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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #225C9B it is the complementary color #DDA364. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #225C9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #225C9B shade: #275C96, #386EA9, #4980BC, #5A92CF and #6BA4E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #225C9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #225C9B shade: #225C9B, #114A88, #003875, #002662 and #00144F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #225C9B shade: #225C9B, #223B9B, #29229B, #4A229B and #6A229B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #225C9B shade: #225C9B, #223B9B and #22229B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #225C9B shade matches the following richer shades: #225C9B, #135BAA and #035BB9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #225C9B shade: #225C9B, #315C8B, #405D7C, #505E6D and #5F5E5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #225C9B shade: #229B99, #227D9B, #225C9B, #223C9B and #28229B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #225C9B shade: #133457, #1B4879, #225C9B, #2970BD and #3B84D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #225C9B shade: #225C9B, #79229B and #8D9B22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #225C9B shade: #225C9B, #9B225C and #5C9B22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #225C9B shade: #225C9B, #79229B, #9B6022 and #449B22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #225C9B shade: #225C9B, #9B2299, #9B6022 and #229B24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 41 / 0 / 39

HEX #225C9B

RGB 34 92 155

HSL 211.24, 0.64%, 0.37%

LAB 38.48, 4.33, -39.67

 

Complementary color

CMYK 0 / 26 / 55 / 13

HEX #DDA364

RGB 221 163 100

HSL 31.24, 0.64%, 0.63%

LAB 71.21, 14.44, 40.84

 

CMYK 74 / 39 / 0 / 41

HEX #275C96

RGB 39 92 150

HSL 211.35, 0.59%, 0.37%

LAB 38.35, 3.08, -36.87

 

CMYK 67 / 35 / 0 / 34

HEX #386EA9

RGB 56 110 169

HSL 211.33, 0.5%, 0.44%

LAB 45.44, 1.53, -36.89

 

CMYK 61 / 32 / 0 / 26

HEX #4980BC

RGB 73 128 188

HSL 211.3, 0.46%, 0.51%

LAB 52.38, 0.37, -36.91

 

CMYK 57 / 29 / 0 / 19

HEX #5A92CF

RGB 90 146 207

HSL 211.28, 0.55%, 0.58%

LAB 59.19, -0.54, -36.95

 

CMYK 53 / 27 / 0 / 11

HEX #6BA4E2

RGB 107 164 226

HSL 211.26, 0.67%, 0.65%

LAB 65.88, -1.27, -37.01

 

CMYK 78 / 41 / 0 / 39

HEX #225C9B

RGB 34 92 155

HSL 211.24, 0.64%, 0.37%

LAB 38.48, 4.33, -39.67

 

CMYK 88 / 46 / 0 / 47

HEX #114A88

RGB 17 74 136

HSL 211.26, 0.78%, 0.3%

LAB 31.33, 6.79, -39.58

 

CMYK 100 / 52 / 0 / 54

HEX #003875

RGB 0 56 117

HSL 211.28, 1%, 0.23%

LAB 24.04, 9.95, -39.45

 

CMYK 100 / 61 / 0 / 62

HEX #002662

RGB 0 38 98

HSL 216.73, 1%, 0.19%

LAB 16.84, 14.67, -38.85

 

CMYK 100 / 75 / 0 / 69

HEX #00144F

RGB 0 20 79

HSL 224.81, 1%, 0.15%

LAB 9.52, 19.76, -38.04

 

CMYK 78 / 41 / 0 / 39

HEX #225C9B

RGB 34 92 155

HSL 211.24, 0.64%, 0.37%

LAB 38.48, 4.33, -39.67

 

CMYK 78 / 62 / 0 / 39

HEX #223B9B

RGB 34 59 155

HSL 227.6, 0.64%, 0.37%

LAB 28.99, 26.47, -54.99

 

CMYK 74 / 78 / 0 / 39

HEX #29229B

RGB 41 34 155

HSL 243.47, 0.64%, 0.37%

LAB 23.61, 42.79, -63.82

 

CMYK 52 / 78 / 0 / 39

HEX #4A229B

RGB 74 34 155

HSL 259.83, 0.64%, 0.37%

LAB 26.64, 46.72, -58.73

 

CMYK 32 / 78 / 0 / 39

HEX #6A229B

RGB 106 34 155

HSL 275.7, 0.64%, 0.37%

LAB 30.82, 52, -51.73

 

CMYK 78 / 41 / 0 / 39

HEX #225C9B

RGB 34 92 155

HSL 211.24, 0.64%, 0.37%

LAB 38.48, 4.33, -39.67

 

CMYK 78 / 62 / 0 / 39

HEX #223B9B

RGB 34 59 155

HSL 227.6, 0.64%, 0.37%

LAB 28.99, 26.47, -54.99

 

CMYK 78 / 78 / 0 / 39

HEX #22229B

RGB 34 34 155

HSL 240, 0.64%, 0.37%

LAB 23.17, 42.21, -64.57

 

CMYK 78 / 41 / 0 / 39

HEX #225C9B

RGB 34 92 155

HSL 211.24, 0.64%, 0.37%

LAB 38.48, 4.33, -39.67

 

CMYK 89 / 46 / 0 / 33

HEX #135BAA

RGB 19 91 170

HSL 211.39, 0.8%, 0.37%

LAB 38.77, 9.55, -48.18

 

CMYK 98 / 51 / 0 / 27

HEX #035BB9

RGB 3 91 185

HSL 210.99, 0.97%, 0.37%

LAB 39.59, 14.91, -55.7

 

CMYK 78 / 41 / 0 / 39

HEX #225C9B

RGB 34 92 155

HSL 211.24, 0.64%, 0.37%

LAB 38.48, 4.33, -39.67

 

