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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23366ACE it is the complementary color #DCC995CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23366ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23366ACE shade: #283665CE, #394878CE, #4A5A8BCE, #5B6C9ECE and #6C7EB1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23366ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23366ACE shade: #23366ACE, #122457CE, #011244CE, #000031CE and #00001ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23366ACE shade: #24376B, #24246B, #37246B, #4A246B and #5E246B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23366ACE shade: #24376B and #24246B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23366ACE shade matches the following richer shades: #24376B, #183177, #0D2C82 and #01278E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23366ACE shade: #24376B, #2F3C60, #3B4254, #464748 and #524C3D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23366ACE shade: #245E6B, #244B6B, #24386B, #24256B and #36246B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23366ACE shade: #0F172D, #19274C, #24376B, #2E478A and #3856A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23366ACE shade: #23366A, #65246B and #546B24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23366ACE shade: #23366A, #6B2438 and #386B24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23366ACE shade: #23366A, #65246B, #6B5724 and #2A6B24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23366ACE shade: #23366A, #6B245C, #6B5724 and #246B33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 40 / 0 / 47

HEX #23366ACE

RGBA 35 54 106 0.81

HSLA 223.94, 0.5%, 0.28%, 0.81

LABA 23.79, 10.88, -32.75, 0.81

 

Complementary color

CMYK 0 / 7 / 26 / 11

HEX #DCC995CE

RGBA 220 201 149 0.81

HSLA 43.94, 0.5%, 0.72%, 0.81

LABA 81.38, -1, 28.44, 0.81

 

CMYK 49 / 38 / 0 / 49

HEX #283665CE

RGBA 40 54 101 0.81

HSLA 226.23, 0.43%, 0.28%, 0.81

LABA 23.77, 10.05, -29.54, 0.81

 

CMYK 43 / 32 / 0 / 43

HEX #394878CE

RGBA 57 72 120 0.81

HSLA 225.71, 0.36%, 0.35%, 0.81

LABA 31.49, 8.76, -29.3, 0.81

 

CMYK 38 / 29 / 0 / 37

HEX #4A5A8BCE

RGBA 74 90 139 0.81

HSLA 225.23, 0.31%, 0.42%, 0.81

LABA 38.95, 7.82, -29.16, 0.81

 

CMYK 34 / 26 / 0 / 31

HEX #5B6C9ECE

RGBA 91 108 158 0.81

HSLA 224.78, 0.27%, 0.49%, 0.81

LABA 46.2, 7.09, -29.09, 0.81

 

CMYK 32 / 23 / 0 / 25

HEX #6C7EB1CE

RGBA 108 126 177 0.81

HSLA 224.35, 0.31%, 0.56%, 0.81

LABA 53.26, 6.5, -29.08, 0.81

 

CMYK 54 / 40 / 0 / 47

HEX #23366ACE

RGBA 35 54 106 0.81

HSLA 223.94, 0.5%, 0.28%, 0.81

LABA 23.79, 10.88, -32.75, 0.81

 

CMYK 64 / 47 / 0 / 53

HEX #122457CE

RGBA 18 36 87 0.81

HSLA 224.35, 0.66%, 0.21%, 0.81

LABA 15.89, 13.19, -33.03, 0.81

 

CMYK 80 / 60 / 0 / 59

HEX #011244CE

RGBA 1 18 68 0.81

HSLA 224.78, 0.97%, 0.14%, 0.81

LABA 7.74, 16.41, -33.31, 0.81

 

CMYK 81 / 81 / 0 / 65

HEX #000031CE

RGBA 0 0 49 0.81

HSLA 240, 1%, 0.1%, 0.81

LABA 2, 14.08, -28.82, 0.81

 

CMYK 81 / 81 / 0 / 71

HEX #00001ECE

RGBA 0 0 30 0.81

HSLA 240, 1%, 0.06%, 0.81

LABA 0.85, 5.95, -15.88, 0.81

 

