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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #227CE5 it is the complementary color #DD831A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #227CE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #227CE5 shade: #277CE0, #388EF3, #49A0FF, #5AB2FF and #6BC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #227CE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #227CE5 shade: #227CE5, #116AD2, #0058BF, #0046AC and #003499

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #227CE5 shade: #247DE5, #2449E5, #3324E5, #6724E5 and #9B24E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #227CE5 shade: #247DE5, #2449E5 and #2424E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #227CE5 shade matches the following richer shades: #247DE5 and #107CF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #227CE5 shade: #247DE5, #387FD1, #4C80BE, #5F82AA and #738396

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #227CE5 shade: #24E5E5, #24B2E5, #247EE5, #244BE5 and #3124E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #227CE5 shade: #1356A4, #1869C8, #247DE5, #4993EA and #6EA9EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #227CE5 shade: #227CE5, #B224E5 and #CCE524

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #227CE5 shade: #227CE5, #E5247E and #7EE524

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #227CE5 shade: #227CE5, #B224E5, #E58B24 and #57E524

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #227CE5 shade: #227CE5, #E524DF, #E58B24 and #24E52A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 46 / 0 / 10

HEX #227CE5

RGB 34 124 229

HSL 212.31, 0.79%, 0.52%

LAB 52.3, 12.64, -60.36

 

Complementary color

CMYK 0 / 41 / 88 / 13

HEX #DD831A

RGB 221 131 26

HSL 32.31, 0.79%, 0.48%

LAB 63.08, 27.89, 64.33

 

CMYK 83 / 45 / 0 / 12

HEX #277CE0

RGB 39 124 224

HSL 212.43, 0.75%, 0.52%

LAB 52.09, 11.14, -57.87

 

CMYK 77 / 42 / 0 / 5

HEX #388EF3

RGB 56 142 243

HSL 212.41, 0.89%, 0.59%

LAB 58.66, 8.83, -57.92

 

CMYK 71 / 37 / 0 / 0

HEX #49A0FF

RGB 73 160 255

HSL 211.32, 1%, 0.64%

LAB 64.79, 4.51, -54.71

 

CMYK 65 / 30 / 0 / 0

HEX #5AB2FF

RGB 90 178 255

HSL 208, 1%, 0.68%

LAB 70.34, -3.21, -45.9

 

CMYK 58 / 23 / 0 / 0

HEX #6BC4FF

RGB 107 196 255

HSL 203.92, 1%, 0.71%

LAB 75.96, -10.03, -37.08

 

CMYK 85 / 46 / 0 / 10

HEX #227CE5

RGB 34 124 229

HSL 212.31, 0.79%, 0.52%

LAB 52.3, 12.64, -60.36

 

CMYK 92 / 50 / 0 / 18

HEX #116AD2

RGB 17 106 210

HSL 212.33, 0.85%, 0.45%

LAB 45.74, 15.67, -60.19

 

CMYK 100 / 54 / 0 / 25

HEX #0058BF

RGB 0 88 191

HSL 212.36, 1%, 0.37%

LAB 39.14, 19.24, -59.93

 

CMYK 100 / 59 / 0 / 33

HEX #0046AC

RGB 0 70 172

HSL 215.58, 1%, 0.34%

LAB 32.61, 23.62, -59.36

 

CMYK 100 / 66 / 0 / 40

HEX #003499

RGB 0 52 153

HSL 219.61, 1%, 0.3%

LAB 26.03, 28.21, -58.67

 

CMYK 84 / 45 / 0 / 10

HEX #247DE5

RGB 36 125 229

HSL 212.33, 0.79%, 0.52%

LAB 52.62, 12.17, -59.84

 

CMYK 84 / 68 / 0 / 10

HEX #2449E5

RGB 36 73 229

HSL 228.5, 0.79%, 0.52%

LAB 39.24, 45.01, -81.63

 

CMYK 78 / 84 / 0 / 10

HEX #3324E5

RGB 51 36 229

HSL 244.66, 0.79%, 0.52%

LAB 33.18, 64.87, -91.63

 

CMYK 55 / 84 / 0 / 10

HEX #6724E5

RGB 103 36 229

HSL 260.83, 0.79%, 0.52%

LAB 37.49, 68.66, -84.37

 

CMYK 32 / 84 / 0 / 10

HEX #9B24E5

RGB 155 36 229

HSL 276.99, 0.79%, 0.52%

LAB 44.07, 74.92, -73.31

 

CMYK 84 / 45 / 0 / 10

HEX #247DE5

RGB 36 125 229

HSL 212.33, 0.79%, 0.52%

LAB 52.62, 12.17, -59.84

 

CMYK 84 / 68 / 0 / 10

HEX #2449E5

RGB 36 73 229

HSL 228.5, 0.79%, 0.52%

LAB 39.24, 45.01, -81.63

 

CMYK 84 / 84 / 0 / 10

HEX #2424E5

RGB 36 36 229

HSL 240, 0.79%, 0.52%

LAB 32.47, 64.27, -92.85

 

CMYK 84 / 45 / 0 / 10

HEX #247DE5

RGB 36 125 229

HSL 212.33, 0.79%, 0.52%

LAB 52.62, 12.17, -59.84

 

CMYK 94 / 50 / 0 / 2

HEX #107CF9

RGB 16 124 249

HSL 212.19, 0.95%, 0.52%

LAB 53.35, 19.39, -69.82

 

CMYK 84 / 45 / 0 / 10

HEX #247DE5

RGB 36 125 229

HSL 212.33, 0.79%, 0.52%

LAB 52.62, 12.17, -59.84

 

