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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2259E7 it is the complementary color #DDA618. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2259E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2259E7 shade: #2759E2, #386BF5, #497DFF, #5A8FFF and #6BA1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2259E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2259E7 shade: #2259E7, #1147D4, #0035C1, #0023AE and #00119B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2259E7 shade: #2359E7, #2325E7, #5623E7, #8A23E7 and #BF23E7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2259E7 shade: #2359E7, #2325E7 and #2323E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2259E7 shade matches the following richer shades: #2359E7 and #0F51FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2259E7 shade: #2359E7, #3662D3, #4A6BBF, #5E74AB and #727C97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2259E7 shade: #23C3E7, #238EE7, #235AE7, #2326E7 and #5423E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2259E7 shade: #123BA4, #1648CA, #2359E7, #4875EB and #6D91EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2259E7 shade: #2259E7, #D623E7 and #A9E723

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2259E7 shade: #2259E7, #E7235A and #5AE723

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2259E7 shade: #2259E7, #D623E7, #E7AF23 and #33E723

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2259E7 shade: #2259E7, #E723BC, #E7AF23 and #23E74D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 61 / 0 / 9

HEX #2259E7

RGB 34 89 231

HSL 223.25, 0.8%, 0.52%

LAB 43.14, 35.65, -76.35

 

Complementary color

CMYK 0 / 25 / 89 / 13

HEX #DDA618

RGB 221 166 24

HSL 43.25, 0.8%, 0.48%

LAB 71.36, 9.13, 71.23

 

CMYK 83 / 61 / 0 / 11

HEX #2759E2

RGB 39 89 226

HSL 223.96, 0.76%, 0.52%

LAB 42.86, 34.13, -73.97

 

CMYK 77 / 56 / 0 / 4

HEX #386BF5

RGB 56 107 245

HSL 223.81, 0.9%, 0.59%

LAB 49.43, 31.2, -73.92

 

CMYK 71 / 51 / 0 / 0

HEX #497DFF

RGB 73 125 255

HSL 222.86, 1%, 0.64%

LAB 55.38, 25.52, -69.78

 

CMYK 65 / 44 / 0 / 0

HEX #5A8FFF

RGB 90 143 255

HSL 220.73, 1%, 0.68%

LAB 60.82, 17.06, -61

 

CMYK 58 / 37 / 0 / 0

HEX #6BA1FF

RGB 107 161 255

HSL 218.11, 1%, 0.71%

LAB 66.39, 9.47, -52.08

 

CMYK 85 / 61 / 0 / 9

HEX #2259E7

RGB 34 89 231

HSL 223.25, 0.8%, 0.52%

LAB 43.14, 35.65, -76.35

 

CMYK 92 / 67 / 0 / 17

HEX #1147D4

RGB 17 71 212

HSL 223.38, 0.85%, 0.45%

LAB 36.7, 39.18, -76.09

 

CMYK 100 / 73 / 0 / 24

HEX #0035C1

RGB 0 53 193

HSL 223.52, 1%, 0.38%

LAB 30.39, 42.95, -75.45

 

CMYK 100 / 80 / 0 / 32

HEX #0023AE

RGB 0 35 174

HSL 227.93, 1%, 0.34%

LAB 24.51, 46.7, -73.91

 

CMYK 100 / 89 / 0 / 39

HEX #00119B

RGB 0 17 155

HSL 233.42, 1%, 0.3%

LAB 19.09, 49.13, -71.39

 

CMYK 85 / 61 / 0 / 9

HEX #2359E7

RGB 35 89 231

HSL 223.47, 0.8%, 0.52%

LAB 43.17, 35.71, -76.31

 

CMYK 85 / 84 / 0 / 9

HEX #2325E7

RGB 35 37 231

HSL 239.39, 0.8%, 0.52%

LAB 32.81, 64.41, -93.42

 

CMYK 63 / 85 / 0 / 9

HEX #5623E7

RGB 86 35 231

HSL 255.61, 0.8%, 0.52%

LAB 35.89, 67.99, -88.21

 

CMYK 40 / 85 / 0 / 9

HEX #8A23E7

RGB 138 35 231

HSL 271.53, 0.8%, 0.52%

LAB 41.81, 73.34, -78.25

 

CMYK 17 / 85 / 0 / 9

HEX #BF23E7

RGB 191 35 231

HSL 287.76, 0.8%, 0.52%

LAB 49.55, 80.9, -65.29

 

CMYK 85 / 61 / 0 / 9

HEX #2359E7

RGB 35 89 231

HSL 223.47, 0.8%, 0.52%

LAB 43.17, 35.71, -76.31

 

CMYK 85 / 84 / 0 / 9

HEX #2325E7

RGB 35 37 231

HSL 239.39, 0.8%, 0.52%

LAB 32.81, 64.41, -93.42

 

CMYK 85 / 85 / 0 / 9

HEX #2323E7

RGB 35 35 231

HSL 240, 0.8%, 0.52%

LAB 32.54, 65.2, -93.86

 

CMYK 85 / 61 / 0 / 9

HEX #2359E7

RGB 35 89 231

HSL 223.47, 0.8%, 0.52%

LAB 43.17, 35.71, -76.31

 

CMYK 94 / 68 / 0 / 2

HEX #0F51FA

RGB 15 81 250

HSL 223.15, 0.96%, 0.52%

LAB 42.59, 46.78, -87.95

 

CMYK 85 / 61 / 0 / 9

HEX #2359E7

RGB 35 89 231

HSL 223.47, 0.8%, 0.52%

LAB 43.17, 35.71, -76.31

 

