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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #232797 it is the complementary color #DCD868. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #232797. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #232797 shade: #282792, #3939A5, #4A4BB8, #5B5DCB and #6C6FDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #232797. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #232797 shade: #232797, #121584, #010371, #00005E and #00004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #232797 shade: #232795, #3E2395, #5C2395, #7B2395 and #952390

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #232797 shade: #232795 and #232395

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #232797 shade matches the following richer shades: #232795, #1419A4 and #050BB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #232797 shade: #232795, #323586, #414277, #4F5068 and #5E5E59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #232797 shade: #236595, #234795, #232995, #3C2395 and #5A2395

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #232797 shade: #131552, #1B1E73, #232795, #2B30B6 and #393FD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #232797 shade: #232797, #952384 and #569523

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #232797 shade: #232797, #952329 and #299523

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #232797 shade: #232797, #952384, #958F23 and #239534

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #232797 shade: #232797, #952361, #958F23 and #239556

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 74 / 0 / 41

HEX #232797

RGB 35 39 151

HSL 237.93, 0.62%, 0.36%

LAB 23.81, 38.02, -61.05

 

Complementary color

CMYK 0 / 2 / 53 / 14

HEX #DCD868

RGB 220 216 104

HSL 57.93, 0.62%, 0.64%

LAB 84.65, -13.26, 54.9

 

CMYK 73 / 73 / 0 / 43

HEX #282792

RGB 40 39 146

HSL 240.56, 0.58%, 0.36%

LAB 23.6, 36.78, -58.31

 

CMYK 65 / 65 / 0 / 35

HEX #3939A5

RGB 57 57 165

HSL 240, 0.49%, 0.44%

LAB 30.67, 34.42, -58.25

 

CMYK 60 / 59 / 0 / 28

HEX #4A4BB8

RGB 74 75 184

HSL 239.45, 0.44%, 0.51%

LAB 37.75, 32.33, -57.97

 

CMYK 55 / 54 / 0 / 20

HEX #5B5DCB

RGB 91 93 203

HSL 238.93, 0.52%, 0.58%

LAB 44.75, 30.54, -57.63

 

CMYK 51 / 50 / 0 / 13

HEX #6C6FDE

RGB 108 111 222

HSL 238.42, 0.63%, 0.65%

LAB 51.65, 29.01, -57.3

 

CMYK 77 / 74 / 0 / 41

HEX #232797

RGB 35 39 151

HSL 237.93, 0.62%, 0.36%

LAB 23.81, 38.02, -61.05

 

CMYK 86 / 84 / 0 / 48

HEX #121584

RGB 18 21 132

HSL 238.42, 0.76%, 0.29%

LAB 17.14, 40.47, -60.29

 

CMYK 99 / 97 / 0 / 56

HEX #010371

RGB 1 3 113

HSL 238.93, 0.98%, 0.22%

LAB 11.02, 42, -58.31

 

CMYK 100 / 100 / 0 / 63

HEX #00005E

RGB 0 0 94

HSL 240, 1%, 0.18%

LAB 7.3, 38.07, -51.95

 

CMYK 100 / 100 / 0 / 71

HEX #00004B

RGB 0 0 75

HSL 240, 1%, 0.15%

LAB 4.59, 29.9, -43.41

 

CMYK 77 / 74 / 0 / 42

HEX #232795

RGB 35 39 149

HSL 237.89, 0.62%, 0.36%

LAB 23.6, 37.32, -60.17

 

CMYK 58 / 77 / 0 / 42

HEX #3E2395

RGB 62 35 149

HSL 254.21, 0.62%, 0.36%

LAB 24.94, 42.77, -57.89

 

CMYK 38 / 77 / 0 / 42

HEX #5C2395

RGB 92 35 149

HSL 270, 0.62%, 0.36%

LAB 28.5, 47.62, -51.91

 

CMYK 17 / 77 / 0 / 42

HEX #7B2395

RGB 123 35 149

HSL 286.32, 0.62%, 0.36%

LAB 33.1, 53.64, -44.25

 

CMYK 0 / 77 / 3 / 42

HEX #952390

RGB 149 35 144

HSL 302.63, 0.62%, 0.36%

LAB 37.12, 58.3, -34.5

 

CMYK 77 / 74 / 0 / 42

HEX #232795

RGB 35 39 149

HSL 237.89, 0.62%, 0.36%

LAB 23.6, 37.32, -60.17

 

CMYK 77 / 77 / 0 / 42

HEX #232395

RGB 35 35 149

HSL 240, 0.62%, 0.36%

LAB 22.76, 39.69, -61.56

 

CMYK 77 / 74 / 0 / 42

HEX #232795

RGB 35 39 149

HSL 237.89, 0.62%, 0.36%

LAB 23.6, 37.32, -60.17

 

CMYK 88 / 85 / 0 / 36

HEX #1419A4

RGB 20 25 164

HSL 237.92, 0.78%, 0.36%

LAB 22.03, 48.96, -71.97

 

CMYK 97 / 94 / 0 / 30

HEX #050BB2

RGB 5 11 178

HSL 237.92, 0.95%, 0.36%

LAB 21.89, 57.76, -80.67

 

CMYK 77 / 74 / 0 / 42

HEX #232795

RGB 35 39 149

HSL 237.89, 0.62%, 0.36%

LAB 23.6, 37.32, -60.17

 

