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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #22BE6F it is the complementary color #DD4190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #22BE6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #22BE6F shade: #27BE6A, #38D07D, #49E290, #5AF4A3 and #6BFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #22BE6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #22BE6F shade: #22BE6F, #11AC5C, #009A49, #008836 and #007623

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #22BE6F shade: #22BF6F, #22BF45, #29BF22, #53BF22 and #7EBF22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #22BE6F shade: #22BF6F, #22BF9A, #22BABF, #228FBF and #2265BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #22BE6F shade matches the following richer shades: #22BF6F and #10D16F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #22BE6F shade: #22BF6F, #34AD6F, #469A70, #588870 and #6A7670

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #22BE6F shade: #2ABF22, #22BF44, #22BF6E, #22BF97 and #22BCBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #22BE6F shade: #157946, #1B9C5B, #22BF6F, #2FDA84 and #52E199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #22BE6F shade: #22BE6F, #2253BF and #BF2F22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #22BE6F shade: #22BE6F, #6E22BF and #BF6E22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #22BE6F shade: #22BE6F, #2253BF, #BF2273 and #BF8D22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #22BE6F shade: #22BE6F, #2224BF, #BF2273 and #BFBC22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 42 / 25

HEX #22BE6F

RGB 34 190 111

HSL 149.62, 0.7%, 0.44%

LAB 68.25, -56.43, 29.2

 

Complementary color

CMYK 0 / 71 / 35 / 13

HEX #DD4190

RGB 221 65 144

HSL 329.62, 0.7%, 0.56%

LAB 53.13, 66.26, -8.8

 

CMYK 79 / 0 / 44 / 25

HEX #27BE6A

RGB 39 190 106

HSL 146.62, 0.66%, 0.45%

LAB 68.24, -56.8, 31.79

 

CMYK 73 / 0 / 40 / 18

HEX #38D07D

RGB 56 208 125

HSL 147.24, 0.62%, 0.52%

LAB 74.47, -57.69, 30.19

 

CMYK 68 / 0 / 36 / 11

HEX #49E290

RGB 73 226 144

HSL 147.84, 0.73%, 0.59%

LAB 80.64, -58.25, 28.71

 

CMYK 63 / 0 / 33 / 4

HEX #5AF4A3

RGB 90 244 163

HSL 148.44, 0.88%, 0.65%

LAB 86.76, -58.57, 27.33

 

CMYK 58 / 0 / 29 / 0

HEX #6BFFB6

RGB 107 255 182

HSL 150.41, 1%, 0.71%

LAB 90.79, -55.96, 23.25

 

CMYK 82 / 0 / 42 / 25

HEX #22BE6F

RGB 34 190 111

HSL 149.62, 0.7%, 0.44%

LAB 68.25, -56.43, 29.2

 

CMYK 90 / 0 / 47 / 33

HEX #11AC5C

RGB 17 172 92

HSL 149.03, 0.82%, 0.37%

LAB 62, -54.94, 30.95

 

CMYK 100 / 0 / 53 / 40

HEX #009A49

RGB 0 154 73

HSL 148.44, 1%, 0.3%

LAB 55.68, -52.95, 32.79

 

CMYK 100 / 0 / 60 / 47

HEX #008836

RGB 0 136 54

HSL 143.82, 1%, 0.27%

LAB 49.34, -49.86, 34.73

 

CMYK 100 / 0 / 70 / 54

HEX #007623

RGB 0 118 35

HSL 137.8, 1%, 0.23%

LAB 42.88, -46.41, 36.41

 

CMYK 82 / 0 / 42 / 25

HEX #22BF6F

RGB 34 191 111

HSL 149.43, 0.7%, 0.44%

LAB 68.57, -56.79, 29.62

 

CMYK 82 / 0 / 64 / 25

HEX #22BF45

RGB 34 191 69

HSL 133.38, 0.7%, 0.44%

LAB 68.04, -63.07, 49.29

 

