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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #22E788 it is the complementary color #DD1877. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #22E788. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #22E788 shade: #27E783, #38F996, #49FFA9, #5AFFBC and #6BFFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #22E788. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #22E788 shade: #22E788, #11D575, #00C362, #00B14F and #009F3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #22E788 shade: #23E788, #23E753, #27E723, #5CE723 and #91E723

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #22E788 shade: #23E788, #23E7BD, #23DBE7, #23A7E7 and #2372E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #22E788 shade matches the following richer shades: #23E788 and #0FFA89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #22E788 shade: #23E788, #36D387, #4ABF87, #5EAB86 and #729785

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #22E788 shade: #26E723, #23E754, #23E788, #23E7BC and #23DDE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #22E788 shade: #12A45E, #16CA73, #23E788, #48EB9C and #6DEFB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #22E788 shade: #22E788, #235AE7 and #E73A23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #22E788 shade: #22E788, #8823E7 and #E78823

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #22E788 shade: #22E788, #235AE7, #E72381 and #E7AF23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #22E788 shade: #22E788, #2623E7, #E72381 and #E3E723

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 41 / 9

HEX #22E788

RGB 34 231 136

HSL 151.07, 0.8%, 0.52%

LAB 81.44, -66.18, 33.71

 

Complementary color

CMYK 0 / 89 / 46 / 13

HEX #DD1877

RGB 221 24 119

HSL 331.07, 0.8%, 0.48%

LAB 48.71, 74.19, -0.27

 

CMYK 83 / 0 / 43 / 9

HEX #27E783

RGB 39 231 131

HSL 148.75, 0.8%, 0.53%

LAB 81.41, -66.66, 36.19

 

CMYK 78 / 0 / 40 / 2

HEX #38F996

RGB 56 249 150

HSL 149.22, 0.94%, 0.6%

LAB 87.38, -67.8, 34.58

 

CMYK 71 / 0 / 34 / 0

HEX #49FFA9

RGB 73 255 169

HSL 151.65, 1%, 0.64%

LAB 89.77, -64.27, 28.3

 

CMYK 65 / 0 / 26 / 0

HEX #5AFFBC

RGB 90 255 188

HSL 155.64, 1%, 0.68%

LAB 90.47, -57.86, 19.68

 

CMYK 58 / 0 / 19 / 0

HEX #6BFFCF

RGB 107 255 207

HSL 160.54, 1%, 0.71%

LAB 91.3, -50.74, 11.16

 

CMYK 85 / 0 / 41 / 9

HEX #22E788

RGB 34 231 136

HSL 151.07, 0.8%, 0.52%

LAB 81.44, -66.18, 33.71

 

CMYK 92 / 0 / 45 / 16

HEX #11D575

RGB 17 213 117

HSL 150.61, 0.85%, 0.45%

LAB 75.45, -64.53, 35.44

 

CMYK 100 / 0 / 50 / 24

HEX #00C362

RGB 0 195 98

HSL 150.15, 1%, 0.38%

LAB 69.41, -62.45, 37.26

 

CMYK 100 / 0 / 55 / 31

HEX #00B14F

RGB 0 177 79

HSL 146.78, 1%, 0.35%

LAB 63.35, -59.58, 39.16

 

CMYK 100 / 0 / 62 / 38

HEX #009F3C

RGB 0 159 60

HSL 142.64, 1%, 0.31%

LAB 57.19, -56.47, 40.96

 

CMYK 85 / 0 / 41 / 9

HEX #23E788

RGB 35 231 136

HSL 150.92, 0.8%, 0.52%

LAB 81.45, -66.1, 33.73

 

CMYK 85 / 0 / 64 / 9

HEX #23E753

RGB 35 231 83

HSL 134.69, 0.8%, 0.52%

LAB 80.81, -73.75, 57.6

 

CMYK 83 / 0 / 85 / 9

HEX #27E723

RGB 39 231 35

HSL 118.78, 0.8%, 0.52%

LAB 80.57, -76.91, 72.9

 

CMYK 60 / 0 / 85 / 9

HEX #5CE723

RGB 92 231 35

HSL 102.55, 0.8%, 0.52%

LAB 81.59, -68.2, 74.19

 

CMYK 37 / 0 / 85 / 9

HEX #91E723

RGB 145 231 35

HSL 86.33, 0.8%, 0.52%

LAB 83.6, -52.87, 76.72

 

CMYK 85 / 0 / 41 / 9

HEX #23E788

RGB 35 231 136

HSL 150.92, 0.8%, 0.52%

LAB 81.45, -66.1, 33.73

 

CMYK 85 / 0 / 18 / 9

HEX #23E7BD

RGB 35 231 189

HSL 167.14, 0.8%, 0.52%

LAB 82.48, -54.67, 7.73

 

CMYK 85 / 5 / 0 / 9

HEX #23DBE7

RGB 35 219 231

HSL 183.67, 0.8%, 0.52%

LAB 80.06, -37.97, -18.12

 

CMYK 85 / 28 / 0 / 9

HEX #23A7E7

RGB 35 167 231

HSL 199.59, 0.8%, 0.52%

LAB 64.78, -11.81, -41.65

 

CMYK 85 / 51 / 0 / 9

HEX #2372E7

RGB 35 114 231

HSL 215.82, 0.8%, 0.52%

LAB 49.69, 19.76, -65.69

 

CMYK 85 / 0 / 41 / 9

HEX #23E788

RGB 35 231 136

HSL 150.92, 0.8%, 0.52%

LAB 81.45, -66.1, 33.73

 

CMYK 94 / 0 / 45 / 2

HEX #0FFA89

RGB 15 250 137

HSL 151.15, 0.96%, 0.52%

LAB 87.13, -73.32, 40.58

 