CMYK 63 / 60 / 0 / 47

HEX #323586

RGB 50 53 134

HSL 237.86, 0.46%, 0.36%

LAB 26.58, 24.97, -45.95

 

CMYK 45 / 45 / 0 / 53

HEX #414277

RGB 65 66 119

HSL 238.89, 0.29%, 0.36%

LAB 30.28, 14.56, -30.54

 

CMYK 24 / 23 / 0 / 59

HEX #4F5068

RGB 79 80 104

HSL 237.6, 0.14%, 0.36%

LAB 34.8, 5.43, -13.99

 

CMYK 0 / 0 / 5 / 63

HEX #5E5E59

RGB 94 94 89

HSL 60, 0.03%, 0.36%

LAB 39.76, -1.02, 2.86

 

CMYK 77 / 32 / 0 / 42

HEX #236595

RGB 35 101 149

HSL 205.26, 0.62%, 0.36%

LAB 40.95, -3.52, -32.17

 

CMYK 77 / 52 / 0 / 42

HEX #234795

RGB 35 71 149

HSL 221.05, 0.62%, 0.36%

LAB 31.88, 16.07, -46.64

 

CMYK 77 / 72 / 0 / 42

HEX #232995

RGB 35 41 149

HSL 236.84, 0.62%, 0.36%

LAB 24.04, 36.1, -59.44

 

CMYK 60 / 77 / 0 / 42

HEX #3C2395

RGB 60 35 149

HSL 253.16, 0.62%, 0.36%

LAB 24.74, 42.5, -58.22

 

CMYK 40 / 77 / 0 / 42

HEX #5A2395

RGB 90 35 149

HSL 268.95, 0.62%, 0.36%

LAB 28.24, 47.26, -52.36

 

CMYK 77 / 74 / 0 / 68

HEX #131552

RGB 19 21 82

HSL 238.1, 0.62%, 0.2%

LAB 11.16, 22.32, -37.36

 

CMYK 77 / 74 / 0 / 55

HEX #1B1E73

RGB 27 30 115

HSL 237.95, 0.62%, 0.28%

LAB 17.46, 29.86, -48.88

 

CMYK 77 / 74 / 0 / 42

HEX #232795

RGB 35 39 149

HSL 237.89, 0.62%, 0.36%

LAB 23.6, 37.32, -60.17

 

CMYK 76 / 74 / 0 / 29

HEX #2B30B6

RGB 43 48 182

HSL 237.84, 0.62%, 0.44%

LAB 29.42, 44.09, -70.5

 

CMYK 73 / 70 / 0 / 18

HEX #393FD1

RGB 57 63 209

HSL 237.63, 0.62%, 0.52%

LAB 36.04, 45.74, -75.4

 

CMYK 77 / 74 / 0 / 41

HEX #232797

RGB 35 39 151

HSL 237.93, 0.62%, 0.36%

LAB 23.81, 38.02, -61.05

 

CMYK 0 / 77 / 11 / 42

HEX #952384

RGB 149 35 132

HSL 308.95, 0.62%, 0.36%

LAB 36.48, 56.41, -28.14

 

CMYK 42 / 0 / 77 / 42

HEX #569523

RGB 86 149 35

HSL 93.16, 0.62%, 0.36%

LAB 55.68, -39.43, 50.29

 

CMYK 77 / 74 / 0 / 41

HEX #232797

RGB 35 39 151

HSL 237.93, 0.62%, 0.36%

LAB 23.81, 38.02, -61.05

 

CMYK 0 / 77 / 72 / 42

HEX #952329

RGB 149 35 41

HSL 356.84, 0.62%, 0.36%

LAB 33.46, 47.01, 25.63

 

CMYK 72 / 0 / 77 / 42

HEX #299523

RGB 41 149 35

HSL 116.84, 0.62%, 0.36%

LAB 54.12, -51.65, 48.23

 

CMYK 77 / 74 / 0 / 41

HEX #232797

RGB 35 39 151

HSL 237.93, 0.62%, 0.36%

LAB 23.81, 38.02, -61.05

 

CMYK 0 / 77 / 11 / 42

HEX #952384

RGB 149 35 132

HSL 308.95, 0.62%, 0.36%

LAB 36.48, 56.41, -28.14

 

CMYK 0 / 4 / 77 / 42

HEX #958F23

RGB 149 143 35

HSL 56.84, 0.62%, 0.36%

LAB 58.18, -10.37, 54.19

 

CMYK 77 / 0 / 65 / 42

HEX #239534

RGB 35 149 52

HSL 128.95, 0.62%, 0.36%

LAB 54.13, -51.04, 41.26

 

CMYK 77 / 74 / 0 / 41

HEX #232797

RGB 35 39 151

HSL 237.93, 0.62%, 0.36%

LAB 23.81, 38.02, -61.05

 

CMYK 0 / 77 / 35 / 42

HEX #952361

RGB 149 35 97

HSL 327.37, 0.62%, 0.36%

LAB 34.91, 51.67, -8.49

 

CMYK 0 / 4 / 77 / 42

HEX #958F23

RGB 149 143 35

HSL 56.84, 0.62%, 0.36%

LAB 58.18, -10.37, 54.19

 

CMYK 77 / 0 / 42 / 42

HEX #239556

RGB 35 149 86

HSL 146.84, 0.62%, 0.36%

LAB 54.58, -45.81, 24.59

 

Description

Color code: HEX #232797 | qconv.com Color code: HEX #232797 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 39 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 39 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 74 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 74% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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