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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #224785 it is the complementary color #DDB87A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #224785. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #224785 shade: #274780, #385993, #496BA6, #5A7DB9 and #6B8FCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #224785. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #224785 shade: #224785, #113572, #00235F, #00114C and #000039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #224785 shade: #234886, #232D86, #332386, #4E2386 and #692386

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #224785 shade: #234886, #232D86 and #232386

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #224785 shade matches the following richer shades: #234886, #154493 and #0741A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #224785 shade: #234886, #304B78, #3E4E6B, #4B525D and #59554F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #224785 shade: #237E86, #236386, #234986, #232E86 and #312386

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #224785 shade: #122444, #1A3665, #234886, #2B59A7 and #336BC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #224785 shade: #224785, #742386 and #708623

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #224785 shade: #224785, #862349 and #498623

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #224785 shade: #224785, #742386, #866023 and #358623

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #224785 shade: #224785, #86237A, #866023 and #23862E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 47 / 0 / 48

HEX #224785

RGB 34 71 133

HSL 217.58, 0.59%, 0.33%

LAB 30.74, 9.59, -38.66

 

Complementary color

CMYK 0 / 17 / 45 / 13

HEX #DDB87A

RGB 221 184 122

HSL 37.58, 0.59%, 0.67%

LAB 76.71, 5.26, 36.4

 

CMYK 70 / 45 / 0 / 50

HEX #274780

RGB 39 71 128

HSL 218.43, 0.53%, 0.33%

LAB 30.63, 8.45, -35.72

 

CMYK 62 / 39 / 0 / 42

HEX #385993

RGB 56 89 147

HSL 218.24, 0.45%, 0.4%

LAB 38.01, 6.89, -35.56

 

CMYK 56 / 36 / 0 / 35

HEX #496BA6

RGB 73 107 166

HSL 218.06, 0.39%, 0.47%

LAB 45.2, 5.74, -35.45

 

CMYK 51 / 32 / 0 / 27

HEX #5A7DB9

RGB 90 125 185

HSL 217.89, 0.4%, 0.54%

LAB 52.22, 4.84, -35.38

 

CMYK 48 / 30 / 0 / 20

HEX #6B8FCC

RGB 107 143 204

HSL 217.73, 0.49%, 0.61%

LAB 59.09, 4.12, -35.36

 

CMYK 74 / 47 / 0 / 48

HEX #224785

RGB 34 71 133

HSL 217.58, 0.59%, 0.33%

LAB 30.74, 9.59, -38.66

 

CMYK 85 / 54 / 0 / 55

HEX #113572

RGB 17 53 114

HSL 217.73, 0.74%, 0.26%

LAB 23.27, 12.16, -38.77

 

CMYK 100 / 63 / 0 / 63

HEX #00235F

RGB 0 35 95

HSL 217.89, 1%, 0.19%

LAB 15.63, 15.57, -38.82

 

CMYK 100 / 78 / 0 / 70

HEX #00114C

RGB 0 17 76

HSL 226.58, 1%, 0.15%

LAB 8.33, 20.68, -37.93

 

CMYK 100 / 100 / 0 / 78

HEX #000039

RGB 0 0 57

HSL 240, 1%, 0.11%

LAB 2.67, 18.75, -33.68

 

CMYK 74 / 46 / 0 / 47

HEX #234886

RGB 35 72 134

HSL 217.58, 0.59%, 0.33%

LAB 31.15, 9.46, -38.62

 

CMYK 74 / 66 / 0 / 47

HEX #232D86

RGB 35 45 134

HSL 233.94, 0.59%, 0.33%

LAB 23.52, 28, -50.98

 

CMYK 62 / 74 / 0 / 47

HEX #332386

RGB 51 35 134

HSL 249.7, 0.59%, 0.33%

LAB 22.4, 36.51, -52.78

 

CMYK 42 / 74 / 0 / 47

HEX #4E2386

RGB 78 35 134

HSL 266.06, 0.59%, 0.33%

LAB 25.39, 41.13, -47.76

 

CMYK 22 / 74 / 0 / 47

HEX #692386

RGB 105 35 134

HSL 282.42, 0.59%, 0.33%

LAB 29.23, 46.71, -41.36

 

CMYK 74 / 46 / 0 / 47

HEX #234886

RGB 35 72 134

HSL 217.58, 0.59%, 0.33%

LAB 31.15, 9.46, -38.62

 

CMYK 74 / 66 / 0 / 47

HEX #232D86

RGB 35 45 134

HSL 233.94, 0.59%, 0.33%

LAB 23.52, 28, -50.98

 

CMYK 74 / 74 / 0 / 47

HEX #232386

RGB 35 35 134

HSL 240, 0.59%, 0.33%

LAB 21.13, 34.47, -54.9

 

CMYK 74 / 46 / 0 / 47

HEX #234886

RGB 35 72 134

HSL 217.58, 0.59%, 0.33%

LAB 31.15, 9.46, -38.62

 

