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Color name
HEX #22AA25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #22AA25 it is the complementary color #DD55DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #22AA25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #22AA25 shade: #27AA20, #38BC33, #49CE46, #5AE059 and #6BF26C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #22AA25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #22AA25 shade: #22AA25, #119812, #008600, #007400 and #006200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #22AA25 shade: #22AA25, #44AA22, #68AA22, #8DAA22 and #AAA322

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #22AA25 shade: #22AA25, #22AA4A, #22AA6E, #22AA93 and #229DAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #22AA25 shade matches the following richer shades: #22AA25, #11BB15 and #01CB05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #22AA25 shade: #22AA25, #329A34, #438944, #537954 and #646864

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #22AA25 shade: #68AA22, #44AA22, #22AA24, #22AA48 and #22AA6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #22AA25 shade: #146516, #1B881D, #22AA25, #28CD2C and #44DA48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #22AA25 shade: #22AA25, #228DAA and #AA2256

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #22AA25 shade: #22AA25, #2422AA and #AA2422

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #22AA25 shade: #22AA25, #228DAA, #AA22A8 and #AA3F22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #22AA25 shade: #22AA25, #2264AA, #AA22A8 and #AA6822

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 78 / 33

HEX #22AA25

RGB 34 170 37

HSL 121.32, 0.67%, 0.4%

LAB 60.98, -59.41, 54.23

 

Complementary color

CMYK 0 / 62 / 1 / 13

HEX #DD55DA

RGB 221 85 218

HSL 301.32, 0.67%, 0.6%

LAB 58.91, 68.88, -42.73

 

CMYK 77 / 0 / 81 / 33

HEX #27AA20

RGB 39 170 32

HSL 116.96, 0.68%, 0.4%

LAB 61.03, -59.03, 55.86

 

CMYK 70 / 0 / 73 / 26

HEX #38BC33

RGB 56 188 51

HSL 117.81, 0.57%, 0.47%

LAB 67.31, -60.66, 55.82

 

CMYK 65 / 0 / 66 / 19

HEX #49CE46

RGB 73 206 70

HSL 118.68, 0.58%, 0.54%

LAB 73.55, -61.72, 55.14

 

CMYK 60 / 0 / 60 / 12

HEX #5AE059

RGB 90 224 89

HSL 119.56, 0.69%, 0.61%

LAB 79.73, -62.37, 54.13

 

CMYK 56 / 0 / 55 / 5

HEX #6BF26C

RGB 107 242 108

HSL 120.44, 0.84%, 0.68%

LAB 85.86, -62.74, 52.96

 

CMYK 80 / 0 / 78 / 33

HEX #22AA25

RGB 34 170 37

HSL 121.32, 0.67%, 0.4%

LAB 60.98, -59.41, 54.23

 

CMYK 89 / 0 / 88 / 40

HEX #119812

RGB 17 152 18

HSL 120.44, 0.8%, 0.33%

LAB 54.68, -56.86, 53.6

 

CMYK 100 / 0 / 100 / 47

HEX #008600

RGB 0 134 0

HSL 120, 1%, 0.26%

LAB 48.32, -53.44, 51.58

 

CMYK 100 / 0 / 100 / 55

HEX #007400

RGB 0 116 0

HSL 120, 1%, 0.23%

LAB 41.99, -48.17, 46.5

 

CMYK 100 / 0 / 100 / 62

HEX #006200

RGB 0 98 0

HSL 120, 1%, 0.19%

LAB 35.47, -42.76, 41.27

 

CMYK 80 / 0 / 78 / 33

HEX #22AA25

RGB 34 170 37

HSL 121.32, 0.67%, 0.4%

LAB 60.98, -59.41, 54.23

 

CMYK 60 / 0 / 80 / 33

HEX #44AA22

RGB 68 170 34

HSL 105, 0.67%, 0.4%

LAB 61.74, -53.09, 56.17

 

