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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #22C2BE it is the complementary color #DD3D41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #22C2BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #22C2BE shade: #27C2B9, #38D4CC, #49E6DF, #5AF8F2 and #6BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #22C2BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #22C2BE shade: #22C2BE, #11B0AB, #009E98, #008C85 and #007A72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #22C2BE shade: #22C3BF, #22C394, #22C368, #22C33D and #33C322

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #22C2BE shade: #22C3BF, #229CC3, #2270C3, #2245C3 and #2222C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #22C2BE shade matches the following richer shades: #22C3BF and #10D6D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #22C2BE shade: #22C3BF, #35B1AD, #489E9C, #5A8B8A and #6D7979

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #22C2BE shade: #22C368, #22C393, #22C3BE, #229EC3 and #2273C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #22C2BE shade: #167D7A, #1CA09D, #22C3BF, #34DBD7 and #57E1DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #22C2BE shade: #22C2BE, #3D22C3 and #C37D22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #22C2BE shade: #22C2BE, #BE22C3 and #C3BE22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #22C2BE shade: #22C2BE, #3D22C3, #C32228 and #A8C322

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #22C2BE shade: #22C2BE, #6D22C3, #C32228 and #78C322

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 2 / 24

HEX #22C2BE

RGB 34 194 190

HSL 178.5, 0.7%, 0.45%

LAB 71.31, -38.78, -9.13

 

Complementary color

CMYK 0 / 72 / 71 / 13

HEX #DD3D41

RGB 221 61 65

HSL 358.5, 0.7%, 0.55%

LAB 50.79, 61.52, 35.13

 

CMYK 80 / 0 / 5 / 24

HEX #27C2B9

RGB 39 194 185

HSL 176.52, 0.67%, 0.46%

LAB 71.23, -39.81, -6.52

 

CMYK 74 / 0 / 4 / 17

HEX #38D4CC

RGB 56 212 204

HSL 176.92, 0.64%, 0.53%

LAB 77.45, -40.8, -7.55

 

CMYK 68 / 0 / 3 / 10

HEX #49E6DF

RGB 73 230 223

HSL 177.32, 0.76%, 0.59%

LAB 83.62, -41.54, -8.49

 

CMYK 64 / 0 / 2 / 3

HEX #5AF8F2

RGB 90 248 242

HSL 177.72, 0.92%, 0.66%

LAB 89.73, -42.1, -9.34

 

CMYK 58 / 0 / 0 / 0

HEX #6BFFFF

RGB 107 255 255

HSL 180, 1%, 0.71%

LAB 92.52, -39.12, -11.9

 

CMYK 82 / 0 / 2 / 24

HEX #22C2BE

RGB 34 194 190

HSL 178.5, 0.7%, 0.45%

LAB 71.31, -38.78, -9.13

 

CMYK 90 / 0 / 3 / 31

HEX #11B0AB

RGB 17 176 171

HSL 178.11, 0.82%, 0.38%

LAB 65.05, -37.29, -8

 

CMYK 100 / 0 / 4 / 38

HEX #009E98

RGB 0 158 152

HSL 177.72, 1%, 0.31%

LAB 58.71, -35.48, -6.76

 

CMYK 100 / 0 / 5 / 45

HEX #008C85

RGB 0 140 133

HSL 177, 1%, 0.27%

LAB 52.34, -32.98, -5.32

 

CMYK 100 / 0 / 7 / 52

HEX #007A72

RGB 0 122 114

HSL 176.07, 1%, 0.24%

LAB 45.82, -30.44, -3.82

 

CMYK 83 / 0 / 2 / 24

HEX #22C3BF

RGB 34 195 191

HSL 178.51, 0.7%, 0.45%

LAB 71.64, -38.95, -9.18

 

CMYK 83 / 0 / 24 / 24

HEX #22C394

RGB 34 195 148

HSL 162.48, 0.7%, 0.45%

LAB 70.53, -50.41, 12.6

 

