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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #225DF7CE it is the complementary color #DDA208CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #225DF7CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #225DF7CE shade: #275DF2CE, #386FFFCE, #4981FFCE, #5A93FFCE and #6BA5FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #225DF7CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #225DF7CE shade: #225DF7CE, #114BE4CE, #0039D1CE, #0027BECE and #0015ABCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #225DF7CE shade: #225DF7, #2223F7, #5A22F7, #9322F7 and #CD22F7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #225DF7CE shade: #225DF7, #2223F7 and #2222F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #225DF7CE shade matches the following richer shades: #225DF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #225DF7CE shade: #225DF7, #3465E4, #476DD2, #5975BF and #6C7EAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #225DF7CE shade: #22D0F7, #2297F7, #225EF7, #2225F7 and #5722F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #225DF7CE shade: #073ABF, #0846E7, #225DF7, #497AF8 and #7197FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #225DF7CE shade: #225DF7, #E522F7 and #B3F722

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #225DF7CE shade: #225DF7, #F7225E and #5EF722

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #225DF7CE shade: #225DF7, #E522F7, #F7BA22 and #33F722

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #225DF7CE shade: #225DF7, #F722C9, #F7BA22 and #22F750

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 51 / 0 / 3

HEX #225DF7CE

RGBA 34 93 247 0.81

HSLA 223.38, 0.93%, 0.55%, 0.81

LABA 45.48, 39.02, -81.53, 0.81

 

Complementary color

CMYK 0 / 22 / 78 / 11

HEX #DDA208CE

RGBA 221 162 8 0.81

HSLA 43.38, 0.93%, 0.45%, 0.81

LABA 70.34, 11.05, 73.03, 0.81

 

CMYK 68 / 50 / 0 / 4

HEX #275DF2CE

RGBA 39 93 242 0.81

HSLA 224.04, 0.89%, 0.55%, 0.81

LABA 45.18, 37.5, -79.21, 0.81

 

CMYK 63 / 46 / 0 / 0

HEX #386FFFCE

RGBA 56 111 255 0.81

HSLA 223.42, 1%, 0.61%, 0.81

LABA 51.19, 32.32, -76.62, 0.81

 

CMYK 58 / 40 / 0 / 0

HEX #4981FFCE

RGBA 73 129 255 0.81

HSLA 221.54, 1%, 0.64%, 0.81

LABA 56.42, 23.07, -68.1, 0.81

 

CMYK 52 / 34 / 0 / 0

HEX #5A93FFCE

RGBA 90 147 255 0.81

HSLA 219.27, 1%, 0.68%, 0.81

LABA 61.88, 14.67, -59.3, 0.81

 

CMYK 47 / 29 / 0 / 0

HEX #6BA5FFCE

RGBA 107 165 255 0.81

HSLA 216.49, 1%, 0.71%, 0.81

LABA 67.47, 7.16, -50.38, 0.81

 

CMYK 70 / 51 / 0 / 3

HEX #225DF7CE

RGBA 34 93 247 0.81

HSLA 223.38, 0.93%, 0.55%, 0.81

LABA 45.48, 39.02, -81.53, 0.81

 

CMYK 75 / 54 / 0 / 9

HEX #114BE4CE

RGBA 17 75 228 0.81

HSLA 223.51, 0.86%, 0.48%, 0.81

LABA 39.16, 42.57, -81.2, 0.81

 

CMYK 81 / 59 / 0 / 15

HEX #0039D1CE

RGBA 0 57 209 0.81

HSLA 223.64, 1%, 0.41%, 0.81

LABA 32.98, 46.29, -80.5, 0.81

 

CMYK 81 / 64 / 0 / 21

HEX #0027BECE

RGBA 0 39 190 0.81

HSLA 227.68, 1%, 0.37%, 0.81

LABA 27.21, 49.95, -78.96, 0.81

 