CMYK 65 / 34 / 0 / 45

HEX #315C8B

RGB 49 92 139

HSL 211.33, 0.48%, 0.37%

LAB 38.15, 0.69, -30.52

 

CMYK 48 / 25 / 0 / 51

HEX #405D7C

RGB 64 93 124

HSL 211, 0.32%, 0.37%

LAB 38.51, -1.55, -20.77

 

CMYK 27 / 14 / 0 / 57

HEX #505E6D

RGB 80 94 109

HSL 211.03, 0.15%, 0.37%

LAB 39.27, -1.62, -10.31

 

CMYK 0 / 1 / 1 / 63

HEX #5F5E5E

RGB 95 94 94

HSL 0, 0.01%, 0.37%

LAB 39.99, 0.4, 0.13

 

CMYK 78 / 0 / 1 / 39

HEX #229B99

RGB 34 155 153

HSL 179.01, 0.64%, 0.37%

LAB 58.12, -31.64, -8.19

 

CMYK 78 / 19 / 0 / 39

HEX #227D9B

RGB 34 125 155

HSL 194.88, 0.64%, 0.37%

LAB 48.73, -15.51, -23.59

 

CMYK 78 / 41 / 0 / 39

HEX #225C9B

RGB 34 92 155

HSL 211.24, 0.64%, 0.37%

LAB 38.48, 4.33, -39.67

 

CMYK 78 / 61 / 0 / 39

HEX #223C9B

RGB 34 60 155

HSL 227.11, 0.64%, 0.37%

LAB 29.26, 25.79, -54.56

 

CMYK 74 / 78 / 0 / 39

HEX #28229B

RGB 40 34 155

HSL 242.98, 0.64%, 0.37%

LAB 23.54, 42.7, -63.94

 

CMYK 78 / 40 / 0 / 66

HEX #133457

RGB 19 52 87

HSL 210.88, 0.64%, 0.21%

LAB 21.14, 1.64, -24.61

 

CMYK 78 / 40 / 0 / 53

HEX #1B4879

RGB 27 72 121

HSL 211.28, 0.64%, 0.29%

LAB 30.03, 3.09, -32.34

 

CMYK 78 / 41 / 0 / 39

HEX #225C9B

RGB 34 92 155

HSL 211.24, 0.64%, 0.37%

LAB 38.48, 4.33, -39.67

 

CMYK 78 / 41 / 0 / 26

HEX #2970BD

RGB 41 112 189

HSL 211.22, 0.64%, 0.45%

LAB 46.62, 5.54, -46.68

 

CMYK 72 / 38 / 0 / 17

HEX #3B84D4

RGB 59 132 212

HSL 211.37, 0.64%, 0.53%

LAB 54.22, 4.02, -47.68

 

CMYK 78 / 41 / 0 / 39

HEX #225C9B

RGB 34 92 155

HSL 211.24, 0.64%, 0.37%

LAB 38.48, 4.33, -39.67

 

CMYK 22 / 78 / 0 / 39

HEX #79229B

RGB 121 34 155

HSL 283.14, 0.64%, 0.37%

LAB 33.08, 54.82, -47.95

 

CMYK 9 / 0 / 78 / 39

HEX #8D9B22

RGB 141 155 34

HSL 66.94, 0.64%, 0.37%

LAB 60.98, -20.24, 56.86

 

CMYK 78 / 41 / 0 / 39

HEX #225C9B

RGB 34 92 155

HSL 211.24, 0.64%, 0.37%

LAB 38.48, 4.33, -39.67

 

CMYK 0 / 78 / 41 / 39

HEX #9B225C

RGB 155 34 92

HSL 331.24, 0.64%, 0.37%

LAB 35.76, 53.09, -3.89

 

CMYK 41 / 0 / 78 / 39

HEX #5C9B22

RGB 92 155 34

HSL 91.24, 0.64%, 0.37%

LAB 57.88, -39.95, 52.85

 

CMYK 78 / 41 / 0 / 39

HEX #225C9B

RGB 34 92 155

HSL 211.24, 0.64%, 0.37%

LAB 38.48, 4.33, -39.67

 

CMYK 22 / 78 / 0 / 39

HEX #79229B

RGB 121 34 155

HSL 283.14, 0.64%, 0.37%

LAB 33.08, 54.82, -47.95

 

CMYK 0 / 38 / 78 / 39

HEX #9B6022

RGB 155 96 34

HSL 30.74, 0.64%, 0.37%

LAB 46.24, 18.78, 43.44

 

CMYK 56 / 0 / 78 / 39

HEX #449B22

RGB 68 155 34

HSL 103.14, 0.64%, 0.37%

LAB 56.87, -47.57, 51.53

 

CMYK 78 / 41 / 0 / 39

HEX #225C9B

RGB 34 92 155

HSL 211.24, 0.64%, 0.37%

LAB 38.48, 4.33, -39.67

 

CMYK 0 / 78 / 1 / 39

HEX #9B2299

RGB 155 34 153

HSL 300.99, 0.64%, 0.37%

LAB 38.57, 61.37, -37.62

 

CMYK 0 / 38 / 78 / 39

HEX #9B6022

RGB 155 96 34

HSL 30.74, 0.64%, 0.37%

LAB 46.24, 18.78, 43.44

 

CMYK 78 / 0 / 77 / 39

HEX #229B24

RGB 34 155 36

HSL 120.99, 0.64%, 0.37%

LAB 56, -54.72, 49.69

 

Description

Color code: HEX #225C9B | qconv.com Color code: HEX #225C9B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 92 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 92 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 41 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 41% 0% 39% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - Welcome to our homep...
Link: http://ahope.net

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