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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #232648 it is the complementary color #DCD9B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #232648. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #232648 shade: #282643, #393856, #4A4A69, #5B5C7C and #6C6E8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #232648. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #232648 shade: #232648, #121435, #010222, #00000F and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #232648 shade: #232648, #2A2348, #342348, #3E2348 and #482348

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #232648 shade: #232648 and #232348

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #232648 shade matches the following richer shades: #232648, #1A1F51, #11175A, #091062 and #00096B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #232648 shade: #232648, #2B2D40, #343437, #3D3C2E and #454326

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #232648 shade: #233A48, #233048, #232648, #2A2348 and #342348

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #232648 shade: #080911, #15172C, #232648, #303464 and #3E4380

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #232648 shade: #232648, #482344 and #354823

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #232648 shade: #232648, #482326 and #264823

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #232648 shade: #232648, #482344, #484523 and #234827

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #232648 shade: #232648, #482339, #484523 and #234832

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 47 / 0 / 72

HEX #232648

RGB 35 38 72

HSL 235.14, 0.35%, 0.21%

LAB 16.56, 9.45, -21.72

 

Complementary color

CMYK 0 / 1 / 17 / 14

HEX #DCD9B7

RGB 220 217 183

HSL 55.14, 0.35%, 0.79%

LAB 86.14, -4.58, 17.14

 

CMYK 40 / 43 / 0 / 74

HEX #282643

RGB 40 38 67

HSL 244.14, 0.28%, 0.21%

LAB 16.71, 9.29, -18.01

 

CMYK 34 / 35 / 0 / 66

HEX #393856

RGB 57 56 86

HSL 242, 0.21%, 0.28%

LAB 24.86, 8.46, -17.93

 

CMYK 30 / 30 / 0 / 59

HEX #4A4A69

RGB 74 74 105

HSL 240, 0.17%, 0.35%

LAB 32.64, 7.83, -17.97

 

CMYK 27 / 26 / 0 / 51

HEX #5B5C7C

RGB 91 92 124

HSL 238.18, 0.15%, 0.42%

LAB 40.14, 7.32, -18.09

 

CMYK 24 / 23 / 0 / 44

HEX #6C6E8F

RGB 108 110 143

HSL 236.57, 0.14%, 0.49%

LAB 47.4, 6.89, -18.27

 

CMYK 51 / 47 / 0 / 72

HEX #232648

RGB 35 38 72

HSL 235.14, 0.35%, 0.21%

LAB 16.56, 9.45, -21.72

 

CMYK 66 / 62 / 0 / 79

HEX #121435

RGB 18 20 53

HSL 236.57, 0.49%, 0.14%

LAB 8, 11.07, -22.08

 

CMYK 97 / 94 / 0 / 87

HEX #010222

RGB 1 2 34

HSL 238.18, 0.94%, 0.07%

LAB 1.49, 6.79, -18.08

 

CMYK 100 / 100 / 0 / 94

HEX #00000F

RGB 0 0 15

HSL 240, 1%, 0.03%

LAB 0.31, 2.19, -5.96

 

CMYK 51 / 47 / 0 / 72

HEX #232648

RGB 35 38 72

HSL 235.14, 0.35%, 0.21%

LAB 16.56, 9.45, -21.72

 

CMYK 42 / 51 / 0 / 72

HEX #2A2348

RGB 42 35 72

HSL 251.35, 0.35%, 0.21%

LAB 16.32, 13.75, -22.06

 

CMYK 28 / 51 / 0 / 72

HEX #342348

RGB 52 35 72

HSL 267.57, 0.35%, 0.21%

LAB 17.46, 17.01, -20.18

 

CMYK 14 / 51 / 0 / 72

HEX #3E2348

RGB 62 35 72

HSL 283.78, 0.35%, 0.21%

LAB 18.77, 20.44, -18.02

 

CMYK 0 / 51 / 0 / 72

HEX #482348

RGB 72 35 72

HSL 300, 0.35%, 0.21%

LAB 20.23, 23.94, -15.63

 

CMYK 51 / 47 / 0 / 72

HEX #232648

RGB 35 38 72

HSL 235.14, 0.35%, 0.21%

LAB 16.56, 9.45, -21.72

 

CMYK 51 / 51 / 0 / 72

HEX #232348

RGB 35 35 72

HSL 240, 0.35%, 0.21%

LAB 15.63, 11.64, -23.2

 

CMYK 51 / 47 / 0 / 72

HEX #232648

RGB 35 38 72

HSL 235.14, 0.35%, 0.21%

LAB 16.56, 9.45, -21.72

 

CMYK 68 / 62 / 0 / 68

HEX #1A1F51

RGB 26 31 81

HSL 234.55, 0.51%, 0.21%

LAB 14.36, 15.83, -31.43

 

CMYK 81 / 74 / 0 / 65

HEX #11175A

RGB 17 23 90

HSL 235.07, 0.68%, 0.21%

LAB 12.42, 23.85, -40.73

 

CMYK 91 / 84 / 0 / 62

HEX #091062

RGB 9 16 98

HSL 235.28, 0.83%, 0.21%

LAB 11.35, 30.87, -47.87

 

CMYK 100 / 92 / 0 / 58

HEX #00096B

RGB 0 9 107

HSL 234.95, 1%, 0.21%

LAB 10.97, 37.27, -54.46

 

CMYK 51 / 47 / 0 / 72

HEX #232648

RGB 35 38 72

HSL 235.14, 0.35%, 0.21%

LAB 16.56, 9.45, -21.72

 

