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Color name
HEX #225F76

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #225F76 it is the complementary color #DDA089. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #225F76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #225F76 shade: #275F71, #387184, #498397, #5A95AA and #6BA7BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #225F76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #225F76 shade: #225F76, #114D63, #003B50, #00293D and #00172A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #225F76 shade: #226077, #224977, #223277, #292277 and #402277

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #225F76 shade: #226077, #224977, #223277 and #222277

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #225F76 shade matches the following richer shades: #226077, #166583 and #0A6B8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #225F76 shade: #226077, #2F5A6A, #3B545E, #484F51 and #544945

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #225F76 shade: #227760, #227777, #226077, #224A77 and #223377

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #225F76 shade: #102C37, #194657, #226077, #2C7997 and #3593B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #225F76 shade: #225F76, #4A2277 and #776B22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #225F76 shade: #225F76, #772260 and #607722

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #225F76 shade: #225F76, #4A2277, #773922 and #4F7722

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #225F76 shade: #225F76, #632277, #773922 and #367722

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 19 / 0 / 54

HEX #225F76

RGB 34 95 118

HSL 196.43, 0.55%, 0.3%

LAB 37.54, -11.45, -18.69

 

Complementary color

CMYK 0 / 28 / 38 / 13

HEX #DDA089

RGB 221 160 137

HSL 16.43, 0.55%, 0.7%

LAB 71.09, 19.73, 20.94

 

CMYK 65 / 16 / 0 / 56

HEX #275F71

RGB 39 95 113

HSL 194.59, 0.49%, 0.3%

LAB 37.5, -12.29, -15.67

 

CMYK 58 / 14 / 0 / 48

HEX #387184

RGB 56 113 132

HSL 195, 0.4%, 0.37%

LAB 44.68, -12.84, -16.15

 

CMYK 52 / 13 / 0 / 41

HEX #498397

RGB 73 131 151

HSL 195.38, 0.35%, 0.44%

LAB 51.71, -13.19, -16.58

 

CMYK 47 / 12 / 0 / 33

HEX #5A95AA

RGB 90 149 170

HSL 195.75, 0.32%, 0.51%

LAB 58.57, -13.43, -17

 

CMYK 43 / 12 / 0 / 26

HEX #6BA7BD

RGB 107 167 189

HSL 196.1, 0.38%, 0.58%

LAB 65.31, -13.6, -17.4

 

CMYK 71 / 19 / 0 / 54

HEX #225F76

RGB 34 95 118

HSL 196.43, 0.55%, 0.3%

LAB 37.54, -11.45, -18.69

 

CMYK 83 / 22 / 0 / 61

HEX #114D63

RGB 17 77 99

HSL 196.1, 0.71%, 0.23%

LAB 30.22, -10.2, -18.16

 

CMYK 100 / 26 / 0 / 69

HEX #003B50

RGB 0 59 80

HSL 195.75, 1%, 0.16%

LAB 22.68, -8.49, -17.59

 

CMYK 100 / 33 / 0 / 76

HEX #00293D

RGB 0 41 61

HSL 199.67, 1%, 0.12%

LAB 15.08, -4.87, -16.58

 

CMYK 100 / 45 / 0 / 84

HEX #00172A

RGB 0 23 42

HSL 207.14, 1%, 0.08%

LAB 7.05, -0.7, -15.58

 

CMYK 71 / 19 / 0 / 53

HEX #226077

RGB 34 96 119

HSL 196.24, 0.56%, 0.3%

LAB 37.91, -11.69, -18.73

 

CMYK 71 / 39 / 0 / 53

HEX #224977

RGB 34 73 119

HSL 212.47, 0.56%, 0.3%

LAB 30.49, 2.73, -30.34

 

CMYK 71 / 58 / 0 / 53

HEX #223277

RGB 34 50 119

HSL 228.71, 0.56%, 0.3%

LAB 23.52, 18.63, -41.52

 

CMYK 66 / 71 / 0 / 53

HEX #292277

RGB 41 34 119

HSL 244.94, 0.56%, 0.3%

LAB 19.83, 30.58, -47.51

 

CMYK 46 / 71 / 0 / 53

HEX #402277

RGB 64 34 119

HSL 261.18, 0.56%, 0.3%

LAB 22.18, 34.69, -43.58

 

CMYK 71 / 19 / 0 / 53

HEX #226077

RGB 34 96 119

HSL 196.24, 0.56%, 0.3%

LAB 37.91, -11.69, -18.73

 

CMYK 71 / 39 / 0 / 53

HEX #224977

RGB 34 73 119

HSL 212.47, 0.56%, 0.3%

LAB 30.49, 2.73, -30.34

 

CMYK 71 / 58 / 0 / 53

HEX #223277

RGB 34 50 119

HSL 228.71, 0.56%, 0.3%

LAB 23.52, 18.63, -41.52

 

CMYK 71 / 71 / 0 / 53

HEX #222277

RGB 34 34 119

HSL 240, 0.56%, 0.3%

LAB 19.29, 29.58, -48.42

 

CMYK 71 / 19 / 0 / 53

HEX #226077

RGB 34 96 119

HSL 196.24, 0.56%, 0.3%

LAB 37.91, -11.69, -18.73

 

CMYK 83 / 23 / 0 / 49

HEX #166583

RGB 22 101 131

HSL 196.51, 0.71%, 0.3%

LAB 39.78, -11.83, -23.19

 

CMYK 93 / 25 / 0 / 44

HEX #0A6B8F

RGB 10 107 143

HSL 196.24, 0.87%, 0.3%

LAB 42.1, -11.73, -26.81

 

