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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2255BC it is the complementary color #DDAA43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2255BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2255BC shade: #2755B7, #3867CA, #4979DD, #5A8BF0 and #6B9DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2255BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2255BC shade: #2255BC, #1143A9, #003196, #001F83 and #000D70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2255BC shade: #2356BE, #232CBE, #4323BE, #6D23BE and #9723BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2255BC shade: #2356BE, #232CBE and #2323BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2255BC shade matches the following richer shades: #2356BE and #1150D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2255BC shade: #2356BE, #355CAB, #476299, #596887 and #6B6F75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2255BC shade: #23A9BE, #2380BE, #2356BE, #232DBE and #4223BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2255BC shade: #163678, #1C469B, #2356BE, #3168D9 and #5382E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2255BC shade: #2255BC, #A923BE and #94BE23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2255BC shade: #2255BC, #BE2356 and #56BE23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2255BC shade: #2255BC, #A923BE, #BE8A23 and #37BE23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2255BC shade: #2255BC, #BE23A4, #BE8A23 and #23BE3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 55 / 0 / 26

HEX #2255BC

RGB 34 85 188

HSL 220.13, 0.69%, 0.44%

LAB 38.67, 21.87, -58.92

 

Complementary color

CMYK 0 / 23 / 70 / 13

HEX #DDAA43

RGB 221 170 67

HSL 40.13, 0.69%, 0.56%

LAB 72.58, 8.49, 58.12

 

CMYK 79 / 54 / 0 / 28

HEX #2755B7

RGB 39 85 183

HSL 220.83, 0.65%, 0.44%

LAB 38.46, 20.43, -56.32

 

CMYK 72 / 49 / 0 / 21

HEX #3867CA

RGB 56 103 202

HSL 220.68, 0.58%, 0.51%

LAB 45.37, 17.98, -56.16

 

CMYK 67 / 45 / 0 / 13

HEX #4979DD

RGB 73 121 221

HSL 220.54, 0.69%, 0.58%

LAB 52.19, 16.01, -55.98

 

CMYK 63 / 42 / 0 / 6

HEX #5A8BF0

RGB 90 139 240

HSL 220.4, 0.83%, 0.65%

LAB 58.91, 14.41, -55.79

 

CMYK 58 / 38 / 0 / 0

HEX #6B9DFF

RGB 107 157 255

HSL 219.73, 1%, 0.71%

LAB 65.33, 11.79, -53.77

 

CMYK 82 / 55 / 0 / 26

HEX #2255BC

RGB 34 85 188

HSL 220.13, 0.69%, 0.44%

LAB 38.67, 21.87, -58.92

 

CMYK 90 / 60 / 0 / 34

HEX #1143A9

RGB 17 67 169

HSL 220.26, 0.82%, 0.36%

LAB 31.8, 25.18, -58.88

 

CMYK 100 / 67 / 0 / 41

HEX #003196

RGB 0 49 150

HSL 220.4, 1%, 0.29%

LAB 24.95, 29.05, -58.6

 

CMYK 100 / 76 / 0 / 49

HEX #001F83

RGB 0 31 131

HSL 225.8, 1%, 0.26%

LAB 18.45, 33.56, -57.5

 

CMYK 100 / 88 / 0 / 56

HEX #000D70

RGB 0 13 112

HSL 233.04, 1%, 0.22%

LAB 12.34, 37.07, -55.46

 

CMYK 82 / 55 / 0 / 25

HEX #2356BE

RGB 35 86 190

HSL 220.26, 0.69%, 0.44%

LAB 39.12, 22.08, -59.35

 

CMYK 82 / 77 / 0 / 25

HEX #232CBE

RGB 35 44 190

HSL 236.52, 0.69%, 0.44%

LAB 29.1, 48.44, -75.8

 

CMYK 65 / 82 / 0 / 25

HEX #4323BE

RGB 67 35 190

HSL 252.39, 0.69%, 0.44%

LAB 29.7, 55.32, -74.74

 

CMYK 43 / 82 / 0 / 25

HEX #6D23BE

RGB 109 35 190

HSL 268.65, 0.69%, 0.44%

LAB 34.34, 60.27, -66.93

 

CMYK 21 / 82 / 0 / 25

HEX #9723BE

RGB 151 35 190

HSL 284.9, 0.69%, 0.44%

LAB 40.41, 66.88, -56.78

 

CMYK 82 / 55 / 0 / 25

HEX #2356BE

RGB 35 86 190

HSL 220.26, 0.69%, 0.44%

LAB 39.12, 22.08, -59.35

 

CMYK 82 / 77 / 0 / 25

HEX #232CBE

RGB 35 44 190

HSL 236.52, 0.69%, 0.44%

LAB 29.1, 48.44, -75.8

 

CMYK 82 / 82 / 0 / 25

HEX #2323BE

RGB 35 35 190

HSL 240, 0.69%, 0.44%

LAB 27.51, 53.04, -78.43

 

CMYK 82 / 55 / 0 / 25

HEX #2356BE

RGB 35 86 190

HSL 220.26, 0.69%, 0.44%

LAB 39.12, 22.08, -59.35

 

CMYK 92 / 62 / 0 / 18

HEX #1150D0

RGB 17 80 208

HSL 220.21, 0.85%, 0.44%

LAB 38.57, 31.86, -70.72

 

CMYK 82 / 55 / 0 / 25

HEX #2356BE

RGB 35 86 190

HSL 220.26, 0.69%, 0.44%

LAB 39.12, 22.08, -59.35

 

