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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #225301 it is the complementary color #DDACFE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #225301. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #225301 shade: #275300, #38650F, #497722, #5A8935 and #6B9B48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #225301. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #225301 shade: #225301, #114100, #002F00, #001D00 and #000B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #225301 shade: #215101, #375101, #4C5101, #514001 and #512A01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #225301 shade: #215101, #0B5101, #01510C, #015121 and #015137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #225301 shade matches the following richer shades: #215101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #225301 shade: #215101, #224A07, #24440E, #253D15 and #26361B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #225301 shade: #4D5101, #375101, #225101, #0D5101 and #01510A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #225301 shade: #000000, #102800, #215101, #327A01 and #42A202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #225301 shade: #225301, #01513F and #510142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #225301 shade: #225301, #012251 and #510122

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #225301 shade: #225301, #01513F, #2F0151 and #510112

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #225301 shade: #225301, #014A51, #2F0151 and #510701

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 99 / 67

HEX #225301

RGB 34 83 1

HSL 95.85, 0.98%, 0.16%

LAB 30.71, -30.99, 37.42

 

Complementary color

CMYK 13 / 32 / 0 / 0

HEX #DDACFE

RGB 221 172 254

HSL 275.85, 0.98%, 0.84%

LAB 77.3, 32.55, -33.88

 

CMYK 53 / 0 / 100 / 67

HEX #275300

RGB 39 83 0

HSL 91.81, 1%, 0.16%

LAB 30.92, -29.35, 38.06

 

CMYK 45 / 0 / 85 / 60

HEX #38650F

RGB 56 101 15

HSL 91.4, 0.74%, 0.23%

LAB 38.17, -30.38, 39.92

 

CMYK 39 / 0 / 71 / 53

HEX #497722

RGB 73 119 34

HSL 92.47, 0.56%, 0.3%

LAB 45.26, -30.91, 39.98

 

CMYK 34 / 0 / 61 / 46

HEX #5A8935

RGB 90 137 53

HSL 93.57, 0.44%, 0.37%

LAB 52.2, -31.14, 39.17

 

CMYK 31 / 0 / 54 / 39

HEX #6B9B48

RGB 107 155 72

HSL 94.7, 0.37%, 0.45%

LAB 59.01, -31.19, 38.05

 

CMYK 59 / 0 / 99 / 67

HEX #225301

RGB 34 83 1

HSL 95.85, 0.98%, 0.16%

LAB 30.71, -30.99, 37.42

 

CMYK 74 / 0 / 100 / 75

HEX #114100

RGB 17 65 0

HSL 104.31, 1%, 0.13%

LAB 23.34, -28.78, 31.07

 

CMYK 100 / 0 / 100 / 82

HEX #002F00

RGB 0 47 0

HSL 120, 1%, 0.09%

LAB 15.66, -26.3, 22.15

 

CMYK 100 / 0 / 100 / 89

HEX #001D00

RGB 0 29 0

HSL 120, 1%, 0.06%

LAB 7.94, -16.22, 11.59

 

CMYK 100 / 0 / 100 / 96

HEX #000B00

RGB 0 11 0

HSL 120, 1%, 0.02%

LAB 2.16, -4.42, 3.16

 

CMYK 59 / 0 / 99 / 68

HEX #215101

RGB 33 81 1

HSL 96, 0.98%, 0.16%

LAB 29.94, -30.48, 36.78

 

CMYK 32 / 0 / 99 / 68

HEX #375101

RGB 55 81 1

HSL 79.5, 0.98%, 0.16%

LAB 31.11, -21.87, 38.21

 

CMYK 6 / 0 / 99 / 68

HEX #4C5101

RGB 76 81 1

HSL 63.75, 0.98%, 0.16%

LAB 32.75, -11.85, 40.19

 

CMYK 0 / 21 / 99 / 68

HEX #514001

RGB 81 64 1

HSL 47.25, 0.98%, 0.16%

LAB 27.89, 1, 36.67

 

CMYK 0 / 48 / 99 / 68

HEX #512A01

RGB 81 42 1

HSL 30.75, 0.98%, 0.16%

LAB 21.61, 15.05, 30.62

 

CMYK 59 / 0 / 99 / 68

HEX #215101

RGB 33 81 1

HSL 96, 0.98%, 0.16%

LAB 29.94, -30.48, 36.78

 

CMYK 86 / 0 / 99 / 68

HEX #0B5101

RGB 11 81 1

HSL 112.5, 0.98%, 0.16%

LAB 29.31, -35.78, 36.01

 

CMYK 99 / 0 / 85 / 68

HEX #01510C

RGB 1 81 12

HSL 128.25, 0.98%, 0.16%

LAB 29.2, -36.46, 31.87

 

CMYK 99 / 0 / 59 / 68

HEX #015121

RGB 1 81 33

HSL 144, 0.98%, 0.16%

LAB 29.42, -33.81, 22.02

 

CMYK 99 / 0 / 32 / 68

HEX #015137

RGB 1 81 55

HSL 160.5, 0.98%, 0.16%

LAB 29.83, -28.94, 9.3

 

CMYK 59 / 0 / 99 / 68

HEX #215101

RGB 33 81 1

HSL 96, 0.98%, 0.16%

LAB 29.94, -30.48, 36.78

 

CMYK 59 / 0 / 99 / 68

HEX #215101

RGB 33 81 1

HSL 96, 0.98%, 0.16%

LAB 29.94, -30.48, 36.78

 

