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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #22615A it is the complementary color #DD9EA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #22615A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #22615A shade: #276155, #387368, #49857B, #5A978E and #6BA9A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #22615A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #22615A shade: #22615A, #114F47, #003D34, #002B21 and #00190E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #22615A shade: #22625B, #22624A, #226239, #226228 and #2F6222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #22615A shade: #22625B, #225862, #224762, #223662 and #222562

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #22615A shade matches the following richer shades: #22625B, #186D63, #0D786C and #028274

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #22615A shade: #22625B, #2D5753, #384D4A, #434242 and #4D373A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #22615A shade: #226239, #22624A, #22625B, #225962 and #224862

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #22615A shade: #0D2522, #18443F, #22625B, #2D8177 and #389F94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #22615A shade: #22615A, #282262 and #624122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #22615A shade: #22615A, #5B2262 and #625B22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #22615A shade: #22615A, #282262, #62222A and #5D6222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #22615A shade: #22615A, #3B2262, #62222A and #4A6222

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 7 / 62

HEX #22615A

RGB 34 97 90

HSL 173.33, 0.48%, 0.26%

LAB 37.17, -21.8, -1.97

 

Complementary color

CMYK 0 / 29 / 25 / 13

HEX #DD9EA5

RGB 221 158 165

HSL 353.33, 0.48%, 0.74%

LAB 71.24, 24.42, 5.72

 

CMYK 60 / 0 / 12 / 62

HEX #276155

RGB 39 97 85

HSL 167.59, 0.43%, 0.27%

LAB 37.18, -22.16, 1.16

 

CMYK 51 / 0 / 10 / 55

HEX #387368

RGB 56 115 104

HSL 168.81, 0.35%, 0.34%

LAB 44.38, -22.18, 0.17

 

CMYK 45 / 0 / 8 / 48

HEX #49857B

RGB 73 133 123

HSL 170, 0.29%, 0.4%

LAB 51.41, -22.1, -0.7

 

CMYK 40 / 0 / 6 / 41

HEX #5A978E

RGB 90 151 142

HSL 171.15, 0.25%, 0.47%

LAB 58.28, -21.97, -1.48

 

CMYK 37 / 0 / 5 / 34

HEX #6BA9A1

RGB 107 169 161

HSL 172.26, 0.26%, 0.54%

LAB 65.02, -21.83, -2.21

 

CMYK 65 / 0 / 7 / 62

HEX #22615A

RGB 34 97 90

HSL 173.33, 0.48%, 0.26%

LAB 37.17, -21.8, -1.97

 

CMYK 78 / 0 / 10 / 69

HEX #114F47

RGB 17 79 71

HSL 172.26, 0.65%, 0.19%

LAB 29.83, -21.26, -0.85

 

CMYK 100 / 0 / 15 / 76

HEX #003D34

RGB 0 61 52

HSL 171.15, 1%, 0.12%

LAB 22.25, -20.49, 0.47

 

CMYK 100 / 0 / 23 / 83

HEX #002B21

RGB 0 43 33

HSL 166.05, 1%, 0.08%

LAB 14.61, -17.54, 2.46

 

CMYK 100 / 0 / 44 / 90

HEX #00190E

RGB 0 25 14

HSL 153.6, 1%, 0.05%

LAB 6.57, -10.82, 3.69

 

CMYK 65 / 0 / 7 / 62

HEX #22625B

RGB 34 98 91

HSL 173.44, 0.48%, 0.26%

LAB 37.54, -22.02, -2.04

 

CMYK 65 / 0 / 24 / 62

HEX #22624A

RGB 34 98 74

HSL 157.5, 0.48%, 0.26%

LAB 37.06, -26.75, 7.73

 

CMYK 65 / 0 / 42 / 62

HEX #226239

RGB 34 98 57

HSL 141.56, 0.48%, 0.26%

LAB 36.69, -30.64, 17.47

 

