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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #22E490 it is the complementary color #DD1B6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #22E490. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #22E490 shade: #27E48B, #38F69E, #49FFB1, #5AFFC4 and #6BFFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #22E490. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #22E490 shade: #22E490, #11D27D, #00C06A, #00AE57 and #009C44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #22E490 shade: #21E48F, #21E45B, #21E426, #50E421 and #84E421

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #22E490 shade: #21E48F, #21E4C4, #21CFE4, #219AE4 and #2166E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #22E490 shade matches the following richer shades: #21E48F and #0CF892

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #22E490 shade: #21E48F, #35CF8C, #49BB8A, #5DA787 and #719384

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #22E490 shade: #21E427, #21E45B, #21E48F, #21E4C3 and #21D0E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #22E490 shade: #149E62, #18C379, #21E48F, #45E8A2 and #6AEDB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #22E490 shade: #22E490, #214EE4 and #E44121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #22E490 shade: #22E490, #8F21E4 and #E48F21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #22E490 shade: #22E490, #214EE4, #E42175 and #E4B621

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #22E490 shade: #22E490, #2E21E4, #E42175 and #D7E421

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 37 / 11

HEX #22E490

RGB 34 228 144

HSL 154.02, 0.78%, 0.51%

LAB 80.65, -63.63, 28.61

 

Complementary color

CMYK 0 / 88 / 50 / 13

HEX #DD1B6F

RGB 221 27 111

HSL 334.02, 0.78%, 0.49%

LAB 48.64, 73.08, 4.53

 

CMYK 83 / 0 / 39 / 11

HEX #27E48B

RGB 39 228 139

HSL 151.75, 0.78%, 0.52%

LAB 80.62, -64.18, 31.13

 

CMYK 77 / 0 / 36 / 4

HEX #38F69E

RGB 56 246 158

HSL 152.21, 0.91%, 0.59%

LAB 86.61, -65.25, 29.55

 

CMYK 71 / 0 / 31 / 0

HEX #49FFB1

RGB 73 255 177

HSL 154.29, 1%, 0.64%

LAB 89.91, -62.69, 24.45

 

CMYK 65 / 0 / 23 / 0

HEX #5AFFC4

RGB 90 255 196

HSL 158.55, 1%, 0.68%

LAB 90.63, -56.16, 15.81

 

CMYK 58 / 0 / 16 / 0

HEX #6BFFD7

RGB 107 255 215

HSL 163.78, 1%, 0.71%

LAB 91.48, -48.95, 7.29

 

CMYK 85 / 0 / 37 / 11

HEX #22E490

RGB 34 228 144

HSL 154.02, 0.78%, 0.51%

LAB 80.65, -63.63, 28.61

 

CMYK 92 / 0 / 40 / 18

HEX #11D27D

RGB 17 210 125

HSL 153.58, 0.85%, 0.45%

LAB 74.63, -62.05, 30.32

 

CMYK 100 / 0 / 45 / 25

HEX #00C06A

RGB 0 192 106

HSL 153.13, 1%, 0.38%

LAB 68.56, -60.07, 32.14

 

CMYK 100 / 0 / 50 / 32

HEX #00AE57

RGB 0 174 87

HSL 150, 1%, 0.34%

LAB 62.47, -57.33, 34.1

 

CMYK 100 / 0 / 56 / 39

HEX #009C44

RGB 0 156 68

HSL 146.15, 1%, 0.31%

LAB 56.28, -54.4, 36.05

 

CMYK 86 / 0 / 37 / 11

HEX #21E48F

RGB 33 228 143

HSL 153.85, 0.78%, 0.51%

LAB 80.62, -63.9, 29.09

 

CMYK 86 / 0 / 60 / 11

HEX #21E45B

RGB 33 228 91

HSL 137.85, 0.78%, 0.51%

LAB 79.93, -72.1, 53.21

 