CMYK 71 / 19 / 0 / 53

HEX #226077

RGB 34 96 119

HSL 196.24, 0.56%, 0.3%

LAB 37.91, -11.69, -18.73

 

CMYK 56 / 15 / 0 / 58

HEX #2F5A6A

RGB 47 90 106

HSL 196.27, 0.39%, 0.3%

LAB 35.9, -9.93, -13.75

 

CMYK 37 / 11 / 0 / 63

HEX #3B545E

RGB 59 84 94

HSL 197.14, 0.23%, 0.3%

LAB 34.15, -6.62, -8.84

 

CMYK 11 / 2 / 0 / 68

HEX #484F51

RGB 72 79 81

HSL 193.33, 0.06%, 0.3%

LAB 33.06, -2.33, -2.14

 

CMYK 0 / 13 / 18 / 67

HEX #544945

RGB 84 73 69

HSL 16, 0.1%, 0.3%

LAB 31.99, 3.86, 4.09

 

CMYK 71 / 0 / 19 / 53

HEX #227760

RGB 34 119 96

HSL 163.76, 0.56%, 0.3%

LAB 44.77, -30.98, 5.42

 

CMYK 71 / 0 / 0 / 53

HEX #227777

RGB 34 119 119

HSL 180, 0.56%, 0.3%

LAB 45.45, -24.3, -7.29

 

CMYK 71 / 19 / 0 / 53

HEX #226077

RGB 34 96 119

HSL 196.24, 0.56%, 0.3%

LAB 37.91, -11.69, -18.73

 

CMYK 71 / 38 / 0 / 53

HEX #224A77

RGB 34 74 119

HSL 211.76, 0.56%, 0.3%

LAB 30.81, 2.07, -29.84

 

CMYK 71 / 57 / 0 / 53

HEX #223377

RGB 34 51 119

HSL 228, 0.56%, 0.3%

LAB 23.8, 17.93, -41.06

 

CMYK 71 / 20 / 0 / 78

HEX #102C37

RGB 16 44 55

HSL 196.92, 0.55%, 0.14%

LAB 16.44, -6.46, -10.23

 

CMYK 71 / 20 / 0 / 66

HEX #194657

RGB 25 70 87

HSL 196.45, 0.55%, 0.22%

LAB 27.5, -9.2, -14.65

 

CMYK 71 / 19 / 0 / 53

HEX #226077

RGB 34 96 119

HSL 196.24, 0.56%, 0.3%

LAB 37.91, -11.69, -18.73

 

CMYK 71 / 20 / 0 / 41

HEX #2C7997

RGB 44 121 151

HSL 196.82, 0.55%, 0.38%

LAB 47.55, -13.3, -23.04

 

CMYK 71 / 20 / 0 / 28

HEX #3593B7

RGB 53 147 183

HSL 196.62, 0.55%, 0.46%

LAB 57.12, -15.56, -26.74

 

CMYK 71 / 19 / 0 / 54

HEX #225F76

RGB 34 95 118

HSL 196.43, 0.55%, 0.3%

LAB 37.54, -11.45, -18.69

 

CMYK 38 / 71 / 0 / 53

HEX #4A2277

RGB 74 34 119

HSL 268.24, 0.56%, 0.3%

LAB 23.44, 36.79, -41.47

 

CMYK 0 / 10 / 71 / 53

HEX #776B22

RGB 119 107 34

HSL 51.53, 0.56%, 0.3%

LAB 45.02, -4.37, 40.84

 

CMYK 71 / 19 / 0 / 54

HEX #225F76

RGB 34 95 118

HSL 196.43, 0.55%, 0.3%

LAB 37.54, -11.45, -18.69

 

CMYK 0 / 71 / 19 / 53

HEX #772260

RGB 119 34 96

HSL 316.24, 0.56%, 0.3%

LAB 29.19, 43.55, -17.08

 

CMYK 19 / 0 / 71 / 53

HEX #607722

RGB 96 119 34

HSL 76.24, 0.56%, 0.3%

LAB 46.71, -21.49, 41.93

 

CMYK 71 / 19 / 0 / 54

HEX #225F76

RGB 34 95 118

HSL 196.43, 0.55%, 0.3%

LAB 37.54, -11.45, -18.69

 

CMYK 38 / 71 / 0 / 53

HEX #4A2277

RGB 74 34 119

HSL 268.24, 0.56%, 0.3%

LAB 23.44, 36.79, -41.47

 

CMYK 0 / 52 / 71 / 53

HEX #773922

RGB 119 57 34

HSL 16.24, 0.56%, 0.3%

LAB 31.72, 25.19, 26.49

 

CMYK 34 / 0 / 71 / 53

HEX #4F7722

RGB 79 119 34

HSL 88.24, 0.56%, 0.3%

LAB 45.6, -28.59, 40.44

 

CMYK 71 / 19 / 0 / 54

HEX #225F76

RGB 34 95 118

HSL 196.43, 0.55%, 0.3%

LAB 37.54, -11.45, -18.69

 

CMYK 17 / 71 / 0 / 53

HEX #632277

RGB 99 34 119

HSL 285.88, 0.56%, 0.3%

LAB 27.1, 42.53, -35.39

 

CMYK 0 / 52 / 71 / 53

HEX #773922

RGB 119 57 34

HSL 16.24, 0.56%, 0.3%

LAB 31.72, 25.19, 26.49

 

CMYK 55 / 0 / 71 / 53

HEX #367722

RGB 54 119 34

HSL 105.88, 0.56%, 0.3%

LAB 44.37, -37.42, 38.78

 

Description

Color code: HEX #225F76 | qconv.com Color code: HEX #225F76 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 95 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 95 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 19 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 19% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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