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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #226494 it is the complementary color #DD9B6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #226494. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #226494 shade: #27648F, #3876A2, #4988B5, #5A9AC8 and #6BACDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #226494. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #226494 shade: #226494, #115281, #00406E, #002E5B and #001C48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #226494 shade: #226596, #224696, #222796, #3D2296 and #5C2296

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #226494 shade: #226596, #224696, #222796 and #222296

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #226494 shade matches the following richer shades: #226596, #1367A4 and #046AB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #226494 shade: #226596, #316387, #406078, #4F5E69 and #5D5C5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #226494 shade: #229688, #228496, #226596, #224796 and #222896

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #226494 shade: #133852, #1A4E74, #226596, #2A7CB7 and #3891D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #226494 shade: #226494, #692296 and #949622

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #226494 shade: #226494, #962265 and #659622

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #226494 shade: #226494, #692296, #965222 and #4E9622

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #226494 shade: #226494, #8C2296, #965222 and #2C9622

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 32 / 0 / 42

HEX #226494

RGB 34 100 148

HSL 205.26, 0.63%, 0.36%

LAB 40.56, -3.41, -32.18

 

Complementary color

CMYK 0 / 30 / 52 / 13

HEX #DD9B6B

RGB 221 155 107

HSL 25.26, 0.63%, 0.64%

LAB 69.38, 19.33, 34.91

 

CMYK 73 / 30 / 0 / 44

HEX #27648F

RGB 39 100 143

HSL 204.81, 0.57%, 0.36%

LAB 40.46, -4.57, -29.34

 

CMYK 65 / 27 / 0 / 36

HEX #3876A2

RGB 56 118 162

HSL 204.91, 0.49%, 0.43%

LAB 47.5, -5.75, -29.54

 

CMYK 60 / 25 / 0 / 29

HEX #4988B5

RGB 73 136 181

HSL 205, 0.43%, 0.5%

LAB 54.41, -6.62, -29.74

 

CMYK 55 / 23 / 0 / 22

HEX #5A9AC8

RGB 90 154 200

HSL 205.09, 0.5%, 0.57%

LAB 61.18, -7.28, -29.93

 

CMYK 51 / 21 / 0 / 14

HEX #6BACDB

RGB 107 172 219

HSL 205.18, 0.61%, 0.64%

LAB 67.83, -7.8, -30.13

 

CMYK 77 / 32 / 0 / 42

HEX #226494

RGB 34 100 148

HSL 205.26, 0.63%, 0.36%

LAB 40.56, -3.41, -32.18

 

CMYK 87 / 36 / 0 / 49

HEX #115281

RGB 17 82 129

HSL 205.18, 0.77%, 0.29%

LAB 33.43, -1.4, -31.92

 

CMYK 100 / 42 / 0 / 57

HEX #00406E

RGB 0 64 110

HSL 205.09, 1%, 0.22%

LAB 26.14, 1.22, -31.63

 

CMYK 100 / 49 / 0 / 64

HEX #002E5B

RGB 0 46 91

HSL 209.67, 1%, 0.18%

LAB 18.84, 5.44, -30.97

 

CMYK 100 / 61 / 0 / 72

HEX #001C48

RGB 0 28 72

HSL 216.67, 1%, 0.14%

LAB 11.26, 10.22, -30.34

 

CMYK 77 / 33 / 0 / 41

HEX #226596

RGB 34 101 150

HSL 205.34, 0.63%, 0.36%

LAB 40.98, -3.27, -32.73

 

CMYK 77 / 53 / 0 / 41

HEX #224696

RGB 34 70 150

HSL 221.38, 0.63%, 0.36%

LAB 31.63, 17.02, -47.66

 

CMYK 77 / 74 / 0 / 41

HEX #222796

RGB 34 39 150

HSL 237.41, 0.63%, 0.36%

LAB 23.65, 37.58, -60.71

 

CMYK 59 / 77 / 0 / 41

HEX #3D2296

RGB 61 34 150

HSL 253.97, 0.63%, 0.36%

LAB 24.76, 43.45, -58.8

 

CMYK 39 / 77 / 0 / 41

HEX #5C2296

RGB 92 34 150

HSL 270, 0.63%, 0.36%

LAB 28.44, 48.31, -52.63

 

CMYK 77 / 33 / 0 / 41

HEX #226596

RGB 34 101 150

HSL 205.34, 0.63%, 0.36%

LAB 40.98, -3.27, -32.73

 

CMYK 77 / 53 / 0 / 41

HEX #224696

RGB 34 70 150

HSL 221.38, 0.63%, 0.36%

LAB 31.63, 17.02, -47.66

 

CMYK 77 / 74 / 0 / 41

HEX #222796

RGB 34 39 150

HSL 237.41, 0.63%, 0.36%

LAB 23.65, 37.58, -60.71

 

CMYK 77 / 77 / 0 / 41

HEX #222296

RGB 34 34 150

HSL 240, 0.63%, 0.36%

LAB 22.61, 40.52, -62.43

 

CMYK 77 / 33 / 0 / 41

HEX #226596

RGB 34 101 150

HSL 205.34, 0.63%, 0.36%

LAB 40.98, -3.27, -32.73

 

CMYK 88 / 37 / 0 / 36

HEX #1367A4

RGB 19 103 164

HSL 205.24, 0.79%, 0.36%

LAB 42.03, -0.56, -39.41

 

CMYK 98 / 41 / 0 / 30

HEX #046AB3

RGB 4 106 179

HSL 205.03, 0.96%, 0.36%

LAB 43.64, 2.79, -45.67

 