CMYK 79 / 0 / 82 / 25

HEX #29BF22

RGB 41 191 34

HSL 117.32, 0.7%, 0.44%

LAB 67.91, -65.11, 61.7

 

CMYK 57 / 0 / 82 / 25

HEX #53BF22

RGB 83 191 34

HSL 101.27, 0.7%, 0.44%

LAB 68.91, -56.74, 62.98

 

CMYK 34 / 0 / 82 / 25

HEX #7EBF22

RGB 126 191 34

HSL 84.84, 0.7%, 0.44%

LAB 70.74, -43.09, 65.32

 

CMYK 82 / 0 / 42 / 25

HEX #22BF6F

RGB 34 191 111

HSL 149.43, 0.7%, 0.44%

LAB 68.57, -56.79, 29.62

 

CMYK 82 / 0 / 19 / 25

HEX #22BF9A

RGB 34 191 154

HSL 165.86, 0.7%, 0.44%

LAB 69.42, -47.32, 7.77

 

CMYK 82 / 3 / 0 / 25

HEX #22BABF

RGB 34 186 191

HSL 181.91, 0.7%, 0.44%

LAB 68.91, -34.8, -13.27

 

CMYK 82 / 25 / 0 / 25

HEX #228FBF

RGB 34 143 191

HSL 198.34, 0.7%, 0.44%

LAB 55.83, -12.8, -33.3

 

CMYK 82 / 47 / 0 / 25

HEX #2265BF

RGB 34 101 191

HSL 214.39, 0.7%, 0.44%

LAB 43.37, 12.57, -53.06

 

CMYK 82 / 0 / 42 / 25

HEX #22BF6F

RGB 34 191 111

HSL 149.43, 0.7%, 0.44%

LAB 68.57, -56.79, 29.62

 

CMYK 92 / 0 / 47 / 18

HEX #10D16F

RGB 16 209 111

HSL 149.53, 0.86%, 0.44%

LAB 74.1, -64.27, 36.72

 

CMYK 82 / 0 / 42 / 25

HEX #22BF6F

RGB 34 191 111

HSL 149.43, 0.7%, 0.44%

LAB 68.57, -56.79, 29.62

 

CMYK 70 / 0 / 36 / 32

HEX #34AD6F

RGB 52 173 111

HSL 149.26, 0.54%, 0.44%

LAB 63.15, -47.63, 22.48

 

CMYK 55 / 0 / 27 / 40

HEX #469A70

RGB 70 154 112

HSL 150, 0.38%, 0.44%

LAB 57.64, -35.66, 14.48

 

CMYK 35 / 0 / 18 / 47

HEX #588870

RGB 88 136 112

HSL 150, 0.21%, 0.44%

LAB 52.79, -21.85, 7.78

 

CMYK 10 / 0 / 5 / 54

HEX #6A7670

RGB 106 118 112

HSL 150, 0.05%, 0.44%

LAB 48.5, -5.75, 1.77

 

CMYK 78 / 0 / 82 / 25

HEX #2ABF22

RGB 42 191 34

HSL 116.94, 0.7%, 0.44%

LAB 67.92, -64.97, 61.72

 

CMYK 82 / 0 / 64 / 25

HEX #22BF44

RGB 34 191 68

HSL 132.99, 0.7%, 0.44%

LAB 68.03, -63.18, 49.71

 

CMYK 82 / 0 / 42 / 25

HEX #22BF6E

RGB 34 191 110

HSL 149.04, 0.7%, 0.44%

LAB 68.55, -56.97, 30.11

 

CMYK 82 / 0 / 21 / 25

HEX #22BF97

RGB 34 191 151

HSL 164.71, 0.7%, 0.44%

LAB 69.35, -48.07, 9.3

 

CMYK 82 / 2 / 0 / 25

HEX #22BCBF

RGB 34 188 191

HSL 181.15, 0.7%, 0.44%

LAB 69.52, -35.73, -12.36

 