CMYK 86 / 0 / 83 / 11

HEX #21E426

RGB 33 228 38

HSL 121.54, 0.78%, 0.51%

LAB 79.59, -76.48, 71.32

 

CMYK 65 / 0 / 86 / 11

HEX #50E421

RGB 80 228 33

HSL 105.54, 0.78%, 0.51%

LAB 80.35, -69.92, 73.4

 

CMYK 42 / 0 / 86 / 11

HEX #84E421

RGB 132 228 33

HSL 89.54, 0.78%, 0.51%

LAB 82.11, -56.06, 75.62

 

CMYK 86 / 0 / 37 / 11

HEX #21E48F

RGB 33 228 143

HSL 153.85, 0.78%, 0.51%

LAB 80.62, -63.9, 29.09

 

CMYK 86 / 0 / 14 / 11

HEX #21E4C4

RGB 33 228 196

HSL 170.15, 0.78%, 0.51%

LAB 81.73, -51.82, 2.95

 

CMYK 86 / 9 / 0 / 11

HEX #21CFE4

RGB 33 207 228

HSL 186.46, 0.78%, 0.51%

LAB 76.41, -33.4, -22.05

 

CMYK 86 / 32 / 0 / 11

HEX #219AE4

RGB 33 154 228

HSL 202.77, 0.78%, 0.51%

LAB 60.81, -5.74, -46.23

 

CMYK 86 / 55 / 0 / 11

HEX #2166E4

RGB 33 102 228

HSL 218.77, 0.78%, 0.51%

LAB 46.21, 26.14, -69.64

 

CMYK 86 / 0 / 37 / 11

HEX #21E48F

RGB 33 228 143

HSL 153.85, 0.78%, 0.51%

LAB 80.62, -63.9, 29.09

 

CMYK 95 / 0 / 41 / 3

HEX #0CF892

RGB 12 248 146

HSL 154.07, 0.94%, 0.51%

LAB 86.65, -71.19, 35.53

 

CMYK 86 / 0 / 37 / 11

HEX #21E48F

RGB 33 228 143

HSL 153.85, 0.78%, 0.51%

LAB 80.62, -63.9, 29.09

 

CMYK 74 / 0 / 32 / 19

HEX #35CF8C

RGB 53 207 140

HSL 153.9, 0.62%, 0.51%

LAB 74.37, -54.79, 22.23

 

CMYK 61 / 0 / 26 / 27

HEX #49BB8A

RGB 73 187 138

HSL 154.21, 0.46%, 0.51%

LAB 68.6, -43.85, 15.42

 

CMYK 44 / 0 / 19 / 35

HEX #5DA787

RGB 93 167 135

HSL 154.05, 0.3%, 0.51%

LAB 63.11, -30.73, 9.44

 

CMYK 23 / 0 / 10 / 42

HEX #719384

RGB 113 147 132

HSL 153.53, 0.14%, 0.51%

LAB 58.08, -15.09, 4.08

 

CMYK 86 / 0 / 83 / 11

HEX #21E427

RGB 33 228 39

HSL 121.85, 0.78%, 0.51%

LAB 79.59, -76.44, 71.08

 

CMYK 86 / 0 / 60 / 11

HEX #21E45B

RGB 33 228 91

HSL 137.85, 0.78%, 0.51%

LAB 79.93, -72.1, 53.21

 

CMYK 86 / 0 / 37 / 11

HEX #21E48F

RGB 33 228 143

HSL 153.85, 0.78%, 0.51%

LAB 80.62, -63.9, 29.09

 

CMYK 86 / 0 / 14 / 11

HEX #21E4C3

RGB 33 228 195

HSL 169.85, 0.78%, 0.51%

LAB 81.7, -52.08, 3.44

 

CMYK 86 / 9 / 0 / 11

HEX #21D0E4

RGB 33 208 228

HSL 186.15, 0.78%, 0.51%

LAB 76.7, -33.88, -21.61

 

