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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #224BDACE it is the complementary color #DDB425CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #224BDACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #224BDACE shade: #274BD5CE, #385DE8CE, #496FFBCE, #5A81FFCE and #6B93FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #224BDACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #224BDACE shade: #224BDACE, #1139C7CE, #0027B4CE, #0015A1CE and #00038ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #224BDACE shade: #224AD8, #2A22D8, #5B22D8, #8D22D8 and #BE22D8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #224BDACE shade: #224AD8 and #2222D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #224BDACE shade matches the following richer shades: #224AD8 and #0E3FEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #224BDACE shade: #224AD8, #3656C4, #4A61B0, #5E6C9C and #737787

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #224BDACE shade: #22AED8, #227DD8, #224CD8, #2822D8 and #5822D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #224BDACE shade: #173291, #1C3EB4, #224AD8, #4265E1 and #6582E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #224BDACE shade: #224BDA, #D222D8 and #95D822

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #224BDACE shade: #224BDA, #D8224C and #4CD822

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #224BDACE shade: #224BDA, #D222D8, #D8AE22 and #28D822

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #224BDACE shade: #224BDA, #D822A8, #D8AE22 and #22D852

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 53 / 0 / 12

HEX #224BDACE

RGBA 34 75 218 0.81

HSLA 226.63, 0.73%, 0.49%, 0.81

LABA 38.61, 39.71, -76.39, 0.81

 

Complementary color

CMYK 0 / 15 / 67 / 11

HEX #DDB425CE

RGBA 221 180 37 0.81

HSLA 46.63, 0.73%, 0.51%, 0.81

LABA 74.92, 2.02, 70.96, 0.81

 

CMYK 66 / 52 / 0 / 13

HEX #274BD5CE

RGBA 39 75 213 0.81

HSLA 227.59, 0.69%, 0.49%, 0.81

LABA 38.32, 38.23, -73.99, 0.81

 

CMYK 61 / 49 / 0 / 7

HEX #385DE8CE

RGBA 56 93 232 0.81

HSLA 227.39, 0.79%, 0.56%, 0.81

LABA 44.94, 35.29, -73.96, 0.81

 

CMYK 57 / 45 / 0 / 1

HEX #496FFBCE

RGBA 73 111 251 0.81

HSLA 227.19, 0.96%, 0.64%, 0.81

LABA 51.55, 32.75, -73.77, 0.81

 

CMYK 52 / 40 / 0 / 0

HEX #5A81FFCE

RGBA 90 129 255 0.81

HSLA 225.82, 1%, 0.68%, 0.81

LABA 57.17, 25.5, -66.86, 0.81

 

CMYK 47 / 34 / 0 / 0

HEX #6B93FFCE

RGBA 107 147 255 0.81

HSLA 223.78, 1%, 0.71%, 0.81

LABA 62.69, 17.66, -57.97, 0.81

 

CMYK 68 / 53 / 0 / 12

HEX #224BDACE

RGBA 34 75 218 0.81

HSLA 226.63, 0.73%, 0.49%, 0.81

LABA 38.61, 39.71, -76.39, 0.81

 

CMYK 74 / 58 / 0 / 18

HEX #1139C7CE

RGBA 17 57 199 0.81

HSLA 226.81, 0.84%, 0.42%, 0.81

LABA 32.19, 43.15, -75.99, 0.81

 

CMYK 81 / 63 / 0 / 24

HEX #0027B4CE

RGBA 0 39 180 0.81

HSLA 227, 1%, 0.35%, 0.81

LABA 26, 46.56, -75.03, 0.81

 

CMYK 81 / 70 / 0 / 30

HEX #0015A1CE

RGBA 0 21 161 0.81

HSLA 232.17, 1%, 0.32%, 0.81

LABA 20.48, 49.33, -72.75, 0.81

 

