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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2292A2 it is the complementary color #DD6D5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2292A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2292A2 shade: #27929D, #38A4B0, #49B6C3, #5AC8D6 and #6BDAE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2292A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2292A2 shade: #2292A2, #11808F, #006E7C, #005C69 and #004A56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2292A2 shade: #2290A0, #226EA0, #224CA0, #222AA0 and #3C22A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2292A2 shade: #2290A0, #226EA0, #224CA0, #222AA0 and #2222A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2292A2 shade matches the following richer shades: #2290A0, #129CB0 and #03A8BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2292A2 shade: #2290A0, #328490, #417981, #516D71 and #616161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2292A2 shade: #22A06B, #22A08D, #2291A0, #2270A0 and #224EA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2292A2 shade: #13535C, #1B717E, #2290A0, #29AFC2 and #3EC3D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2292A2 shade: #2292A2, #4A22A0 and #A07C22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2292A2 shade: #2292A2, #A02291 and #91A022

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2292A2 shade: #2292A2, #4A22A0, #A03122 and #78A022

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2292A2 shade: #2292A2, #7022A0, #A03122 and #52A022

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 10 / 0 / 36

HEX #2292A2

RGB 34 146 162

HSL 187.5, 0.65%, 0.38%

LAB 55.59, -24.35, -17.13

 

Complementary color

CMYK 0 / 51 / 58 / 13

HEX #DD6D5D

RGB 221 109 93

HSL 7.5, 0.65%, 0.62%

LAB 59.07, 42.38, 29.39

 

CMYK 75 / 7 / 0 / 38

HEX #27929D

RGB 39 146 157

HSL 185.59, 0.6%, 0.38%

LAB 55.51, -25.39, -14.38

 

CMYK 68 / 7 / 0 / 31

HEX #38A4B0

RGB 56 164 176

HSL 186, 0.52%, 0.45%

LAB 62.11, -26.25, -15.15

 

CMYK 63 / 7 / 0 / 24

HEX #49B6C3

RGB 73 182 195

HSL 186.39, 0.5%, 0.53%

LAB 68.62, -26.86, -15.84

 

CMYK 58 / 7 / 0 / 16

HEX #5AC8D6

RGB 90 200 214

HSL 186.77, 0.6%, 0.6%

LAB 75.04, -27.29, -16.47

 

CMYK 54 / 6 / 0 / 9

HEX #6BDAE9

RGB 107 218 233

HSL 187.14, 0.74%, 0.67%

LAB 81.37, -27.6, -17.05

 

CMYK 79 / 10 / 0 / 36

HEX #2292A2

RGB 34 146 162

HSL 187.5, 0.65%, 0.38%

LAB 55.59, -24.35, -17.13

 

CMYK 88 / 10 / 0 / 44

HEX #11808F

RGB 17 128 143

HSL 187.14, 0.79%, 0.31%

LAB 48.93, -22.88, -16.27

 

CMYK 100 / 11 / 0 / 51

HEX #006E7C

RGB 0 110 124

HSL 186.77, 1%, 0.24%

LAB 42.17, -21.02, -15.3

 

CMYK 100 / 12 / 0 / 59

HEX #005C69

RGB 0 92 105

HSL 187.43, 1%, 0.21%

LAB 35.35, -18.16, -14.07

 

CMYK 100 / 14 / 0 / 66

HEX #004A56

RGB 0 74 86

HSL 188.37, 1%, 0.17%

LAB 28.3, -15.18, -12.83

 

CMYK 79 / 10 / 0 / 37

HEX #2290A0

RGB 34 144 160

HSL 187.62, 0.65%, 0.38%

LAB 54.89, -23.97, -17.05

 

CMYK 79 / 31 / 0 / 37

HEX #226EA0

RGB 34 110 160

HSL 203.81, 0.65%, 0.38%

LAB 44.28, -4.99, -33.47

 