CMYK 83 / 0 / 47 / 24

HEX #22C368

RGB 34 195 104

HSL 146.09, 0.7%, 0.45%

LAB 69.73, -59.44, 34.71

 

CMYK 83 / 0 / 69 / 24

HEX #22C33D

RGB 34 195 61

HSL 130.06, 0.7%, 0.45%

LAB 69.26, -65.15, 53.93

 

CMYK 74 / 0 / 83 / 24

HEX #33C322

RGB 51 195 34

HSL 113.66, 0.7%, 0.45%

LAB 69.36, -64.86, 63.1

 

CMYK 83 / 0 / 2 / 24

HEX #22C3BF

RGB 34 195 191

HSL 178.51, 0.7%, 0.45%

LAB 71.64, -38.95, -9.18

 

CMYK 83 / 20 / 0 / 24

HEX #229CC3

RGB 34 156 195

HSL 194.53, 0.7%, 0.45%

LAB 59.94, -18.49, -29.18

 

CMYK 83 / 43 / 0 / 24

HEX #2270C3

RGB 34 112 195

HSL 210.93, 0.7%, 0.45%

LAB 46.8, 7.12, -49.87

 

CMYK 83 / 65 / 0 / 24

HEX #2245C3

RGB 34 69 195

HSL 226.96, 0.7%, 0.45%

LAB 35.08, 35.05, -68.88

 

CMYK 83 / 83 / 0 / 24

HEX #2222C3

RGB 34 34 195

HSL 240, 0.7%, 0.45%

LAB 27.91, 55, -80.72

 

CMYK 83 / 0 / 2 / 24

HEX #22C3BF

RGB 34 195 191

HSL 178.51, 0.7%, 0.45%

LAB 71.64, -38.95, -9.18

 

CMYK 93 / 0 / 2 / 16

HEX #10D6D1

RGB 16 214 209

HSL 178.48, 0.86%, 0.45%

LAB 77.76, -43.15, -9.82

 

CMYK 83 / 0 / 2 / 24

HEX #22C3BF

RGB 34 195 191

HSL 178.51, 0.7%, 0.45%

LAB 71.64, -38.95, -9.18

 

CMYK 70 / 0 / 2 / 31

HEX #35B1AD

RGB 53 177 173

HSL 178.06, 0.54%, 0.45%

LAB 65.92, -33.88, -7.77

 

CMYK 54 / 0 / 1 / 38

HEX #489E9C

RGB 72 158 156

HSL 178.6, 0.37%, 0.45%

LAB 60.1, -26.22, -6.84

 

CMYK 35 / 0 / 1 / 45

HEX #5A8B8A

RGB 90 139 138

HSL 178.78, 0.21%, 0.45%

LAB 54.53, -16.67, -4.72

 

CMYK 10 / 0 / 0 / 53

HEX #6D7979

RGB 109 121 121

HSL 180, 0.05%, 0.45%

LAB 49.87, -4.44, -1.53

 

CMYK 83 / 0 / 47 / 24

HEX #22C368

RGB 34 195 104

HSL 146.09, 0.7%, 0.45%

LAB 69.73, -59.44, 34.71

 

CMYK 83 / 0 / 25 / 24

HEX #22C393

RGB 34 195 147

HSL 162.11, 0.7%, 0.45%

LAB 70.51, -50.65, 13.11

 

CMYK 83 / 0 / 3 / 24

HEX #22C3BE

RGB 34 195 190

HSL 178.14, 0.7%, 0.45%

LAB 71.61, -39.24, -8.68

 

CMYK 83 / 19 / 0 / 24

HEX #229EC3

RGB 34 158 195

HSL 193.79, 0.7%, 0.45%

LAB 60.55, -19.55, -28.24

 

CMYK 83 / 41 / 0 / 24

HEX #2273C3

RGB 34 115 195

HSL 209.81, 0.7%, 0.45%

LAB 47.68, 5.24, -48.47

 

