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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #228957 it is the complementary color #DD76A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #228957. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #228957 shade: #278952, #389B65, #49AD78, #5ABF8B and #6BD19E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #228957. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #228957 shade: #228957, #117744, #006531, #00531E and #00410B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #228957 shade: #238B58, #238B3C, #258B23, #418B23 and #5D8B23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #228957 shade: #238B58, #238B74, #23858B, #23698B and #234D8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #228957 shade matches the following richer shades: #238B58, #159959 and #07A759

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #228957 shade: #238B58, #317D58, #3F6F57, #4D6157 and #5B5357

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #228957 shade: #268B23, #238B3B, #238B57, #238B72 and #23878B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #228957 shade: #12492E, #1A6A43, #238B58, #2BAC6D and #34CC82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #228957 shade: #228957, #23428B and #8B2D23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #228957 shade: #228957, #57238B and #8B5723

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #228957 shade: #228957, #23428B, #8B2357 and #8B6C23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #228957 shade: #228957, #23238B, #8B2357 and #8B8B23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 36 / 46

HEX #228957

RGB 34 137 87

HSL 150.87, 0.6%, 0.34%

LAB 50.59, -41, 18.74

 

Complementary color

CMYK 0 / 47 / 24 / 13

HEX #DD76A8

RGB 221 118 168

HSL 330.87, 0.6%, 0.66%

LAB 62.64, 45.96, -8.57

 

CMYK 72 / 0 / 40 / 46

HEX #278952

RGB 39 137 82

HSL 146.33, 0.56%, 0.35%

LAB 50.61, -41.2, 21.58

 

CMYK 64 / 0 / 35 / 39

HEX #389B65

RGB 56 155 101

HSL 147.27, 0.47%, 0.41%

LAB 57.29, -41.57, 20.06

 

CMYK 58 / 0 / 31 / 32

HEX #49AD78

RGB 73 173 120

HSL 148.2, 0.41%, 0.48%

LAB 63.88, -41.67, 18.69

 

CMYK 53 / 0 / 27 / 25

HEX #5ABF8B

RGB 90 191 139

HSL 149.11, 0.44%, 0.55%

LAB 70.39, -41.62, 17.44

 

CMYK 49 / 0 / 24 / 18

HEX #6BD19E

RGB 107 209 158

HSL 150, 0.53%, 0.62%

LAB 76.8, -41.48, 16.3

 

CMYK 75 / 0 / 36 / 46

HEX #228957

RGB 34 137 87

HSL 150.87, 0.6%, 0.34%

LAB 50.59, -41, 18.74

 

CMYK 86 / 0 / 43 / 53

HEX #117744

RGB 17 119 68

HSL 150, 0.75%, 0.27%

LAB 43.84, -40, 20.46

 

CMYK 100 / 0 / 51 / 60

HEX #006531

RGB 0 101 49

HSL 149.11, 1%, 0.2%

LAB 36.98, -38.47, 22.35

 

CMYK 100 / 0 / 64 / 67

HEX #00531E

RGB 0 83 30

HSL 141.69, 1%, 0.16%

LAB 30.11, -35.18, 24.49

 

CMYK 100 / 0 / 83 / 75

HEX #00410B

RGB 0 65 11

HSL 130.15, 1%, 0.13%

LAB 23.02, -31.27, 26.12

 

CMYK 75 / 0 / 37 / 45

HEX #238B58

RGB 35 139 88

HSL 150.58, 0.6%, 0.34%

LAB 51.3, -41.44, 19.13

 

CMYK 75 / 0 / 57 / 45

HEX #238B3C

RGB 35 139 60

HSL 134.42, 0.6%, 0.34%

LAB 50.86, -46.46, 33.64

 

CMYK 73 / 0 / 75 / 45

HEX #258B23

RGB 37 139 35

HSL 118.85, 0.6%, 0.34%

LAB 50.66, -48.97, 44.73

 

CMYK 53 / 0 / 75 / 45

HEX #418B23

RGB 65 139 35

HSL 102.69, 0.6%, 0.34%

LAB 51.51, -42.15, 45.85

 

CMYK 33 / 0 / 75 / 45

HEX #5D8B23

RGB 93 139 35

HSL 86.54, 0.6%, 0.34%

LAB 52.85, -32.42, 47.64

 

CMYK 75 / 0 / 37 / 45

HEX #238B58

RGB 35 139 88

HSL 150.58, 0.6%, 0.34%

LAB 51.3, -41.44, 19.13

 

CMYK 75 / 0 / 17 / 45

HEX #238B74

RGB 35 139 116

HSL 166.73, 0.6%, 0.34%

LAB 51.93, -34.68, 3.99

 

CMYK 75 / 4 / 0 / 45

HEX #23858B

RGB 35 133 139

HSL 183.46, 0.6%, 0.34%

LAB 50.68, -25.01, -11.25

 

CMYK 75 / 24 / 0 / 45

HEX #23698B

RGB 35 105 139

HSL 199.62, 0.6%, 0.34%

LAB 41.73, -9.64, -24.96

 

CMYK 75 / 45 / 0 / 45

HEX #234D8B

RGB 35 77 139

HSL 215.77, 0.6%, 0.34%

LAB 32.98, 8.06, -38.76

 

CMYK 75 / 0 / 37 / 45

HEX #238B58

RGB 35 139 88

HSL 150.58, 0.6%, 0.34%

LAB 51.3, -41.44, 19.13

 

CMYK 86 / 0 / 42 / 40

HEX #159959

RGB 21 153 89

HSL 150.91, 0.76%, 0.34%

LAB 55.75, -48.36, 24.45

 

CMYK 96 / 0 / 47 / 35

HEX #07A759

RGB 7 167 89

HSL 150.75, 0.92%, 0.34%

LAB 60.25, -54.28, 30.27

 