CMYK 73 / 39 / 0 / 18

HEX #387FD1

RGB 56 127 209

HSL 212.16, 0.62%, 0.52%

LAB 52.53, 5.56, -48.68

 

CMYK 60 / 33 / 0 / 25

HEX #4C80BE

RGB 76 128 190

HSL 212.63, 0.47%, 0.52%

LAB 52.61, 1.63, -37.69

 

CMYK 44 / 24 / 0 / 33

HEX #5F82AA

RGB 95 130 170

HSL 212, 0.31%, 0.52%

LAB 53.28, -1.42, -25.09

 

CMYK 23 / 13 / 0 / 41

HEX #738396

RGB 115 131 150

HSL 212.57, 0.14%, 0.52%

LAB 54.11, -1.42, -12.13

 

CMYK 84 / 0 / 0 / 10

HEX #24E5E5

RGB 36 229 229

HSL 180, 0.79%, 0.52%

LAB 82.95, -43, -12.71

 

CMYK 84 / 22 / 0 / 10

HEX #24B2E5

RGB 36 178 229

HSL 195.85, 0.79%, 0.52%

LAB 67.93, -18.36, -35.63

 

CMYK 84 / 45 / 0 / 10

HEX #247EE5

RGB 36 126 229

HSL 212.02, 0.79%, 0.52%

LAB 52.9, 11.55, -59.39

 

CMYK 84 / 67 / 0 / 10

HEX #244BE5

RGB 36 75 229

HSL 227.88, 0.79%, 0.52%

LAB 39.69, 43.79, -80.89

 

CMYK 79 / 84 / 0 / 10

HEX #3124E5

RGB 49 36 229

HSL 244.04, 0.79%, 0.52%

LAB 33.07, 64.78, -91.82

 

CMYK 88 / 48 / 0 / 36

HEX #1356A4

RGB 19 86 164

HSL 212.28, 0.79%, 0.36%

LAB 36.88, 10.42, -47.64

 

CMYK 88 / 48 / 0 / 22

HEX #1869C8

RGB 24 105 200

HSL 212.39, 0.79%, 0.44%

LAB 44.9, 12.75, -55.82

 

CMYK 84 / 45 / 0 / 10

HEX #247DE5

RGB 36 125 229

HSL 212.33, 0.79%, 0.52%

LAB 52.62, 12.17, -59.84

 

CMYK 69 / 37 / 0 / 8

HEX #4993EA

RGB 73 147 234

HSL 212.42, 0.79%, 0.6%

LAB 60.09, 4.84, -50.63

 

CMYK 54 / 29 / 0 / 7

HEX #6EA9EE

RGB 110 169 238

HSL 212.34, 0.79%, 0.68%

LAB 67.92, 0.21, -40.4

 

CMYK 85 / 46 / 0 / 10

HEX #227CE5

RGB 34 124 229

HSL 212.31, 0.79%, 0.52%

LAB 52.3, 12.64, -60.36

 

CMYK 22 / 84 / 0 / 10

HEX #B224E5

RGB 178 36 229

HSL 284.15, 0.79%, 0.52%

LAB 47.47, 78.3, -67.62

 

CMYK 11 / 0 / 84 / 10

HEX #CCE524

RGB 204 229 36

HSL 67.77, 0.79%, 0.52%

LAB 86.51, -29.67, 80.36

 

CMYK 85 / 46 / 0 / 10

HEX #227CE5

RGB 34 124 229

HSL 212.31, 0.79%, 0.52%

LAB 52.3, 12.64, -60.36

 

CMYK 0 / 84 / 45 / 10

HEX #E5247E

RGB 229 36 126

HSL 332.02, 0.79%, 0.52%

LAB 51.18, 74.55, -0.73

 

CMYK 45 / 0 / 84 / 10

HEX #7EE524

RGB 126 229 36

HSL 92.02, 0.79%, 0.52%

LAB 82.16, -58.23, 74.93

 

CMYK 85 / 46 / 0 / 10

HEX #227CE5

RGB 34 124 229

HSL 212.31, 0.79%, 0.52%

LAB 52.3, 12.64, -60.36

 

CMYK 22 / 84 / 0 / 10

HEX #B224E5

RGB 178 36 229

HSL 284.15, 0.79%, 0.52%

LAB 47.47, 78.3, -67.62

 

CMYK 0 / 39 / 84 / 10

HEX #E58B24

RGB 229 139 36

HSL 32.02, 0.79%, 0.52%

LAB 65.94, 27.22, 64.06

 

CMYK 62 / 0 / 84 / 10

HEX #57E524

RGB 87 229 36

HSL 104.15, 0.79%, 0.52%

LAB 80.85, -68.63, 73.26

 

CMYK 85 / 46 / 0 / 10

HEX #227CE5

RGB 34 124 229

HSL 212.31, 0.79%, 0.52%

LAB 52.3, 12.64, -60.36

 

CMYK 0 / 84 / 3 / 10

HEX #E524DF

RGB 229 36 223

HSL 301.87, 0.79%, 0.52%

LAB 55.33, 85.87, -51.15

 

CMYK 0 / 39 / 84 / 10

HEX #E58B24

RGB 229 139 36

HSL 32.02, 0.79%, 0.52%

LAB 65.94, 27.22, 64.06

 

CMYK 84 / 0 / 82 / 10

HEX #24E52A

RGB 36 229 42

HSL 121.87, 0.79%, 0.52%

LAB 79.94, -76.31, 70.68

 

Description

Color code: HEX #227CE5 | qconv.com Color code: HEX #227CE5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 124 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 124 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 46 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 46% 0% 10% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

41% - Learnyware - Share Y...
Link: https://www.learnyware.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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