CMYK 79 / 53 / 0 / 37

HEX #224CA0

RGB 34 76 160

HSL 220, 0.65%, 0.38%

LAB 34.08, 16.9, -49.75

 

CMYK 79 / 74 / 0 / 37

HEX #222AA0

RGB 34 42 160

HSL 236.19, 0.65%, 0.38%

LAB 25.36, 39.29, -64

 

CMYK 63 / 79 / 0 / 37

HEX #3C22A0

RGB 60 34 160

HSL 252.38, 0.65%, 0.38%

LAB 25.69, 46.32, -63.39

 

CMYK 79 / 10 / 0 / 37

HEX #2290A0

RGB 34 144 160

HSL 187.62, 0.65%, 0.38%

LAB 54.89, -23.97, -17.05

 

CMYK 79 / 31 / 0 / 37

HEX #226EA0

RGB 34 110 160

HSL 203.81, 0.65%, 0.38%

LAB 44.28, -4.99, -33.47

 

CMYK 79 / 53 / 0 / 37

HEX #224CA0

RGB 34 76 160

HSL 220, 0.65%, 0.38%

LAB 34.08, 16.9, -49.75

 

CMYK 79 / 74 / 0 / 37

HEX #222AA0

RGB 34 42 160

HSL 236.19, 0.65%, 0.38%

LAB 25.36, 39.29, -64

 

CMYK 79 / 79 / 0 / 37

HEX #2222A0

RGB 34 34 160

HSL 240, 0.65%, 0.38%

LAB 23.74, 43.88, -66.67

 

CMYK 79 / 10 / 0 / 37

HEX #2290A0

RGB 34 144 160

HSL 187.62, 0.65%, 0.38%

LAB 54.89, -23.97, -17.05

 

CMYK 90 / 11 / 0 / 31

HEX #129CB0

RGB 18 156 176

HSL 187.59, 0.81%, 0.38%

LAB 59.01, -26.06, -19.91

 

CMYK 98 / 12 / 0 / 25

HEX #03A8BF

RGB 3 168 191

HSL 187.34, 0.97%, 0.38%

LAB 63.17, -27.66, -22

 

CMYK 79 / 10 / 0 / 37

HEX #2290A0

RGB 34 144 160

HSL 187.62, 0.65%, 0.38%

LAB 54.89, -23.97, -17.05

 

CMYK 65 / 8 / 0 / 44

HEX #328490

RGB 50 132 144

HSL 187.66, 0.48%, 0.38%

LAB 50.91, -20.64, -13.78

 

CMYK 50 / 6 / 0 / 49

HEX #417981

RGB 65 121 129

HSL 187.5, 0.33%, 0.38%

LAB 47.47, -16.11, -10.1

 

CMYK 28 / 4 / 0 / 56

HEX #516D71

RGB 81 109 113

HSL 187.5, 0.16%, 0.38%

LAB 44.06, -9.14, -5.56

 

CMYK 0 / 0 / 0 / 62

HEX #616161

RGB 97 97 97

HSL 0, 0%, 0.38%

LAB 41.14, 0, -0.01

 

CMYK 79 / 0 / 33 / 37

HEX #22A06B

RGB 34 160 107

HSL 154.76, 0.65%, 0.38%

LAB 58.55, -45.92, 18.37

 

CMYK 79 / 0 / 12 / 37

HEX #22A08D

RGB 34 160 141

HSL 170.95, 0.65%, 0.38%

LAB 59.35, -37.44, 0.44

 

CMYK 79 / 9 / 0 / 37

HEX #2291A0

RGB 34 145 160

HSL 187.14, 0.65%, 0.38%

LAB 55.2, -24.49, -16.57

 

CMYK 79 / 30 / 0 / 37

HEX #2270A0

RGB 34 112 160

HSL 202.86, 0.65%, 0.38%

LAB 44.89, -6.2, -32.5

 

CMYK 79 / 51 / 0 / 37

HEX #224EA0

RGB 34 78 160

HSL 219.05, 0.65%, 0.38%

LAB 34.65, 15.55, -48.82

 