CMYK 74 / 54 / 0 / 17

HEX #3662D3

RGB 54 98 211

HSL 223.18, 0.64%, 0.52%

LAB 44.55, 24.25, -62.65

 

CMYK 61 / 44 / 0 / 25

HEX #4A6BBF

RGB 74 107 191

HSL 223.08, 0.48%, 0.52%

LAB 46.62, 14.45, -47.76

 

CMYK 45 / 32 / 0 / 33

HEX #5E74AB

RGB 94 116 171

HSL 222.86, 0.31%, 0.52%

LAB 49.27, 6.94, -31.9

 

CMYK 25 / 18 / 0 / 41

HEX #727C97

RGB 114 124 151

HSL 223.78, 0.15%, 0.52%

LAB 52.09, 2.56, -15.77

 

CMYK 85 / 16 / 0 / 9

HEX #23C3E7

RGB 35 195 231

HSL 191.02, 0.8%, 0.52%

LAB 73, -26.48, -28.89

 

CMYK 85 / 39 / 0 / 9

HEX #238EE7

RGB 35 142 231

HSL 207.24, 0.8%, 0.52%

LAB 57.53, 2.51, -53.09

 

CMYK 85 / 61 / 0 / 9

HEX #235AE7

RGB 35 90 231

HSL 223.16, 0.8%, 0.52%

LAB 43.42, 35.07, -75.9

 

CMYK 85 / 84 / 0 / 9

HEX #2326E7

RGB 35 38 231

HSL 239.08, 0.8%, 0.52%

LAB 32.95, 64, -93.19

 

CMYK 64 / 85 / 0 / 9

HEX #5423E7

RGB 84 35 231

HSL 255, 0.8%, 0.52%

LAB 35.71, 67.84, -88.52

 

CMYK 89 / 64 / 0 / 36

HEX #123BA4

RGB 18 59 164

HSL 223.15, 0.8%, 0.36%

LAB 29.25, 28.67, -60.04

 

CMYK 89 / 64 / 0 / 21

HEX #1648CA

RGB 22 72 202

HSL 223.33, 0.8%, 0.44%

LAB 36.12, 34.99, -71.26

 

CMYK 85 / 61 / 0 / 9

HEX #2359E7

RGB 35 89 231

HSL 223.47, 0.8%, 0.52%

LAB 43.17, 35.71, -76.31

 

CMYK 69 / 50 / 0 / 8

HEX #4875EB

RGB 72 117 235

HSL 223.44, 0.8%, 0.6%

LAB 51.95, 23.28, -64.22

 

CMYK 54 / 39 / 0 / 6

HEX #6D91EF

RGB 109 145 239

HSL 223.38, 0.8%, 0.68%

LAB 61.42, 14.15, -51.18

 

CMYK 85 / 61 / 0 / 9

HEX #2259E7

RGB 34 89 231

HSL 223.25, 0.8%, 0.52%

LAB 43.14, 35.65, -76.35

 

CMYK 7 / 85 / 0 / 9

HEX #D623E7

RGB 214 35 231

HSL 294.8, 0.8%, 0.52%

LAB 53.24, 84.66, -59.15

 

CMYK 27 / 0 / 85 / 9

HEX #A9E723

RGB 169 231 35

HSL 78.98, 0.8%, 0.52%

LAB 84.85, -44.29, 78.28

 

CMYK 85 / 61 / 0 / 9

HEX #2259E7

RGB 34 89 231

HSL 223.25, 0.8%, 0.52%

LAB 43.14, 35.65, -76.35

 

CMYK 0 / 85 / 61 / 9

HEX #E7235A

RGB 231 35 90

HSL 343.16, 0.8%, 0.52%

LAB 50.6, 72.66, 20.4

 

CMYK 61 / 0 / 85 / 9

HEX #5AE723

RGB 90 231 35

HSL 103.16, 0.8%, 0.52%

LAB 81.54, -68.66, 74.12

 

CMYK 85 / 61 / 0 / 9

HEX #2259E7

RGB 34 89 231

HSL 223.25, 0.8%, 0.52%

LAB 43.14, 35.65, -76.35

 

CMYK 7 / 85 / 0 / 9

HEX #D623E7

RGB 214 35 231

HSL 294.8, 0.8%, 0.52%

LAB 53.24, 84.66, -59.15

 

CMYK 0 / 24 / 85 / 9

HEX #E7AF23

RGB 231 175 35

HSL 42.86, 0.8%, 0.52%

LAB 74.68, 8.93, 71.71

 

CMYK 78 / 0 / 85 / 9

HEX #33E723

RGB 51 231 35

HSL 115.1, 0.8%, 0.52%

LAB 80.73, -75.57, 73.1

 

CMYK 85 / 61 / 0 / 9

HEX #2259E7

RGB 34 89 231

HSL 223.25, 0.8%, 0.52%

LAB 43.14, 35.65, -76.35

 

CMYK 0 / 85 / 19 / 9

HEX #E723BC

RGB 231 35 188

HSL 313.16, 0.8%, 0.52%

LAB 53.84, 81.72, -33.42

 

CMYK 0 / 24 / 85 / 9

HEX #E7AF23

RGB 231 175 35

HSL 42.86, 0.8%, 0.52%

LAB 74.68, 8.93, 71.71

 

CMYK 85 / 0 / 67 / 9

HEX #23E74D

RGB 35 231 77

HSL 132.86, 0.8%, 0.52%

LAB 80.76, -74.37, 59.97

 

Description

Color code: HEX #2259E7 | qconv.com Color code: HEX #2259E7 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 89 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 89 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 61 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 61% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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