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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #226078 it is the complementary color #DD9F87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #226078. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #226078 shade: #276073, #387286, #498499, #5A96AC and #6BA8BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #226078. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #226078 shade: #226078, #114E65, #003C52, #002A3F and #00182C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #226078 shade: #225F77, #224877, #223177, #292277 and #402277

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #226078 shade: #225F77, #224877, #223177 and #222277

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #226078 shade matches the following richer shades: #225F77, #156584 and #096A90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #226078 shade: #225F77, #2E5A6B, #3A545F, #474F52 and #534A46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #226078 shade: #227760, #227777, #226077, #224A77 and #223377

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #226078 shade: #102C37, #194657, #225F77, #2B7998 and #3493B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #226078 shade: #226078, #4A2277 and #776C22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #226078 shade: #226078, #772260 and #607722

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #226078 shade: #226078, #4A2277, #773922 and #4F7722

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #226078 shade: #226078, #632277, #773922 and #367722

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 20 / 0 / 53

HEX #226078

RGB 34 96 120

HSL 196.74, 0.56%, 0.3%

LAB 37.95, -11.33, -19.28

 

Complementary color

CMYK 0 / 28 / 39 / 13

HEX #DD9F87

RGB 221 159 135

HSL 16.74, 0.56%, 0.7%

LAB 70.81, 20.04, 21.66

 

CMYK 66 / 17 / 0 / 55

HEX #276073

RGB 39 96 115

HSL 195, 0.49%, 0.3%

LAB 37.9, -12.19, -16.27

 

CMYK 58 / 15 / 0 / 47

HEX #387286

RGB 56 114 134

HSL 195.38, 0.41%, 0.37%

LAB 45.08, -12.77, -16.74

 

CMYK 52 / 14 / 0 / 40

HEX #498499

RGB 73 132 153

HSL 195.75, 0.35%, 0.44%

LAB 52.08, -13.15, -17.17

 

CMYK 48 / 13 / 0 / 33

HEX #5A96AC

RGB 90 150 172

HSL 196.1, 0.33%, 0.51%

LAB 58.94, -13.41, -17.58

 

CMYK 44 / 12 / 0 / 25

HEX #6BA8BF

RGB 107 168 191

HSL 196.43, 0.4%, 0.58%

LAB 65.67, -13.59, -17.97

 

CMYK 72 / 20 / 0 / 53

HEX #226078

RGB 34 96 120

HSL 196.74, 0.56%, 0.3%

LAB 37.95, -11.33, -19.28

 

CMYK 83 / 23 / 0 / 60

HEX #114E65

RGB 17 78 101

HSL 196.43, 0.71%, 0.23%

LAB 30.66, -10.04, -18.76

 

CMYK 100 / 27 / 0 / 68

HEX #003C52

RGB 0 60 82

HSL 196.1, 1%, 0.16%

LAB 23.14, -8.28, -18.19

 

CMYK 100 / 33 / 0 / 75

HEX #002A3F

RGB 0 42 63

HSL 200, 1%, 0.12%

LAB 15.56, -4.65, -17.2

 

CMYK 100 / 45 / 0 / 83

HEX #00182C

RGB 0 24 44

HSL 207.27, 1%, 0.09%

LAB 7.54, -0.51, -16.27

 

CMYK 71 / 20 / 0 / 53

HEX #225F77

RGB 34 95 119

HSL 196.94, 0.56%, 0.3%

LAB 37.58, -11.1, -19.24

 

CMYK 71 / 39 / 0 / 53

HEX #224877

RGB 34 72 119

HSL 213.18, 0.56%, 0.3%

LAB 30.17, 3.4, -30.84

 

CMYK 71 / 59 / 0 / 53

HEX #223177

RGB 34 49 119

HSL 229.41, 0.56%, 0.3%

LAB 23.23, 19.33, -41.98

 

CMYK 66 / 71 / 0 / 53

HEX #292277

RGB 41 34 119

HSL 244.94, 0.56%, 0.3%

LAB 19.83, 30.58, -47.51

 

CMYK 46 / 71 / 0 / 53

HEX #402277

RGB 64 34 119

HSL 261.18, 0.56%, 0.3%

LAB 22.18, 34.69, -43.58

 

CMYK 71 / 20 / 0 / 53

HEX #225F77

RGB 34 95 119

HSL 196.94, 0.56%, 0.3%

LAB 37.58, -11.1, -19.24

 

CMYK 71 / 39 / 0 / 53

HEX #224877

RGB 34 72 119

HSL 213.18, 0.56%, 0.3%

LAB 30.17, 3.4, -30.84

 

CMYK 71 / 59 / 0 / 53

HEX #223177

RGB 34 49 119

HSL 229.41, 0.56%, 0.3%

LAB 23.23, 19.33, -41.98

 

CMYK 71 / 71 / 0 / 53

HEX #222277

RGB 34 34 119

HSL 240, 0.56%, 0.3%

LAB 19.29, 29.58, -48.42

 

CMYK 71 / 20 / 0 / 53

HEX #225F77

RGB 34 95 119

HSL 196.94, 0.56%, 0.3%

LAB 37.58, -11.1, -19.24

 

CMYK 84 / 23 / 0 / 48

HEX #156584

RGB 21 101 132

HSL 196.76, 0.73%, 0.3%

LAB 39.8, -11.56, -23.75

 

CMYK 94 / 26 / 0 / 44

HEX #096A90

RGB 9 106 144

HSL 196.89, 0.88%, 0.3%

LAB 41.81, -10.81, -27.86

 

