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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #22857D it is the complementary color #DD7A82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #22857D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #22857D shade: #278578, #38978B, #49A99E, #5ABBB1 and #6BCDC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #22857D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #22857D shade: #22857D, #11736A, #006157, #004F44 and #003D31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #22857D shade: #23867E, #238663, #238648, #23862D and #328623

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #22857D shade: #23867E, #237386, #235886, #233D86 and #232386

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #22857D shade matches the following richer shades: #23867E, #159389 and #07A195

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #22857D shade: #23867E, #307872, #3E6B67, #4B5D5C and #594F50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #22857D shade: #238649, #238663, #23867E, #237486 and #235986

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #22857D shade: #124440, #1A655F, #23867E, #2BA79D and #33C7BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #22857D shade: #22857D, #2E2386 and #865623

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #22857D shade: #22857D, #7E2386 and #867E23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #22857D shade: #22857D, #2E2386, #86232B and #7A8623

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #22857D shade: #22857D, #4C2386, #86232B and #5C8623

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 6 / 48

HEX #22857D

RGB 34 133 125

HSL 175.15, 0.59%, 0.33%

LAB 50.21, -29.45, -3.77

 

Complementary color

CMYK 0 / 45 / 41 / 13

HEX #DD7A82

RGB 221 122 130

HSL 355.15, 0.59%, 0.67%

LAB 62.43, 39.16, 12.86

 

CMYK 71 / 0 / 10 / 48

HEX #278578

RGB 39 133 120

HSL 171.7, 0.55%, 0.34%

LAB 50.17, -30.18, -0.89

 

CMYK 63 / 0 / 8 / 41

HEX #38978B

RGB 56 151 139

HSL 172.42, 0.46%, 0.41%

LAB 56.92, -30.62, -1.92

 

CMYK 57 / 0 / 7 / 34

HEX #49A99E

RGB 73 169 158

HSL 173.13, 0.4%, 0.47%

LAB 63.56, -30.86, -2.84

 

CMYK 52 / 0 / 5 / 27

HEX #5ABBB1

RGB 90 187 177

HSL 173.81, 0.42%, 0.54%

LAB 70.1, -30.97, -3.68

 

CMYK 48 / 0 / 4 / 20

HEX #6BCDC4

RGB 107 205 196

HSL 174.49, 0.49%, 0.61%

LAB 76.54, -31, -4.44

 

CMYK 74 / 0 / 6 / 48

HEX #22857D

RGB 34 133 125

HSL 175.15, 0.59%, 0.33%

LAB 50.21, -29.45, -3.77

 

CMYK 85 / 0 / 8 / 55

HEX #11736A

RGB 17 115 106

HSL 174.49, 0.74%, 0.26%

LAB 43.39, -28.41, -2.6

 

CMYK 100 / 0 / 10 / 62

HEX #006157

RGB 0 97 87

HSL 173.81, 1%, 0.19%

LAB 36.44, -26.99, -1.26

 

CMYK 100 / 0 / 14 / 69

HEX #004F44

RGB 0 79 68

HSL 171.65, 1%, 0.15%

LAB 29.44, -24.29, 0.47

 

CMYK 100 / 0 / 20 / 76

HEX #003D31

RGB 0 61 49

HSL 168.2, 1%, 0.12%

LAB 22.16, -21.48, 2.35

 

CMYK 74 / 0 / 6 / 47

HEX #23867E

RGB 35 134 126

HSL 175.15, 0.59%, 0.33%

LAB 50.59, -29.5, -3.8

 

CMYK 74 / 0 / 26 / 47

HEX #238663

RGB 35 134 99

HSL 158.79, 0.59%, 0.33%

LAB 49.87, -36.83, 10.89

 

CMYK 74 / 0 / 46 / 47

HEX #238648

RGB 35 134 72

HSL 142.42, 0.59%, 0.33%

LAB 49.34, -42.6, 25.43

 

CMYK 74 / 0 / 66 / 47

HEX #23862D

RGB 35 134 45

HSL 126.06, 0.59%, 0.33%

LAB 49, -46.59, 38.74

 

CMYK 63 / 0 / 74 / 47

HEX #328623

RGB 50 134 35

HSL 110.91, 0.59%, 0.33%

LAB 49.31, -44.35, 43.46

 

CMYK 74 / 0 / 6 / 47

HEX #23867E

RGB 35 134 126

HSL 175.15, 0.59%, 0.33%

LAB 50.59, -29.5, -3.8

 

CMYK 74 / 14 / 0 / 47

HEX #237386

RGB 35 115 134

HSL 191.52, 0.59%, 0.33%

LAB 44.72, -17.11, -17.35

 

CMYK 74 / 34 / 0 / 47

HEX #235886

RGB 35 88 134

HSL 207.88, 0.59%, 0.33%

LAB 36.1, -1.08, -30.75

 

CMYK 74 / 54 / 0 / 47

HEX #233D86

RGB 35 61 134

HSL 224.24, 0.59%, 0.33%

LAB 27.89, 17.01, -43.87

 

CMYK 74 / 74 / 0 / 47

HEX #232386

RGB 35 35 134

HSL 240, 0.59%, 0.33%

LAB 21.13, 34.47, -54.9

 

CMYK 74 / 0 / 6 / 47

HEX #23867E

RGB 35 134 126

HSL 175.15, 0.59%, 0.33%

LAB 50.59, -29.5, -3.8

 

CMYK 86 / 0 / 7 / 42

HEX #159389

RGB 21 147 137

HSL 175.24, 0.75%, 0.33%

LAB 54.9, -33.86, -3.83

 

CMYK 96 / 0 / 7 / 37

HEX #07A195

RGB 7 161 149

HSL 175.32, 0.92%, 0.33%

LAB 59.62, -37.46, -3.72

 

