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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #224C8A it is the complementary color #DDB375. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #224C8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #224C8A shade: #274C85, #385E98, #4970AB, #5A82BE and #6B94D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #224C8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #224C8A shade: #224C8A, #113A77, #002864, #001651 and #00043E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #224C8A shade: #224C8A, #22308A, #30228A, #4C228A and #68228A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #224C8A shade: #224C8A, #22308A and #22228A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #224C8A shade matches the following richer shades: #224C8A, #144998 and #0647A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #224C8A shade: #224C8A, #304F7C, #3E526E, #4C5460 and #5A5752

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #224C8A shade: #22858A, #22698A, #224E8A, #22328A and #2E228A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #224C8A shade: #122848, #1A3A69, #224C8A, #2A5EAB and #3371CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #224C8A shade: #224C8A, #74228A and #778A22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #224C8A shade: #224C8A, #8A224E and #4E8A22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #224C8A shade: #224C8A, #74228A, #8A5F22 and #398A22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #224C8A shade: #224C8A, #8A2282, #8A5F22 and #228A2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 45 / 0 / 46

HEX #224C8A

RGB 34 76 138

HSL 215.77, 0.6%, 0.34%

LAB 32.58, 8.19, -38.79

 

Complementary color

CMYK 0 / 19 / 47 / 13

HEX #DDB375

RGB 221 179 117

HSL 35.77, 0.6%, 0.66%

LAB 75.39, 7.42, 37.29

 

CMYK 71 / 43 / 0 / 48

HEX #274C85

RGB 39 76 133

HSL 216.38, 0.55%, 0.34%

LAB 32.47, 7.02, -35.88

 

CMYK 63 / 38 / 0 / 40

HEX #385E98

RGB 56 94 152

HSL 216.25, 0.46%, 0.41%

LAB 39.77, 5.48, -35.78

 

CMYK 57 / 35 / 0 / 33

HEX #4970AB

RGB 73 112 171

HSL 216.12, 0.4%, 0.48%

LAB 46.9, 4.33, -35.7

 

CMYK 53 / 32 / 0 / 25

HEX #5A82BE

RGB 90 130 190

HSL 216, 0.43%, 0.55%

LAB 53.87, 3.44, -35.66

 

CMYK 49 / 29 / 0 / 18

HEX #6B94D1

RGB 107 148 209

HSL 215.88, 0.53%, 0.62%

LAB 60.7, 2.72, -35.65

 

CMYK 75 / 45 / 0 / 46

HEX #224C8A

RGB 34 76 138

HSL 215.77, 0.6%, 0.34%

LAB 32.58, 8.19, -38.79

 

CMYK 86 / 51 / 0 / 53

HEX #113A77

RGB 17 58 119

HSL 215.88, 0.75%, 0.27%

LAB 25.19, 10.72, -38.85

 

CMYK 100 / 60 / 0 / 61

HEX #002864

RGB 0 40 100

HSL 216, 1%, 0.2%

LAB 17.63, 14.07, -38.86

 

CMYK 100 / 73 / 0 / 68

HEX #001651

RGB 0 22 81

HSL 223.7, 1%, 0.16%

LAB 10.32, 19.14, -38.1

 

CMYK 100 / 94 / 0 / 76

HEX #00043E

RGB 0 4 62

HSL 236.13, 1%, 0.12%

LAB 3.93, 20.4, -35.27

 

CMYK 75 / 45 / 0 / 46

HEX #224C8A

RGB 34 76 138

HSL 215.77, 0.6%, 0.34%

LAB 32.58, 8.19, -38.79

 

CMYK 75 / 65 / 0 / 46

HEX #22308A

RGB 34 48 138

HSL 231.92, 0.6%, 0.34%

LAB 24.6, 27.37, -51.71

 

CMYK 65 / 75 / 0 / 46

HEX #30228A

RGB 48 34 138

HSL 248.08, 0.6%, 0.34%

LAB 22.33, 37.98, -55.4

 

CMYK 45 / 75 / 0 / 46

HEX #4C228A

RGB 76 34 138

HSL 264.23, 0.6%, 0.34%

LAB 25.31, 42.34, -50.41

 

CMYK 25 / 75 / 0 / 46

HEX #68228A

RGB 104 34 138

HSL 280.38, 0.6%, 0.34%

LAB 29.22, 47.79, -43.88

 

CMYK 75 / 45 / 0 / 46

HEX #224C8A

RGB 34 76 138

HSL 215.77, 0.6%, 0.34%

LAB 32.58, 8.19, -38.79

 

CMYK 75 / 65 / 0 / 46

HEX #22308A

RGB 34 48 138

HSL 231.92, 0.6%, 0.34%

LAB 24.6, 27.37, -51.71

 

CMYK 75 / 75 / 0 / 46

HEX #22228A

RGB 34 34 138

HSL 240, 0.6%, 0.34%

LAB 21.28, 36.38, -57.17

 

CMYK 75 / 45 / 0 / 46

HEX #224C8A

RGB 34 76 138

HSL 215.77, 0.6%, 0.34%

LAB 32.58, 8.19, -38.79

 

CMYK 87 / 52 / 0 / 40

HEX #144998

RGB 20 73 152

HSL 215.91, 0.77%, 0.34%

LAB 32.22, 14.35, -47.95

 

CMYK 96 / 57 / 0 / 35

HEX #0647A6

RGB 6 71 166

HSL 215.63, 0.93%, 0.34%

LAB 32.48, 20.71, -55.98

 

CMYK 75 / 45 / 0 / 46

HEX #224C8A

RGB 34 76 138

HSL 215.77, 0.6%, 0.34%

LAB 32.58, 8.19, -38.79

 

