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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #22D386 it is the complementary color #DD2C79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #22D386. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #22D386 shade: #27D381, #38E594, #49F7A7, #5AFFBA and #6BFFCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #22D386. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #22D386 shade: #22D386, #11C173, #00AF60, #009D4D and #008B3A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #22D386 shade: #22D386, #22D356, #22D327, #4DD322 and #7DD322

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #22D386 shade: #22D386, #22D3B5, #22C0D3, #2291D3 and #2261D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #22D386 shade matches the following richer shades: #22D386 and #0EE688

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #22D386 shade: #22D386, #36BF83, #4AAB81, #5E977E and #71837C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #22D386 shade: #22D325, #22D354, #22D383, #22D3B2 and #22C4D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #22D386 shade: #178C59, #1CAF6F, #22D386, #3EE09A and #62E5AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #22D386 shade: #22D386, #224ED3 and #D33D22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #22D386 shade: #22D386, #8322D3 and #D38322

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #22D386 shade: #22D386, #224ED3, #D32272 and #D3A622

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #22D386 shade: #22D386, #2B22D3, #D32272 and #CAD322

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 36 / 17

HEX #22D386

RGB 34 211 134

HSL 153.9, 0.72%, 0.48%

LAB 75.23, -59.54, 26.5

 

Complementary color

CMYK 0 / 80 / 45 / 13

HEX #DD2C79

RGB 221 44 121

HSL 333.9, 0.72%, 0.52%

LAB 50.16, 70.35, 0.63

 

CMYK 82 / 0 / 39 / 17

HEX #27D381

RGB 39 211 129

HSL 151.4, 0.69%, 0.49%

LAB 75.2, -60.06, 29.06

 

CMYK 76 / 0 / 35 / 10

HEX #38E594

RGB 56 229 148

HSL 151.91, 0.77%, 0.56%

LAB 81.3, -61.03, 27.49

 

CMYK 70 / 0 / 32 / 3

HEX #49F7A7

RGB 73 247 167

HSL 152.41, 0.92%, 0.63%

LAB 87.35, -61.7, 26.04

 

CMYK 65 / 0 / 27 / 0

HEX #5AFFBA

RGB 90 255 186

HSL 154.91, 1%, 0.68%

LAB 90.43, -58.28, 20.64

 

CMYK 58 / 0 / 20 / 0

HEX #6BFFCD

RGB 107 255 205

HSL 159.73, 1%, 0.71%

LAB 91.26, -51.18, 12.12

 

CMYK 84 / 0 / 36 / 17

HEX #22D386

RGB 34 211 134

HSL 153.9, 0.72%, 0.48%

LAB 75.23, -59.54, 26.5

 

CMYK 91 / 0 / 40 / 24

HEX #11C173

RGB 17 193 115

HSL 153.41, 0.84%, 0.41%

LAB 69.11, -58.03, 28.21

 

CMYK 100 / 0 / 45 / 31

HEX #00AF60

RGB 0 175 96

HSL 152.91, 1%, 0.34%

LAB 62.93, -56.09, 30.05

 

CMYK 100 / 0 / 51 / 38

HEX #009D4D

RGB 0 157 77

HSL 149.43, 1%, 0.31%

LAB 56.73, -53.29, 32.05

 

CMYK 100 / 0 / 58 / 45

HEX #008B3A

RGB 0 139 58

HSL 145.04, 1%, 0.27%

LAB 50.42, -50.27, 34.02

 

CMYK 84 / 0 / 36 / 17

HEX #22D386

RGB 34 211 134

HSL 153.9, 0.72%, 0.48%

LAB 75.23, -59.54, 26.5

 

CMYK 84 / 0 / 59 / 17

HEX #22D356

RGB 34 211 86

HSL 137.63, 0.72%, 0.48%

LAB 74.57, -67.35, 49.23

 

CMYK 84 / 0 / 82 / 17

HEX #22D327

RGB 34 211 39

HSL 121.69, 0.72%, 0.48%

LAB 74.24, -71.53, 66.18

 

CMYK 64 / 0 / 84 / 17

HEX #4DD322

RGB 77 211 34

HSL 105.42, 0.72%, 0.48%

LAB 75, -65.02, 68.42

 

CMYK 41 / 0 / 84 / 17

HEX #7DD322

RGB 125 211 34

HSL 89.15, 0.72%, 0.48%

LAB 76.72, -51.66, 70.59

 

CMYK 84 / 0 / 36 / 17

HEX #22D386

RGB 34 211 134

HSL 153.9, 0.72%, 0.48%

LAB 75.23, -59.54, 26.5

 

CMYK 84 / 0 / 14 / 17

HEX #22D3B5

RGB 34 211 181

HSL 169.83, 0.72%, 0.48%

LAB 76.23, -48.65, 2.97

 

CMYK 84 / 9 / 0 / 17

HEX #22C0D3

RGB 34 192 211

HSL 186.44, 0.72%, 0.48%

LAB 71.38, -31.48, -20.49

 

CMYK 84 / 31 / 0 / 17

HEX #2291D3

RGB 34 145 211

HSL 202.37, 0.72%, 0.48%

LAB 57.36, -6.71, -42.2

 

CMYK 84 / 54 / 0 / 17

HEX #2261D3

RGB 34 97 211

HSL 218.64, 0.72%, 0.48%

LAB 43.64, 22.92, -64.15

 

CMYK 84 / 0 / 36 / 17

HEX #22D386

RGB 34 211 134

HSL 153.9, 0.72%, 0.48%

LAB 75.23, -59.54, 26.5

 

CMYK 94 / 0 / 41 / 10

HEX #0EE688

RGB 14 230 136

HSL 153.89, 0.89%, 0.48%

LAB 81, -66.94, 33.11

 