CMYK 54 / 0 / 91 / 71

HEX #224A07

RGB 34 74 7

HSL 95.82, 0.83%, 0.16%

LAB 27.44, -26.71, 32.35

 

CMYK 47 / 0 / 79 / 73

HEX #24440E

RGB 36 68 14

HSL 95.56, 0.66%, 0.16%

LAB 25.38, -22.61, 27.59

 

CMYK 39 / 0 / 66 / 76

HEX #253D15

RGB 37 61 21

HSL 96, 0.49%, 0.16%

LAB 22.95, -17.86, 21.38

 

CMYK 30 / 0 / 50 / 79

HEX #26361B

RGB 38 54 27

HSL 95.56, 0.33%, 0.16%

LAB 20.56, -12.6, 14.88

 

CMYK 5 / 0 / 99 / 68

HEX #4D5101

RGB 77 81 1

HSL 63, 0.98%, 0.16%

LAB 32.84, -11.35, 40.29

 

CMYK 32 / 0 / 99 / 68

HEX #375101

RGB 55 81 1

HSL 79.5, 0.98%, 0.16%

LAB 31.11, -21.87, 38.21

 

CMYK 58 / 0 / 99 / 68

HEX #225101

RGB 34 81 1

HSL 95.25, 0.98%, 0.16%

LAB 29.98, -30.15, 36.83

 

CMYK 84 / 0 / 99 / 68

HEX #0D5101

RGB 13 81 1

HSL 111, 0.98%, 0.16%

LAB 29.34, -35.46, 36.05

 

CMYK 99 / 0 / 88 / 68

HEX #01510A

RGB 1 81 10

HSL 126.75, 0.98%, 0.16%

LAB 29.19, -36.61, 32.56

 

CMYK 60 / 0 / 100 / 84

HEX #102800

RGB 16 40 0

HSL 96, 1%, 0.08%

LAB 13.4, -18.17, 19.34

 

CMYK 59 / 0 / 99 / 68

HEX #215101

RGB 33 81 1

HSL 96, 0.98%, 0.16%

LAB 29.94, -30.48, 36.78

 

CMYK 59 / 0 / 99 / 52

HEX #327A01

RGB 50 122 1

HSL 95.7, 0.98%, 0.24%

LAB 45.08, -41.62, 49.16

 

CMYK 59 / 0 / 99 / 36

HEX #42A202

RGB 66 162 2

HSL 96, 0.98%, 0.32%

LAB 58.98, -51.91, 60.28

 

CMYK 59 / 0 / 99 / 67

HEX #225301

RGB 34 83 1

HSL 95.85, 0.98%, 0.16%

LAB 30.71, -30.99, 37.42

 

CMYK 99 / 0 / 22 / 68

HEX #01513F

RGB 1 81 63

HSL 166.5, 0.98%, 0.16%

LAB 30.04, -26.68, 4.53

 

CMYK 0 / 99 / 19 / 68

HEX #510142

RGB 81 1 66

HSL 311.25, 0.98%, 0.16%

LAB 16.33, 40.02, -17.47

 

CMYK 59 / 0 / 99 / 67

HEX #225301

RGB 34 83 1

HSL 95.85, 0.98%, 0.16%

LAB 30.71, -30.99, 37.42

 

CMYK 99 / 58 / 0 / 68

HEX #012251

RGB 1 34 81

HSL 215.25, 0.98%, 0.16%

LAB 14.09, 9.95, -31.94

 

CMYK 0 / 99 / 58 / 68

HEX #510122

RGB 81 1 34

HSL 335.25, 0.98%, 0.16%

LAB 14.88, 36.24, 3.42

 

CMYK 59 / 0 / 99 / 67

HEX #225301

RGB 34 83 1

HSL 95.85, 0.98%, 0.16%

LAB 30.71, -30.99, 37.42

 

CMYK 99 / 0 / 22 / 68

HEX #01513F

RGB 1 81 63

HSL 166.5, 0.98%, 0.16%

LAB 30.04, -26.68, 4.53

 

CMYK 42 / 99 / 0 / 68

HEX #2F0151

RGB 47 1 81

HSL 274.5, 0.98%, 0.16%

LAB 10.71, 36.86, -37.3

 

CMYK 0 / 99 / 78 / 68

HEX #510112

RGB 81 1 18

HSL 347.25, 0.98%, 0.16%

LAB 14.48, 35.16, 14.42

 

CMYK 59 / 0 / 99 / 67

HEX #225301

RGB 34 83 1

HSL 95.85, 0.98%, 0.16%

LAB 30.71, -30.99, 37.42

 

CMYK 99 / 9 / 0 / 68

HEX #014A51

RGB 1 74 81

HSL 185.25, 0.98%, 0.16%

LAB 28.11, -16.99, -9.89

 

CMYK 42 / 99 / 0 / 68

HEX #2F0151

RGB 47 1 81

HSL 274.5, 0.98%, 0.16%

LAB 10.71, 36.86, -37.3

 

CMYK 0 / 91 / 99 / 68

HEX #510701

RGB 81 7 1

HSL 4.5, 0.98%, 0.16%

LAB 14.97, 32.44, 22.77

 

Description

Color code: HEX #225301 | qconv.com Color code: HEX #225301 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 83 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 83 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 99 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 99% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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