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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #227464 it is the complementary color #DD8B9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #227464. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #227464 shade: #27745F, #388672, #499885, #5AAA98 and #6BBCAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #227464. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #227464 shade: #227464, #116251, #00503E, #003E2B and #002C18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #227464 shade: #217363, #21734D, #217337, #227321 and #387321

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #227464 shade: #217363, #216D73, #215773, #214173 and #212B73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #227464 shade matches the following richer shades: #217363, #157F6A and #098B71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #227464 shade: #217363, #2D675B, #395B54, #454F4D and #514346

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #227464 shade: #217337, #21734D, #217362, #216D73 and #215873

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #227464 shade: #0F332C, #185347, #217363, #2B937E and #34B39A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #227464 shade: #227464, #212173 and #734221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #227464 shade: #227464, #622173 and #736221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #227464 shade: #227464, #212173, #732132 and #737321

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #227464 shade: #227464, #3A2173, #732132 and #5A7321

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 14 / 55

HEX #227464

RGB 34 116 100

HSL 168.29, 0.55%, 0.29%

LAB 43.87, -28.46, 1.75

 

Complementary color

CMYK 0 / 37 / 30 / 13

HEX #DD8B9B

RGB 221 139 155

HSL 348.29, 0.55%, 0.71%

LAB 66.68, 33.25, 4.73

 

CMYK 66 / 0 / 18 / 55

HEX #27745F

RGB 39 116 95

HSL 163.64, 0.5%, 0.3%

LAB 43.87, -28.92, 4.75

 

CMYK 58 / 0 / 15 / 47

HEX #388672

RGB 56 134 114

HSL 164.62, 0.41%, 0.37%

LAB 50.81, -29.09, 3.6

 

CMYK 52 / 0 / 13 / 40

HEX #499885

RGB 73 152 133

HSL 165.57, 0.35%, 0.44%

LAB 57.62, -29.1, 2.59

 

CMYK 47 / 0 / 11 / 33

HEX #5AAA98

RGB 90 170 152

HSL 166.5, 0.32%, 0.51%

LAB 64.31, -29.02, 1.69

 

CMYK 43 / 0 / 9 / 26

HEX #6BBCAB

RGB 107 188 171

HSL 167.41, 0.38%, 0.58%

LAB 70.89, -28.9, 0.86

 

CMYK 71 / 0 / 14 / 55

HEX #227464

RGB 34 116 100

HSL 168.29, 0.55%, 0.29%

LAB 43.87, -28.46, 1.75

 

CMYK 83 / 0 / 17 / 62

HEX #116251

RGB 17 98 81

HSL 167.41, 0.7%, 0.23%

LAB 36.83, -27.72, 3.05

 

CMYK 100 / 0 / 23 / 69

HEX #00503E

RGB 0 80 62

HSL 166.5, 1%, 0.16%

LAB 29.63, -26.63, 4.58

 

CMYK 100 / 0 / 31 / 76

HEX #003E2B

RGB 0 62 43

HSL 161.61, 1%, 0.12%

LAB 22.37, -23.8, 6.63

 

CMYK 100 / 0 / 45 / 83

HEX #002C18

RGB 0 44 24

HSL 152.73, 1%, 0.09%

LAB 14.77, -20.75, 8.95

 

CMYK 71 / 0 / 14 / 55

HEX #217363

RGB 33 115 99

HSL 168.29, 0.55%, 0.29%

LAB 43.49, -28.42, 1.78

 

CMYK 71 / 0 / 33 / 55

HEX #21734D

RGB 33 115 77

HSL 152.2, 0.55%, 0.29%

LAB 42.94, -34.06, 14.1

 

CMYK 71 / 0 / 52 / 55

HEX #217337

RGB 33 115 55

HSL 136.1, 0.55%, 0.29%

LAB 42.55, -38.42, 26.12

 

CMYK 70 / 0 / 71 / 55

HEX #227321

RGB 34 115 33

HSL 119.27, 0.55%, 0.29%

LAB 42.33, -41.17, 36.85

 

CMYK 51 / 0 / 71 / 55

HEX #387321

RGB 56 115 33

HSL 103.17, 0.55%, 0.29%

LAB 43.08, -35.21, 37.88

 

CMYK 71 / 0 / 14 / 55

HEX #217363

RGB 33 115 99

HSL 168.29, 0.55%, 0.29%

LAB 43.49, -28.42, 1.78

 

CMYK 71 / 5 / 0 / 55

HEX #216D73

RGB 33 109 115

HSL 184.39, 0.55%, 0.29%

LAB 42, -20.5, -10.07

 

CMYK 71 / 24 / 0 / 55

HEX #215773

RGB 33 87 115

HSL 200.49, 0.55%, 0.29%

LAB 34.76, -7.91, -21.15

 

CMYK 71 / 43 / 0 / 55

HEX #214173

RGB 33 65 115

HSL 216.59, 0.55%, 0.29%

LAB 27.69, 6.39, -32.28

 

CMYK 71 / 63 / 0 / 55

HEX #212B73

RGB 33 43 115

HSL 232.68, 0.55%, 0.29%

LAB 21.17, 21.82, -42.79

 

CMYK 71 / 0 / 14 / 55

HEX #217363

RGB 33 115 99

HSL 168.29, 0.55%, 0.29%

LAB 43.49, -28.42, 1.78

 

CMYK 83 / 0 / 17 / 50

HEX #157F6A

RGB 21 127 106

HSL 168.11, 0.72%, 0.29%

LAB 47.47, -33.65, 3.35

 

CMYK 94 / 0 / 19 / 45

HEX #098B71

RGB 9 139 113

HSL 168, 0.88%, 0.29%

LAB 51.51, -37.93, 5.08

 

