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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2287AC it is the complementary color #DD7853. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2287AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2287AC shade: #2787A7, #3899BA, #49ABCD, #5ABDE0 and #6BCFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2287AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2287AC shade: #2287AC, #117599, #006386, #005173 and #003F60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2287AC shade: #2286AA, #2261AA, #223CAA, #2C22AA and #5122AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2287AC shade: #2286AA, #2261AA, #223CAA and #2222AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2287AC shade matches the following richer shades: #2286AA, #118DBB and #0195CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2287AC shade: #2286AA, #327E9A, #437689, #536F79 and #646768

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2287AC shade: #22AA86, #22AAAA, #2286AA, #2261AA and #223DAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2287AC shade: #145065, #1B6B88, #2286AA, #28A1CD and #44B2DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2287AC shade: #2287AC, #6122AA and #AA9822

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2287AC shade: #2287AC, #AA2286 and #86AA22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2287AC shade: #2287AC, #6122AA, #AA4622 and #6BAA22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2287AC shade: #2287AC, #8A22AA, #AA4622 and #42AA22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 22 / 0 / 33

HEX #2287AC

RGB 34 135 172

HSL 196.09, 0.67%, 0.4%

LAB 52.56, -15.08, -27.53

 

Complementary color

CMYK 0 / 46 / 62 / 13

HEX #DD7853

RGB 221 120 83

HSL 16.09, 0.67%, 0.6%

LAB 61.16, 36.07, 37.53

 

CMYK 77 / 19 / 0 / 35

HEX #2787A7

RGB 39 135 167

HSL 195, 0.62%, 0.4%

LAB 52.45, -16.27, -24.81

 

CMYK 70 / 18 / 0 / 27

HEX #3899BA

RGB 56 153 186

HSL 195.23, 0.54%, 0.47%

LAB 59.13, -17.38, -25.32

 

CMYK 64 / 17 / 0 / 20

HEX #49ABCD

RGB 73 171 205

HSL 195.45, 0.57%, 0.55%

LAB 65.71, -18.2, -25.79

 

CMYK 60 / 16 / 0 / 12

HEX #5ABDE0

RGB 90 189 224

HSL 195.67, 0.68%, 0.62%

LAB 72.2, -18.83, -26.21

 

CMYK 56 / 15 / 0 / 5

HEX #6BCFF3

RGB 107 207 243

HSL 195.88, 0.85%, 0.69%

LAB 78.59, -19.32, -26.61

 

CMYK 80 / 22 / 0 / 33

HEX #2287AC

RGB 34 135 172

HSL 196.09, 0.67%, 0.4%

LAB 52.56, -15.08, -27.53

 

CMYK 89 / 24 / 0 / 40

HEX #117599

RGB 17 117 153

HSL 195.88, 0.8%, 0.33%

LAB 45.83, -13.3, -26.94

 

CMYK 100 / 26 / 0 / 47

HEX #006386

RGB 0 99 134

HSL 195.67, 1%, 0.26%

LAB 38.98, -11.07, -26.27

 

CMYK 100 / 30 / 0 / 55

HEX #005173

RGB 0 81 115

HSL 197.74, 1%, 0.23%

LAB 32.08, -7.77, -25.37

 

CMYK 100 / 34 / 0 / 62

HEX #003F60

RGB 0 63 96

HSL 200.63, 1%, 0.19%

LAB 24.95, -4.22, -24.51

 

CMYK 80 / 21 / 0 / 33

HEX #2286AA

RGB 34 134 170

HSL 195.88, 0.67%, 0.4%

LAB 52.17, -15.23, -26.99

 

CMYK 80 / 43 / 0 / 33

HEX #2261AA

RGB 34 97 170

HSL 212.21, 0.67%, 0.4%

LAB 40.88, 6.96, -44.76

 

CMYK 80 / 65 / 0 / 33

HEX #223CAA

RGB 34 60 170

HSL 228.53, 0.67%, 0.4%

LAB 30.58, 31.53, -61.46

 

CMYK 74 / 80 / 0 / 33

HEX #2C22AA

RGB 44 34 170

HSL 244.41, 0.67%, 0.4%

LAB 25.51, 47.85, -69.8

 

CMYK 52 / 80 / 0 / 33

HEX #5122AA

RGB 81 34 170

HSL 260.74, 0.67%, 0.4%

LAB 28.89, 51.79, -64.1

 

CMYK 80 / 21 / 0 / 33

HEX #2286AA

RGB 34 134 170

HSL 195.88, 0.67%, 0.4%

LAB 52.17, -15.23, -26.99

 

CMYK 80 / 43 / 0 / 33

HEX #2261AA

RGB 34 97 170

HSL 212.21, 0.67%, 0.4%

LAB 40.88, 6.96, -44.76

 

CMYK 80 / 65 / 0 / 33

HEX #223CAA

RGB 34 60 170

HSL 228.53, 0.67%, 0.4%

LAB 30.58, 31.53, -61.46

 

CMYK 80 / 80 / 0 / 33

HEX #2222AA

RGB 34 34 170

HSL 240, 0.67%, 0.4%

LAB 24.91, 47.15, -70.81

 

CMYK 80 / 21 / 0 / 33

HEX #2286AA

RGB 34 134 170

HSL 195.88, 0.67%, 0.4%

LAB 52.17, -15.23, -26.99

 

CMYK 91 / 25 / 0 / 27

HEX #118DBB

RGB 17 141 187

HSL 196.24, 0.83%, 0.4%

LAB 54.82, -14.32, -32.63

 

CMYK 100 / 27 / 0 / 20

HEX #0195CB

RGB 1 149 203

HSL 196.04, 0.99%, 0.4%

LAB 57.86, -13.52, -36.94

 

