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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #228964 it is the complementary color #DD769B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #228964. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #228964 shade: #27895F, #389B72, #49AD85, #5ABF98 and #6BD1AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #228964. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #228964 shade: #228964, #117751, #00653E, #00532B and #004118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #228964 shade: #238B65, #238B49, #238B2D, #348B23 and #508B23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #228964 shade: #238B65, #238B81, #23788B, #235C8B and #23408B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #228964 shade matches the following richer shades: #238B65, #159969 and #07A76D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #228964 shade: #238B65, #317D61, #3F6F5D, #4D6159 and #5B5356

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #228964 shade: #238B2D, #238B49, #238B65, #238B80 and #23798B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #228964 shade: #124935, #1A6A4D, #238B65, #2BAC7D and #34CC95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #228964 shade: #228964, #23348B and #8B3B23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #228964 shade: #228964, #65238B and #8B6523

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #228964 shade: #228964, #23348B, #8B2349 and #8B7923

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #228964 shade: #228964, #31238B, #8B2349 and #7D8B23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 27 / 46

HEX #228964

RGB 34 137 100

HSL 158.45, 0.6%, 0.34%

LAB 50.86, -38.03, 11.7

 

Complementary color

CMYK 0 / 47 / 30 / 13

HEX #DD769B

RGB 221 118 155

HSL 338.45, 0.6%, 0.66%

LAB 62.25, 44.2, -1.71

 

CMYK 72 / 0 / 31 / 46

HEX #27895F

RGB 39 137 95

HSL 154.29, 0.56%, 0.35%

LAB 50.86, -38.43, 14.58

 

CMYK 64 / 0 / 26 / 39

HEX #389B72

RGB 56 155 114

HSL 155.15, 0.47%, 0.41%

LAB 57.56, -38.76, 13.18

 

CMYK 58 / 0 / 23 / 32

HEX #49AD85

RGB 73 173 133

HSL 156, 0.41%, 0.48%

LAB 64.16, -38.87, 11.93

 

CMYK 53 / 0 / 20 / 25

HEX #5ABF98

RGB 90 191 152

HSL 156.83, 0.44%, 0.55%

LAB 70.67, -38.84, 10.8

 

CMYK 49 / 0 / 18 / 18

HEX #6BD1AB

RGB 107 209 171

HSL 157.65, 0.53%, 0.62%

LAB 77.08, -38.73, 9.77

 

CMYK 75 / 0 / 27 / 46

HEX #228964

RGB 34 137 100

HSL 158.45, 0.6%, 0.34%

LAB 50.86, -38.03, 11.7

 

CMYK 86 / 0 / 32 / 53

HEX #117751

RGB 17 119 81

HSL 157.65, 0.75%, 0.27%

LAB 44.1, -37.1, 13.29

 

CMYK 100 / 0 / 39 / 60

HEX #00653E

RGB 0 101 62

HSL 156.83, 1%, 0.2%

LAB 37.22, -35.71, 15.1

 

CMYK 100 / 0 / 48 / 67

HEX #00532B

RGB 0 83 43

HSL 151.08, 1%, 0.16%

LAB 30.31, -32.78, 17.31

 

CMYK 100 / 0 / 63 / 75

HEX #004118

RGB 0 65 24

HSL 142.15, 1%, 0.13%

LAB 23.16, -29.49, 19.59

 

CMYK 75 / 0 / 27 / 45

HEX #238B65

RGB 35 139 101

HSL 158.08, 0.6%, 0.34%

LAB 51.57, -38.51, 12.11

 

CMYK 75 / 0 / 47 / 45

HEX #238B49

RGB 35 139 73

HSL 141.92, 0.6%, 0.34%

LAB 51.04, -44.36, 27.06

 

CMYK 75 / 0 / 68 / 45

HEX #238B2D

RGB 35 139 45

HSL 125.77, 0.6%, 0.34%

LAB 50.7, -48.36, 40.61

 