CMYK 81 / 71 / 0 / 27

HEX #0015ABCE

RGBA 0 21 171 0.81

HSLA 232.63, 1%, 0.34%, 0.81

LABA 21.86, 52.4, -76.51, 0.81

 

CMYK 86 / 62 / 0 / 3

HEX #225DF7

RGB 34 93 247

HSL 223.38, 0.93%, 0.55%

LAB 45.48, 39.02, -81.53

 

CMYK 86 / 86 / 0 / 3

HEX #2223F7

RGB 34 35 247

HSL 239.72, 0.93%, 0.55%

LAB 34.51, 69.66, -99.65

 

CMYK 64 / 86 / 0 / 3

HEX #5A22F7

RGB 90 34 247

HSL 255.77, 0.93%, 0.55%

LAB 37.9, 72.68, -93.92

 

CMYK 40 / 86 / 0 / 3

HEX #9322F7

RGB 147 34 247

HSL 271.83, 0.93%, 0.55%

LAB 44.32, 78.11, -83.11

 

CMYK 17 / 86 / 0 / 3

HEX #CD22F7

RGB 205 34 247

HSL 288.17, 0.93%, 0.55%

LAB 52.77, 86.02, -68.97

 

CMYK 86 / 62 / 0 / 3

HEX #225DF7

RGB 34 93 247

HSL 223.38, 0.93%, 0.55%

LAB 45.48, 39.02, -81.53

 

CMYK 86 / 86 / 0 / 3

HEX #2223F7

RGB 34 35 247

HSL 239.72, 0.93%, 0.55%

LAB 34.51, 69.66, -99.65

 

CMYK 86 / 86 / 0 / 3

HEX #2222F7

RGB 34 34 247

HSL 240, 0.93%, 0.55%

LAB 34.4, 70.02, -99.85

 

CMYK 86 / 62 / 0 / 3

HEX #225DF7

RGB 34 93 247

HSL 223.38, 0.93%, 0.55%

LAB 45.48, 39.02, -81.53

 

CMYK 86 / 62 / 0 / 3

HEX #225DF7

RGB 34 93 247

HSL 223.38, 0.93%, 0.55%

LAB 45.48, 39.02, -81.53

 

CMYK 77 / 56 / 0 / 11

HEX #3465E4

RGB 52 101 228

HSL 223.3, 0.77%, 0.55%

LAB 46.5, 28.37, -69.16

 

CMYK 66 / 48 / 0 / 18

HEX #476DD2

RGB 71 109 210

HSL 223.6, 0.61%, 0.55%

LAB 48.17, 19.3, -56.19

 

CMYK 53 / 39 / 0 / 25

HEX #5975BF

RGB 89 117 191

HSL 223.53, 0.44%, 0.55%

LAB 50.23, 11.37, -41.98

 

CMYK 38 / 27 / 0 / 32

HEX #6C7EAD

RGB 108 126 173

HSL 223.38, 0.28%, 0.55%

LAB 53.09, 5.38, -27.04

 

CMYK 86 / 16 / 0 / 3

HEX #22D0F7

RGB 34 208 247

HSL 190.99, 0.93%, 0.55%

LAB 77.38, -27.8, -30.75

 

CMYK 86 / 39 / 0 / 3

HEX #2297F7

RGB 34 151 247

HSL 207.04, 0.93%, 0.55%

LAB 60.95, 3.05, -56.5

 

CMYK 86 / 62 / 0 / 3

HEX #225EF7

RGB 34 94 247

HSL 223.1, 0.93%, 0.55%

LAB 45.72, 38.4, -81.13

 

CMYK 86 / 85 / 0 / 3

HEX #2225F7

RGB 34 37 247

HSL 239.15, 0.93%, 0.55%

LAB 34.76, 68.92, -99.24

 

CMYK 65 / 86 / 0 / 3

HEX #5722F7

RGB 87 34 247

HSL 254.93, 0.93%, 0.55%

LAB 37.64, 72.47, -94.37

 