CMYK 39 / 0 / 80 / 33

HEX #68AA22

RGB 104 170 34

HSL 89.12, 0.67%, 0.4%

LAB 63.18, -42.08, 58.04

 

CMYK 17 / 0 / 80 / 33

HEX #8DAA22

RGB 141 170 34

HSL 72.79, 0.67%, 0.4%

LAB 65.38, -27.67, 60.86

 

CMYK 0 / 4 / 80 / 33

HEX #AAA322

RGB 170 163 34

HSL 56.91, 0.67%, 0.4%

LAB 65.64, -11.59, 61.94

 

CMYK 80 / 0 / 78 / 33

HEX #22AA25

RGB 34 170 37

HSL 121.32, 0.67%, 0.4%

LAB 60.98, -59.41, 54.23

 

CMYK 80 / 0 / 56 / 33

HEX #22AA4A

RGB 34 170 74

HSL 137.65, 0.67%, 0.4%

LAB 61.29, -55.54, 39.19

 

CMYK 80 / 0 / 35 / 33

HEX #22AA6E

RGB 34 170 110

HSL 153.53, 0.67%, 0.4%

LAB 61.84, -49.19, 21.2

 

CMYK 80 / 0 / 14 / 33

HEX #22AA93

RGB 34 170 147

HSL 169.85, 0.67%, 0.4%

LAB 62.67, -40.23, 1.91

 

CMYK 80 / 8 / 0 / 33

HEX #229DAA

RGB 34 157 170

HSL 185.74, 0.67%, 0.4%

LAB 59.3, -27.32, -16.05

 

CMYK 80 / 0 / 78 / 33

HEX #22AA25

RGB 34 170 37

HSL 121.32, 0.67%, 0.4%

LAB 60.98, -59.41, 54.23

 

CMYK 91 / 0 / 89 / 27

HEX #11BB15

RGB 17 187 21

HSL 121.41, 0.83%, 0.4%

LAB 66.3, -66.89, 63.15

 

CMYK 100 / 0 / 98 / 20

HEX #01CB05

RGB 1 203 5

HSL 121.19, 0.99%, 0.4%

LAB 71.37, -72.44, 69.53

 

CMYK 80 / 0 / 78 / 33

HEX #22AA25

RGB 34 170 37

HSL 121.32, 0.67%, 0.4%

LAB 60.98, -59.41, 54.23

 

CMYK 68 / 0 / 66 / 40

HEX #329A34

RGB 50 154 52

HSL 121.15, 0.51%, 0.4%

LAB 56.13, -50.07, 43.56

 

CMYK 51 / 0 / 50 / 46

HEX #438944

RGB 67 137 68

HSL 120.86, 0.34%, 0.4%

LAB 51.27, -37.02, 30.22

 

CMYK 31 / 0 / 31 / 53

HEX #537954

RGB 83 121 84

HSL 121.58, 0.19%, 0.4%

LAB 47.18, -21.44, 16.14

 

CMYK 4 / 0 / 4 / 59

HEX #646864

RGB 100 104 100

HSL 120, 0.02%, 0.4%

LAB 43.55, -2.38, 1.71

 

CMYK 39 / 0 / 80 / 33

HEX #68AA22

RGB 104 170 34

HSL 89.12, 0.67%, 0.4%

LAB 63.18, -42.08, 58.04

 

CMYK 60 / 0 / 80 / 33

HEX #44AA22

RGB 68 170 34

HSL 105, 0.67%, 0.4%

LAB 61.74, -53.09, 56.17

 

CMYK 80 / 0 / 79 / 33

HEX #22AA24

RGB 34 170 36

HSL 120.88, 0.67%, 0.4%

LAB 60.97, -59.47, 54.55

 

CMYK 80 / 0 / 58 / 33

HEX #22AA48

RGB 34 170 72

HSL 136.76, 0.67%, 0.4%

LAB 61.27, -55.82, 40.13

 

CMYK 80 / 0 / 36 / 33

HEX #22AA6D

RGB 34 170 109

HSL 153.09, 0.67%, 0.4%

LAB 61.82, -49.4, 21.71

 

