0.44%, 0.51%

LAB 42.38, 20.9, -50.5

 

CMYK 55 / 45 / 0 / 20

HEX #5B6FCB

RGB 91 111 203

HSL 229.29, 0.52%, 0.58%

LAB 49.38, 19.39, -50.2

 

CMYK 51 / 42 / 0 / 13

HEX #6C81DE

RGB 108 129 222

HSL 228.95, 0.63%, 0.65%

LAB 56.25, 18.15, -49.94

 

CMYK 77 / 62 / 0 / 41

HEX #233997

RGB 35 57 151

HSL 228.62, 0.62%, 0.36%

LAB 28.16, 26.39, -53.91

 

CMYK 86 / 70 / 0 / 48

HEX #122784

RGB 18 39 132

HSL 228.95, 0.76%, 0.29%

LAB 21, 29.59, -53.89

 

CMYK 99 / 81 / 0 / 56

HEX #011571

RGB 1 21 113

HSL 229.29, 0.98%, 0.22%

LAB 14.03, 33.03, -53.29

 

CMYK 100 / 97 / 0 / 63

HEX #00035E

RGB 0 3 94

HSL 238.09, 1%, 0.18%

LAB 7.89, 36.28, -50.96

 

CMYK 100 / 100 / 0 / 71

HEX #00004B

RGB 0 0 75

HSL 240, 1%, 0.15%

LAB 4.59, 29.9, -43.41

 

CMYK 77 / 62 / 0 / 42

HEX #233895

RGB 35 56 149

HSL 228.95, 0.62%, 0.36%

LAB 27.72, 26.3, -53.4

 

CMYK 70 / 77 / 0 / 42

HEX #2C2395

RGB 44 35 149

HSL 244.74, 0.62%, 0.36%

LAB 23.36, 40.56, -60.54

 

CMYK 50 / 77 / 0 / 42

HEX #4B2395

RGB 75 35 149

HSL 261.05, 0.62%, 0.36%

LAB 26.35, 44.72, -55.51

 

CMYK 30 / 77 / 0 / 42

HEX #692395

RGB 105 35 149

HSL 276.84, 0.62%, 0.36%

LAB 30.34, 50.05, -48.84

 

CMYK 9 / 77 / 0 / 42

HEX #882395

RGB 136 35 149

HSL 293.16, 0.62%, 0.36%

LAB 35.21, 56.35, -40.74

 

CMYK 77 / 62 / 0 / 42

HEX #233895

RGB 35 56 149

HSL 228.95, 0.62%, 0.36%

LAB 27.72, 26.3, -53.4

 

CMYK 77 / 77 / 0 / 42

HEX #232395

RGB 35 35 149

HSL 240, 0.62%, 0.36%

LAB 22.76, 39.69, -61.56

 

CMYK 77 / 62 / 0 / 42

HEX #233895

RGB 35 56 149

HSL 228.95, 0.62%, 0.36%

LAB 27.72, 26.3, -53.4

 

CMYK 88 / 71 / 0 / 36

HEX #142FA4

RGB 20 47 164

HSL 228.75, 0.78%, 0.36%

LAB 26.34, 36.68, -64.84

 

CMYK 97 / 79 / 0 / 30

HEX #0526B2

RGB 5 38 178

HSL 228.55, 0.95%, 0.36%

LAB 25.66, 46.55, -74.39

 

CMYK 77 / 62 / 0 / 42

HEX #233895

RGB 35 56 149

HSL 228.95, 0.62%, 0.36%

LAB 27.72, 26.3, -53.4

 

CMYK 63 / 51 / 0 / 47

HEX #324286

RGB 50 66 134

HSL 228.57, 0.46%, 0.36%

LAB 30.15, 16.18, -40.18

 

CMYK 45 / 37 / 0 / 53

HEX #414B77

RGB 65 75 119

HSL 228.89, 0.29%, 0.36%

LAB 32.89, 8.61, -26.43

 

CMYK 24 / 19 / 0 / 59

HEX #4F5468

RGB 79 84 104

HSL 228, 0.14%, 0.36%

LAB 35.99, 2.9, -12.18

 

CMYK 0 / 1 / 5 / 63

HEX #5E5D59

RGB 94 93 89

HSL 48, 0.03%, 0.36%

LAB 39.46, -0.42, 2.43

 

CMYK 77 / 21 / 0 / 42

HEX #237695

RGB 35 118 149

HSL 196.32, 0.62%, 0.36%

LAB 46.29, -13.57, -23.83

 