CMYK 61 / 36 / 0 / 51

HEX #304F7C

RGB 48 79 124

HSL 215.53, 0.44%, 0.34%

LAB 33.3, 3.42, -28.97

 

CMYK 44 / 25 / 0 / 57

HEX #3E526E

RGB 62 82 110

HSL 215, 0.28%, 0.34%

LAB 34.36, 0.36, -18.53

 

CMYK 21 / 13 / 0 / 62

HEX #4C5460

RGB 76 84 96

HSL 216, 0.12%, 0.34%

LAB 35.44, -0.25, -8.02

 

CMYK 0 / 3 / 9 / 65

HEX #5A5752

RGB 90 87 82

HSL 37.5, 0.05%, 0.34%

LAB 37.11, 0.2, 3.33

 

CMYK 75 / 4 / 0 / 46

HEX #22858A

RGB 34 133 138

HSL 182.88, 0.6%, 0.34%

LAB 50.63, -25.45, -10.75

 

CMYK 75 / 24 / 0 / 46

HEX #22698A

RGB 34 105 138

HSL 199.04, 0.6%, 0.34%

LAB 41.65, -10.14, -24.47

 

CMYK 75 / 43 / 0 / 46

HEX #224E8A

RGB 34 78 138

HSL 214.62, 0.6%, 0.34%

LAB 33.19, 6.85, -37.82

 

CMYK 75 / 64 / 0 / 46

HEX #22328A

RGB 34 50 138

HSL 230.77, 0.6%, 0.34%

LAB 25.13, 26.02, -50.85

 

CMYK 67 / 75 / 0 / 46

HEX #2E228A

RGB 46 34 138

HSL 246.92, 0.6%, 0.34%

LAB 22.16, 37.72, -55.69

 

CMYK 75 / 44 / 0 / 72

HEX #122848

RGB 18 40 72

HSL 215.56, 0.6%, 0.18%

LAB 16.07, 3.76, -22.56

 

CMYK 75 / 45 / 0 / 59

HEX #1A3A69

RGB 26 58 105

HSL 215.7, 0.6%, 0.26%

LAB 24.53, 6.03, -30.95

 

CMYK 75 / 45 / 0 / 46

HEX #224C8A

RGB 34 76 138

HSL 215.77, 0.6%, 0.34%

LAB 32.58, 8.19, -38.79

 

CMYK 75 / 45 / 0 / 33

HEX #2A5EAB

RGB 42 94 171

HSL 215.81, 0.61%, 0.42%

LAB 40.31, 10.25, -46.26

 

CMYK 75 / 45 / 0 / 20

HEX #3371CC

RGB 51 113 204

HSL 215.69, 0.6%, 0.5%

LAB 48.1, 11.73, -52.93

 

CMYK 75 / 45 / 0 / 46

HEX #224C8A

RGB 34 76 138

HSL 215.77, 0.6%, 0.34%

LAB 32.58, 8.19, -38.79

 

CMYK 16 / 75 / 0 / 46

HEX #74228A

RGB 116 34 138

HSL 287.31, 0.6%, 0.34%

LAB 31.1, 50.33, -40.75

 

CMYK 14 / 0 / 75 / 46

HEX #778A22

RGB 119 138 34

HSL 70.96, 0.6%, 0.34%

LAB 54.25, -21.19, 49.96

 

CMYK 75 / 45 / 0 / 46

HEX #224C8A

RGB 34 76 138

HSL 215.77, 0.6%, 0.34%

LAB 32.58, 8.19, -38.79

 

CMYK 0 / 75 / 43 / 46

HEX #8A224E

RGB 138 34 78

HSL 334.62, 0.6%, 0.34%

LAB 32.03, 46.77, -0.69

 

CMYK 43 / 0 / 75 / 46

HEX #4E8A22

RGB 78 138 34

HSL 94.62, 0.6%, 0.34%

LAB 51.74, -37.57, 46.65

 

CMYK 75 / 45 / 0 / 46

HEX #224C8A

RGB 34 76 138

HSL 215.77, 0.6%, 0.34%

LAB 32.58, 8.19, -38.79

 

CMYK 16 / 75 / 0 / 46

HEX #74228A

RGB 116 34 138

HSL 287.31, 0.6%, 0.34%

LAB 31.1, 50.33, -40.75

 

CMYK 0 / 31 / 75 / 46

HEX #8A5F22

RGB 138 95 34

HSL 35.19, 0.6%, 0.34%

LAB 43.8, 11.59, 40.29

 

CMYK 59 / 0 / 75 / 46

HEX #398A22

RGB 57 138 34

HSL 106.73, 0.6%, 0.34%

LAB 50.88, -44.12, 45.5

 

CMYK 75 / 45 / 0 / 46

HEX #224C8A

RGB 34 76 138

HSL 215.77, 0.6%, 0.34%

LAB 32.58, 8.19, -38.79

 

CMYK 0 / 75 / 6 / 46

HEX #8A2282

RGB 138 34 130

HSL 304.62, 0.6%, 0.34%

LAB 34.31, 53.83, -30.43

 

CMYK 0 / 31 / 75 / 46

HEX #8A5F22

RGB 138 95 34

HSL 35.19, 0.6%, 0.34%

LAB 43.8, 11.59, 40.29

 

CMYK 75 / 0 / 69 / 46

HEX #228A2B

RGB 34 138 43

HSL 125.19, 0.6%, 0.34%

LAB 50.32, -48.4, 41.07

 

Description

Color code: HEX #224C8A | qconv.com Color code: HEX #224C8A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 76 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 76 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 45 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 45% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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