CMYK 84 / 0 / 36 / 17

HEX #22D386

RGB 34 211 134

HSL 153.9, 0.72%, 0.48%

LAB 75.23, -59.54, 26.5

 

CMYK 72 / 0 / 31 / 25

HEX #36BF83

RGB 54 191 131

HSL 153.72, 0.56%, 0.48%

LAB 69.24, -50.31, 20.01

 

CMYK 57 / 0 / 25 / 33

HEX #4AAB81

RGB 74 171 129

HSL 154.02, 0.4%, 0.48%

LAB 63.48, -38.65, 13.19

 

CMYK 38 / 0 / 17 / 41

HEX #5E977E

RGB 94 151 126

HSL 153.68, 0.23%, 0.48%

LAB 58.06, -24.57, 7.31

 

CMYK 14 / 0 / 5 / 49

HEX #71837C

RGB 113 131 124

HSL 156.67, 0.07%, 0.48%

LAB 53.17, -8.03, 1.57

 

CMYK 84 / 0 / 82 / 17

HEX #22D325

RGB 34 211 37

HSL 121.02, 0.72%, 0.48%

LAB 74.23, -71.63, 66.69

 

CMYK 84 / 0 / 60 / 17

HEX #22D354

RGB 34 211 84

HSL 136.95, 0.72%, 0.48%

LAB 74.55, -67.6, 50.1

 

CMYK 84 / 0 / 38 / 17

HEX #22D383

RGB 34 211 131

HSL 152.88, 0.72%, 0.48%

LAB 75.18, -60.13, 27.99

 

CMYK 84 / 0 / 16 / 17

HEX #22D3B2

RGB 34 211 178

HSL 168.81, 0.72%, 0.48%

LAB 76.16, -49.43, 4.48

 

CMYK 84 / 7 / 0 / 17

HEX #22C4D3

RGB 34 196 211

HSL 185.08, 0.72%, 0.48%

LAB 72.58, -33.39, -18.68

 

CMYK 84 / 0 / 36 / 45

HEX #178C59

RGB 23 140 89

HSL 153.85, 0.72%, 0.32%

LAB 51.45, -43.19, 18.73

 

CMYK 84 / 0 / 37 / 31

HEX #1CAF6F

RGB 28 175 111

HSL 153.88, 0.72%, 0.4%

LAB 63.39, -51.5, 22.73

 

CMYK 84 / 0 / 36 / 17

HEX #22D386

RGB 34 211 134

HSL 153.9, 0.72%, 0.48%

LAB 75.23, -59.54, 26.5

 

CMYK 72 / 0 / 31 / 12

HEX #3EE09A

RGB 62 224 154

HSL 154.07, 0.72%, 0.56%

LAB 79.99, -57.18, 22.63

 

CMYK 57 / 0 / 25 / 10

HEX #62E5AC

RGB 98 229 172

HSL 153.89, 0.72%, 0.64%

LAB 82.71, -49.21, 17.14

 

CMYK 84 / 0 / 36 / 17

HEX #22D386

RGB 34 211 134

HSL 153.9, 0.72%, 0.48%

LAB 75.23, -59.54, 26.5

 

CMYK 84 / 63 / 0 / 17

HEX #224ED3

RGB 34 78 211

HSL 225.08, 0.72%, 0.48%

LAB 38.71, 35.23, -72.2

 

CMYK 0 / 71 / 84 / 17

HEX #D33D22

RGB 211 61 34

HSL 9.15, 0.72%, 0.48%

LAB 48.64, 57.3, 48.88

 

CMYK 84 / 0 / 36 / 17

HEX #22D386

RGB 34 211 134

HSL 153.9, 0.72%, 0.48%

LAB 75.23, -59.54, 26.5

 

CMYK 38 / 84 / 0 / 17

HEX #8322D3

RGB 131 34 211

HSL 272.88, 0.72%, 0.48%

LAB 39.02, 68.38, -71.39

 

CMYK 0 / 38 / 84 / 17

HEX #D38322

RGB 211 131 34

HSL 32.88, 0.72%, 0.48%

LAB 61.82, 23.85, 60.32

 

CMYK 84 / 0 / 36 / 17

HEX #22D386

RGB 34 211 134

HSL 153.9, 0.72%, 0.48%

LAB 75.23, -59.54, 26.5

 

CMYK 84 / 63 / 0 / 17

HEX #224ED3

RGB 34 78 211

HSL 225.08, 0.72%, 0.48%

LAB 38.71, 35.23, -72.2

 

CMYK 0 / 84 / 46 / 17

HEX #D32272

RGB 211 34 114

HSL 332.88, 0.72%, 0.48%

LAB 47.25, 69.6, 0.43

 

CMYK 0 / 21 / 84 / 17

HEX #D3A622

RGB 211 166 34

HSL 44.75, 0.72%, 0.48%

LAB 70.34, 4.98, 67.53

 

CMYK 84 / 0 / 36 / 17

HEX #22D386

RGB 34 211 134

HSL 153.9, 0.72%, 0.48%

LAB 75.23, -59.54, 26.5

 

CMYK 80 / 84 / 0 / 17

HEX #2B22D3

RGB 43 34 211

HSL 243.05, 0.72%, 0.48%

LAB 30.31, 60.16, -86.07

 

CMYK 0 / 84 / 46 / 17

HEX #D32272

RGB 211 34 114

HSL 332.88, 0.72%, 0.48%

LAB 47.25, 69.6, 0.43

 

CMYK 4 / 0 / 84 / 17

HEX #CAD322

RGB 202 211 34

HSL 63.05, 0.72%, 0.48%

LAB 81.43, -21.97, 76.49

 

Description

Color code: HEX #22D386 | qconv.com Color code: HEX #22D386 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 211 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 211 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 36 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 36% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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