CMYK 77 / 41 / 0 / 42

HEX #235895

RGB 35 88 149

HSL 212.11, 0.62%, 0.36%

LAB 36.94, 4.72, -38.52

 

CMYK 77 / 61 / 0 / 42

HEX #233A95

RGB 35 58 149

HSL 227.89, 0.62%, 0.36%

LAB 28.26, 24.94, -52.53

 

CMYK 72 / 77 / 0 / 42

HEX #2A2395

RGB 42 35 149

HSL 243.68, 0.62%, 0.36%

LAB 23.22, 40.35, -60.78

 

CMYK 51 / 77 / 0 / 42

HEX #492395

RGB 73 35 149

HSL 260, 0.62%, 0.36%

LAB 26.12, 44.4, -55.9

 

CMYK 77 / 62 / 0 / 68

HEX #131F52

RGB 19 31 82

HSL 228.57, 0.62%, 0.2%

LAB 13.99, 14.98, -32.74

 

CMYK 77 / 62 / 0 / 55

HEX #1B2C73

RGB 27 44 115

HSL 228.41, 0.62%, 0.28%

LAB 21.1, 20.25, -42.91

 

CMYK 77 / 62 / 0 / 42

HEX #233895

RGB 35 56 149

HSL 228.95, 0.62%, 0.36%

LAB 27.72, 26.3, -53.4

 

CMYK 76 / 62 / 0 / 29

HEX #2B45B6

RGB 43 69 182

HSL 228.78, 0.62%, 0.44%

LAB 34.29, 31.03, -62.51

 

CMYK 73 / 59 / 0 / 18

HEX #3956D1

RGB 57 86 209

HSL 228.55, 0.62%, 0.52%

LAB 41.42, 31.56, -66.58

 

CMYK 77 / 62 / 0 / 41

HEX #233997

RGB 35 57 151

HSL 228.62, 0.62%, 0.36%

LAB 28.16, 26.39, -53.91

 

CMYK 0 / 77 / 0 / 42

HEX #952395

RGB 149 35 149

HSL 300, 0.62%, 0.36%

LAB 37.41, 59.13, -37.1

 

CMYK 31 / 0 / 77 / 42

HEX #679523

RGB 103 149 35

HSL 84.21, 0.62%, 0.36%

LAB 56.58, -33.13, 51.48

 

CMYK 77 / 62 / 0 / 41

HEX #233997

RGB 35 57 151

HSL 228.62, 0.62%, 0.36%

LAB 28.16, 26.39, -53.91

 

CMYK 0 / 77 / 61 / 42

HEX #95233A

RGB 149 35 58

HSL 347.89, 0.62%, 0.36%

LAB 33.77, 48.02, 15.14

 

CMYK 61 / 0 / 77 / 42

HEX #3A9523

RGB 58 149 35

HSL 107.89, 0.62%, 0.36%

LAB 54.57, -47.92, 48.82

 

CMYK 77 / 62 / 0 / 41

HEX #233997

RGB 35 57 151

HSL 228.62, 0.62%, 0.36%

LAB 28.16, 26.39, -53.91

 

CMYK 0 / 77 / 0 / 42

HEX #952395

RGB 149 35 149

HSL 300, 0.62%, 0.36%

LAB 37.41, 59.13, -37.1

 

CMYK 0 / 15 / 77 / 42

HEX #957E23

RGB 149 126 35

HSL 47.89, 0.62%, 0.36%

LAB 53.42, -1.04, 49.71

 

CMYK 77 / 0 / 77 / 42

HEX #239523

RGB 35 149 35

HSL 120, 0.62%, 0.36%

LAB 54, -52.68, 48.07

 

CMYK 77 / 62 / 0 / 41

HEX #233997

RGB 35 57 151

HSL 228.62, 0.62%, 0.36%

LAB 28.16, 26.39, -53.91

 

CMYK 0 / 77 / 23 / 42

HEX #952373

RGB 149 35 115

HSL 317.89, 0.62%, 0.36%

LAB 35.65, 53.95, -18.8

 

CMYK 0 / 15 / 77 / 42

HEX #957E23

RGB 149 126 35

HSL 47.89, 0.62%, 0.36%

LAB 53.42, -1.04, 49.71

 

CMYK 77 / 0 / 54 / 42

HEX #239545

RGB 35 149 69

HSL 137.89, 0.62%, 0.36%

LAB 54.32, -48.75, 33.26

 

Description

Color code: HEX #233997 | qconv.com Color code: HEX #233997 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 57 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 57 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 62 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 62% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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