CMYK 85 / 0 / 41 / 9

HEX #23E788

RGB 35 231 136

HSL 150.92, 0.8%, 0.52%

LAB 81.45, -66.1, 33.73

 

CMYK 74 / 0 / 36 / 17

HEX #36D387

RGB 54 211 135

HSL 150.96, 0.64%, 0.52%

LAB 75.53, -57.18, 26.43

 

CMYK 61 / 0 / 29 / 25

HEX #4ABF87

RGB 74 191 135

HSL 151.28, 0.48%, 0.52%

LAB 69.8, -45.97, 18.71

 

CMYK 45 / 0 / 22 / 33

HEX #5EAB86

RGB 94 171 134

HSL 151.17, 0.31%, 0.52%

LAB 64.34, -32.57, 11.75

 

CMYK 25 / 0 / 12 / 41

HEX #729785

RGB 114 151 133

HSL 150.81, 0.15%, 0.52%

LAB 59.35, -16.66, 5.34

 

CMYK 84 / 0 / 85 / 9

HEX #26E723

RGB 38 231 35

HSL 119.08, 0.8%, 0.52%

LAB 80.56, -77.01, 72.89

 

CMYK 85 / 0 / 64 / 9

HEX #23E754

RGB 35 231 84

HSL 135, 0.8%, 0.52%

LAB 80.82, -73.65, 57.2

 

CMYK 85 / 0 / 41 / 9

HEX #23E788

RGB 35 231 136

HSL 150.92, 0.8%, 0.52%

LAB 81.45, -66.1, 33.73

 

CMYK 85 / 0 / 19 / 9

HEX #23E7BC

RGB 35 231 188

HSL 166.84, 0.8%, 0.52%

LAB 82.45, -54.91, 8.22

 

CMYK 85 / 4 / 0 / 9

HEX #23DDE7

RGB 35 221 231

HSL 183.06, 0.8%, 0.52%

LAB 80.65, -38.88, -17.23

 

CMYK 89 / 0 / 43 / 36

HEX #12A45E

RGB 18 164 94

HSL 151.23, 0.8%, 0.36%

LAB 59.42, -51.66, 26.57

 

CMYK 89 / 0 / 43 / 21

HEX #16CA73

RGB 22 202 115

HSL 151, 0.8%, 0.44%

LAB 71.99, -60.87, 32

 

CMYK 85 / 0 / 41 / 9

HEX #23E788

RGB 35 231 136

HSL 150.92, 0.8%, 0.52%

LAB 81.45, -66.1, 33.73

 

CMYK 69 / 0 / 34 / 8

HEX #48EB9C

RGB 72 235 156

HSL 150.92, 0.8%, 0.6%

LAB 83.54, -59.5, 26.47

 

CMYK 54 / 0 / 26 / 6

HEX #6DEFB0

RGB 109 239 176

HSL 150.92, 0.8%, 0.68%

LAB 86.07, -50.21, 19.79

 

CMYK 85 / 0 / 41 / 9

HEX #22E788

RGB 34 231 136

HSL 151.07, 0.8%, 0.52%

LAB 81.44, -66.18, 33.71

 

CMYK 85 / 61 / 0 / 9

HEX #235AE7

RGB 35 90 231

HSL 223.16, 0.8%, 0.52%

LAB 43.42, 35.07, -75.9

 

CMYK 0 / 75 / 85 / 9

HEX #E73A23

RGB 231 58 35

HSL 7.04, 0.8%, 0.52%

LAB 51.99, 64.54, 52.77

 

CMYK 85 / 0 / 41 / 9

HEX #22E788

RGB 34 231 136

HSL 151.07, 0.8%, 0.52%

LAB 81.44, -66.18, 33.71

 

CMYK 41 / 85 / 0 / 9

HEX #8823E7

RGB 136 35 231

HSL 270.92, 0.8%, 0.52%

LAB 41.54, 73.1, -78.69

 

CMYK 0 / 41 / 85 / 9

HEX #E78823

RGB 231 136 35

HSL 30.92, 0.8%, 0.52%

LAB 65.53, 29.61, 64.15

 

CMYK 85 / 0 / 41 / 9

HEX #22E788

RGB 34 231 136

HSL 151.07, 0.8%, 0.52%

LAB 81.44, -66.18, 33.71

 

CMYK 85 / 61 / 0 / 9

HEX #235AE7

RGB 35 90 231

HSL 223.16, 0.8%, 0.52%

LAB 43.42, 35.07, -75.9

 

CMYK 0 / 85 / 44 / 9

HEX #E72381

RGB 231 35 129

HSL 331.22, 0.8%, 0.52%

LAB 51.58, 75.47, -1.91

 

CMYK 0 / 24 / 85 / 9

HEX #E7AF23

RGB 231 175 35

HSL 42.86, 0.8%, 0.52%

LAB 74.68, 8.93, 71.71

 

CMYK 85 / 0 / 41 / 9

HEX #22E788

RGB 34 231 136

HSL 151.07, 0.8%, 0.52%

LAB 81.44, -66.18, 33.71

 

CMYK 84 / 85 / 0 / 9

HEX #2623E7

RGB 38 35 231

HSL 240.92, 0.8%, 0.52%

LAB 32.66, 65.3, -93.66

 

CMYK 0 / 85 / 44 / 9

HEX #E72381

RGB 231 35 129

HSL 331.22, 0.8%, 0.52%

LAB 51.58, 75.47, -1.91

 

CMYK 2 / 0 / 85 / 9

HEX #E3E723

RGB 227 231 35

HSL 61.22, 0.8%, 0.52%

LAB 88.74, -21.2, 83.1

 

Description

Color code: HEX #22E788 | qconv.com Color code: HEX #22E788 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 231 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 231 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 41 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 41% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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