CMYK 81 / 79 / 0 / 36

HEX #00038ECE

RGBA 0 3 142 0.81

HSLA 238.73, 1%, 0.28%, 0.81

LABA 15.58, 50.15, -69.18, 0.81

 

CMYK 84 / 66 / 0 / 15

HEX #224AD8

RGB 34 74 216

HSL 226.81, 0.73%, 0.49%

LAB 38.19, 39.61, -75.93

 

CMYK 81 / 84 / 0 / 15

HEX #2A22D8

RGB 42 34 216

HSL 242.64, 0.73%, 0.49%

LAB 30.86, 61.56, -88.04

 

CMYK 58 / 84 / 0 / 15

HEX #5B22D8

RGB 91 34 216

HSL 258.79, 0.73%, 0.49%

LAB 34.65, 64.93, -81.64

 

CMYK 35 / 84 / 0 / 15

HEX #8D22D8

RGB 141 34 216

HSL 275.27, 0.73%, 0.49%

LAB 40.84, 70.82, -71.24

 

CMYK 12 / 84 / 0 / 15

HEX #BE22D8

RGB 190 34 216

HSL 291.43, 0.73%, 0.49%

LAB 48.32, 78.39, -58.75

 

CMYK 84 / 66 / 0 / 15

HEX #224AD8

RGB 34 74 216

HSL 226.81, 0.73%, 0.49%

LAB 38.19, 39.61, -75.93

 

CMYK 84 / 84 / 0 / 15

HEX #2222D8

RGB 34 34 216

HSL 240, 0.73%, 0.49%

LAB 30.5, 61.25, -88.65

 

CMYK 84 / 66 / 0 / 15

HEX #224AD8

RGB 34 74 216

HSL 226.81, 0.73%, 0.49%

LAB 38.19, 39.61, -75.93

 

CMYK 94 / 73 / 0 / 7

HEX #0E3FEC

RGB 14 63 236

HSL 226.76, 0.89%, 0.49%

LAB 37.31, 52.49, -88.81

 

CMYK 84 / 66 / 0 / 15

HEX #224AD8

RGB 34 74 216

HSL 226.81, 0.73%, 0.49%

LAB 38.19, 39.61, -75.93

 

CMYK 72 / 56 / 0 / 23

HEX #3656C4

RGB 54 86 196

HSL 226.48, 0.57%, 0.49%

LAB 40.29, 26.45, -60.92

 

CMYK 58 / 45 / 0 / 31

HEX #4A61B0

RGB 74 97 176

HSL 226.47, 0.41%, 0.49%

LAB 42.97, 15.62, -44.86

 

CMYK 40 / 31 / 0 / 39

HEX #5E6C9C

RGB 94 108 156

HSL 226.45, 0.25%, 0.49%

LAB 46.32, 7.34, -27.71

 

CMYK 15 / 12 / 0 / 47

HEX #737787

RGB 115 119 135

HSL 228, 0.08%, 0.49%

LAB 50.2, 1.99, -9.23

 

CMYK 84 / 19 / 0 / 15

HEX #22AED8

RGB 34 174 216

HSL 193.85, 0.73%, 0.49%

LAB 66.19, -20.82, -31.19

 

CMYK 84 / 42 / 0 / 15

HEX #227DD8

RGB 34 125 216

HSL 210, 0.73%, 0.49%

LAB 51.8, 7.07, -53.85

 

CMYK 84 / 65 / 0 / 15

HEX #224CD8

RGB 34 76 216

HSL 226.15, 0.73%, 0.49%

LAB 38.67, 38.35, -75.15

 

CMYK 81 / 84 / 0 / 15

HEX #2822D8

RGB 40 34 216

HSL 241.98, 0.73%, 0.49%

LAB 30.77, 61.48, -88.2

 

CMYK 59 / 84 / 0 / 15

HEX #5822D8

RGB 88 34 216

HSL 257.8, 0.73%, 0.49%

LAB 34.35, 64.65, -82.15

 

