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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #228276 it is the complementary color #DD7D89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #228276. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #228276 shade: #278271, #389484, #49A697, #5AB8AA and #6BCABD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #228276. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #228276 shade: #228276, #117063, #005E50, #004C3D and #003A2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #228276 shade: #218276, #21825C, #218242, #218228 and #358221

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #228276 shade: #218276, #217482, #215A82, #214082 and #212682

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #228276 shade matches the following richer shades: #218276, #148F80 and #079C8A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #228276 shade: #218276, #2F756C, #3C6762, #495A58 and #564D4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #228276 shade: #218242, #21825B, #218275, #217582 and #215B82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #228276 shade: #11403A, #196158, #218276, #2AA393 and #32C3B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #228276 shade: #228276, #282182 and #824E21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #228276 shade: #228276, #752182 and #827521

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #228276 shade: #228276, #282182, #82212E and #7B8221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #228276 shade: #228276, #452182, #82212E and #5E8221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 9 / 49

HEX #228276

RGB 34 130 118

HSL 172.5, 0.59%, 0.32%

LAB 49.02, -30.05, -1.41

 

Complementary color

CMYK 0 / 43 / 38 / 13

HEX #DD7D89

RGB 221 125 137

HSL 352.5, 0.59%, 0.68%

LAB 63.22, 38.39, 9.98

 

CMYK 70 / 0 / 13 / 49

HEX #278271

RGB 39 130 113

HSL 168.79, 0.54%, 0.33%

LAB 48.99, -30.71, 1.49

 

CMYK 62 / 0 / 11 / 42

HEX #389484

RGB 56 148 132

HSL 169.57, 0.45%, 0.4%

LAB 55.77, -31.09, 0.41

 

CMYK 56 / 0 / 9 / 35

HEX #49A697

RGB 73 166 151

HSL 170.32, 0.39%, 0.47%

LAB 62.44, -31.26, -0.56

 

CMYK 51 / 0 / 8 / 28

HEX #5AB8AA

RGB 90 184 170

HSL 171.06, 0.4%, 0.54%

LAB 69.01, -31.32, -1.43

 

CMYK 47 / 0 / 6 / 21

HEX #6BCABD

RGB 107 202 189

HSL 171.79, 0.47%, 0.61%

LAB 75.48, -31.3, -2.23

 

CMYK 74 / 0 / 9 / 49

HEX #228276

RGB 34 130 118

HSL 172.5, 0.59%, 0.32%

LAB 49.02, -30.05, -1.41

 

CMYK 85 / 0 / 12 / 56

HEX #117063

RGB 17 112 99

HSL 171.79, 0.74%, 0.25%

LAB 42.17, -29.09, -0.18

 

CMYK 100 / 0 / 15 / 63

HEX #005E50

RGB 0 94 80

HSL 171.06, 1%, 0.18%

LAB 35.17, -27.75, 1.24

 

CMYK 100 / 0 / 20 / 70

HEX #004C3D

RGB 0 76 61

HSL 168.16, 1%, 0.15%

LAB 28.13, -25.04, 3.08

 

CMYK 100 / 0 / 28 / 77

HEX #003A2A

RGB 0 58 42

HSL 163.45, 1%, 0.11%

LAB 20.8, -22.2, 5.09

 

CMYK 75 / 0 / 9 / 49

HEX #218276

RGB 33 130 118

HSL 172.58, 0.6%, 0.32%

LAB 49, -30.19, -1.44

 

CMYK 75 / 0 / 29 / 49

HEX #21825C

RGB 33 130 92

HSL 156.49, 0.6%, 0.32%

LAB 48.34, -37.09, 12.79

 

CMYK 75 / 0 / 49 / 49

HEX #218242

RGB 33 130 66

HSL 140.41, 0.6%, 0.32%

LAB 47.86, -42.45, 26.79

 

CMYK 75 / 0 / 69 / 49

HEX #218228

RGB 33 130 40

HSL 124.33, 0.6%, 0.32%

LAB 47.55, -46.08, 39.37

 

CMYK 59 / 0 / 75 / 49

HEX #358221

RGB 53 130 33

HSL 107.63, 0.6%, 0.32%

LAB 48.05, -42.21, 42.98

 

CMYK 75 / 0 / 9 / 49

HEX #218276

RGB 33 130 118

HSL 172.58, 0.6%, 0.32%

LAB 49, -30.19, -1.44

 

CMYK 75 / 11 / 0 / 49

HEX #217482

RGB 33 116 130

HSL 188.66, 0.6%, 0.32%

LAB 44.84, -19.3, -14.78

 

CMYK 75 / 31 / 0 / 49

HEX #215A82

RGB 33 90 130

HSL 204.74, 0.6%, 0.32%

LAB 36.46, -4.16, -27.74

 

CMYK 75 / 51 / 0 / 49

HEX #214082

RGB 33 64 130

HSL 220.82, 0.6%, 0.32%

LAB 28.38, 13.05, -40.58

 

CMYK 75 / 71 / 0 / 49

HEX #212682

RGB 33 38 130

HSL 236.91, 0.6%, 0.32%

LAB 21.29, 30.89, -52.14

 

CMYK 75 / 0 / 9 / 49

HEX #218276

RGB 33 130 118

HSL 172.58, 0.6%, 0.32%

LAB 49, -30.19, -1.44

 

CMYK 86 / 0 / 10 / 44

HEX #148F80

RGB 20 143 128

HSL 172.68, 0.75%, 0.32%

LAB 53.33, -34.74, -0.95

 

CMYK 96 / 0 / 12 / 39

HEX #079C8A

RGB 7 156 138

HSL 172.75, 0.91%, 0.32%

LAB 57.71, -38.43, -0.28

 