CMYK 79 / 10 / 0 / 64

HEX #13535C

RGB 19 83 92

HSL 187.4, 0.66%, 0.22%

LAB 32.03, -16.07, -10.95

 

CMYK 79 / 10 / 0 / 51

HEX #1B717E

RGB 27 113 126

HSL 187.88, 0.65%, 0.3%

LAB 43.58, -19.8, -14.32

 

CMYK 79 / 10 / 0 / 37

HEX #2290A0

RGB 34 144 160

HSL 187.62, 0.65%, 0.38%

LAB 54.89, -23.97, -17.05

 

CMYK 79 / 10 / 0 / 24

HEX #29AFC2

RGB 41 175 194

HSL 187.45, 0.65%, 0.46%

LAB 65.77, -27.95, -19.67

 

CMYK 71 / 9 / 0 / 16

HEX #3EC3D6

RGB 62 195 214

HSL 187.5, 0.65%, 0.54%

LAB 72.83, -29.22, -19.88

 

CMYK 79 / 10 / 0 / 36

HEX #2292A2

RGB 34 146 162

HSL 187.5, 0.65%, 0.38%

LAB 55.59, -24.35, -17.13

 

CMYK 54 / 79 / 0 / 37

HEX #4A22A0

RGB 74 34 160

HSL 259.05, 0.65%, 0.38%

LAB 27.12, 48.11, -60.98

 

CMYK 0 / 23 / 79 / 37

HEX #A07C22

RGB 160 124 34

HSL 42.86, 0.65%, 0.38%

LAB 54.03, 5.1, 51.08

 

CMYK 79 / 10 / 0 / 36

HEX #2292A2

RGB 34 146 162

HSL 187.5, 0.65%, 0.38%

LAB 55.59, -24.35, -17.13

 

CMYK 0 / 79 / 9 / 37

HEX #A02291

RGB 160 34 145

HSL 307.14, 0.65%, 0.38%

LAB 39.01, 61.19, -32.02

 

CMYK 9 / 0 / 79 / 37

HEX #91A022

RGB 145 160 34

HSL 67.14, 0.65%, 0.38%

LAB 62.74, -21.03, 58.58

 

CMYK 79 / 10 / 0 / 36

HEX #2292A2

RGB 34 146 162

HSL 187.5, 0.65%, 0.38%

LAB 55.59, -24.35, -17.13

 

CMYK 54 / 79 / 0 / 37

HEX #4A22A0

RGB 74 34 160

HSL 259.05, 0.65%, 0.38%

LAB 27.12, 48.11, -60.98

 

CMYK 0 / 69 / 79 / 37

HEX #A03122

RGB 160 49 34

HSL 7.14, 0.65%, 0.38%

LAB 37.46, 45, 34.83

 

CMYK 25 / 0 / 79 / 37

HEX #78A022

RGB 120 160 34

HSL 79.05, 0.65%, 0.38%

LAB 61, -31.54, 56.35

 

CMYK 79 / 10 / 0 / 36

HEX #2292A2

RGB 34 146 162

HSL 187.5, 0.65%, 0.38%

LAB 55.59, -24.35, -17.13

 

CMYK 30 / 79 / 0 / 37

HEX #7022A0

RGB 112 34 160

HSL 277.14, 0.65%, 0.38%

LAB 32.09, 54.21, -52.65

 

CMYK 0 / 69 / 79 / 37

HEX #A03122

RGB 160 49 34

HSL 7.14, 0.65%, 0.38%

LAB 37.46, 45, 34.83

 

CMYK 49 / 0 / 79 / 37

HEX #52A022

RGB 82 160 34

HSL 97.14, 0.65%, 0.38%

LAB 59.02, -45.35, 53.78

 

Description

Color code: HEX #2292A2 | qconv.com Color code: HEX #2292A2 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 146 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 146 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 10 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 10% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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