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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #228E46 it is the complementary color #DD71B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #228E46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #228E46 shade: #278E41, #38A054, #49B267, #5AC47A and #6BD68D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #228E46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #228E46 shade: #228E46, #117C33, #006A20, #00580D and #004600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #228E46 shade: #239047, #23902A, #399023, #579023 and #749023

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #228E46 shade: #239047, #239064, #239082, #238090 and #236390

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #228E46 shade matches the following richer shades: #239047, #149E42 and #06AD3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #228E46 shade: #239047, #31814C, #407351, #4E6456 and #5D565A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #228E46 shade: #399023, #23902A, #239047, #239064 and #239081

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #228E46 shade: #134D26, #1B6E37, #239047, #2BB158 and #37CE69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #228E46 shade: #228E46, #235690 and #90232A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #228E46 shade: #228E46, #472390 and #904723

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #228E46 shade: #228E46, #235690, #90236B and #905D23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #228E46 shade: #228E46, #233590, #90236B and #907E23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 51 / 44

HEX #228E46

RGB 34 142 70

HSL 140, 0.61%, 0.35%

LAB 51.98, -46.17, 29.84

 

Complementary color

CMYK 0 / 49 / 16 / 13

HEX #DD71B9

RGB 221 113 185

HSL 320, 0.61%, 0.65%

LAB 62.24, 50.95, -18.86

 

CMYK 73 / 0 / 54 / 44

HEX #278E41

RGB 39 142 65

HSL 135.15, 0.57%, 0.35%

LAB 52.02, -46.13, 32.51

 

CMYK 65 / 0 / 48 / 37

HEX #38A054

RGB 56 160 84

HSL 136.15, 0.48%, 0.42%

LAB 58.62, -46.72, 30.96

 

CMYK 59 / 0 / 42 / 30

HEX #49B267

RGB 73 178 103

HSL 137.14, 0.42%, 0.49%

LAB 65.15, -46.96, 29.49

 

CMYK 54 / 0 / 38 / 23

HEX #5AC47A

RGB 90 196 122

HSL 138.11, 0.47%, 0.56%

LAB 71.59, -46.99, 28.11

 

CMYK 50 / 0 / 34 / 16

HEX #6BD68D

RGB 107 214 141

HSL 139.07, 0.57%, 0.63%

LAB 77.96, -46.89, 26.82

 

CMYK 76 / 0 / 51 / 44

HEX #228E46

RGB 34 142 70

HSL 140, 0.61%, 0.35%

LAB 51.98, -46.17, 29.84

 

CMYK 86 / 0 / 59 / 51

HEX #117C33

RGB 17 124 51

HSL 139.07, 0.76%, 0.28%

LAB 45.32, -44.87, 31.53

 

CMYK 100 / 0 / 70 / 58

HEX #006A20

RGB 0 106 32

HSL 138.11, 1%, 0.21%

LAB 38.57, -42.84, 33.08

 

CMYK 100 / 0 / 85 / 65

HEX #00580D

RGB 0 88 13

HSL 128.86, 1%, 0.17%

LAB 31.83, -38.82, 34.03

 

CMYK 100 / 0 / 100 / 73

HEX #004600

RGB 0 70 0

HSL 120, 1%, 0.14%

LAB 24.89, -33.97, 32.47

 

CMYK 76 / 0 / 51 / 44

HEX #239047

RGB 35 144 71

HSL 139.82, 0.61%, 0.35%

LAB 52.68, -46.6, 30.2

 

CMYK 76 / 0 / 71 / 44

HEX #23902A

RGB 35 144 42

HSL 123.85, 0.61%, 0.35%

LAB 52.37, -50.4, 43.68

 

CMYK 60 / 0 / 76 / 44

HEX #399023

RGB 57 144 35

HSL 107.89, 0.61%, 0.35%

LAB 52.88, -46.32, 47.14

 

CMYK 40 / 0 / 76 / 44

HEX #579023

RGB 87 144 35

HSL 91.38, 0.61%, 0.35%

LAB 54.13, -36.92, 48.79

 

CMYK 19 / 0 / 76 / 44

HEX #749023

RGB 116 144 35

HSL 75.41, 0.61%, 0.35%

LAB 55.87, -25.44, 51.07

 

CMYK 76 / 0 / 51 / 44

HEX #239047

RGB 35 144 71

HSL 139.82, 0.61%, 0.35%

LAB 52.68, -46.6, 30.2

 

CMYK 76 / 0 / 31 / 44

HEX #239064

RGB 35 144 100

HSL 155.78, 0.61%, 0.35%

LAB 53.19, -40.85, 14.94

 

CMYK 76 / 0 / 10 / 44

HEX #239082

RGB 35 144 130

HSL 172.29, 0.61%, 0.35%

LAB 53.94, -33.09, -1.19

 

CMYK 76 / 11 / 0 / 44

HEX #238090

RGB 35 128 144

HSL 188.81, 0.61%, 0.35%

LAB 49.26, -20.78, -16.32

 

CMYK 76 / 31 / 0 / 44

HEX #236390

RGB 35 99 144

HSL 204.77, 0.61%, 0.35%

LAB 40.07, -4.17, -30.55

 

CMYK 76 / 0 / 51 / 44

HEX #239047

RGB 35 144 71

HSL 139.82, 0.61%, 0.35%

LAB 52.68, -46.6, 30.2

 

CMYK 87 / 0 / 58 / 38

HEX #149E42

RGB 20 158 66

HSL 140, 0.78%, 0.35%

LAB 57.07, -54.09, 38.01

 

CMYK 97 / 0 / 65 / 32

HEX #06AD3D

RGB 6 173 61

HSL 139.76, 0.93%, 0.35%

LAB 61.88, -60.42, 45.82

 