CMYK 69 / 46 / 0 / 33

HEX #355CAB

RGB 53 92 171

HSL 220.17, 0.53%, 0.44%

LAB 40.17, 13.16, -46.46

 

CMYK 54 / 36 / 0 / 40

HEX #476299

RGB 71 98 153

HSL 220.24, 0.37%, 0.44%

LAB 41.81, 6.56, -33.11

 

CMYK 34 / 23 / 0 / 47

HEX #596887

RGB 89 104 135

HSL 220.43, 0.21%, 0.44%

LAB 43.91, 2.29, -18.97

 

CMYK 9 / 5 / 0 / 54

HEX #6B6F75

RGB 107 111 117

HSL 216, 0.04%, 0.44%

LAB 46.68, -0.23, -3.86

 

CMYK 82 / 11 / 0 / 25

HEX #23A9BE

RGB 35 169 190

HSL 188.13, 0.69%, 0.44%

LAB 63.71, -26.8, -20.58

 

CMYK 82 / 33 / 0 / 25

HEX #2380BE

RGB 35 128 190

HSL 204, 0.69%, 0.44%

LAB 51.28, -4.45, -39.87

 

CMYK 82 / 55 / 0 / 25

HEX #2356BE

RGB 35 86 190

HSL 220.26, 0.69%, 0.44%

LAB 39.12, 22.08, -59.35

 

CMYK 82 / 76 / 0 / 25

HEX #232DBE

RGB 35 45 190

HSL 236.13, 0.69%, 0.44%

LAB 29.29, 47.9, -75.48

 

CMYK 65 / 82 / 0 / 25

HEX #4223BE

RGB 66 35 190

HSL 252, 0.69%, 0.44%

LAB 29.61, 55.23, -74.89

 

CMYK 82 / 55 / 0 / 53

HEX #163678

RGB 22 54 120

HSL 220.41, 0.69%, 0.28%

LAB 24.21, 14.53, -41.06

 

CMYK 82 / 55 / 0 / 39

HEX #1C469B

RGB 28 70 155

HSL 220.16, 0.69%, 0.36%

LAB 31.79, 18.34, -50.44

 

CMYK 82 / 55 / 0 / 25

HEX #2356BE

RGB 35 86 190

HSL 220.26, 0.69%, 0.44%

LAB 39.12, 22.08, -59.35

 

CMYK 77 / 52 / 0 / 15

HEX #3168D9

RGB 49 104 217

HSL 220.36, 0.69%, 0.52%

LAB 46.4, 22.07, -63.09

 

CMYK 63 / 42 / 0 / 12

HEX #5382E0

RGB 83 130 224

HSL 220, 0.69%, 0.6%

LAB 55.26, 13.21, -52.72

 

CMYK 82 / 55 / 0 / 26

HEX #2255BC

RGB 34 85 188

HSL 220.13, 0.69%, 0.44%

LAB 38.67, 21.87, -58.92

 

CMYK 11 / 82 / 0 / 25

HEX #A923BE

RGB 169 35 190

HSL 291.87, 0.69%, 0.44%

LAB 43.29, 70.07, -51.98

 

CMYK 22 / 0 / 82 / 25

HEX #94BE23

RGB 148 190 35

HSL 76.26, 0.69%, 0.44%

LAB 71.72, -34.19, 66.42

 

CMYK 82 / 55 / 0 / 26

HEX #2255BC

RGB 34 85 188

HSL 220.13, 0.69%, 0.44%

LAB 38.67, 21.87, -58.92

 

CMYK 0 / 82 / 55 / 25

HEX #BE2356

RGB 190 35 86

HSL 340.26, 0.69%, 0.44%

LAB 42.49, 61.77, 10.5

 

CMYK 55 / 0 / 82 / 25

HEX #56BE23

RGB 86 190 35

HSL 100.26, 0.69%, 0.44%

LAB 68.7, -55.52, 62.56

 

CMYK 82 / 55 / 0 / 26

HEX #2255BC

RGB 34 85 188

HSL 220.13, 0.69%, 0.44%

LAB 38.67, 21.87, -58.92

 

CMYK 11 / 82 / 0 / 25

HEX #A923BE

RGB 169 35 190

HSL 291.87, 0.69%, 0.44%

LAB 43.29, 70.07, -51.98

 

CMYK 0 / 27 / 82 / 25

HEX #BE8A23

RGB 190 138 35

HSL 39.87, 0.69%, 0.44%

LAB 61, 10.9, 58.29

 

CMYK 71 / 0 / 82 / 25

HEX #37BE23

RGB 55 190 35

HSL 112.26, 0.69%, 0.44%

LAB 67.84, -62.56, 61.46

 

CMYK 82 / 55 / 0 / 26

HEX #2255BC

RGB 34 85 188

HSL 220.13, 0.69%, 0.44%

LAB 38.67, 21.87, -58.92

 

CMYK 0 / 82 / 14 / 25

HEX #BE23A4

RGB 190 35 164

HSL 310.06, 0.69%, 0.44%

LAB 45.4, 70.15, -33.05

 

CMYK 0 / 27 / 82 / 25

HEX #BE8A23

RGB 190 138 35

HSL 39.87, 0.69%, 0.44%

LAB 61, 10.9, 58.29

 

CMYK 82 / 0 / 68 / 25

HEX #23BE3D

RGB 35 190 61

HSL 130.06, 0.69%, 0.44%

LAB 67.67, -63.49, 52.23

 

Description

Color code: HEX #2255BC | qconv.com Color code: HEX #2255BC | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 85 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 85 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 55 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 55% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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