CMYK 33 / 30 / 0 / 75

HEX #2B2D40

RGB 43 45 64

HSL 234.29, 0.2%, 0.21%

LAB 19.06, 4.41, -12.27

 

CMYK 5 / 5 / 0 / 78

HEX #343437

RGB 52 52 55

HSL 240, 0.03%, 0.21%

LAB 21.81, 0.71, -1.89

 

CMYK 0 / 2 / 25 / 76

HEX #3D3C2E

RGB 61 60 46

HSL 56, 0.14%, 0.21%

LAB 25.02, -2.4, 8.84

 

CMYK 0 / 3 / 45 / 73

HEX #454326

RGB 69 67 38

HSL 56.13, 0.29%, 0.21%

LAB 27.9, -4.26, 17.9

 

CMYK 51 / 19 / 0 / 72

HEX #233A48

RGB 35 58 72

HSL 202.7, 0.35%, 0.21%

LAB 23.17, -4.5, -11.4

 

CMYK 51 / 33 / 0 / 72

HEX #233048

RGB 35 48 72

HSL 218.92, 0.35%, 0.21%

LAB 19.8, 2.29, -16.62

 

CMYK 51 / 47 / 0 / 72

HEX #232648

RGB 35 38 72

HSL 235.14, 0.35%, 0.21%

LAB 16.56, 9.45, -21.72

 

CMYK 42 / 51 / 0 / 72

HEX #2A2348

RGB 42 35 72

HSL 251.35, 0.35%, 0.21%

LAB 16.32, 13.75, -22.06

 

CMYK 28 / 51 / 0 / 72

HEX #342348

RGB 52 35 72

HSL 267.57, 0.35%, 0.21%

LAB 17.46, 17.01, -20.18

 

CMYK 53 / 47 / 0 / 93

HEX #080911

RGB 8 9 17

HSL 233.33, 0.36%, 0.05%

LAB 2.6, 1.06, -3.68

 

CMYK 52 / 48 / 0 / 83

HEX #15172C

RGB 21 23 44

HSL 234.78, 0.35%, 0.13%

LAB 8.6, 6.02, -14.51

 

CMYK 51 / 47 / 0 / 72

HEX #232648

RGB 35 38 72

HSL 235.14, 0.35%, 0.21%

LAB 16.56, 9.45, -21.72

 

CMYK 52 / 48 / 0 / 61

HEX #303464

RGB 48 52 100

HSL 235.38, 0.35%, 0.29%

LAB 23.69, 13.07, -28.98

 

CMYK 52 / 48 / 0 / 50

HEX #3E4380

RGB 62 67 128

HSL 235.45, 0.35%, 0.37%

LAB 30.87, 16.08, -35.25

 

CMYK 51 / 47 / 0 / 72

HEX #232648

RGB 35 38 72

HSL 235.14, 0.35%, 0.21%

LAB 16.56, 9.45, -21.72

 

CMYK 0 / 51 / 6 / 72

HEX #482344

RGB 72 35 68

HSL 306.49, 0.35%, 0.21%

LAB 20.03, 23.08, -13.21

 

CMYK 26 / 0 / 51 / 72

HEX #354823

RGB 53 72 35

HSL 90.81, 0.35%, 0.21%

LAB 28.15, -15.1, 19.74

 

CMYK 51 / 47 / 0 / 72

HEX #232648

RGB 35 38 72

HSL 235.14, 0.35%, 0.21%

LAB 16.56, 9.45, -21.72

 

CMYK 0 / 51 / 47 / 72

HEX #482326

RGB 72 35 38

HSL 355.14, 0.35%, 0.21%

LAB 18.88, 17.91, 5.94

 

CMYK 47 / 0 / 51 / 72

HEX #264823

RGB 38 72 35

HSL 115.14, 0.35%, 0.21%

LAB 27.21, -21.17, 18.36

 

CMYK 51 / 47 / 0 / 72

HEX #232648

RGB 35 38 72

HSL 235.14, 0.35%, 0.21%

LAB 16.56, 9.45, -21.72

 

CMYK 0 / 51 / 6 / 72

HEX #482344

RGB 72 35 68

HSL 306.49, 0.35%, 0.21%

LAB 20.03, 23.08, -13.21

 

CMYK 0 / 4 / 51 / 72

HEX #484523

RGB 72 69 35

HSL 55.14, 0.35%, 0.21%

LAB 28.79, -4.41, 20.89

 

CMYK 51 / 0 / 46 / 72

HEX #234827

RGB 35 72 39

HSL 126.49, 0.35%, 0.21%

LAB 27.13, -21.52, 15.79

 

CMYK 51 / 47 / 0 / 72

HEX #232648

RGB 35 38 72

HSL 235.14, 0.35%, 0.21%

LAB 16.56, 9.45, -21.72

 

CMYK 0 / 51 / 21 / 72

HEX #482339

RGB 72 35 57

HSL 324.32, 0.35%, 0.21%

LAB 19.54, 20.92, -6.38

 

CMYK 0 / 4 / 51 / 72

HEX #484523

RGB 72 69 35

HSL 55.14, 0.35%, 0.21%

LAB 28.79, -4.41, 20.89

 

CMYK 51 / 0 / 31 / 72

HEX #234832

RGB 35 72 50

HSL 144.32, 0.35%, 0.21%

LAB 27.36, -19.19, 9.19

 

Description

Color code: HEX #232648 | qconv.com Color code: HEX #232648 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 38 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 38 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 47 magenta, none yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 47% 0% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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