CMYK 76 / 0 / 51 / 44

HEX #239047

RGB 35 144 71

HSL 139.82, 0.61%, 0.35%

LAB 52.68, -46.6, 30.2

 

CMYK 62 / 0 / 41 / 49

HEX #31814C

RGB 49 129 76

HSL 140.25, 0.45%, 0.35%

LAB 48.1, -36.99, 21.67

 

CMYK 44 / 0 / 30 / 55

HEX #407351

RGB 64 115 81

HSL 140, 0.28%, 0.35%

LAB 44.15, -25.39, 13.59

 

CMYK 22 / 0 / 14 / 61

HEX #4E6456

RGB 78 100 86

HSL 141.82, 0.12%, 0.35%

LAB 40.26, -11.43, 5.25

 

CMYK 0 / 8 / 3 / 64

HEX #5D565A

RGB 93 86 90

HSL 325.71, 0.04%, 0.35%

LAB 37.34, 3.66, -1.3

 

CMYK 60 / 0 / 76 / 44

HEX #399023

RGB 57 144 35

HSL 107.89, 0.61%, 0.35%

LAB 52.88, -46.32, 47.14

 

CMYK 76 / 0 / 71 / 44

HEX #23902A

RGB 35 144 42

HSL 123.85, 0.61%, 0.35%

LAB 52.37, -50.4, 43.68

 

CMYK 76 / 0 / 51 / 44

HEX #239047

RGB 35 144 71

HSL 139.82, 0.61%, 0.35%

LAB 52.68, -46.6, 30.2

 

CMYK 76 / 0 / 31 / 44

HEX #239064

RGB 35 144 100

HSL 155.78, 0.61%, 0.35%

LAB 53.19, -40.85, 14.94

 

CMYK 76 / 0 / 10 / 44

HEX #239081

RGB 35 144 129

HSL 171.74, 0.61%, 0.35%

LAB 53.91, -33.38, -0.65

 

CMYK 75 / 0 / 51 / 70

HEX #134D26

RGB 19 77 38

HSL 139.66, 0.6%, 0.19%

LAB 28.34, -28.48, 17.85

 

CMYK 75 / 0 / 50 / 57

HEX #1B6E37

RGB 27 110 55

HSL 140.24, 0.61%, 0.27%

LAB 40.67, -37.55, 23.73

 

CMYK 76 / 0 / 51 / 44

HEX #239047

RGB 35 144 71

HSL 139.82, 0.61%, 0.35%

LAB 52.68, -46.6, 30.2

 

CMYK 76 / 0 / 50 / 31

HEX #2BB158

RGB 43 177 88

HSL 140.15, 0.61%, 0.43%

LAB 63.89, -54.68, 35.45

 

CMYK 73 / 0 / 49 / 19

HEX #37CE69

RGB 55 206 105

HSL 139.87, 0.61%, 0.51%

LAB 73.53, -60.51, 39.07

 

CMYK 76 / 0 / 51 / 44

HEX #228E46

RGB 34 142 70

HSL 140, 0.61%, 0.35%

LAB 51.98, -46.17, 29.84

 

CMYK 76 / 40 / 0 / 44

HEX #235690

RGB 35 86 144

HSL 211.93, 0.61%, 0.35%

LAB 36.04, 4.07, -36.94

 

CMYK 0 / 76 / 71 / 44

HEX #90232A

RGB 144 35 42

HSL 356.15, 0.61%, 0.35%

LAB 32.48, 45.46, 23.58

 

CMYK 76 / 0 / 51 / 44

HEX #228E46

RGB 34 142 70

HSL 140, 0.61%, 0.35%

LAB 51.98, -46.17, 29.84

 

CMYK 51 / 76 / 0 / 44

HEX #472390

RGB 71 35 144

HSL 259.82, 0.61%, 0.35%

LAB 25.43, 42.67, -53.96

 

CMYK 0 / 51 / 76 / 44

HEX #904723

RGB 144 71 35

HSL 19.82, 0.61%, 0.35%

LAB 38.82, 28.11, 34.89

 

CMYK 76 / 0 / 51 / 44

HEX #228E46

RGB 34 142 70

HSL 140, 0.61%, 0.35%

LAB 51.98, -46.17, 29.84

 

CMYK 76 / 40 / 0 / 44

HEX #235690

RGB 35 86 144

HSL 211.93, 0.61%, 0.35%

LAB 36.04, 4.07, -36.94

 

CMYK 0 / 76 / 26 / 44

HEX #90236B

RGB 144 35 107

HSL 320.37, 0.61%, 0.35%

LAB 34.38, 51.57, -15.77

 

CMYK 0 / 35 / 76 / 44

HEX #905D23

RGB 144 93 35

HSL 31.93, 0.61%, 0.35%

LAB 44.06, 15.58, 40.32

 

CMYK 76 / 0 / 51 / 44

HEX #228E46

RGB 34 142 70

HSL 140, 0.61%, 0.35%

LAB 51.98, -46.17, 29.84

 

CMYK 76 / 63 / 0 / 44

HEX #233590

RGB 35 53 144

HSL 230.09, 0.61%, 0.35%

LAB 26.5, 26.41, -52.33

 

CMYK 0 / 76 / 26 / 44

HEX #90236B

RGB 144 35 107

HSL 320.37, 0.61%, 0.35%

LAB 34.38, 51.57, -15.77

 

CMYK 0 / 13 / 76 / 44

HEX #907E23

RGB 144 126 35

HSL 50.09, 0.61%, 0.35%

LAB 52.92, -3.35, 49.05

 

Description

Color code: HEX #228E46 | qconv.com Color code: HEX #228E46 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 142 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 142 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 51 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 51% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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