CMYK 80 / 21 / 0 / 33

HEX #2286AA

RGB 34 134 170

HSL 195.88, 0.67%, 0.4%

LAB 52.17, -15.23, -26.99

 

CMYK 68 / 18 / 0 / 40

HEX #327E9A

RGB 50 126 154

HSL 196.15, 0.51%, 0.4%

LAB 49.41, -14.13, -21.92

 

CMYK 51 / 14 / 0 / 46

HEX #437689

RGB 67 118 137

HSL 196.29, 0.34%, 0.4%

LAB 46.92, -11.56, -15.67

 

CMYK 31 / 8 / 0 / 53

HEX #536F79

RGB 83 111 121

HSL 195.79, 0.19%, 0.4%

LAB 45.07, -7.57, -8.85

 

CMYK 4 / 1 / 0 / 59

HEX #646768

RGB 100 103 104

HSL 195, 0.02%, 0.4%

LAB 43.37, -0.95, -0.97

 

CMYK 80 / 0 / 21 / 33

HEX #22AA86

RGB 34 170 134

HSL 164.12, 0.67%, 0.4%

LAB 62.35, -43.63, 8.69

 

CMYK 80 / 0 / 0 / 33

HEX #22AAAA

RGB 34 170 170

HSL 180, 0.67%, 0.4%

LAB 63.34, -33.63, -9.98

 

CMYK 80 / 21 / 0 / 33

HEX #2286AA

RGB 34 134 170

HSL 195.88, 0.67%, 0.4%

LAB 52.17, -15.23, -26.99

 

CMYK 80 / 43 / 0 / 33

HEX #2261AA

RGB 34 97 170

HSL 212.21, 0.67%, 0.4%

LAB 40.88, 6.96, -44.76

 

CMYK 80 / 64 / 0 / 33

HEX #223DAA

RGB 34 61 170

HSL 228.09, 0.67%, 0.4%

LAB 30.83, 30.87, -61.04

 

CMYK 80 / 21 / 0 / 60

HEX #145065

RGB 20 80 101

HSL 195.56, 0.67%, 0.24%

LAB 31.41, -10.87, -17.6

 

CMYK 80 / 21 / 0 / 47

HEX #1B6B88

RGB 27 107 136

HSL 195.96, 0.67%, 0.32%

LAB 42.04, -12.93, -22.68

 

CMYK 80 / 21 / 0 / 33

HEX #2286AA

RGB 34 134 170

HSL 195.88, 0.67%, 0.4%

LAB 52.17, -15.23, -26.99

 

CMYK 80 / 21 / 0 / 20

HEX #28A1CD

RGB 40 161 205

HSL 196, 0.67%, 0.48%

LAB 61.95, -17.2, -31.65

 

CMYK 69 / 18 / 0 / 15

HEX #44B2DA

RGB 68 178 218

HSL 196, 0.67%, 0.56%

LAB 68.12, -18.55, -29.26

 

CMYK 80 / 22 / 0 / 33

HEX #2287AC

RGB 34 135 172

HSL 196.09, 0.67%, 0.4%

LAB 52.56, -15.08, -27.53

 

CMYK 43 / 80 / 0 / 33

HEX #6122AA

RGB 97 34 170

HSL 267.79, 0.67%, 0.4%

LAB 30.85, 54.07, -60.81

 

CMYK 0 / 11 / 80 / 33

HEX #AA9822

RGB 170 152 34

HSL 52.06, 0.67%, 0.4%

LAB 62.61, -5.76, 59.26

 

CMYK 80 / 22 / 0 / 33

HEX #2287AC

RGB 34 135 172

HSL 196.09, 0.67%, 0.4%

LAB 52.56, -15.08, -27.53

 

CMYK 0 / 80 / 21 / 33

HEX #AA2286

RGB 170 34 134

HSL 315.88, 0.67%, 0.4%

LAB 40.26, 61.91, -23.17

 

CMYK 21 / 0 / 80 / 33

HEX #86AA22

RGB 134 170 34

HSL 75.88, 0.67%, 0.4%

LAB 64.91, -30.56, 60.26

 

CMYK 80 / 22 / 0 / 33

HEX #2287AC

RGB 34 135 172

HSL 196.09, 0.67%, 0.4%

LAB 52.56, -15.08, -27.53

 

CMYK 43 / 80 / 0 / 33

HEX #6122AA

RGB 97 34 170

HSL 267.79, 0.67%, 0.4%

LAB 30.85, 54.07, -60.81

 

CMYK 0 / 59 / 80 / 33

HEX #AA4622

RGB 170 70 34

HSL 15.88, 0.67%, 0.4%

LAB 42.83, 39.08, 40.84

 

CMYK 37 / 0 / 80 / 33

HEX #6BAA22

RGB 107 170 34

HSL 87.79, 0.67%, 0.4%

LAB 63.34, -41.01, 58.24

 

CMYK 80 / 22 / 0 / 33

HEX #2287AC

RGB 34 135 172

HSL 196.09, 0.67%, 0.4%

LAB 52.56, -15.08, -27.53

 

CMYK 19 / 80 / 0 / 33

HEX #8A22AA

RGB 138 34 170

HSL 285.88, 0.67%, 0.4%

LAB 36.84, 61.02, -50.8

 

CMYK 0 / 59 / 80 / 33

HEX #AA4622

RGB 170 70 34

HSL 15.88, 0.67%, 0.4%

LAB 42.83, 39.08, 40.84

 

CMYK 61 / 0 / 80 / 33

HEX #42AA22

RGB 66 170 34

HSL 105.88, 0.67%, 0.4%

LAB 61.67, -53.59, 56.09

 

Description

Color code: HEX #2287AC | qconv.com Color code: HEX #2287AC | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 135 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 135 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 22 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 22% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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