CMYK 83 / 0 / 42 / 53

HEX #157946

RGB 21 121 70

HSL 149.4, 0.7%, 0.28%

LAB 44.63, -39.92, 20.36

 

CMYK 83 / 0 / 42 / 39

HEX #1B9C5B

RGB 27 156 91

HSL 149.77, 0.7%, 0.36%

LAB 56.85, -48.5, 24.83

 

CMYK 82 / 0 / 42 / 25

HEX #22BF6F

RGB 34 191 111

HSL 149.43, 0.7%, 0.44%

LAB 68.57, -56.79, 29.62

 

CMYK 78 / 0 / 39 / 15

HEX #2FDA84

RGB 47 218 132

HSL 149.82, 0.7%, 0.52%

LAB 77.53, -61.16, 30.62

 

CMYK 64 / 0 / 32 / 12

HEX #52E199

RGB 82 225 153

HSL 149.79, 0.7%, 0.6%

LAB 80.71, -54.56, 24.2

 

CMYK 82 / 0 / 42 / 25

HEX #22BE6F

RGB 34 190 111

HSL 149.62, 0.7%, 0.44%

LAB 68.25, -56.43, 29.2

 

CMYK 82 / 57 / 0 / 25

HEX #2253BF

RGB 34 83 191

HSL 221.27, 0.7%, 0.44%

LAB 38.35, 24.36, -61.18

 

CMYK 0 / 75 / 82 / 25

HEX #BF2F22

RGB 191 47 34

HSL 4.97, 0.7%, 0.44%

LAB 43.1, 55.89, 42.41

 

CMYK 82 / 0 / 42 / 25

HEX #22BE6F

RGB 34 190 111

HSL 149.62, 0.7%, 0.44%

LAB 68.25, -56.43, 29.2

 

CMYK 42 / 82 / 0 / 25

HEX #6E22BF

RGB 110 34 191

HSL 269.04, 0.7%, 0.44%

LAB 34.44, 60.99, -67.35

 

CMYK 0 / 42 / 82 / 25

HEX #BF6E22

RGB 191 110 34

HSL 29.04, 0.7%, 0.44%

LAB 54.39, 26.7, 52.81

 

CMYK 82 / 0 / 42 / 25

HEX #22BE6F

RGB 34 190 111

HSL 149.62, 0.7%, 0.44%

LAB 68.25, -56.43, 29.2

 

CMYK 82 / 57 / 0 / 25

HEX #2253BF

RGB 34 83 191

HSL 221.27, 0.7%, 0.44%

LAB 38.35, 24.36, -61.18

 

CMYK 0 / 82 / 40 / 25

HEX #BF2273

RGB 191 34 115

HSL 329.04, 0.7%, 0.44%

LAB 43.45, 64.78, -6.23

 

CMYK 0 / 26 / 82 / 25

HEX #BF8D22

RGB 191 141 34

HSL 40.89, 0.7%, 0.44%

LAB 61.86, 9.67, 59.42

 

CMYK 82 / 0 / 42 / 25

HEX #22BE6F

RGB 34 190 111

HSL 149.62, 0.7%, 0.44%

LAB 68.25, -56.43, 29.2

 

CMYK 82 / 81 / 0 / 25

HEX #2224BF

RGB 34 36 191

HSL 239.24, 0.7%, 0.44%

LAB 27.75, 52.83, -78.63

 

CMYK 0 / 82 / 40 / 25

HEX #BF2273

RGB 191 34 115

HSL 329.04, 0.7%, 0.44%

LAB 43.45, 64.78, -6.23

 

CMYK 0 / 2 / 82 / 25

HEX #BFBC22

RGB 191 188 34

HSL 58.85, 0.7%, 0.44%

LAB 74.29, -15.25, 70.13

 

Description

Color code: HEX #22BE6F | qconv.com Color code: HEX #22BE6F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 190 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 190 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 42 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 42% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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