CMYK 63 / 0 / 75 / 45

HEX #348B23

RGB 52 139 35

HSL 110.19, 0.6%, 0.34%

LAB 51.06, -45.72, 45.25

 

CMYK 42 / 0 / 75 / 45

HEX #508B23

RGB 80 139 35

HSL 94.04, 0.6%, 0.34%

LAB 52.17, -37.24, 46.73

 

CMYK 75 / 0 / 27 / 45

HEX #238B65

RGB 35 139 101

HSL 158.08, 0.6%, 0.34%

LAB 51.57, -38.51, 12.11

 

CMYK 75 / 0 / 7 / 45

HEX #238B81

RGB 35 139 129

HSL 174.23, 0.6%, 0.34%

LAB 52.29, -31.02, -3.02

 

CMYK 75 / 14 / 0 / 45

HEX #23788B

RGB 35 120 139

HSL 190.96, 0.6%, 0.34%

LAB 46.52, -18.15, -17.57

 

CMYK 75 / 34 / 0 / 45

HEX #235C8B

RGB 35 92 139

HSL 207.12, 0.6%, 0.34%

LAB 37.62, -1.7, -31.39

 

CMYK 75 / 54 / 0 / 45

HEX #23408B

RGB 35 64 139

HSL 223.27, 0.6%, 0.34%

LAB 29.13, 16.91, -44.96

 

CMYK 75 / 0 / 27 / 45

HEX #238B65

RGB 35 139 101

HSL 158.08, 0.6%, 0.34%

LAB 51.57, -38.51, 12.11

 

CMYK 86 / 0 / 31 / 40

HEX #159969

RGB 21 153 105

HSL 158.18, 0.76%, 0.34%

LAB 56.05, -44.94, 16.03

 

CMYK 96 / 0 / 35 / 35

HEX #07A76D

RGB 7 167 109

HSL 158.25, 0.92%, 0.34%

LAB 60.59, -50.28, 20.01

 

CMYK 75 / 0 / 27 / 45

HEX #238B65

RGB 35 139 101

HSL 158.08, 0.6%, 0.34%

LAB 51.57, -38.51, 12.11

 

CMYK 61 / 0 / 22 / 51

HEX #317D61

RGB 49 125 97

HSL 157.89, 0.44%, 0.34%

LAB 47.21, -30.61, 8.37

 

CMYK 43 / 0 / 16 / 56

HEX #3F6F5D

RGB 63 111 93

HSL 157.5, 0.28%, 0.34%

LAB 43.09, -20.95, 4.94

 

CMYK 21 / 0 / 8 / 62

HEX #4D6159

RGB 77 97 89

HSL 156, 0.11%, 0.34%

LAB 39.32, -9.41, 2.06

 

CMYK 0 / 9 / 5 / 64

HEX #5B5356

RGB 91 83 86

HSL 337.5, 0.05%, 0.34%

LAB 36.14, 3.88, -0.57

 

CMYK 75 / 0 / 68 / 45

HEX #238B2D

RGB 35 139 45

HSL 125.77, 0.6%, 0.34%

LAB 50.7, -48.36, 40.61

 

CMYK 75 / 0 / 47 / 45

HEX #238B49

RGB 35 139 73

HSL 141.92, 0.6%, 0.34%

LAB 51.04, -44.36, 27.06

 

CMYK 75 / 0 / 27 / 45

HEX #238B65

RGB 35 139 101

HSL 158.08, 0.6%, 0.34%

LAB 51.57, -38.51, 12.11

 

CMYK 75 / 0 / 8 / 45

HEX #238B80

RGB 35 139 128

HSL 173.65, 0.6%, 0.34%

LAB 52.27, -31.31, -2.49

 

CMYK 75 / 13 / 0 / 45

HEX #23798B

RGB 35 121 139

HSL 190.38, 0.6%, 0.34%

LAB 46.84, -18.7, -17.08

 

