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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #232B39 it is the complementary color #DCD4C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #232B39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #232B39 shade: #282B34, #393D47, #4A4F5A, #5B616D and #6C7380

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #232B39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #232B39 shade: #232B39, #121926, #010713 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #232B39 shade: #232B39, #232539, #272339, #2D2339 and #332339

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #232B39 shade: #232B39, #232539 and #232339

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #232B39 shade matches the following richer shades: #232B39, #1B2940, #142748, #0D254F and #052357

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #232B39 shade: #232B39, #2A2D31, #322F2A, #393123 and #41331B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #232B39 shade: #233739, #233139, #232B39, #232539 and #272339

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #232B39 shade: #040406, #13181F, #232B39, #333E52 and #42516C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #232B39 shade: #232B39, #352339 and #343923

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #232B39 shade: #232B39, #39232B and #2B3923

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #232B39 shade: #232B39, #352339, #393123 and #273923

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #232B39 shade: #232B39, #392336, #393123 and #233926

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 25 / 0 / 78

HEX #232B39

RGB 35 43 57

HSL 218.18, 0.24%, 0.18%

LAB 17.37, 0.69, -10.09

 

Complementary color

CMYK 0 / 4 / 10 / 14

HEX #DCD4C6

RGB 220 212 198

HSL 38.18, 0.24%, 0.82%

LAB 85.19, 0.37, 7.89

 

CMYK 23 / 17 / 0 / 80

HEX #282B34

RGB 40 43 52

HSL 225, 0.13%, 0.18%

LAB 17.58, 1.08, -6.25

 

CMYK 20 / 14 / 0 / 72

HEX #393D47

RGB 57 61 71

HSL 222.86, 0.11%, 0.25%

LAB 25.75, 0.84, -6.68

 

CMYK 18 / 12 / 0 / 65

HEX #4A4F5A

RGB 74 79 90

HSL 221.25, 0.1%, 0.32%

LAB 33.53, 0.62, -7.13

 

CMYK 17 / 11 / 0 / 57

HEX #5B616D

RGB 91 97 109

HSL 220, 0.09%, 0.39%

LAB 41.02, 0.43, -7.58

 

CMYK 16 / 10 / 0 / 50

HEX #6C7380

RGB 108 115 128

HSL 219, 0.08%, 0.46%

LAB 48.27, 0.26, -8.04

 

CMYK 39 / 25 / 0 / 78

HEX #232B39

RGB 35 43 57

HSL 218.18, 0.24%, 0.18%

LAB 17.37, 0.69, -10.09

 

CMYK 53 / 34 / 0 / 85

HEX #121926

RGB 18 25 38

HSL 219, 0.36%, 0.11%

LAB 8.69, 1.18, -9.94

 

CMYK 95 / 63 / 0 / 93

HEX #010713

RGB 1 7 19

HSL 220, 0.9%, 0.04%

LAB 1.86, 0.44, -6.02

 

CMYK 39 / 25 / 0 / 78

HEX #232B39

RGB 35 43 57

HSL 218.18, 0.24%, 0.18%

LAB 17.37, 0.69, -10.09

 

CMYK 39 / 35 / 0 / 78

HEX #232539

RGB 35 37 57

HSL 234.55, 0.24%, 0.18%

LAB 15.36, 4.98, -13.19

 

CMYK 32 / 39 / 0 / 78

HEX #272339

RGB 39 35 57

HSL 250.91, 0.24%, 0.18%

LAB 15.11, 7.89, -13.55

 

CMYK 21 / 39 / 0 / 78

HEX #2D2339

RGB 45 35 57

HSL 267.27, 0.24%, 0.18%

LAB 15.78, 10.17, -12.47

 

CMYK 11 / 39 / 0 / 78

HEX #332339

RGB 51 35 57

HSL 283.64, 0.24%, 0.18%

LAB 16.51, 12.52, -11.27

 

CMYK 39 / 25 / 0 / 78

HEX #232B39

RGB 35 43 57

HSL 218.18, 0.24%, 0.18%

LAB 17.37, 0.69, -10.09

 

CMYK 39 / 35 / 0 / 78

HEX #232539

RGB 35 37 57

HSL 234.55, 0.24%, 0.18%

LAB 15.36, 4.98, -13.19

 

CMYK 39 / 39 / 0 / 78

HEX #232339

RGB 35 35 57

HSL 240, 0.24%, 0.18%

LAB 14.71, 6.43, -14.21

 

CMYK 39 / 25 / 0 / 78

HEX #232B39

RGB 35 43 57

HSL 218.18, 0.24%, 0.18%

LAB 17.37, 0.69, -10.09

 

CMYK 58 / 36 / 0 / 75

HEX #1B2940

RGB 27 41 64

HSL 217.3, 0.41%, 0.18%

LAB 16.45, 1.98, -16.42

 

CMYK 72 / 46 / 0 / 72

HEX #142748

RGB 20 39 72

HSL 218.08, 0.57%, 0.18%

LAB 15.84, 4.91, -22.93

 

CMYK 84 / 53 / 0 / 69

HEX #0D254F

RGB 13 37 79

HSL 218.18, 0.72%, 0.18%

LAB 15.35, 8.22, -28.52

 

CMYK 94 / 60 / 0 / 66

HEX #052357

RGB 5 35 87

HSL 218.05, 0.89%, 0.18%

LAB 15.07, 12.42, -34.38

 

CMYK 39 / 25 / 0 / 78

HEX #232B39

RGB 35 43 57

HSL 218.18, 0.24%, 0.18%

LAB 17.37, 0.69, -10.09

 

