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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #22EB97 it is the complementary color #DD1468. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #22EB97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #22EB97 shade: #27EB92, #38FDA5, #49FFB8, #5AFFCB and #6BFFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #22EB97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #22EB97 shade: #22EB97, #11D984, #00C771, #00B55E and #00A34B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #22EB97 shade: #24EB97, #24EB62, #24EB2C, #51EB24 and #86EB24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #22EB97 shade: #24EB97, #24EBCD, #24D2EB, #249DEB and #2467EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #22EB97 shade matches the following richer shades: #24EB97 and #10FE9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #22EB97 shade: #24EB97, #37D794, #4AC491, #5EB08E and #719D8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #22EB97 shade: #24EB2A, #24EB5F, #24EB94, #24EBC9 and #24D7EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #22EB97 shade: #10AC6B, #13D282, #24EB97, #49EEA9 and #6FF2BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #22EB97 shade: #22EB97, #2452EB and #EB4524

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #22EB97 shade: #22EB97, #9424EB and #EB9424

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #22EB97 shade: #22EB97, #2452EB, #EB247A and #EBBC24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #22EB97 shade: #22EB97, #3124EB, #EB247A and #DDEB24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 36 / 8

HEX #22EB97

RGB 34 235 151

HSL 154.93, 0.83%, 0.53%

LAB 82.91, -64.72, 28.07

 

Complementary color

CMYK 0 / 91 / 53 / 13

HEX #DD1468

RGB 221 20 104

HSL 334.93, 0.83%, 0.47%

LAB 48.1, 73.59, 8.06

 

CMYK 83 / 0 / 38 / 8

HEX #27EB92

RGB 39 235 146

HSL 152.76, 0.83%, 0.54%

LAB 82.87, -65.31, 30.57

 

CMYK 78 / 0 / 35 / 1

HEX #38FDA5

RGB 56 253 165

HSL 153.2, 0.98%, 0.61%

LAB 88.83, -66.4, 29.01

 

CMYK 71 / 0 / 28 / 0

HEX #49FFB8

RGB 73 255 184

HSL 156.59, 1%, 0.64%

LAB 90.04, -61.25, 21.07

 

CMYK 65 / 0 / 20 / 0

HEX #5AFFCB

RGB 90 255 203

HSL 161.09, 1%, 0.68%

LAB 90.78, -54.62, 12.42

 

CMYK 58 / 0 / 13 / 0

HEX #6BFFDE

RGB 107 255 222

HSL 166.62, 1%, 0.71%

LAB 91.65, -47.33, 3.91

 

CMYK 86 / 0 / 36 / 8

HEX #22EB97

RGB 34 235 151

HSL 154.93, 0.83%, 0.53%

LAB 82.91, -64.72, 28.07

 

CMYK 92 / 0 / 39 / 15

HEX #11D984

RGB 17 217 132

HSL 154.5, 0.85%, 0.46%

LAB 76.93, -63.13, 29.77

 

CMYK 100 / 0 / 43 / 22

HEX #00C771

RGB 0 199 113

HSL 154.07, 1%, 0.39%

LAB 70.9, -61.17, 31.58

 

CMYK 100 / 0 / 48 / 29

HEX #00B55E

RGB 0 181 94

HSL 151.16, 1%, 0.35%

LAB 64.85, -58.49, 33.53

 

CMYK 100 / 0 / 54 / 36

HEX #00A34B

RGB 0 163 75

HSL 147.61, 1%, 0.32%

LAB 58.7, -55.63, 35.49

 

CMYK 85 / 0 / 36 / 8

HEX #24EB97

RGB 36 235 151

HSL 154.67, 0.83%, 0.53%

LAB 82.93, -64.57, 28.1

 

CMYK 85 / 0 / 58 / 8

HEX #24EB62

RGB 36 235 98

HSL 138.69, 0.83%, 0.53%

LAB 82.2, -73.15, 52.77

 