CMYK 66 / 49 / 0 / 58

HEX #24376B

RGB 36 55 107

HSL 223.94, 0.5%, 0.28%

LAB 24.22, 10.77, -32.7

 

CMYK 66 / 66 / 0 / 58

HEX #24246B

RGB 36 36 107

HSL 240, 0.5%, 0.28%

LAB 18.79, 24.13, -41.48

 

CMYK 49 / 66 / 0 / 58

HEX #37246B

RGB 55 36 107

HSL 256.06, 0.5%, 0.28%

LAB 20.58, 27.92, -38.5

 

CMYK 31 / 66 / 0 / 58

HEX #4A246B

RGB 74 36 107

HSL 272.11, 0.5%, 0.28%

LAB 22.93, 32.49, -34.59

 

CMYK 12 / 66 / 0 / 58

HEX #5E246B

RGB 94 36 107

HSL 289.01, 0.5%, 0.28%

LAB 25.87, 37.73, -29.71

 

CMYK 66 / 49 / 0 / 58

HEX #24376B

RGB 36 55 107

HSL 223.94, 0.5%, 0.28%

LAB 24.22, 10.77, -32.7

 

CMYK 66 / 66 / 0 / 58

HEX #24246B

RGB 36 36 107

HSL 240, 0.5%, 0.28%

LAB 18.79, 24.13, -41.48

 

CMYK 66 / 49 / 0 / 58

HEX #24376B

RGB 36 55 107

HSL 223.94, 0.5%, 0.28%

LAB 24.22, 10.77, -32.7

 

CMYK 80 / 59 / 0 / 53

HEX #183177

RGB 24 49 119

HSL 224.21, 0.66%, 0.28%

LAB 22.73, 17.92, -42.82

 

CMYK 90 / 66 / 0 / 49

HEX #0D2C82

RGB 13 44 130

HSL 224.1, 0.82%, 0.28%

LAB 21.94, 25.01, -51.1

 

CMYK 99 / 73 / 0 / 44

HEX #01278E

RGB 1 39 142

HSL 223.83, 0.99%, 0.28%

LAB 21.62, 32.65, -59.15

 

CMYK 66 / 49 / 0 / 58

HEX #24376B

RGB 36 55 107

HSL 223.94, 0.5%, 0.28%

LAB 24.22, 10.77, -32.7

 

CMYK 51 / 38 / 0 / 62

HEX #2F3C60

RGB 47 60 96

HSL 224.08, 0.34%, 0.28%

LAB 25.8, 5.89, -23.04

 

CMYK 30 / 21 / 0 / 67

HEX #3B4254

RGB 59 66 84

HSL 223.2, 0.17%, 0.28%

LAB 28.02, 1.89, -11.73

 

CMYK 3 / 1 / 0 / 72

HEX #464748

RGB 70 71 72

HSL 210, 0.01%, 0.28%

LAB 30.1, -0.19, -0.75

 

CMYK 0 / 7 / 26 / 68

HEX #524C3D

RGB 82 76 61

HSL 42.86, 0.15%, 0.28%

LAB 32.48, -0.32, 9.83

 

CMYK 66 / 12 / 0 / 58

HEX #245E6B

RGB 36 94 107

HSL 190.99, 0.5%, 0.28%

LAB 36.82, -14.33, -13

 

CMYK 66 / 30 / 0 / 58

HEX #244B6B

RGB 36 75 107

HSL 207.04, 0.5%, 0.28%

LAB 30.57, -2.77, -22.66

 

CMYK 66 / 48 / 0 / 58

HEX #24386B

RGB 36 56 107

HSL 223.1, 0.5%, 0.28%

LAB 24.53, 10.07, -32.21

 

CMYK 66 / 65 / 0 / 58

HEX #24256B

RGB 36 37 107

HSL 239.15, 0.5%, 0.28%

LAB 19.05, 23.44, -41.05

 