CMYK 82 / 0 / 2 / 51

HEX #167D7A

RGB 22 125 122

HSL 178.25, 0.7%, 0.29%

LAB 47.29, -27.84, -6.35

 

CMYK 83 / 0 / 2 / 37

HEX #1CA09D

RGB 28 160 157

HSL 178.64, 0.7%, 0.37%

LAB 59.73, -33.37, -8.06

 

CMYK 83 / 0 / 2 / 24

HEX #22C3BF

RGB 34 195 191

HSL 178.51, 0.7%, 0.45%

LAB 71.64, -38.95, -9.18

 

CMYK 76 / 0 / 2 / 14

HEX #34DBD7

RGB 52 219 215

HSL 178.56, 0.7%, 0.53%

LAB 79.78, -41.27, -9.98

 

CMYK 61 / 0 / 1 / 12

HEX #57E1DE

RGB 87 225 222

HSL 178.7, 0.7%, 0.61%

LAB 82.46, -37.49, -9.65

 

CMYK 82 / 0 / 2 / 24

HEX #22C2BE

RGB 34 194 190

HSL 178.5, 0.7%, 0.45%

LAB 71.31, -38.78, -9.13

 

CMYK 69 / 83 / 0 / 24

HEX #3D22C3

RGB 61 34 195

HSL 250.06, 0.7%, 0.45%

LAB 29.6, 56.66, -77.85

 

CMYK 0 / 36 / 83 / 24

HEX #C37D22

RGB 195 125 34

HSL 33.91, 0.7%, 0.45%

LAB 58.4, 20.22, 56.57

 

CMYK 82 / 0 / 2 / 24

HEX #22C2BE

RGB 34 194 190

HSL 178.5, 0.7%, 0.45%

LAB 71.31, -38.78, -9.13

 

CMYK 3 / 83 / 0 / 24

HEX #BE22C3

RGB 190 34 195

HSL 298.14, 0.7%, 0.45%

LAB 47.02, 74.97, -48.73

 

CMYK 0 / 3 / 83 / 24

HEX #C3BE22

RGB 195 190 34

HSL 58.14, 0.7%, 0.45%

LAB 75.17, -14.53, 71

 

CMYK 82 / 0 / 2 / 24

HEX #22C2BE

RGB 34 194 190

HSL 178.5, 0.7%, 0.45%

LAB 71.31, -38.78, -9.13

 

CMYK 69 / 83 / 0 / 24

HEX #3D22C3

RGB 61 34 195

HSL 250.06, 0.7%, 0.45%

LAB 29.6, 56.66, -77.85

 

CMYK 0 / 83 / 79 / 24

HEX #C32228

RGB 195 34 40

HSL 357.76, 0.7%, 0.45%

LAB 42.61, 61.01, 38.95

 

CMYK 14 / 0 / 83 / 24

HEX #A8C322

RGB 168 195 34

HSL 70.06, 0.7%, 0.45%

LAB 74.49, -28.44, 69.61

 

CMYK 82 / 0 / 2 / 24

HEX #22C2BE

RGB 34 194 190

HSL 178.5, 0.7%, 0.45%

LAB 71.31, -38.78, -9.13

 

CMYK 44 / 83 / 0 / 24

HEX #6D22C3

RGB 109 34 195

HSL 267.95, 0.7%, 0.45%

LAB 34.67, 61.8, -69.32

 

CMYK 0 / 83 / 79 / 24

HEX #C32228

RGB 195 34 40

HSL 357.76, 0.7%, 0.45%

LAB 42.61, 61.01, 38.95

 

CMYK 38 / 0 / 83 / 24

HEX #78C322

RGB 120 195 34

HSL 87.95, 0.7%, 0.45%

LAB 71.65, -46.9, 66.02

 

Description

Color code: HEX #22C2BE | qconv.com Color code: HEX #22C2BE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 194 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 194 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 2 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 2% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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