CMYK 14 / 8 / 0 / 81

HEX #2A2D31

RGB 42 45 49

HSL 214.29, 0.08%, 0.18%

LAB 18.32, -0.3, -3.03

 

CMYK 0 / 6 / 16 / 80

HEX #322F2A

RGB 50 47 42

HSL 37.5, 0.09%, 0.18%

LAB 19.55, 0.26, 3.69

 

CMYK 0 / 14 / 39 / 78

HEX #393123

RGB 57 49 35

HSL 38.18, 0.24%, 0.18%

LAB 20.78, 1.02, 10.27

 

CMYK 0 / 22 / 58 / 75

HEX #41331B

RGB 65 51 27

HSL 37.89, 0.41%, 0.18%

LAB 22.2, 2.67, 17.51

 

CMYK 39 / 4 / 0 / 78

HEX #233739

RGB 35 55 57

HSL 185.45, 0.24%, 0.18%

LAB 21.52, -7.36, -3.81

 

CMYK 39 / 14 / 0 / 78

HEX #233139

RGB 35 49 57

HSL 201.82, 0.24%, 0.18%

LAB 19.43, -3.43, -6.96

 

CMYK 39 / 25 / 0 / 78

HEX #232B39

RGB 35 43 57

HSL 218.18, 0.24%, 0.18%

LAB 17.37, 0.69, -10.09

 

CMYK 39 / 35 / 0 / 78

HEX #232539

RGB 35 37 57

HSL 234.55, 0.24%, 0.18%

LAB 15.36, 4.98, -13.19

 

CMYK 32 / 39 / 0 / 78

HEX #272339

RGB 39 35 57

HSL 250.91, 0.24%, 0.18%

LAB 15.11, 7.89, -13.55

 

CMYK 33 / 33 / 0 / 98

HEX #040406

RGB 4 4 6

HSL 240, 0.2%, 0.02%

LAB 1.14, 0.28, -0.76

 

CMYK 39 / 23 / 0 / 88

HEX #13181F

RGB 19 24 31

HSL 215, 0.24%, 0.1%

LAB 8.05, -0.16, -5.66

 

CMYK 39 / 25 / 0 / 78

HEX #232B39

RGB 35 43 57

HSL 218.18, 0.24%, 0.18%

LAB 17.37, 0.69, -10.09

 

CMYK 38 / 24 / 0 / 68

HEX #333E52

RGB 51 62 82

HSL 218.71, 0.23%, 0.26%

LAB 26.03, 1.17, -13.53

 

CMYK 39 / 25 / 0 / 58

HEX #42516C

RGB 66 81 108

HSL 218.57, 0.24%, 0.34%

LAB 34.24, 1.6, -17.44

 

CMYK 39 / 25 / 0 / 78

HEX #232B39

RGB 35 43 57

HSL 218.18, 0.24%, 0.18%

LAB 17.37, 0.69, -10.09

 

CMYK 7 / 39 / 0 / 78

HEX #352339

RGB 53 35 57

HSL 289.09, 0.24%, 0.18%

LAB 16.77, 13.32, -10.85

 

CMYK 9 / 0 / 39 / 78

HEX #343923

RGB 52 57 35

HSL 73.64, 0.24%, 0.18%

LAB 22.92, -6.61, 13.04

 

CMYK 39 / 25 / 0 / 78

HEX #232B39

RGB 35 43 57

HSL 218.18, 0.24%, 0.18%

LAB 17.37, 0.69, -10.09

 

CMYK 0 / 39 / 25 / 78

HEX #39232B

RGB 57 35 43

HSL 338.18, 0.24%, 0.18%

LAB 16.73, 11.94, -0.98

 

CMYK 25 / 0 / 39 / 78

HEX #2B3923

RGB 43 57 35

HSL 98.18, 0.24%, 0.18%

LAB 22.16, -10.77, 11.9

 

CMYK 39 / 25 / 0 / 78

HEX #232B39

RGB 35 43 57

HSL 218.18, 0.24%, 0.18%

LAB 17.37, 0.69, -10.09

 

CMYK 7 / 39 / 0 / 78

HEX #352339

RGB 53 35 57

HSL 289.09, 0.24%, 0.18%

LAB 16.77, 13.32, -10.85

 

CMYK 0 / 14 / 39 / 78

HEX #393123

RGB 57 49 35

HSL 38.18, 0.24%, 0.18%

LAB 20.78, 1.02, 10.27

 

CMYK 32 / 0 / 39 / 78

HEX #273923

RGB 39 57 35

HSL 109.09, 0.24%, 0.18%

LAB 21.87, -12.51, 11.45

 

CMYK 39 / 25 / 0 / 78

HEX #232B39

RGB 35 43 57

HSL 218.18, 0.24%, 0.18%

LAB 17.37, 0.69, -10.09

 

CMYK 0 / 39 / 5 / 78

HEX #392336

RGB 57 35 54

HSL 308.18, 0.24%, 0.18%

LAB 17.17, 14.23, -8.09

 

CMYK 0 / 14 / 39 / 78

HEX #393123

RGB 57 49 35

HSL 38.18, 0.24%, 0.18%

LAB 20.78, 1.02, 10.27

 

CMYK 39 / 0 / 33 / 78

HEX #233926

RGB 35 57 38

HSL 128.18, 0.24%, 0.18%

LAB 21.67, -13.53, 9.16

 

Description

Color code: HEX #232B39 | qconv.com Color code: HEX #232B39 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 43 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 43 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 25 magenta, none yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 25% 0% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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