CMYK 71 / 0 / 14 / 55

HEX #217363

RGB 33 115 99

HSL 168.29, 0.55%, 0.29%

LAB 43.49, -28.42, 1.78

 

CMYK 56 / 0 / 12 / 60

HEX #2D675B

RGB 45 103 91

HSL 167.59, 0.39%, 0.29%

LAB 39.6, -22.2, 1.03

 

CMYK 37 / 0 / 8 / 64

HEX #395B54

RGB 57 91 84

HSL 167.65, 0.23%, 0.29%

LAB 35.97, -14.14, 0.12

 

CMYK 13 / 0 / 3 / 69

HEX #454F4D

RGB 69 79 77

HSL 168, 0.07%, 0.29%

LAB 32.69, -4.44, -0.18

 

CMYK 0 / 17 / 14 / 68

HEX #514346

RGB 81 67 70

HSL 347.14, 0.09%, 0.29%

LAB 29.93, 6.58, 0.42

 

CMYK 71 / 0 / 52 / 55

HEX #217337

RGB 33 115 55

HSL 136.1, 0.55%, 0.29%

LAB 42.55, -38.42, 26.12

 

CMYK 71 / 0 / 33 / 55

HEX #21734D

RGB 33 115 77

HSL 152.2, 0.55%, 0.29%

LAB 42.94, -34.06, 14.1

 

CMYK 71 / 0 / 15 / 55

HEX #217362

RGB 33 115 98

HSL 167.56, 0.55%, 0.29%

LAB 43.46, -28.7, 2.34

 

CMYK 71 / 5 / 0 / 55

HEX #216D73

RGB 33 109 115

HSL 184.39, 0.55%, 0.29%

LAB 42, -20.5, -10.07

 

CMYK 71 / 23 / 0 / 55

HEX #215873

RGB 33 88 115

HSL 199.76, 0.55%, 0.29%

LAB 35.08, -8.52, -20.64

 

CMYK 71 / 0 / 14 / 80

HEX #0F332C

RGB 15 51 44

HSL 168.33, 0.55%, 0.13%

LAB 18.59, -14.94, 0.62

 

CMYK 71 / 0 / 14 / 67

HEX #185347

RGB 24 83 71

HSL 167.8, 0.55%, 0.21%

LAB 31.43, -22.13, 1.51

 

CMYK 71 / 0 / 14 / 55

HEX #217363

RGB 33 115 99

HSL 168.29, 0.55%, 0.29%

LAB 43.49, -28.42, 1.78

 

CMYK 71 / 0 / 14 / 42

HEX #2B937E

RGB 43 147 126

HSL 167.88, 0.55%, 0.37%

LAB 54.96, -34.47, 2.62

 

CMYK 71 / 0 / 14 / 30

HEX #34B39A

RGB 52 179 154

HSL 168.19, 0.55%, 0.45%

LAB 65.98, -40.14, 2.86

 

CMYK 71 / 0 / 14 / 55

HEX #227464

RGB 34 116 100

HSL 168.29, 0.55%, 0.29%

LAB 43.87, -28.46, 1.75

 

CMYK 71 / 71 / 0 / 55

HEX #212173

RGB 33 33 115

HSL 240, 0.55%, 0.29%

LAB 18.58, 28.64, -47.02

 

CMYK 0 / 43 / 71 / 55

HEX #734221

RGB 115 66 33

HSL 24.15, 0.55%, 0.29%

LAB 33.25, 18.08, 28.63

 

CMYK 71 / 0 / 14 / 55

HEX #227464

RGB 34 116 100

HSL 168.29, 0.55%, 0.29%

LAB 43.87, -28.46, 1.75

 

CMYK 15 / 71 / 0 / 55

HEX #622173

RGB 98 33 115

HSL 287.56, 0.55%, 0.29%

LAB 26.51, 41.88, -33.79

 

CMYK 0 / 15 / 71 / 55

HEX #736221

RGB 115 98 33

HSL 47.56, 0.55%, 0.29%

LAB 41.98, -1.12, 38.05

 

CMYK 71 / 0 / 14 / 55

HEX #227464

RGB 34 116 100

HSL 168.29, 0.55%, 0.29%

LAB 43.87, -28.46, 1.75

 

CMYK 71 / 71 / 0 / 55

HEX #212173

RGB 33 33 115

HSL 240, 0.55%, 0.29%

LAB 18.58, 28.64, -47.02

 

CMYK 0 / 71 / 57 / 55

HEX #732132

RGB 115 33 50

HSL 347.56, 0.55%, 0.29%

LAB 26.63, 37.1, 9.64

 

CMYK 0 / 0 / 71 / 55

HEX #737321

RGB 115 115 33

HSL 60, 0.55%, 0.29%

LAB 47, -10.81, 43.14

 

CMYK 71 / 0 / 14 / 55

HEX #227464

RGB 34 116 100

HSL 168.29, 0.55%, 0.29%

LAB 43.87, -28.46, 1.75

 

CMYK 50 / 71 / 0 / 55

HEX #3A2173

RGB 58 33 115

HSL 258.29, 0.55%, 0.29%

LAB 20.92, 32.86, -43.09

 

CMYK 0 / 71 / 57 / 55

HEX #732132

RGB 115 33 50

HSL 347.56, 0.55%, 0.29%

LAB 26.63, 37.1, 9.64

 

CMYK 22 / 0 / 71 / 55

HEX #5A7321

RGB 90 115 33

HSL 78.29, 0.55%, 0.29%

LAB 45, -22.11, 40.48

 

Description

Color code: HEX #227464 | qconv.com Color code: HEX #227464 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 116 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 116 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 14 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 14% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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