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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2317784C it is the complementary color #DCE8874C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2317784C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2317784C shade: #2817734C, #3929864C, #4A3B994C, #5B4DAC4C and #6C5FBF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2317784C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2317784C shade: #2317784C, #1205654C, #0100524C, #00003F4C and #00002C4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2317784C shade: #231778, #3D1778, #571778, #711778 and #781764

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2317784C shade: #231778 and #171778

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2317784C shade matches the following richer shades: #231778 and #1A0B84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2317784C shade: #231778, #2C226C, #342E61, #3D3A55 and #46454A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2317784C shade: #173F78, #172578, #221778, #3C1778 and #561778

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2317784C shade: #0F0A33, #191055, #231778, #2D1D9B and #3724BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2317784C shade: #231778, #781759 and #327817

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2317784C shade: #231778, #782217 and #177822

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2317784C shade: #231778, #781759, #6D7817 and #177836

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2317784C shade: #231778, #78173C, #6D7817 and #177853

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 24 / 0 / 16

HEX #2317784C

RGBA 35 23 120 0.3

HSLA 247.42, 0.68%, 0.28%, 0.3

LABA 17.11, 36.66, -52.65, 0.3

 

Complementary color

CMYK 2 / 0 / 13 / 3

HEX #DCE8874C

RGBA 220 232 135 0.3

HSLA 67.42, 0.68%, 0.72%, 0.3

LABA 89.24, -18.27, 45.73, 0.3

 

CMYK 20 / 24 / 0 / 16

HEX #2817734C

RGBA 40 23 115 0.3

HSLA 251.09, 0.67%, 0.27%, 0.3

LABA 17, 35.6, -49.6, 0.3

 

CMYK 17 / 21 / 0 / 14

HEX #3929864C

RGBA 57 41 134 0.3

HSLA 250.32, 0.53%, 0.34%, 0.3

LABA 24.25, 33.92, -49.72, 0.3

 

CMYK 15 / 18 / 0 / 12

HEX #4A3B994C

RGBA 74 59 153 0.3

HSLA 249.57, 0.44%, 0.42%, 0.3

LABA 31.54, 32.21, -49.51, 0.3

 

CMYK 14 / 17 / 0 / 10

HEX #5B4DAC4C

RGBA 91 77 172 0.3

HSLA 248.84, 0.38%, 0.49%, 0.3

LABA 38.74, 30.68, -49.21, 0.3

 

CMYK 13 / 15 / 0 / 8

HEX #6C5FBF4C

RGBA 108 95 191 0.3

HSLA 248.13, 0.43%, 0.56%, 0.3

LABA 45.82, 29.35, -48.92, 0.3

 

CMYK 21 / 24 / 0 / 16

HEX #2317784C

RGBA 35 23 120 0.3

HSLA 247.42, 0.68%, 0.28%, 0.3

LABA 17.11, 36.66, -52.65, 0.3

 

CMYK 25 / 29 / 0 / 18

HEX #1205654C

RGBA 18 5 101 0.3

HSLA 248.13, 0.91%, 0.21%, 0.3

LABA 10.38, 37.94, -51.45, 0.3

 

CMYK 30 / 30 / 0 / 20

HEX #0100524C

RGBA 1 0 82 0.3

HSLA 240.73, 1%, 0.16%, 0.3

LABA 5.56, 33.46, -46.66, 0.3

 

CMYK 30 / 30 / 0 / 23

HEX #00003F4C

RGBA 0 0 63 0.3

HSLA 240, 1%, 0.12%, 0.3

LABA 3.24, 22.73, -37.1, 0.3

 

CMYK 30 / 30 / 0 / 25

HEX #00002C4C

RGBA 0 0 44 0.3

HSLA 240, 1%, 0.09%, 0.3

LABA 1.64, 11.54, -25.61, 0.3

 

CMYK 71 / 81 / 0 / 53

HEX #231778

RGB 35 23 120

HSL 247.42, 0.68%, 0.28%

LAB 17.11, 36.66, -52.65

 

CMYK 49 / 81 / 0 / 53

HEX #3D1778

RGB 61 23 120

HSL 263.51, 0.68%, 0.28%

LAB 19.89, 40.12, -47.98

 

CMYK 28 / 81 / 0 / 53

HEX #571778

RGB 87 23 120

HSL 279.59, 0.68%, 0.28%

LAB 23.66, 44.74, -41.68

 

CMYK 6 / 81 / 0 / 53

HEX #711778

RGB 113 23 120

HSL 295.67, 0.68%, 0.28%

LAB 28.06, 50.05, -34.35

 

CMYK 0 / 81 / 17 / 53

HEX #781764

RGB 120 23 100

HSL 312.37, 0.68%, 0.28%

LAB 28.18, 48.34, -21.23

 

CMYK 71 / 81 / 0 / 53

HEX #231778

RGB 35 23 120

HSL 247.42, 0.68%, 0.28%

LAB 17.11, 36.66, -52.65

 

CMYK 81 / 81 / 0 / 53

HEX #171778

RGB 23 23 120

HSL 240, 0.68%, 0.28%

LAB 16.26, 35.58, -54.09

 

CMYK 71 / 81 / 0 / 53

HEX #231778

RGB 35 23 120

HSL 247.42, 0.68%, 0.28%

LAB 17.11, 36.66, -52.65

 

CMYK 80 / 92 / 0 / 48

HEX #1A0B84

RGB 26 11 132

HSL 247.44, 0.85%, 0.28%

LAB 16.13, 45.17, -61.95

 