CMYK 87 / 0 / 38 / 38

HEX #149E62

RGB 20 158 98

HSL 153.91, 0.78%, 0.35%

LAB 57.54, -48.49, 21.93

 

CMYK 88 / 0 / 38 / 24

HEX #18C379

RGB 24 195 121

HSL 154.04, 0.78%, 0.43%

LAB 69.9, -57.13, 26.13

 

CMYK 86 / 0 / 37 / 11

HEX #21E48F

RGB 33 228 143

HSL 153.85, 0.78%, 0.51%

LAB 80.62, -63.9, 29.09

 

CMYK 70 / 0 / 30 / 9

HEX #45E8A2

RGB 69 232 162

HSL 154.23, 0.78%, 0.59%

LAB 82.69, -57.6, 22.21

 

CMYK 55 / 0 / 24 / 7

HEX #6AEDB4

RGB 106 237 180

HSL 153.89, 0.78%, 0.67%

LAB 85.47, -49.21, 16.87

 

CMYK 85 / 0 / 37 / 11

HEX #22E490

RGB 34 228 144

HSL 154.02, 0.78%, 0.51%

LAB 80.65, -63.63, 28.61

 

CMYK 86 / 66 / 0 / 11

HEX #214EE4

RGB 33 78 228

HSL 226.15, 0.78%, 0.51%

LAB 40.2, 41.41, -79.48

 

CMYK 0 / 71 / 86 / 11

HEX #E44121

RGB 228 65 33

HSL 9.85, 0.78%, 0.51%

LAB 52.27, 61.23, 53.67

 

CMYK 85 / 0 / 37 / 11

HEX #22E490

RGB 34 228 144

HSL 154.02, 0.78%, 0.51%

LAB 80.65, -63.63, 28.61

 

CMYK 37 / 86 / 0 / 11

HEX #8F21E4

RGB 143 33 228

HSL 273.85, 0.78%, 0.51%

LAB 42.04, 73.86, -76.12

 

CMYK 0 / 37 / 86 / 11

HEX #E48F21

RGB 228 143 33

HSL 33.85, 0.78%, 0.51%

LAB 66.71, 24.61, 65.59

 

CMYK 85 / 0 / 37 / 11

HEX #22E490

RGB 34 228 144

HSL 154.02, 0.78%, 0.51%

LAB 80.65, -63.63, 28.61

 

CMYK 86 / 66 / 0 / 11

HEX #214EE4

RGB 33 78 228

HSL 226.15, 0.78%, 0.51%

LAB 40.2, 41.41, -79.48

 

CMYK 0 / 86 / 49 / 11

HEX #E42175

RGB 228 33 117

HSL 334.15, 0.78%, 0.51%

LAB 50.53, 74.16, 3.76

 

CMYK 0 / 20 / 86 / 11

HEX #E4B621

RGB 228 182 33

HSL 45.85, 0.78%, 0.51%

LAB 76.11, 3.9, 73.26

 

CMYK 85 / 0 / 37 / 11

HEX #22E490

RGB 34 228 144

HSL 154.02, 0.78%, 0.51%

LAB 80.65, -63.63, 28.61

 

CMYK 80 / 86 / 0 / 11

HEX #2E21E4

RGB 46 33 228

HSL 244, 0.78%, 0.51%

LAB 32.41, 65.51, -92.35

 

CMYK 0 / 86 / 49 / 11

HEX #E42175

RGB 228 33 117

HSL 334.15, 0.78%, 0.51%

LAB 50.53, 74.16, 3.76

 

CMYK 6 / 0 / 86 / 11

HEX #D7E421

RGB 215 228 33

HSL 64, 0.78%, 0.51%

LAB 87.02, -24.77, 81.72

 

Description

Color code: HEX #22E490 | qconv.com Color code: HEX #22E490 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 228 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 228 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 37 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 37% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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