CMYK 85 / 0 / 81 / 8

HEX #24EB2C

RGB 36 235 44

HSL 122.41, 0.83%, 0.53%

LAB 81.82, -77.89, 71.9

 

CMYK 66 / 0 / 85 / 8

HEX #51EB24

RGB 81 235 36

HSL 106.43, 0.83%, 0.53%

LAB 82.54, -71.82, 74.7

 

CMYK 43 / 0 / 85 / 8

HEX #86EB24

RGB 134 235 36

HSL 90.45, 0.83%, 0.53%

LAB 84.28, -58.01, 76.91

 

CMYK 85 / 0 / 36 / 8

HEX #24EB97

RGB 36 235 151

HSL 154.67, 0.83%, 0.53%

LAB 82.93, -64.57, 28.1

 

CMYK 85 / 0 / 13 / 8

HEX #24EBCD

RGB 36 235 205

HSL 170.95, 0.83%, 0.53%

LAB 84.07, -52.15, 1.61

 

CMYK 85 / 11 / 0 / 8

HEX #24D2EB

RGB 36 210 235

HSL 187.54, 0.83%, 0.53%

LAB 77.56, -32.46, -24.05

 

CMYK 85 / 33 / 0 / 8

HEX #249DEB

RGB 36 157 235

HSL 203.52, 0.83%, 0.53%

LAB 62.07, -4.7, -48.1

 

CMYK 85 / 56 / 0 / 8

HEX #2467EB

RGB 36 103 235

HSL 219.8, 0.83%, 0.53%

LAB 47.07, 28.35, -72.19

 

CMYK 85 / 0 / 36 / 8

HEX #24EB97

RGB 36 235 151

HSL 154.67, 0.83%, 0.53%

LAB 82.93, -64.57, 28.1

 

CMYK 94 / 0 / 39 / 0

HEX #10FE9B

RGB 16 254 155

HSL 155.04, 0.99%, 0.53%

LAB 88.62, -71.41, 33.67

 

CMYK 85 / 0 / 36 / 8

HEX #24EB97

RGB 36 235 151

HSL 154.67, 0.83%, 0.53%

LAB 82.93, -64.57, 28.1

 

CMYK 74 / 0 / 31 / 16

HEX #37D794

RGB 55 215 148

HSL 154.88, 0.67%, 0.53%

LAB 77.01, -55.92, 21.66

 

CMYK 62 / 0 / 26 / 23

HEX #4AC491

RGB 74 196 145

HSL 154.92, 0.51%, 0.53%

LAB 71.54, -45.93, 15.75

 

CMYK 47 / 0 / 19 / 31

HEX #5EB08E

RGB 94 176 142

HSL 155.12, 0.34%, 0.53%

LAB 66.05, -33.19, 9.74

 

CMYK 28 / 0 / 11 / 38

HEX #719D8B

RGB 113 157 139

HSL 155.45, 0.18%, 0.53%

LAB 61.21, -18.86, 4.62

 

CMYK 85 / 0 / 82 / 8

HEX #24EB2A

RGB 36 235 42

HSL 121.81, 0.83%, 0.53%

LAB 81.82, -77.99, 72.39

 

CMYK 85 / 0 / 60 / 8

HEX #24EB5F

RGB 36 235 95

HSL 137.79, 0.83%, 0.53%

LAB 82.17, -73.52, 54.05

 

CMYK 85 / 0 / 37 / 8

HEX #24EB94

RGB 36 235 148

HSL 153.77, 0.83%, 0.53%

LAB 82.88, -65.16, 29.56

 

CMYK 85 / 0 / 14 / 8

HEX #24EBC9

RGB 36 235 201

HSL 169.75, 0.83%, 0.53%

LAB 83.97, -53.18, 3.57

 

CMYK 85 / 9 / 0 / 8

HEX #24D7EB

RGB 36 215 235

HSL 186.03, 0.83%, 0.53%

LAB 79.03, -34.83, -21.82

 