CMYK 80 / 0 / 78 / 60

HEX #146516

RGB 20 101 22

HSL 121.48, 0.67%, 0.24%

LAB 36.96, -39.83, 35.8

 

CMYK 80 / 0 / 79 / 47

HEX #1B881D

RGB 27 136 29

HSL 121.1, 0.67%, 0.32%

LAB 49.41, -50.08, 45.61

 

CMYK 80 / 0 / 78 / 33

HEX #22AA25

RGB 34 170 37

HSL 121.32, 0.67%, 0.4%

LAB 60.98, -59.41, 54.23

 

CMYK 80 / 0 / 79 / 20

HEX #28CD2C

RGB 40 205 44

HSL 121.45, 0.67%, 0.48%

LAB 72.43, -68.84, 63.1

 

CMYK 69 / 0 / 67 / 15

HEX #44DA48

RGB 68 218 72

HSL 121.6, 0.67%, 0.56%

LAB 77.18, -66.51, 58.23

 

CMYK 80 / 0 / 78 / 33

HEX #22AA25

RGB 34 170 37

HSL 121.32, 0.67%, 0.4%

LAB 60.98, -59.41, 54.23

 

CMYK 80 / 17 / 0 / 33

HEX #228DAA

RGB 34 141 170

HSL 192.79, 0.67%, 0.4%

LAB 54.34, -19.05, -23.64

 

CMYK 0 / 80 / 49 / 33

HEX #AA2256

RGB 170 34 86

HSL 337.06, 0.67%, 0.4%

LAB 38.48, 56.63, 4.27

 

CMYK 80 / 0 / 78 / 33

HEX #22AA25

RGB 34 170 37

HSL 121.32, 0.67%, 0.4%

LAB 60.98, -59.41, 54.23

 

CMYK 79 / 80 / 0 / 33

HEX #2422AA

RGB 36 34 170

HSL 240.88, 0.67%, 0.4%

LAB 25.02, 47.28, -70.62

 

CMYK 0 / 79 / 80 / 33

HEX #AA2422

RGB 170 36 34

HSL 0.88, 0.67%, 0.4%

LAB 37.7, 52.95, 35.7

 

CMYK 80 / 0 / 78 / 33

HEX #22AA25

RGB 34 170 37

HSL 121.32, 0.67%, 0.4%

LAB 60.98, -59.41, 54.23

 

CMYK 80 / 17 / 0 / 33

HEX #228DAA

RGB 34 141 170

HSL 192.79, 0.67%, 0.4%

LAB 54.34, -19.05, -23.64

 

CMYK 0 / 80 / 1 / 33

HEX #AA22A8

RGB 170 34 168

HSL 300.88, 0.67%, 0.4%

LAB 42.03, 66.87, -40.99

 

CMYK 0 / 63 / 80 / 33

HEX #AA3F22

RGB 170 63 34

HSL 12.79, 0.67%, 0.4%

LAB 41.56, 42.42, 39.59

 

CMYK 80 / 0 / 78 / 33

HEX #22AA25

RGB 34 170 37

HSL 121.32, 0.67%, 0.4%

LAB 60.98, -59.41, 54.23

 

CMYK 80 / 41 / 0 / 33

HEX #2264AA

RGB 34 100 170

HSL 210.88, 0.67%, 0.4%

LAB 41.78, 5.04, -43.33

 

CMYK 0 / 80 / 1 / 33

HEX #AA22A8

RGB 170 34 168

HSL 300.88, 0.67%, 0.4%

LAB 42.03, 66.87, -40.99

 

CMYK 0 / 39 / 80 / 33

HEX #AA6822

RGB 170 104 34

HSL 30.88, 0.67%, 0.4%

LAB 50.17, 20.92, 47.9

 

Description

Color code: HEX #22AA25 | qconv.com Color code: HEX #22AA25 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 170 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 170 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 78 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 78% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - 日本財団
Link: http://www.nippon-foundation.or.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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