CMYK 77 / 33 / 0 / 41

HEX #226596

RGB 34 101 150

HSL 205.34, 0.63%, 0.36%

LAB 40.98, -3.27, -32.73

 

CMYK 64 / 27 / 0 / 47

HEX #316387

RGB 49 99 135

HSL 205.12, 0.47%, 0.36%

LAB 40.12, -5.07, -25.01

 

CMYK 47 / 20 / 0 / 53

HEX #406078

RGB 64 96 120

HSL 205.71, 0.3%, 0.36%

LAB 39.26, -4.64, -17.16

 

CMYK 25 / 10 / 0 / 59

HEX #4F5E69

RGB 79 94 105

HSL 205.38, 0.14%, 0.36%

LAB 39.05, -3.01, -8.18

 

CMYK 0 / 1 / 3 / 64

HEX #5D5C5A

RGB 93 92 90

HSL 40, 0.02%, 0.36%

LAB 39.1, -0.01, 1.28

 

CMYK 77 / 0 / 9 / 41

HEX #229688

RGB 34 150 136

HSL 172.76, 0.63%, 0.36%

LAB 56.02, -34.29, -1.59

 

CMYK 77 / 12 / 0 / 41

HEX #228496

RGB 34 132 150

HSL 189.31, 0.63%, 0.36%

LAB 50.74, -21.02, -17.59

 

CMYK 77 / 33 / 0 / 41

HEX #226596

RGB 34 101 150

HSL 205.34, 0.63%, 0.36%

LAB 40.98, -3.27, -32.73

 

CMYK 77 / 53 / 0 / 41

HEX #224796

RGB 34 71 150

HSL 220.86, 0.63%, 0.36%

LAB 31.92, 16.33, -47.19

 

CMYK 77 / 73 / 0 / 41

HEX #222896

RGB 34 40 150

HSL 236.9, 0.63%, 0.36%

LAB 23.87, 36.97, -60.34

 

CMYK 77 / 32 / 0 / 68

HEX #133852

RGB 19 56 82

HSL 204.76, 0.62%, 0.2%

LAB 22.22, -3.18, -19.6

 

CMYK 78 / 33 / 0 / 55

HEX #1A4E74

RGB 26 78 116

HSL 205.33, 0.63%, 0.28%

LAB 31.65, -2.99, -26.65

 

CMYK 77 / 33 / 0 / 41

HEX #226596

RGB 34 101 150

HSL 205.34, 0.63%, 0.36%

LAB 40.98, -3.27, -32.73

 

CMYK 77 / 32 / 0 / 28

HEX #2A7CB7

RGB 42 124 183

HSL 205.11, 0.63%, 0.44%

LAB 49.89, -3.91, -38.04

 

CMYK 73 / 31 / 0 / 18

HEX #3891D2

RGB 56 145 210

HSL 205.32, 0.63%, 0.52%

LAB 57.79, -4.75, -40.92

 

CMYK 77 / 32 / 0 / 42

HEX #226494

RGB 34 100 148

HSL 205.26, 0.63%, 0.36%

LAB 40.56, -3.41, -32.18

 

CMYK 30 / 77 / 0 / 41

HEX #692296

RGB 105 34 150

HSL 276.72, 0.63%, 0.36%

LAB 30.28, 50.68, -49.56

 

CMYK 1 / 0 / 77 / 41

HEX #949622

RGB 148 150 34

HSL 61.03, 0.63%, 0.36%

LAB 60.09, -14.57, 56.25

 

CMYK 77 / 32 / 0 / 42

HEX #226494

RGB 34 100 148

HSL 205.26, 0.63%, 0.36%

LAB 40.56, -3.41, -32.18

 

CMYK 0 / 77 / 33 / 41

HEX #962265

RGB 150 34 101

HSL 325.34, 0.63%, 0.36%

LAB 35.14, 52.74, -10.69

 

CMYK 33 / 0 / 77 / 41

HEX #659622

RGB 101 150 34

HSL 85.34, 0.63%, 0.36%

LAB 56.78, -34.42, 51.96

 

CMYK 77 / 32 / 0 / 42

HEX #226494

RGB 34 100 148

HSL 205.26, 0.63%, 0.36%

LAB 40.56, -3.41, -32.18

 

CMYK 30 / 77 / 0 / 41

HEX #692296

RGB 105 34 150

HSL 276.72, 0.63%, 0.36%

LAB 30.28, 50.68, -49.56

 

CMYK 0 / 45 / 77 / 41

HEX #965222

RGB 150 82 34

HSL 24.83, 0.63%, 0.36%

LAB 42.21, 24.52, 39.19

 

CMYK 48 / 0 / 77 / 41

HEX #4E9622

RGB 78 150 34

HSL 97.24, 0.63%, 0.36%

LAB 55.63, -42.6, 50.47

 

CMYK 77 / 32 / 0 / 42

HEX #226494

RGB 34 100 148

HSL 205.26, 0.63%, 0.36%

LAB 40.56, -3.41, -32.18

 

CMYK 7 / 77 / 0 / 41

HEX #8C2296

RGB 140 34 150

HSL 294.83, 0.63%, 0.36%

LAB 35.83, 57.7, -40.32

 

CMYK 0 / 45 / 77 / 41

HEX #965222

RGB 150 82 34

HSL 24.83, 0.63%, 0.36%

LAB 42.21, 24.52, 39.19

 

CMYK 71 / 0 / 77 / 41

HEX #2C9622

RGB 44 150 34

HSL 114.83, 0.63%, 0.36%

LAB 54.52, -51.5, 49

 

Description

Color code: HEX #226494 | qconv.com Color code: HEX #226494 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 100 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 100 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 32 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 32% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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