CMYK 50 / 66 / 0 / 58

HEX #36246B

RGB 54 36 107

HSL 255.21, 0.5%, 0.28%

LAB 20.47, 27.7, -38.68

 

CMYK 67 / 49 / 0 / 82

HEX #0F172D

RGB 15 23 45

HSL 224, 0.5%, 0.12%

LAB 8.16, 4.57, -15.97

 

CMYK 67 / 49 / 0 / 70

HEX #19274C

RGB 25 39 76

HSL 223.53, 0.5%, 0.2%

LAB 16.4, 7.65, -24.75

 

CMYK 66 / 49 / 0 / 58

HEX #24376B

RGB 36 55 107

HSL 223.94, 0.5%, 0.28%

LAB 24.22, 10.77, -32.7

 

CMYK 67 / 49 / 0 / 46

HEX #2E478A

RGB 46 71 138

HSL 223.7, 0.5%, 0.36%

LAB 31.63, 13.53, -40.28

 

CMYK 67 / 49 / 0 / 34

HEX #3856A9

RGB 56 86 169

HSL 224.07, 0.5%, 0.44%

LAB 38.48, 16.83, -47.98

 

CMYK 67 / 49 / 0 / 58

HEX #23366A

RGB 35 54 106

HSL 223.94, 0.5%, 0.28%

LAB 23.79, 10.88, -32.75

 

CMYK 6 / 66 / 0 / 58

HEX #65246B

RGB 101 36 107

HSL 294.93, 0.5%, 0.28%

LAB 26.99, 39.62, -27.86

 

CMYK 21 / 0 / 66 / 58

HEX #546B24

RGB 84 107 36

HSL 79.44, 0.5%, 0.28%

LAB 42.04, -20.34, 35.88

 

CMYK 67 / 49 / 0 / 58

HEX #23366A

RGB 35 54 106

HSL 223.94, 0.5%, 0.28%

LAB 23.79, 10.88, -32.75

 

CMYK 0 / 66 / 48 / 58

HEX #6B2438

RGB 107 36 56

HSL 343.1, 0.5%, 0.28%

LAB 25.78, 33.48, 4.18

 

CMYK 48 / 0 / 66 / 58

HEX #386B24

RGB 56 107 36

HSL 103.1, 0.5%, 0.28%

LAB 40.38, -31.4, 33.59

 

CMYK 67 / 49 / 0 / 58

HEX #23366A

RGB 35 54 106

HSL 223.94, 0.5%, 0.28%

LAB 23.79, 10.88, -32.75

 

CMYK 6 / 66 / 0 / 58

HEX #65246B

RGB 101 36 107

HSL 294.93, 0.5%, 0.28%

LAB 26.99, 39.62, -27.86

 

CMYK 0 / 19 / 66 / 58

HEX #6B5724

RGB 107 87 36

HSL 43.1, 0.5%, 0.28%

LAB 37.97, 1.76, 32

 

CMYK 61 / 0 / 66 / 58

HEX #2A6B24

RGB 42 107 36

HSL 114.93, 0.5%, 0.28%

LAB 39.81, -35.75, 32.78

 

CMYK 67 / 49 / 0 / 58

HEX #23366A

RGB 35 54 106

HSL 223.94, 0.5%, 0.28%

LAB 23.79, 10.88, -32.75

 

CMYK 0 / 66 / 14 / 58

HEX #6B245C

RGB 107 36 92

HSL 312.68, 0.5%, 0.28%

LAB 27.19, 38.55, -17.74

 

CMYK 0 / 19 / 66 / 58

HEX #6B5724

RGB 107 87 36

HSL 43.1, 0.5%, 0.28%

LAB 37.97, 1.76, 32

 

CMYK 66 / 0 / 52 / 58

HEX #246B33

RGB 36 107 51

HSL 132.68, 0.5%, 0.28%

LAB 39.8, -35.17, 24.9

 

Description

Color code: HEX #23366ACE | qconv.com Color code: HEX #23366ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 54 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 54 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 40 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 40% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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