CMYK 65 / 0 / 59 / 62

HEX #226228

RGB 34 98 40

HSL 125.63, 0.48%, 0.26%

LAB 36.42, -33.61, 26.77

 

CMYK 52 / 0 / 65 / 62

HEX #2F6222

RGB 47 98 34

HSL 107.81, 0.48%, 0.26%

LAB 36.85, -30.61, 30.5

 

CMYK 65 / 0 / 7 / 62

HEX #22625B

RGB 34 98 91

HSL 173.44, 0.48%, 0.26%

LAB 37.54, -22.02, -2.04

 

CMYK 65 / 10 / 0 / 62

HEX #225862

RGB 34 88 98

HSL 189.38, 0.48%, 0.26%

LAB 34.4, -14.31, -11.09

 

CMYK 65 / 28 / 0 / 62

HEX #224762

RGB 34 71 98

HSL 205.31, 0.48%, 0.26%

LAB 28.72, -3.94, -19.82

 

CMYK 65 / 45 / 0 / 62

HEX #223662

RGB 34 54 98

HSL 221.25, 0.48%, 0.26%

LAB 23.2, 7.55, -28.51

 

CMYK 65 / 62 / 0 / 62

HEX #222562

RGB 34 37 98

HSL 237.19, 0.48%, 0.26%

LAB 18.12, 19.68, -36.69

 

CMYK 65 / 0 / 7 / 62

HEX #22625B

RGB 34 98 91

HSL 173.44, 0.48%, 0.26%

LAB 37.54, -22.02, -2.04

 

CMYK 78 / 0 / 9 / 57

HEX #186D63

RGB 24 109 99

HSL 172.94, 0.64%, 0.26%

LAB 41.27, -26.83, -1.48

 

CMYK 89 / 0 / 10 / 53

HEX #0D786C

RGB 13 120 108

HSL 173.27, 0.8%, 0.26%

LAB 45.08, -30.52, -1.31

 

CMYK 98 / 0 / 11 / 49

HEX #028274

RGB 2 130 116

HSL 173.44, 0.97%, 0.26%

LAB 48.56, -33.44, -0.96

 

CMYK 65 / 0 / 7 / 62

HEX #22625B

RGB 34 98 91

HSL 173.44, 0.48%, 0.26%

LAB 37.54, -22.02, -2.04

 

CMYK 48 / 0 / 5 / 66

HEX #2D5753

RGB 45 87 83

HSL 174.29, 0.32%, 0.26%

LAB 33.98, -15.78, -2.25

 

CMYK 27 / 0 / 4 / 70

HEX #384D4A

RGB 56 77 74

HSL 171.43, 0.16%, 0.26%

LAB 30.98, -8.86, -0.87

 

CMYK 0 / 1 / 1 / 74

HEX #434242

RGB 67 66 66

HSL 0, 0.01%, 0.26%

LAB 28.07, 0.42, 0.14

 

CMYK 0 / 29 / 25 / 70

HEX #4D373A

RGB 77 55 58

HSL 351.82, 0.17%, 0.26%

LAB 25.61, 10.34, 1.98

 

CMYK 65 / 0 / 42 / 62

HEX #226239

RGB 34 98 57

HSL 141.56, 0.48%, 0.26%

LAB 36.69, -30.64, 17.47

 

CMYK 65 / 0 / 24 / 62

HEX #22624A

RGB 34 98 74

HSL 157.5, 0.48%, 0.26%

LAB 37.06, -26.75, 7.73

 

CMYK 65 / 0 / 7 / 62

HEX #22625B

RGB 34 98 91

HSL 173.44, 0.48%, 0.26%

LAB 37.54, -22.02, -2.04

 

CMYK 65 / 9 / 0 / 62

HEX #225962

RGB 34 89 98

HSL 188.44, 0.48%, 0.26%

LAB 34.74, -14.88, -10.58

 