CMYK 71 / 20 / 0 / 53

HEX #225F77

RGB 34 95 119

HSL 196.94, 0.56%, 0.3%

LAB 37.58, -11.1, -19.24

 

CMYK 57 / 16 / 0 / 58

HEX #2E5A6B

RGB 46 90 107

HSL 196.72, 0.4%, 0.3%

LAB 35.9, -9.84, -14.38

 

CMYK 39 / 12 / 0 / 63

HEX #3A545F

RGB 58 84 95

HSL 197.84, 0.24%, 0.3%

LAB 34.12, -6.65, -9.52

 

CMYK 13 / 4 / 0 / 68

HEX #474F52

RGB 71 79 82

HSL 196.36, 0.07%, 0.3%

LAB 33.01, -2.48, -2.86

 

CMYK 0 / 11 / 16 / 67

HEX #534A46

RGB 83 74 70

HSL 18.46, 0.08%, 0.3%

LAB 32.21, 2.99, 3.75

 

CMYK 71 / 0 / 19 / 53

HEX #227760

RGB 34 119 96

HSL 163.76, 0.56%, 0.3%

LAB 44.77, -30.98, 5.42

 

CMYK 71 / 0 / 0 / 53

HEX #227777

RGB 34 119 119

HSL 180, 0.56%, 0.3%

LAB 45.45, -24.3, -7.29

 

CMYK 71 / 19 / 0 / 53

HEX #226077

RGB 34 96 119

HSL 196.24, 0.56%, 0.3%

LAB 37.91, -11.69, -18.73

 

CMYK 71 / 38 / 0 / 53

HEX #224A77

RGB 34 74 119

HSL 211.76, 0.56%, 0.3%

LAB 30.81, 2.07, -29.84

 

CMYK 71 / 57 / 0 / 53

HEX #223377

RGB 34 51 119

HSL 228, 0.56%, 0.3%

LAB 23.8, 17.93, -41.06

 

CMYK 71 / 20 / 0 / 78

HEX #102C37

RGB 16 44 55

HSL 196.92, 0.55%, 0.14%

LAB 16.44, -6.46, -10.23

 

CMYK 71 / 20 / 0 / 66

HEX #194657

RGB 25 70 87

HSL 196.45, 0.55%, 0.22%

LAB 27.5, -9.2, -14.65

 

CMYK 71 / 20 / 0 / 53

HEX #225F77

RGB 34 95 119

HSL 196.94, 0.56%, 0.3%

LAB 37.58, -11.1, -19.24

 

CMYK 72 / 20 / 0 / 40

HEX #2B7998

RGB 43 121 152

HSL 197.06, 0.56%, 0.38%

LAB 47.57, -13.11, -23.61

 

CMYK 72 / 20 / 0 / 28

HEX #3493B8

RGB 52 147 184

HSL 196.82, 0.56%, 0.46%

LAB 57.13, -15.36, -27.28

 

CMYK 72 / 20 / 0 / 53

HEX #226078

RGB 34 96 120

HSL 196.74, 0.56%, 0.3%

LAB 37.95, -11.33, -19.28

 

CMYK 38 / 71 / 0 / 53

HEX #4A2277

RGB 74 34 119

HSL 268.24, 0.56%, 0.3%

LAB 23.44, 36.79, -41.47

 

CMYK 0 / 9 / 71 / 53

HEX #776C22

RGB 119 108 34

HSL 52.24, 0.56%, 0.3%

LAB 45.31, -4.94, 41.13

 

CMYK 72 / 20 / 0 / 53

HEX #226078

RGB 34 96 120

HSL 196.74, 0.56%, 0.3%

LAB 37.95, -11.33, -19.28

 

CMYK 0 / 71 / 19 / 53

HEX #772260

RGB 119 34 96

HSL 316.24, 0.56%, 0.3%

LAB 29.19, 43.55, -17.08

 

CMYK 19 / 0 / 71 / 53

HEX #607722

RGB 96 119 34

HSL 76.24, 0.56%, 0.3%

LAB 46.71, -21.49, 41.93

 

CMYK 72 / 20 / 0 / 53

HEX #226078

RGB 34 96 120

HSL 196.74, 0.56%, 0.3%

LAB 37.95, -11.33, -19.28

 

CMYK 38 / 71 / 0 / 53

HEX #4A2277

RGB 74 34 119

HSL 268.24, 0.56%, 0.3%

LAB 23.44, 36.79, -41.47

 

CMYK 0 / 52 / 71 / 53

HEX #773922

RGB 119 57 34

HSL 16.24, 0.56%, 0.3%

LAB 31.72, 25.19, 26.49

 

CMYK 34 / 0 / 71 / 53

HEX #4F7722

RGB 79 119 34

HSL 88.24, 0.56%, 0.3%

LAB 45.6, -28.59, 40.44

 

CMYK 72 / 20 / 0 / 53

HEX #226078

RGB 34 96 120

HSL 196.74, 0.56%, 0.3%

LAB 37.95, -11.33, -19.28

 

CMYK 17 / 71 / 0 / 53

HEX #632277

RGB 99 34 119

HSL 285.88, 0.56%, 0.3%

LAB 27.1, 42.53, -35.39

 

CMYK 0 / 52 / 71 / 53

HEX #773922

RGB 119 57 34

HSL 16.24, 0.56%, 0.3%

LAB 31.72, 25.19, 26.49

 

CMYK 55 / 0 / 71 / 53

HEX #367722

RGB 54 119 34

HSL 105.88, 0.56%, 0.3%

LAB 44.37, -37.42, 38.78

 

Description

Color code: HEX #226078 | qconv.com Color code: HEX #226078 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 96 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 96 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 20 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 20% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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