CMYK 75 / 0 / 27 / 71

HEX #124935

RGB 18 73 53

HSL 158.18, 0.6%, 0.18%

LAB 27.16, -23.34, 6.89

 

CMYK 75 / 0 / 27 / 58

HEX #1A6A4D

RGB 26 106 77

HSL 158.25, 0.61%, 0.26%

LAB 39.69, -31.25, 9.57

 

CMYK 75 / 0 / 27 / 45

HEX #238B65

RGB 35 139 101

HSL 158.08, 0.6%, 0.34%

LAB 51.57, -38.51, 12.11

 

CMYK 75 / 0 / 27 / 33

HEX #2BAC7D

RGB 43 172 125

HSL 158.14, 0.6%, 0.42%

LAB 62.93, -45.56, 14.51

 

CMYK 75 / 0 / 27 / 20

HEX #34CC95

RGB 52 204 149

HSL 158.29, 0.6%, 0.5%

LAB 73.6, -51.81, 16.41

 

CMYK 75 / 0 / 27 / 46

HEX #228964

RGB 34 137 100

HSL 158.45, 0.6%, 0.34%

LAB 50.86, -38.03, 11.7

 

CMYK 75 / 63 / 0 / 45

HEX #23348B

RGB 35 52 139

HSL 230.19, 0.6%, 0.34%

LAB 25.8, 25.17, -50.38

 

CMYK 0 / 58 / 75 / 45

HEX #8B3B23

RGB 139 59 35

HSL 13.85, 0.6%, 0.34%

LAB 35.48, 32.49, 31.03

 

CMYK 75 / 0 / 27 / 46

HEX #228964

RGB 34 137 100

HSL 158.45, 0.6%, 0.34%

LAB 50.86, -38.03, 11.7

 

CMYK 27 / 75 / 0 / 45

HEX #65238B

RGB 101 35 139

HSL 278.08, 0.6%, 0.34%

LAB 28.99, 46.98, -44.89

 

CMYK 0 / 27 / 75 / 45

HEX #8B6523

RGB 139 101 35

HSL 38.08, 0.6%, 0.34%

LAB 45.52, 8.61, 41.6

 

CMYK 75 / 0 / 27 / 46

HEX #228964

RGB 34 137 100

HSL 158.45, 0.6%, 0.34%

LAB 50.86, -38.03, 11.7

 

CMYK 75 / 63 / 0 / 45

HEX #23348B

RGB 35 52 139

HSL 230.19, 0.6%, 0.34%

LAB 25.8, 25.17, -50.38

 

CMYK 0 / 75 / 47 / 45

HEX #8B2349

RGB 139 35 73

HSL 338.08, 0.6%, 0.34%

LAB 32.2, 46.2, 2.86

 

CMYK 0 / 13 / 75 / 45

HEX #8B7923

RGB 139 121 35

HSL 49.62, 0.6%, 0.34%

LAB 51.02, -2.87, 47.05

 

CMYK 75 / 0 / 27 / 46

HEX #228964

RGB 34 137 100

HSL 158.45, 0.6%, 0.34%

LAB 50.86, -38.03, 11.7

 

CMYK 65 / 75 / 0 / 45

HEX #31238B

RGB 49 35 139

HSL 248.08, 0.6%, 0.34%

LAB 22.72, 37.86, -55.38

 

CMYK 0 / 75 / 47 / 45

HEX #8B2349

RGB 139 35 73

HSL 338.08, 0.6%, 0.34%

LAB 32.2, 46.2, 2.86

 

CMYK 10 / 0 / 75 / 45

HEX #7D8B23

RGB 125 139 35

HSL 68.08, 0.6%, 0.34%

LAB 55.02, -19.01, 50.49

 

Description

Color code: HEX #228964 | qconv.com Color code: HEX #228964 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 137 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 137 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 27 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 27% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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