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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23044ACE it is the complementary color #DCFBB5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23044ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23044ACE shade: #280445CE, #391658CE, #4A286BCE, #5B3A7ECE and #6C4C91CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23044ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23044ACE shade: #23044ACE, #120037CE, #010024CE, #000011CE and #000000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23044ACE shade: #220449, #350449, #470449, #490437 and #490425

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23044ACE shade: #220449, #100449 and #040449

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23044ACE shade matches the following richer shades: #220449

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23044ACE shade: #220449, #230A42, #24103C, #241636 and #251D30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23044ACE shade: #040B49, #0F0449, #220449, #340449 and #460449

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23044ACE shade: #000000, #100221, #220449, #350670 and #470897

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23044ACE shade: #23044A, #49041D and #044906

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23044ACE shade: #23044A, #492204 and #044922

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23044ACE shade: #23044A, #49041D, #2B4904 and #04492F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23044ACE shade: #23044A, #490408, #2B4904 and #044944

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 77 / 0 / 57

HEX #23044ACE

RGBA 35 4 74 0.81

HSLA 266.57, 0.9%, 0.15%, 0.81

LABA 8.47, 31.94, -36.2, 0.81

 

Complementary color

CMYK 10 / 0 / 23 / 1

HEX #DCFBB5CE

RGBA 220 251 181 0.81

HSLA 86.57, 0.9%, 0.85%, 0.81

LABA 94.97, -21.78, 30.33, 0.81

 

CMYK 34 / 76 / 0 / 59

HEX #280445CE

RGBA 40 4 69 0.81

HSLA 273.23, 0.89%, 0.14%, 0.81

LABA 8.72, 31.32, -32.25, 0.81

 

CMYK 29 / 61 / 0 / 53

HEX #391658CE

RGBA 57 22 88 0.81

HSLA 271.82, 0.6%, 0.22%, 0.81

LABA 16.25, 31, -32.95, 0.81

 

CMYK 25 / 51 / 0 / 47

HEX #4A286BCE

RGBA 74 40 107 0.81

HSLA 270.45, 0.46%, 0.29%, 0.81

LABA 23.79, 30.18, -33.21, 0.81

 

CMYK 23 / 44 / 0 / 41

HEX #5B3A7ECE

RGBA 91 58 126 0.81

HSLA 269.12, 0.37%, 0.36%, 0.81

LABA 31.25, 29.15, -33.24, 0.81

 

CMYK 21 / 39 / 0 / 35

HEX #6C4C91CE

RGBA 108 76 145 0.81

HSLA 267.83, 0.31%, 0.43%, 0.81

LABA 38.55, 28.16, -33.22, 0.81

 

CMYK 43 / 77 / 0 / 57

HEX #23044ACE

RGBA 35 4 74 0.81

HSLA 266.57, 0.9%, 0.15%, 0.81

LABA 8.47, 31.94, -36.2, 0.81

 

CMYK 54 / 81 / 0 / 64

HEX #120037CE

RGBA 18 0 55 0.81

HSLA 259.64, 1%, 0.11%, 0.81

LABA 3.65, 22.58, -30.56, 0.81

 

CMYK 79 / 81 / 0 / 70

HEX #010024CE

RGBA 1 0 36 0.81

HSLA 241.67, 1%, 0.07%, 0.81

LABA 1.21, 8.35, -20.09, 0.81

 

CMYK 81 / 81 / 0 / 76

HEX #000011CE

RGBA 0 0 17 0.81

HSLA 240, 1%, 0.03%, 0.81

LABA 0.37, 2.57, -6.99, 0.81

 

CMYK 0 / 0 / 0 / 100

HEX #000000CE

RGBA 0 0 0 0.81

HSLA 0, 0%, 0%, 0.81

LABA 0, 0, 0, 0.81

 

CMYK 53 / 95 / 0 / 71

HEX #220449

RGB 34 4 73

HSL 266.09, 0.9%, 0.15%

LAB 8.2, 31.52, -35.95

 

CMYK 27 / 95 / 0 / 71

HEX #350449

RGB 53 4 73

HSL 282.61, 0.9%, 0.15%

LAB 11.45, 34.52, -30.5

 

CMYK 3 / 95 / 0 / 71

HEX #470449

RGB 71 4 73

HSL 298.26, 0.9%, 0.15%

LAB 14.99, 38.04, -24.6

 

CMYK 0 / 95 / 25 / 71

HEX #490437

RGB 73 4 55

HSL 315.65, 0.9%, 0.15%

LAB 14.28, 35.51, -13

 

CMYK 0 / 95 / 49 / 71

HEX #490425

RGB 73 4 37

HSL 331.3, 0.9%, 0.15%

LAB 13.45, 33.23, -1.11

 

CMYK 53 / 95 / 0 / 71

HEX #220449

RGB 34 4 73

HSL 266.09, 0.9%, 0.15%

LAB 8.2, 31.52, -35.95

 

CMYK 78 / 95 / 0 / 71

HEX #100449

RGB 16 4 73

HSL 250.43, 0.9%, 0.15%

LAB 6.12, 28.92, -39.44

 

CMYK 95 / 95 / 0 / 71

HEX #040449

RGB 4 4 73

HSL 240, 0.9%, 0.15%

LAB 5.36, 27.37, -40.73

 

CMYK 53 / 95 / 0 / 71

HEX #220449

RGB 34 4 73

HSL 266.09, 0.9%, 0.15%

LAB 8.2, 31.52, -35.95

 