CMYK 75 / 0 / 9 / 49

HEX #218276

RGB 33 130 118

HSL 172.58, 0.6%, 0.32%

LAB 49, -30.19, -1.44

 

CMYK 60 / 0 / 8 / 54

HEX #2F756C

RGB 47 117 108

HSL 172.29, 0.43%, 0.32%

LAB 44.81, -24.21, -1.62

 

CMYK 42 / 0 / 5 / 60

HEX #3C6762

RGB 60 103 98

HSL 173.02, 0.26%, 0.32%

LAB 40.48, -16.24, -1.89

 

CMYK 19 / 0 / 2 / 65

HEX #495A58

RGB 73 90 88

HSL 172.94, 0.1%, 0.32%

LAB 36.81, -6.99, -1.03

 

CMYK 0 / 10 / 9 / 66

HEX #564D4E

RGB 86 77 78

HSL 353.33, 0.06%, 0.32%

LAB 33.64, 3.94, 0.76

 

CMYK 75 / 0 / 49 / 49

HEX #218242

RGB 33 130 66

HSL 140.41, 0.6%, 0.32%

LAB 47.86, -42.45, 26.79

 

CMYK 75 / 0 / 30 / 49

HEX #21825B

RGB 33 130 91

HSL 155.88, 0.6%, 0.32%

LAB 48.32, -37.32, 13.34

 

CMYK 75 / 0 / 10 / 49

HEX #218275

RGB 33 130 117

HSL 171.96, 0.6%, 0.32%

LAB 48.97, -30.48, -0.9

 

CMYK 75 / 10 / 0 / 49

HEX #217582

RGB 33 117 130

HSL 188.04, 0.6%, 0.32%

LAB 45.16, -19.83, -14.29

 

CMYK 75 / 30 / 0 / 49

HEX #215B82

RGB 33 91 130

HSL 204.12, 0.6%, 0.32%

LAB 36.78, -4.79, -27.24

 

CMYK 73 / 0 / 9 / 75

HEX #11403A

RGB 17 64 58

HSL 172.34, 0.58%, 0.16%

LAB 23.97, -17.35, -0.96

 

CMYK 74 / 0 / 9 / 62

HEX #196158

RGB 25 97 88

HSL 172.5, 0.59%, 0.24%

LAB 36.86, -24.02, -1.22

 

CMYK 75 / 0 / 9 / 49

HEX #218276

RGB 33 130 118

HSL 172.58, 0.6%, 0.32%

LAB 49, -30.19, -1.44

 

CMYK 74 / 0 / 10 / 36

HEX #2AA393

RGB 42 163 147

HSL 172.07, 0.59%, 0.4%

LAB 60.6, -36.19, -1.1

 

CMYK 74 / 0 / 9 / 24

HEX #32C3B1

RGB 50 195 177

HSL 172.55, 0.59%, 0.48%

LAB 71.48, -41.35, -1.77

 

CMYK 74 / 0 / 9 / 49

HEX #228276

RGB 34 130 118

HSL 172.5, 0.59%, 0.32%

LAB 49.02, -30.05, -1.41

 

CMYK 69 / 75 / 0 / 49

HEX #282182

RGB 40 33 130

HSL 244.33, 0.6%, 0.32%

LAB 20.64, 34.87, -53.19

 

CMYK 0 / 40 / 75 / 49

HEX #824E21

RGB 130 78 33

HSL 27.84, 0.6%, 0.32%

LAB 38.38, 17.84, 34.84

 

CMYK 74 / 0 / 9 / 49

HEX #228276

RGB 34 130 118

HSL 172.5, 0.59%, 0.32%

LAB 49.02, -30.05, -1.41

 

CMYK 10 / 75 / 0 / 49

HEX #752182

RGB 117 33 130

HSL 291.96, 0.6%, 0.32%

LAB 30.6, 49.36, -36.56

 

CMYK 0 / 10 / 75 / 49

HEX #827521

RGB 130 117 33

HSL 51.96, 0.6%, 0.32%

LAB 48.98, -4.92, 45.57

 

CMYK 74 / 0 / 9 / 49

HEX #228276

RGB 34 130 118

HSL 172.5, 0.59%, 0.32%

LAB 49.02, -30.05, -1.41

 

CMYK 69 / 75 / 0 / 49

HEX #282182

RGB 40 33 130

HSL 244.33, 0.6%, 0.32%

LAB 20.64, 34.87, -53.19

 

CMYK 0 / 75 / 65 / 49

HEX #82212E

RGB 130 33 46

HSL 351.96, 0.6%, 0.32%

LAB 29.49, 41.86, 16.65

 

CMYK 5 / 0 / 75 / 49

HEX #7B8221

RGB 123 130 33

HSL 64.33, 0.6%, 0.32%

LAB 52.16, -15.29, 48.43

 

CMYK 74 / 0 / 9 / 49

HEX #228276

RGB 34 130 118

HSL 172.5, 0.59%, 0.32%

LAB 49.02, -30.05, -1.41

 

CMYK 47 / 75 / 0 / 49

HEX #452182

RGB 69 33 130

HSL 262.27, 0.6%, 0.32%

LAB 23.55, 39.36, -48.29

 

CMYK 0 / 75 / 65 / 49

HEX #82212E

RGB 130 33 46

HSL 351.96, 0.6%, 0.32%

LAB 29.49, 41.86, 16.65

 

CMYK 28 / 0 / 75 / 49

HEX #5E8221

RGB 94 130 33

HSL 82.27, 0.6%, 0.32%

LAB 50.04, -27.89, 45.64

 

Description

Color code: HEX #228276 | qconv.com Color code: HEX #228276 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 130 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 130 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 9 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 9% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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