CMYK 96 / 70 / 0 / 25

HEX #073ABF

RGB 7 58 191

HSL 223.37, 0.93%, 0.39%

LAB 31.42, 39.29, -72.57

 

CMYK 97 / 70 / 0 / 9

HEX #0846E7

RGB 8 70 231

HSL 223.32, 0.93%, 0.47%

LAB 38.2, 46.5, -84.5

 

CMYK 86 / 62 / 0 / 3

HEX #225DF7

RGB 34 93 247

HSL 223.38, 0.93%, 0.55%

LAB 45.48, 39.02, -81.53

 

CMYK 71 / 51 / 0 / 3

HEX #497AF8

RGB 73 122 248

HSL 223.2, 0.93%, 0.63%

LAB 54.15, 24.9, -67.91

 

CMYK 55 / 40 / 0 / 2

HEX #7197FA

RGB 113 151 250

HSL 223.36, 0.93%, 0.71%

LAB 63.79, 14.9, -53.45

 

CMYK 86 / 62 / 0 / 3

HEX #225DF7

RGB 34 93 247

HSL 223.38, 0.93%, 0.55%

LAB 45.48, 39.02, -81.53

 

CMYK 7 / 86 / 0 / 3

HEX #E522F7

RGB 229 34 247

HSL 294.93, 0.93%, 0.55%

LAB 56.6, 89.81, -62.6

 

CMYK 28 / 0 / 86 / 3

HEX #B3F722

RGB 179 247 34

HSL 79.15, 0.93%, 0.55%

LAB 89.96, -47.43, 83.02

 

CMYK 86 / 62 / 0 / 3

HEX #225DF7

RGB 34 93 247

HSL 223.38, 0.93%, 0.55%

LAB 45.48, 39.02, -81.53

 

CMYK 0 / 86 / 62 / 3

HEX #F7225E

RGB 247 34 94

HSL 343.1, 0.93%, 0.55%

LAB 53.74, 77.05, 22.71

 

CMYK 62 / 0 / 86 / 3

HEX #5EF722

RGB 94 247 34

HSL 103.1, 0.93%, 0.55%

LAB 86.51, -72.99, 78.71

 

CMYK 86 / 62 / 0 / 3

HEX #225DF7

RGB 34 93 247

HSL 223.38, 0.93%, 0.55%

LAB 45.48, 39.02, -81.53

 

CMYK 7 / 86 / 0 / 3

HEX #E522F7

RGB 229 34 247

HSL 294.93, 0.93%, 0.55%

LAB 56.6, 89.81, -62.6

 

CMYK 0 / 25 / 86 / 3

HEX #F7BA22

RGB 247 186 34

HSL 42.82, 0.93%, 0.55%

LAB 79.05, 10, 76.21

 

CMYK 79 / 0 / 86 / 3

HEX #33F722

RGB 51 247 34

HSL 115.21, 0.93%, 0.55%

LAB 85.68, -80.17, 77.66

 

CMYK 86 / 62 / 0 / 3

HEX #225DF7

RGB 34 93 247

HSL 223.38, 0.93%, 0.55%

LAB 45.48, 39.02, -81.53

 

CMYK 0 / 86 / 19 / 3

HEX #F722C9

RGB 247 34 201

HSL 312.96, 0.93%, 0.55%

LAB 57.21, 86.66, -35.44

 

CMYK 0 / 25 / 86 / 3

HEX #F7BA22

RGB 247 186 34

HSL 42.82, 0.93%, 0.55%

LAB 79.05, 10, 76.21

 

CMYK 86 / 0 / 68 / 3

HEX #22F750

RGB 34 247 80

HSL 132.96, 0.93%, 0.55%

LAB 85.73, -78.84, 64.13

 

Description

Color code: HEX #225DF7CE | qconv.com Color code: HEX #225DF7CE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 93 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 93 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 51 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 51% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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