CMYK 53 / 95 / 0 / 71

HEX #220449

RGB 34 4 73

HSL 266.09, 0.9%, 0.15%

LAB 8.2, 31.52, -35.95

 

CMYK 47 / 85 / 0 / 74

HEX #230A42

RGB 35 10 66

HSL 266.79, 0.74%, 0.15%

LAB 8.72, 26.35, -30.16

 

CMYK 40 / 73 / 0 / 76

HEX #24103C

RGB 36 16 60

HSL 267.27, 0.58%, 0.15%

LAB 9.58, 21.24, -24.49

 

CMYK 33 / 59 / 0 / 79

HEX #241636

RGB 36 22 54

HSL 266.25, 0.42%, 0.15%

LAB 10.67, 15.3, -18.42

 

CMYK 23 / 40 / 0 / 81

HEX #251D30

RGB 37 29 48

HSL 265.26, 0.25%, 0.15%

LAB 12.52, 8.76, -11.19

 

CMYK 95 / 85 / 0 / 71

HEX #040B49

RGB 4 11 73

HSL 233.91, 0.9%, 0.15%

LAB 6.74, 23.73, -38.45

 

CMYK 79 / 95 / 0 / 71

HEX #0F0449

RGB 15 4 73

HSL 249.57, 0.9%, 0.15%

LAB 6.05, 28.78, -39.57

 

CMYK 53 / 95 / 0 / 71

HEX #220449

RGB 34 4 73

HSL 266.09, 0.9%, 0.15%

LAB 8.2, 31.52, -35.95

 

CMYK 29 / 95 / 0 / 71

HEX #340449

RGB 52 4 73

HSL 281.74, 0.9%, 0.15%

LAB 11.26, 34.34, -30.82

 

CMYK 4 / 95 / 0 / 71

HEX #460449

RGB 70 4 73

HSL 297.39, 0.9%, 0.15%

LAB 14.79, 37.83, -24.94

 

CMYK 52 / 94 / 0 / 87

HEX #100221

RGB 16 2 33

HSL 267.1, 0.89%, 0.07%

LAB 2.38, 10.63, -15.86

 

CMYK 53 / 95 / 0 / 71

HEX #220449

RGB 34 4 73

HSL 266.09, 0.9%, 0.15%

LAB 8.2, 31.52, -35.95

 

CMYK 53 / 95 / 0 / 56

HEX #350670

RGB 53 6 112

HSL 266.6, 0.9%, 0.23%

LAB 15.78, 43.32, -49.61

 

CMYK 53 / 95 / 0 / 41

HEX #470897

RGB 71 8 151

HSL 266.43, 0.9%, 0.31%

LAB 22.82, 54.25, -62.58

 

CMYK 53 / 95 / 0 / 71

HEX #23044A

RGB 35 4 74

HSL 266.57, 0.9%, 0.15%

LAB 8.47, 31.94, -36.2

 

CMYK 0 / 95 / 60 / 71

HEX #49041D

RGB 73 4 29

HSL 338.26, 0.9%, 0.15%

LAB 13.18, 32.46, 4.47

 

CMYK 95 / 0 / 92 / 71

HEX #044906

RGB 4 73 6

HSL 121.74, 0.9%, 0.15%

LAB 26.17, -33.75, 31.25

 

CMYK 53 / 95 / 0 / 71

HEX #23044A

RGB 35 4 74

HSL 266.57, 0.9%, 0.15%

LAB 8.47, 31.94, -36.2

 

CMYK 0 / 53 / 95 / 71

HEX #492204

RGB 73 34 4

HSL 26.09, 0.9%, 0.15%

LAB 18.23, 16.26, 25.21

 

CMYK 95 / 0 / 53 / 71

HEX #044922

RGB 4 73 34

HSL 146.09, 0.9%, 0.15%

LAB 26.47, -30.08, 17.8

 

CMYK 53 / 95 / 0 / 71

HEX #23044A

RGB 35 4 74

HSL 266.57, 0.9%, 0.15%

LAB 8.47, 31.94, -36.2

 

CMYK 0 / 95 / 60 / 71

HEX #49041D

RGB 73 4 29

HSL 338.26, 0.9%, 0.15%

LAB 13.18, 32.46, 4.47

 

CMYK 41 / 0 / 95 / 71

HEX #2B4904

RGB 43 73 4

HSL 86.09, 0.9%, 0.15%

LAB 27.54, -22.91, 33.8

 

CMYK 95 / 0 / 36 / 71

HEX #04492F

RGB 4 73 47

HSL 157.39, 0.9%, 0.15%

LAB 26.72, -27.1, 10.08

 

CMYK 53 / 95 / 0 / 71

HEX #23044A

RGB 35 4 74

HSL 266.57, 0.9%, 0.15%

LAB 8.47, 31.94, -36.2

 

CMYK 0 / 95 / 89 / 71

HEX #490408

RGB 73 4 8

HSL 356.52, 0.9%, 0.15%

LAB 12.74, 31.18, 16.62

 

CMYK 41 / 0 / 95 / 71

HEX #2B4904

RGB 43 73 4

HSL 86.09, 0.9%, 0.15%

LAB 27.54, -22.91, 33.8

 

CMYK 95 / 0 / 7 / 71

HEX #044944

RGB 4 73 68

HSL 175.65, 0.9%, 0.15%

LAB 27.32, -20.76, -2.63

 

Description

Color code: HEX #23044ACE | qconv.com Color code: HEX #23044ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 4 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 4 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 77 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 77% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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