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Color name
HEX #227950

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #227950 it is the complementary color #DD86AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #227950. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #227950 shade: #27794B, #388B5E, #499D71, #5AAF84 and #6BC197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #227950. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #227950 shade: #227950, #11673D, #00552A, #004317 and #003104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #227950 shade: #22774F, #227738, #237722, #3A7722 and #517722

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #227950 shade: #22774F, #227766, #227277, #225A77 and #224377

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #227950 shade matches the following richer shades: #22774F, #158450 and #099050

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #227950 shade: #22774F, #2E6B4E, #3A5F4E, #47524D and #53464C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #227950 shade: #237722, #227737, #22774E, #227765 and #227377

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #227950 shade: #103724, #19573A, #22774F, #2B9864 and #34B87A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #227950 shade: #227950, #223A77 and #772C22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #227950 shade: #227950, #4E2277 and #774E22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #227950 shade: #227950, #223A77, #77224B and #775F22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #227950 shade: #227950, #232277, #77224B and #767722

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 34 / 53

HEX #227950

RGB 34 121 80

HSL 151.72, 0.56%, 0.3%

LAB 45.07, -35.81, 15.26

 

Complementary color

CMYK 0 / 39 / 21 / 13

HEX #DD86AF

RGB 221 134 175

HSL 331.72, 0.56%, 0.7%

LAB 66.15, 38.7, -7.32

 

CMYK 68 / 0 / 38 / 53

HEX #27794B

RGB 39 121 75

HSL 146.34, 0.51%, 0.31%

LAB 45.1, -35.94, 18.21

 

CMYK 60 / 0 / 32 / 45

HEX #388B5E

RGB 56 139 94

HSL 147.47, 0.43%, 0.38%

LAB 51.97, -36.11, 16.74

 

CMYK 54 / 0 / 28 / 38

HEX #499D71

RGB 73 157 113

HSL 148.57, 0.37%, 0.45%

LAB 58.72, -36.07, 15.43

 

CMYK 49 / 0 / 25 / 31

HEX #5AAF84

RGB 90 175 132

HSL 149.65, 0.35%, 0.52%

LAB 65.36, -35.92, 14.25

 

CMYK 45 / 0 / 22 / 24

HEX #6BC197

RGB 107 193 151

HSL 150.7, 0.41%, 0.59%

LAB 71.89, -35.72, 13.17

 

CMYK 72 / 0 / 34 / 53

HEX #227950

RGB 34 121 80

HSL 151.72, 0.56%, 0.3%

LAB 45.07, -35.81, 15.26

 

CMYK 83 / 0 / 41 / 60

HEX #11673D

RGB 17 103 61

HSL 150.7, 0.72%, 0.24%

LAB 38.12, -35.05, 16.94

 

CMYK 100 / 0 / 51 / 67

HEX #00552A

RGB 0 85 42

HSL 149.65, 1%, 0.17%

LAB 31.03, -33.77, 18.83

 

CMYK 100 / 0 / 66 / 74

HEX #004317

RGB 0 67 23

HSL 140.6, 1%, 0.13%

LAB 23.92, -30.41, 21.06

 

CMYK 100 / 0 / 92 / 81

HEX #003104

RGB 0 49 4

HSL 124.9, 1%, 0.1%

LAB 16.53, -26.43, 21.61

 

CMYK 71 / 0 / 34 / 53

HEX #22774F

RGB 34 119 79

HSL 151.76, 0.56%, 0.3%

LAB 44.37, -35.17, 14.89

 

CMYK 71 / 0 / 53 / 53

HEX #227738

RGB 34 119 56

HSL 135.53, 0.56%, 0.3%

LAB 43.97, -39.65, 27.34

 

CMYK 71 / 0 / 71 / 53

HEX #237722

RGB 35 119 34

HSL 119.29, 0.56%, 0.3%

LAB 43.75, -42.34, 37.94

 

CMYK 51 / 0 / 71 / 53

HEX #3A7722

RGB 58 119 34

HSL 103.06, 0.56%, 0.3%

LAB 44.53, -36.17, 39

 

CMYK 32 / 0 / 71 / 53

HEX #517722

RGB 81 119 34

HSL 86.82, 0.56%, 0.3%

LAB 45.71, -27.79, 40.6

 

CMYK 71 / 0 / 34 / 53

HEX #22774F

RGB 34 119 79

HSL 151.76, 0.56%, 0.3%

LAB 44.37, -35.17, 14.89

 

CMYK 71 / 0 / 14 / 53

HEX #227766

RGB 34 119 102

HSL 168, 0.56%, 0.3%

LAB 44.93, -29.34, 2.09

 

CMYK 71 / 4 / 0 / 53

HEX #227277

RGB 34 114 119

HSL 183.53, 0.56%, 0.3%

LAB 43.81, -21.7, -9.75

 

CMYK 71 / 24 / 0 / 53

HEX #225A77

RGB 34 90 119

HSL 200.47, 0.56%, 0.3%

LAB 35.95, -8.1, -21.76

 

CMYK 71 / 44 / 0 / 53

HEX #224377

RGB 34 67 119

HSL 216.71, 0.56%, 0.3%

LAB 28.61, 6.78, -33.33

 

CMYK 71 / 0 / 34 / 53

HEX #22774F

RGB 34 119 79

HSL 151.76, 0.56%, 0.3%

LAB 44.37, -35.17, 14.89

 

CMYK 84 / 0 / 39 / 48

HEX #158450

RGB 21 132 80

HSL 151.89, 0.73%, 0.3%

LAB 48.56, -42.18, 19.92

 

CMYK 94 / 0 / 44 / 44

HEX #099050

RGB 9 144 80

HSL 151.56, 0.88%, 0.3%

LAB 52.49, -47.68, 25.07

 