CMYK 75 / 0 / 37 / 45

HEX #238B58

RGB 35 139 88

HSL 150.58, 0.6%, 0.34%

LAB 51.3, -41.44, 19.13

 

CMYK 61 / 0 / 30 / 51

HEX #317D58

RGB 49 125 88

HSL 150.79, 0.44%, 0.34%

LAB 47.01, -32.73, 13.33

 

CMYK 43 / 0 / 22 / 56

HEX #3F6F57

RGB 63 111 87

HSL 150, 0.28%, 0.34%

LAB 42.93, -22.36, 8.32

 

CMYK 21 / 0 / 10 / 62

HEX #4D6157

RGB 77 97 87

HSL 150, 0.11%, 0.34%

LAB 39.27, -9.86, 3.21

 

CMYK 0 / 9 / 4 / 64

HEX #5B5357

RGB 91 83 87

HSL 330, 0.05%, 0.34%

LAB 36.17, 4.08, -1.15

 

CMYK 73 / 0 / 75 / 45

HEX #268B23

RGB 38 139 35

HSL 118.27, 0.6%, 0.34%

LAB 50.69, -48.79, 44.76

 

CMYK 75 / 0 / 58 / 45

HEX #238B3B

RGB 35 139 59

HSL 133.85, 0.6%, 0.34%

LAB 50.85, -46.6, 34.13

 

CMYK 75 / 0 / 37 / 45

HEX #238B57

RGB 35 139 87

HSL 150, 0.6%, 0.34%

LAB 51.28, -41.66, 19.66

 

CMYK 75 / 0 / 18 / 45

HEX #238B72

RGB 35 139 114

HSL 165.58, 0.6%, 0.34%

LAB 51.88, -35.21, 5.07

 

CMYK 75 / 3 / 0 / 45

HEX #23878B

RGB 35 135 139

HSL 182.31, 0.6%, 0.34%

LAB 51.32, -26.02, -10.29

 

CMYK 75 / 0 / 37 / 71

HEX #12492E

RGB 18 73 46

HSL 150.55, 0.6%, 0.18%

LAB 26.99, -25.13, 11.13

 

CMYK 75 / 0 / 37 / 58

HEX #1A6A43

RGB 26 106 67

HSL 150.75, 0.61%, 0.26%

LAB 39.47, -33.64, 15.24

 

CMYK 75 / 0 / 37 / 45

HEX #238B58

RGB 35 139 88

HSL 150.58, 0.6%, 0.34%

LAB 51.3, -41.44, 19.13

 

CMYK 75 / 0 / 37 / 33

HEX #2BAC6D

RGB 43 172 109

HSL 150.7, 0.6%, 0.42%

LAB 62.61, -49.03, 22.8

 

CMYK 75 / 0 / 36 / 20

HEX #34CC82

RGB 52 204 130

HSL 150.79, 0.6%, 0.5%

LAB 73.24, -55.81, 25.95

 

CMYK 75 / 0 / 36 / 46

HEX #228957

RGB 34 137 87

HSL 150.87, 0.6%, 0.34%

LAB 50.59, -41, 18.74

 

CMYK 75 / 53 / 0 / 45

HEX #23428B

RGB 35 66 139

HSL 222.12, 0.6%, 0.34%

LAB 29.71, 15.53, -44.02

 

CMYK 0 / 68 / 75 / 45

HEX #8B2D23

RGB 139 45 35

HSL 5.77, 0.6%, 0.34%

LAB 32.89, 39.32, 28.15

 

CMYK 75 / 0 / 36 / 46

HEX #228957

RGB 34 137 87

HSL 150.87, 0.6%, 0.34%

LAB 50.59, -41, 18.74

 

CMYK 37 / 75 / 0 / 45

HEX #57238B

RGB 87 35 139

HSL 270, 0.6%, 0.34%

LAB 27, 44.17, -48.21

 

CMYK 0 / 37 / 75 / 45

HEX #8B5723

RGB 139 87 35

HSL 30, 0.6%, 0.34%

LAB 41.89, 16.79, 37.88

 

CMYK 75 / 0 / 36 / 46

HEX #228957

RGB 34 137 87

HSL 150.87, 0.6%, 0.34%

LAB 50.59, -41, 18.74

 

CMYK 75 / 53 / 0 / 45

HEX #23428B

RGB 35 66 139

HSL 222.12, 0.6%, 0.34%

LAB 29.71, 15.53, -44.02

 

CMYK 0 / 75 / 37 / 45

HEX #8B2357

RGB 139 35 87

HSL 330, 0.6%, 0.34%

LAB 32.65, 47.69, -5.61

 

CMYK 0 / 22 / 75 / 45

HEX #8B6C23

RGB 139 108 35

HSL 42.12, 0.6%, 0.34%

LAB 47.41, 4.54, 43.5

 

CMYK 75 / 0 / 36 / 46

HEX #228957

RGB 34 137 87

HSL 150.87, 0.6%, 0.34%

LAB 50.59, -41, 18.74

 

CMYK 75 / 75 / 0 / 45

HEX #23238B

RGB 35 35 139

HSL 240, 0.6%, 0.34%

LAB 21.67, 36.23, -57.16

 

CMYK 0 / 75 / 37 / 45

HEX #8B2357

RGB 139 35 87

HSL 330, 0.6%, 0.34%

LAB 32.65, 47.69, -5.61

 

CMYK 0 / 0 / 75 / 45

HEX #8B8B23

RGB 139 139 35

HSL 60, 0.6%, 0.34%

LAB 56.16, -12.75, 51.98

 

Description

Color code: HEX #228957 | qconv.com Color code: HEX #228957 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 137 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 137 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 36 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 36% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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