CMYK 74 / 0 / 6 / 47

HEX #23867E

RGB 35 134 126

HSL 175.15, 0.59%, 0.33%

LAB 50.59, -29.5, -3.8

 

CMYK 60 / 0 / 5 / 53

HEX #307872

RGB 48 120 114

HSL 175, 0.43%, 0.33%

LAB 46.01, -23.83, -3.44

 

CMYK 42 / 0 / 4 / 58

HEX #3E6B67

RGB 62 107 103

HSL 174.67, 0.27%, 0.33%

LAB 42.03, -16.53, -2.64

 

CMYK 19 / 0 / 1 / 64

HEX #4B5D5C

RGB 75 93 92

HSL 176.67, 0.11%, 0.33%

LAB 38.02, -7.08, -1.72

 

CMYK 0 / 11 / 10 / 65

HEX #594F50

RGB 89 79 80

HSL 354, 0.06%, 0.33%

LAB 34.59, 4.34, 0.92

 

CMYK 74 / 0 / 46 / 47

HEX #238649

RGB 35 134 73

HSL 143.03, 0.59%, 0.33%

LAB 49.36, -42.42, 24.91

 

CMYK 74 / 0 / 26 / 47

HEX #238663

RGB 35 134 99

HSL 158.79, 0.59%, 0.33%

LAB 49.87, -36.83, 10.89

 

CMYK 74 / 0 / 6 / 47

HEX #23867E

RGB 35 134 126

HSL 175.15, 0.59%, 0.33%

LAB 50.59, -29.5, -3.8

 

CMYK 74 / 13 / 0 / 47

HEX #237486

RGB 35 116 134

HSL 190.91, 0.59%, 0.33%

LAB 45.04, -17.66, -16.86

 

CMYK 74 / 34 / 0 / 47

HEX #235986

RGB 35 89 134

HSL 207.27, 0.59%, 0.33%

LAB 36.41, -1.71, -30.25

 

CMYK 74 / 0 / 6 / 73

HEX #124440

RGB 18 68 64

HSL 175.2, 0.58%, 0.17%

LAB 25.66, -17.43, -2.43

 

CMYK 74 / 0 / 6 / 60

HEX #1A655F

RGB 26 101 95

HSL 175.2, 0.59%, 0.25%

LAB 38.47, -23.76, -3.16

 

CMYK 74 / 0 / 6 / 47

HEX #23867E

RGB 35 134 126

HSL 175.15, 0.59%, 0.33%

LAB 50.59, -29.5, -3.8

 

CMYK 74 / 0 / 6 / 35

HEX #2BA79D

RGB 43 167 157

HSL 175.16, 0.59%, 0.41%

LAB 62.16, -35.08, -4.44

 

CMYK 74 / 0 / 6 / 22

HEX #33C7BB

RGB 51 199 187

HSL 175.14, 0.59%, 0.49%

LAB 72.98, -40.27, -4.99

 

CMYK 74 / 0 / 6 / 48

HEX #22857D

RGB 34 133 125

HSL 175.15, 0.59%, 0.33%

LAB 50.21, -29.45, -3.77

 

CMYK 66 / 74 / 0 / 47

HEX #2E2386

RGB 46 35 134

HSL 246.67, 0.59%, 0.33%

LAB 21.96, 35.81, -53.51

 

CMYK 0 / 36 / 74 / 47

HEX #865623

RGB 134 86 35

HSL 30.91, 0.59%, 0.33%

LAB 40.97, 15.08, 36.72

 

CMYK 74 / 0 / 6 / 48

HEX #22857D

RGB 34 133 125

HSL 175.15, 0.59%, 0.33%

LAB 50.21, -29.45, -3.77

 

CMYK 6 / 74 / 0 / 47

HEX #7E2386

RGB 126 35 134

HSL 295.15, 0.59%, 0.33%

LAB 32.61, 51.4, -35.75

 

CMYK 0 / 6 / 74 / 47

HEX #867E23

RGB 134 126 35

HSL 55.15, 0.59%, 0.33%

LAB 51.96, -7.98, 47.8

 

CMYK 74 / 0 / 6 / 48

HEX #22857D

RGB 34 133 125

HSL 175.15, 0.59%, 0.33%

LAB 50.21, -29.45, -3.77

 

CMYK 66 / 74 / 0 / 47

HEX #2E2386

RGB 46 35 134

HSL 246.67, 0.59%, 0.33%

LAB 21.96, 35.81, -53.51

 

CMYK 0 / 74 / 68 / 47

HEX #86232B

RGB 134 35 43

HSL 355.15, 0.59%, 0.33%

LAB 30.51, 42.22, 20.07

 

CMYK 9 / 0 / 74 / 47

HEX #7A8623

RGB 122 134 35

HSL 67.27, 0.59%, 0.33%

LAB 53.29, -17.74, 48.73

 

CMYK 74 / 0 / 6 / 48

HEX #22857D

RGB 34 133 125

HSL 175.15, 0.59%, 0.33%

LAB 50.21, -29.45, -3.77

 

CMYK 43 / 74 / 0 / 47

HEX #4C2386

RGB 76 35 134

HSL 264.85, 0.59%, 0.33%

LAB 25.14, 40.75, -48.18

 

CMYK 0 / 74 / 68 / 47

HEX #86232B

RGB 134 35 43

HSL 355.15, 0.59%, 0.33%

LAB 30.51, 42.22, 20.07

 

CMYK 31 / 0 / 74 / 47

HEX #5C8623

RGB 92 134 35

HSL 85.45, 0.59%, 0.33%

LAB 51.21, -30.48, 45.99

 

Description

Color code: HEX #22857D | qconv.com Color code: HEX #22857D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 133 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 133 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 6 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 6% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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