CMYK 65 / 27 / 0 / 62

HEX #224862

RGB 34 72 98

HSL 204.38, 0.48%, 0.26%

LAB 29.05, -4.58, -19.31

 

CMYK 65 / 0 / 8 / 85

HEX #0D2522

RGB 13 37 34

HSL 172.5, 0.48%, 0.1%

LAB 12.76, -10.32, -0.87

 

CMYK 65 / 0 / 7 / 73

HEX #18443F

RGB 24 68 63

HSL 173.18, 0.48%, 0.18%

LAB 25.82, -16.49, -1.51

 

CMYK 65 / 0 / 7 / 62

HEX #22625B

RGB 34 98 91

HSL 173.44, 0.48%, 0.26%

LAB 37.54, -22.02, -2.04

 

CMYK 65 / 0 / 8 / 49

HEX #2D8177

RGB 45 129 119

HSL 172.86, 0.48%, 0.34%

LAB 49, -27.51, -2.01

 

CMYK 65 / 0 / 7 / 38

HEX #389F94

RGB 56 159 148

HSL 173.59, 0.48%, 0.42%

LAB 59.69, -31.97, -2.97

 

CMYK 65 / 0 / 7 / 62

HEX #22615A

RGB 34 97 90

HSL 173.33, 0.48%, 0.26%

LAB 37.17, -21.8, -1.97

 

CMYK 59 / 65 / 0 / 62

HEX #282262

RGB 40 34 98

HSL 245.63, 0.48%, 0.26%

LAB 17.81, 22.96, -37.16

 

CMYK 0 / 34 / 65 / 62

HEX #624122

RGB 98 65 34

HSL 29.06, 0.48%, 0.26%

LAB 30.62, 10.76, 24.42

 

CMYK 65 / 0 / 7 / 62

HEX #22615A

RGB 34 97 90

HSL 173.33, 0.48%, 0.26%

LAB 37.17, -21.8, -1.97

 

CMYK 7 / 65 / 0 / 62

HEX #5B2262

RGB 91 34 98

HSL 293.44, 0.48%, 0.26%

LAB 24.48, 36, -26.1

 

CMYK 0 / 7 / 65 / 62

HEX #625B22

RGB 98 91 34

HSL 53.44, 0.48%, 0.26%

LAB 38.19, -5.11, 33

 

CMYK 65 / 0 / 7 / 62

HEX #22615A

RGB 34 97 90

HSL 173.33, 0.48%, 0.26%

LAB 37.17, -21.8, -1.97

 

CMYK 59 / 65 / 0 / 62

HEX #282262

RGB 40 34 98

HSL 245.63, 0.48%, 0.26%

LAB 17.81, 22.96, -37.16

 

CMYK 0 / 65 / 57 / 62

HEX #62222A

RGB 98 34 42

HSL 352.5, 0.48%, 0.26%

LAB 23.36, 29.71, 10.08

 

CMYK 5 / 0 / 65 / 62

HEX #5D6222

RGB 93 98 34

HSL 64.69, 0.48%, 0.26%

LAB 39.88, -11.53, 34.7

 

CMYK 65 / 0 / 7 / 62

HEX #22615A

RGB 34 97 90

HSL 173.33, 0.48%, 0.26%

LAB 37.17, -21.8, -1.97

 

CMYK 40 / 65 / 0 / 62

HEX #3B2262

RGB 59 34 98

HSL 263.44, 0.48%, 0.26%

LAB 19.87, 27.36, -33.74

 

CMYK 0 / 65 / 57 / 62

HEX #62222A

RGB 98 34 42

HSL 352.5, 0.48%, 0.26%

LAB 23.36, 29.71, 10.08

 

CMYK 24 / 0 / 65 / 62

HEX #4A6222

RGB 74 98 34

HSL 82.5, 0.48%, 0.26%

LAB 38.39, -20.16, 32.65

 

Description

Color code: HEX #22615A | qconv.com Color code: HEX #22615A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 97 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 97 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 7 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 7% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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