CMYK 71 / 81 / 0 / 53

HEX #231778

RGB 35 23 120

HSL 247.42, 0.68%, 0.28%

LAB 17.11, 36.66, -52.65

 

CMYK 59 / 69 / 0 / 58

HEX #2C226C

RGB 44 34 108

HSL 248.11, 0.52%, 0.28%

LAB 19.07, 27.26, -41.66

 

CMYK 46 / 53 / 0 / 62

HEX #342E61

RGB 52 46 97

HSL 247.06, 0.36%, 0.28%

LAB 22.11, 17.28, -29.52

 

CMYK 28 / 32 / 0 / 67

HEX #3D3A55

RGB 61 58 85

HSL 246.67, 0.19%, 0.28%

LAB 25.79, 8.2, -15.81

 

CMYK 5 / 7 / 0 / 71

HEX #46454A

RGB 70 69 74

HSL 252, 0.03%, 0.28%

LAB 29.55, 1.55, -2.86

 

CMYK 81 / 48 / 0 / 53

HEX #173F78

RGB 23 63 120

HSL 215.26, 0.68%, 0.28%

LAB 27, 8.3, -36.56

 

CMYK 81 / 69 / 0 / 53

HEX #172578

RGB 23 37 120

HSL 231.34, 0.68%, 0.28%

LAB 19.48, 26.67, -48.78

 

CMYK 72 / 81 / 0 / 53

HEX #221778

RGB 34 23 120

HSL 246.8, 0.68%, 0.28%

LAB 17.03, 36.56, -52.79

 

CMYK 50 / 81 / 0 / 53

HEX #3C1778

RGB 60 23 120

HSL 262.89, 0.68%, 0.28%

LAB 19.76, 39.96, -48.2

 

CMYK 28 / 81 / 0 / 53

HEX #561778

RGB 86 23 120

HSL 278.97, 0.68%, 0.28%

LAB 23.5, 44.54, -41.94

 

CMYK 71 / 80 / 0 / 80

HEX #0F0A33

RGB 15 10 51

HSL 247.32, 0.67%, 0.12%

LAB 5.04, 15.22, -25.4

 

CMYK 71 / 81 / 0 / 67

HEX #191055

RGB 25 16 85

HSL 247.83, 0.68%, 0.2%

LAB 10.8, 27.54, -39.99

 

CMYK 71 / 81 / 0 / 53

HEX #231778

RGB 35 23 120

HSL 247.42, 0.68%, 0.28%

LAB 17.11, 36.66, -52.65

 

CMYK 71 / 81 / 0 / 39

HEX #2D1D9B

RGB 45 29 155

HSL 247.62, 0.68%, 0.36%

LAB 23.01, 45.72, -64.81

 

CMYK 71 / 81 / 0 / 26

HEX #3724BD

RGB 55 36 189

HSL 247.45, 0.68%, 0.44%

LAB 28.77, 53.56, -75.72

 

CMYK 71 / 81 / 0 / 53

HEX #231778

RGB 35 23 120

HSL 247.42, 0.68%, 0.28%

LAB 17.11, 36.66, -52.65

 

CMYK 0 / 81 / 26 / 53

HEX #781759

RGB 120 23 89

HSL 319.18, 0.68%, 0.28%

LAB 27.65, 46.76, -14.86

 

CMYK 58 / 0 / 81 / 53

HEX #327817

RGB 50 120 23

HSL 103.3, 0.68%, 0.28%

LAB 44.48, -39.88, 43.11

 

CMYK 71 / 81 / 0 / 53

HEX #231778

RGB 35 23 120

HSL 247.42, 0.68%, 0.28%

LAB 17.11, 36.66, -52.65

 

CMYK 0 / 72 / 81 / 53

HEX #782217

RGB 120 34 23

HSL 6.8, 0.68%, 0.28%

LAB 27.29, 36.74, 28.16

 

CMYK 81 / 0 / 72 / 53

HEX #177822

RGB 23 120 34

HSL 126.8, 0.68%, 0.28%

LAB 43.84, -44.85, 37.96

 

CMYK 71 / 81 / 0 / 53

HEX #231778

RGB 35 23 120

HSL 247.42, 0.68%, 0.28%

LAB 17.11, 36.66, -52.65

 

CMYK 0 / 81 / 26 / 53

HEX #781759

RGB 120 23 89

HSL 319.18, 0.68%, 0.28%

LAB 27.65, 46.76, -14.86

 

CMYK 9 / 0 / 81 / 53

HEX #6D7817

RGB 109 120 23

HSL 66.8, 0.68%, 0.28%

LAB 47.94, -16.81, 47.58

 

CMYK 81 / 0 / 55 / 53

HEX #177836

RGB 23 120 54

HSL 139.18, 0.68%, 0.28%

LAB 44.06, -42.21, 28.47

 

CMYK 71 / 81 / 0 / 53

HEX #231778

RGB 35 23 120

HSL 247.42, 0.68%, 0.28%

LAB 17.11, 36.66, -52.65

 

CMYK 0 / 81 / 50 / 53

HEX #78173C

RGB 120 23 60

HSL 337.11, 0.68%, 0.28%

LAB 26.54, 43.41, 2.89

 

CMYK 9 / 0 / 81 / 53

HEX #6D7817

RGB 109 120 23

HSL 66.8, 0.68%, 0.28%

LAB 47.94, -16.81, 47.58

 

CMYK 81 / 0 / 31 / 53

HEX #177853

RGB 23 120 83

HSL 157.11, 0.68%, 0.28%

LAB 44.57, -36.36, 12.79

 

Description

Color code: HEX #2317784C | qconv.com Color code: HEX #2317784C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 23 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 23 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 24 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 24% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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