CMYK 84 / 66 / 0 / 43

HEX #173291

RGB 23 50 145

HSL 226.72, 0.73%, 0.33%

LAB 25.28, 27.62, -54.95

 

CMYK 84 / 66 / 0 / 29

HEX #1C3EB4

RGB 28 62 180

HSL 226.58, 0.73%, 0.41%

LAB 31.78, 33.51, -65.46

 

CMYK 84 / 66 / 0 / 15

HEX #224AD8

RGB 34 74 216

HSL 226.81, 0.73%, 0.49%

LAB 38.19, 39.61, -75.93

 

CMYK 71 / 55 / 0 / 12

HEX #4265E1

RGB 66 101 225

HSL 226.79, 0.73%, 0.57%

LAB 46.85, 28.92, -66.87

 

CMYK 56 / 44 / 0 / 9

HEX #6582E7

RGB 101 130 231

HSL 226.62, 0.73%, 0.65%

LAB 56.59, 18.92, -54.47

 

CMYK 84 / 66 / 0 / 15

HEX #224BDA

RGB 34 75 218

HSL 226.63, 0.73%, 0.49%

LAB 38.61, 39.71, -76.39

 

CMYK 3 / 84 / 0 / 15

HEX #D222D8

RGB 210 34 216

HSL 298.02, 0.73%, 0.49%

LAB 51.61, 81.83, -53.28

 

CMYK 31 / 0 / 84 / 15

HEX #95D822

RGB 149 216 34

HSL 82.09, 0.73%, 0.49%

LAB 79.4, -45.32, 73.39

 

CMYK 84 / 66 / 0 / 15

HEX #224BDA

RGB 34 75 218

HSL 226.63, 0.73%, 0.49%

LAB 38.61, 39.71, -76.39

 

CMYK 0 / 84 / 65 / 15

HEX #D8224C

RGB 216 34 76

HSL 346.15, 0.73%, 0.49%

LAB 47.32, 68.24, 24.08

 

CMYK 65 / 0 / 84 / 15

HEX #4CD822

RGB 76 216 34

HSL 106.15, 0.73%, 0.49%

LAB 76.54, -66.86, 69.78

 

CMYK 84 / 66 / 0 / 15

HEX #224BDA

RGB 34 75 218

HSL 226.63, 0.73%, 0.49%

LAB 38.61, 39.71, -76.39

 

CMYK 3 / 84 / 0 / 15

HEX #D222D8

RGB 210 34 216

HSL 298.02, 0.73%, 0.49%

LAB 51.61, 81.83, -53.28

 

CMYK 0 / 19 / 84 / 15

HEX #D8AE22

RGB 216 174 34

HSL 46.15, 0.73%, 0.49%

LAB 72.88, 2.92, 69.86

 

CMYK 81 / 0 / 84 / 15

HEX #28D822

RGB 40 216 34

HSL 118.02, 0.73%, 0.49%

LAB 75.87, -72.59, 68.93

 

CMYK 84 / 66 / 0 / 15

HEX #224BDA

RGB 34 75 218

HSL 226.63, 0.73%, 0.49%

LAB 38.61, 39.71, -76.39

 

CMYK 0 / 84 / 22 / 15

HEX #D822A8

RGB 216 34 168

HSL 315.82, 0.73%, 0.49%

LAB 50.18, 76.36, -27.61

 

CMYK 0 / 19 / 84 / 15

HEX #D8AE22

RGB 216 174 34

HSL 46.15, 0.73%, 0.49%

LAB 72.88, 2.92, 69.86

 

CMYK 84 / 0 / 62 / 15

HEX #22D852

RGB 34 216 82

HSL 135.82, 0.73%, 0.49%

LAB 76.11, -69.39, 52.75

 

Description

Color code: HEX #224BDACE | qconv.com Color code: HEX #224BDACE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 75 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 75 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 53 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 53% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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