CMYK 71 / 0 / 34 / 53

HEX #22774F

RGB 34 119 79

HSL 151.76, 0.56%, 0.3%

LAB 44.37, -35.17, 14.89

 

CMYK 57 / 0 / 27 / 58

HEX #2E6B4E

RGB 46 107 78

HSL 151.48, 0.4%, 0.3%

LAB 40.65, -27.27, 10.4

 

CMYK 39 / 0 / 18 / 63

HEX #3A5F4E

RGB 58 95 78

HSL 152.43, 0.24%, 0.3%

LAB 37.18, -17.53, 5.59

 

CMYK 13 / 0 / 6 / 68

HEX #47524D

RGB 71 82 77

HSL 152.73, 0.07%, 0.3%

LAB 33.79, -5.5, 1.46

 

CMYK 0 / 16 / 8 / 67

HEX #53464C

RGB 83 70 76

HSL 332.31, 0.08%, 0.3%

LAB 31.21, 6.71, -1.55

 

CMYK 71 / 0 / 71 / 53

HEX #237722

RGB 35 119 34

HSL 119.29, 0.56%, 0.3%

LAB 43.75, -42.34, 37.94

 

CMYK 71 / 0 / 54 / 53

HEX #227737

RGB 34 119 55

HSL 134.82, 0.56%, 0.3%

LAB 43.96, -39.81, 27.86

 

CMYK 71 / 0 / 34 / 53

HEX #22774E

RGB 34 119 78

HSL 151.06, 0.56%, 0.3%

LAB 44.35, -35.4, 15.44

 

CMYK 71 / 0 / 15 / 53

HEX #227765

RGB 34 119 101

HSL 167.29, 0.56%, 0.3%

LAB 44.9, -29.62, 2.64

 

CMYK 71 / 3 / 0 / 53

HEX #227377

RGB 34 115 119

HSL 182.82, 0.56%, 0.3%

LAB 44.14, -22.23, -9.26

 

CMYK 71 / 0 / 35 / 78

HEX #103724

RGB 16 55 36

HSL 150.77, 0.55%, 0.14%

LAB 19.92, -19.18, 7.94

 

CMYK 71 / 0 / 33 / 66

HEX #19573A

RGB 25 87 58

HSL 151.94, 0.55%, 0.22%

LAB 32.54, -27.39, 11.24

 

CMYK 71 / 0 / 34 / 53

HEX #22774F

RGB 34 119 79

HSL 151.76, 0.56%, 0.3%

LAB 44.37, -35.17, 14.89

 

CMYK 72 / 0 / 34 / 40

HEX #2B9864

RGB 43 152 100

HSL 151.38, 0.56%, 0.38%

LAB 55.98, -42.93, 18.77

 

CMYK 72 / 0 / 34 / 28

HEX #34B87A

RGB 52 184 122

HSL 151.82, 0.56%, 0.46%

LAB 66.84, -49.74, 21.54

 

CMYK 72 / 0 / 34 / 53

HEX #227950

RGB 34 121 80

HSL 151.72, 0.56%, 0.3%

LAB 45.07, -35.81, 15.26

 

CMYK 71 / 51 / 0 / 53

HEX #223A77

RGB 34 58 119

HSL 223.06, 0.56%, 0.3%

LAB 25.86, 13.01, -37.74

 

CMYK 0 / 63 / 71 / 53

HEX #772C22

RGB 119 44 34

HSL 7.06, 0.56%, 0.3%

LAB 29, 32.2, 23.31

 

CMYK 72 / 0 / 34 / 53

HEX #227950

RGB 34 121 80

HSL 151.72, 0.56%, 0.3%

LAB 45.07, -35.81, 15.26

 

CMYK 34 / 71 / 0 / 53

HEX #4E2277

RGB 78 34 119

HSL 271.06, 0.56%, 0.3%

LAB 23.99, 37.67, -40.57

 

CMYK 0 / 34 / 71 / 53

HEX #774E22

RGB 119 78 34

HSL 31.06, 0.56%, 0.3%

LAB 36.9, 12.8, 32.29

 

CMYK 72 / 0 / 34 / 53

HEX #227950

RGB 34 121 80

HSL 151.72, 0.56%, 0.3%

LAB 45.07, -35.81, 15.26

 

CMYK 71 / 51 / 0 / 53

HEX #223A77

RGB 34 58 119

HSL 223.06, 0.56%, 0.3%

LAB 25.86, 13.01, -37.74

 

CMYK 0 / 71 / 37 / 53

HEX #77224B

RGB 119 34 75

HSL 331.06, 0.56%, 0.3%

LAB 28.31, 40.64, -4.61

 

CMYK 0 / 20 / 71 / 53

HEX #775F22

RGB 119 95 34

HSL 43.06, 0.56%, 0.3%

LAB 41.57, 2.62, 37.27

 

CMYK 72 / 0 / 34 / 53

HEX #227950

RGB 34 121 80

HSL 151.72, 0.56%, 0.3%

LAB 45.07, -35.81, 15.26

 

CMYK 71 / 71 / 0 / 53

HEX #232277

RGB 35 34 119

HSL 240.71, 0.56%, 0.3%

LAB 19.36, 29.72, -48.3

 

CMYK 0 / 71 / 37 / 53

HEX #77224B

RGB 119 34 75

HSL 331.06, 0.56%, 0.3%

LAB 28.31, 40.64, -4.61

 

CMYK 1 / 0 / 71 / 53

HEX #767722

RGB 118 119 34

HSL 60.71, 0.56%, 0.3%

LAB 48.46, -11.57, 44.27

 

Description

Color code: HEX #227950 | qconv.com Color code: HEX #227950 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 121 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 121 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 34 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 34% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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