CMYK 91 / 0 / 38 / 33

HEX #10AC6B

RGB 16 172 107

HSL 155, 0.83%, 0.37%

LAB 62.23, -52.12, 23.32

 

CMYK 91 / 0 / 38 / 18

HEX #13D282

RGB 19 210 130

HSL 154.87, 0.83%, 0.45%

LAB 74.73, -60.98, 27.87

 

CMYK 85 / 0 / 36 / 8

HEX #24EB97

RGB 36 235 151

HSL 154.67, 0.83%, 0.53%

LAB 82.93, -64.57, 28.1

 

CMYK 69 / 0 / 29 / 7

HEX #49EEA9

RGB 73 238 169

HSL 154.91, 0.83%, 0.61%

LAB 84.7, -57.87, 21.38

 

CMYK 54 / 0 / 23 / 5

HEX #6FF2BB

RGB 111 242 187

HSL 154.81, 0.83%, 0.69%

LAB 87.23, -48.78, 15.74

 

CMYK 86 / 0 / 36 / 8

HEX #22EB97

RGB 34 235 151

HSL 154.93, 0.83%, 0.53%

LAB 82.91, -64.72, 28.07

 

CMYK 85 / 65 / 0 / 8

HEX #2452EB

RGB 36 82 235

HSL 226.13, 0.83%, 0.53%

LAB 41.86, 41.63, -80.72

 

CMYK 0 / 71 / 85 / 8

HEX #EB4524

RGB 235 69 36

HSL 9.95, 0.83%, 0.53%

LAB 54.08, 62.07, 54.39

 

CMYK 86 / 0 / 36 / 8

HEX #22EB97

RGB 34 235 151

HSL 154.93, 0.83%, 0.53%

LAB 82.91, -64.72, 28.07

 

CMYK 37 / 85 / 0 / 8

HEX #9424EB

RGB 148 36 235

HSL 273.77, 0.83%, 0.53%

LAB 43.59, 75.2, -77.54

 

CMYK 0 / 37 / 85 / 8

HEX #EB9424

RGB 235 148 36

HSL 33.77, 0.83%, 0.53%

LAB 68.73, 24.97, 66.69

 

CMYK 86 / 0 / 36 / 8

HEX #22EB97

RGB 34 235 151

HSL 154.93, 0.83%, 0.53%

LAB 82.91, -64.72, 28.07

 

CMYK 85 / 65 / 0 / 8

HEX #2452EB

RGB 36 82 235

HSL 226.13, 0.83%, 0.53%

LAB 41.86, 41.63, -80.72

 

CMYK 0 / 85 / 48 / 8

HEX #EB247A

RGB 235 36 122

HSL 334.07, 0.83%, 0.53%

LAB 52.21, 75.65, 3.32

 

CMYK 0 / 20 / 85 / 8

HEX #EBBC24

RGB 235 188 36

HSL 45.83, 0.83%, 0.53%

LAB 78.32, 3.86, 74.62

 

CMYK 86 / 0 / 36 / 8

HEX #22EB97

RGB 34 235 151

HSL 154.93, 0.83%, 0.53%

LAB 82.91, -64.72, 28.07

 

CMYK 79 / 85 / 0 / 8

HEX #3124EB

RGB 49 36 235

HSL 243.92, 0.83%, 0.53%

LAB 33.8, 66.46, -94.03

 

CMYK 0 / 85 / 48 / 8

HEX #EB247A

RGB 235 36 122

HSL 334.07, 0.83%, 0.53%

LAB 52.21, 75.65, 3.32

 

CMYK 6 / 0 / 85 / 8

HEX #DDEB24

RGB 221 235 36

HSL 64.22, 0.83%, 0.53%

LAB 89.35, -25.56, 83.22

 

Description

Color code: HEX #22EB97 | qconv.com Color code: HEX #22EB97 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 235 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 235 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 36 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 36% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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