CMYK 86 / 54 / 0 / 42

HEX #154493

RGB 21 68 147

HSL 217.62, 0.75%, 0.33%

LAB 30.4, 15.81, -47.84

 

CMYK 96 / 60 / 0 / 37

HEX #0741A1

RGB 7 65 161

HSL 217.4, 0.92%, 0.33%

LAB 30.4, 22.82, -56.37

 

CMYK 74 / 46 / 0 / 47

HEX #234886

RGB 35 72 134

HSL 217.58, 0.59%, 0.33%

LAB 31.15, 9.46, -38.62

 

CMYK 60 / 38 / 0 / 53

HEX #304B78

RGB 48 75 120

HSL 217.5, 0.43%, 0.33%

LAB 31.84, 4.6, -28.78

 

CMYK 42 / 27 / 0 / 58

HEX #3E4E6B

RGB 62 78 107

HSL 218.67, 0.27%, 0.33%

LAB 32.99, 1.98, -18.77

 

CMYK 19 / 12 / 0 / 64

HEX #4B525D

RGB 75 82 93

HSL 216.67, 0.11%, 0.33%

LAB 34.64, -0.13, -7.35

 

CMYK 0 / 4 / 11 / 65

HEX #59554F

RGB 89 85 79

HSL 36, 0.06%, 0.33%

LAB 36.34, 0.42, 4.07

 

CMYK 74 / 6 / 0 / 47

HEX #237E86

RGB 35 126 134

HSL 184.85, 0.59%, 0.33%

LAB 48.26, -23.01, -11.97

 

CMYK 74 / 26 / 0 / 47

HEX #236386

RGB 35 99 134

HSL 201.21, 0.59%, 0.33%

LAB 39.58, -7.89, -25.28

 

CMYK 74 / 46 / 0 / 47

HEX #234986

RGB 35 73 134

HSL 216.97, 0.59%, 0.33%

LAB 31.45, 8.78, -38.14

 

CMYK 74 / 66 / 0 / 47

HEX #232E86

RGB 35 46 134

HSL 233.33, 0.59%, 0.33%

LAB 23.78, 27.33, -50.56

 

CMYK 63 / 74 / 0 / 47

HEX #312386

RGB 49 35 134

HSL 248.48, 0.59%, 0.33%

LAB 22.22, 36.22, -53.08

 

CMYK 74 / 47 / 0 / 73

HEX #122444

RGB 18 36 68

HSL 218.4, 0.58%, 0.17%

LAB 14.44, 5.04, -22.4

 

CMYK 74 / 47 / 0 / 60

HEX #1A3665

RGB 26 54 101

HSL 217.6, 0.59%, 0.25%

LAB 22.99, 7.21, -30.82

 

CMYK 74 / 46 / 0 / 47

HEX #234886

RGB 35 72 134

HSL 217.58, 0.59%, 0.33%

LAB 31.15, 9.46, -38.62

 

CMYK 74 / 47 / 0 / 35

HEX #2B59A7

RGB 43 89 167

HSL 217.74, 0.59%, 0.41%

LAB 38.64, 12.11, -46.57

 

CMYK 74 / 46 / 0 / 22

HEX #336BC7

RGB 51 107 199

HSL 217.3, 0.59%, 0.49%

LAB 46.1, 13.66, -53.27

 

CMYK 74 / 47 / 0 / 48

HEX #224785

RGB 34 71 133

HSL 217.58, 0.59%, 0.33%

LAB 30.74, 9.59, -38.66

 

CMYK 13 / 74 / 0 / 47

HEX #742386

RGB 116 35 134

HSL 289.09, 0.59%, 0.33%

LAB 30.96, 49.14, -38.48

 

CMYK 16 / 0 / 74 / 47

HEX #708623

RGB 112 134 35

HSL 73.33, 0.59%, 0.33%

LAB 52.53, -22.14, 47.73

 

CMYK 74 / 47 / 0 / 48

HEX #224785

RGB 34 71 133

HSL 217.58, 0.59%, 0.33%

LAB 30.74, 9.59, -38.66

 

CMYK 0 / 74 / 46 / 47

HEX #862349

RGB 134 35 73

HSL 336.97, 0.59%, 0.33%

LAB 31.23, 44.67, 1.34

 

CMYK 46 / 0 / 74 / 47

HEX #498623

RGB 73 134 35

HSL 96.97, 0.59%, 0.33%

LAB 50.2, -37.51, 44.65

 

CMYK 74 / 47 / 0 / 48

HEX #224785

RGB 34 71 133

HSL 217.58, 0.59%, 0.33%

LAB 30.74, 9.59, -38.66

 

CMYK 13 / 74 / 0 / 47

HEX #742386

RGB 116 35 134

HSL 289.09, 0.59%, 0.33%

LAB 30.96, 49.14, -38.48

 

CMYK 0 / 28 / 74 / 47

HEX #866023

RGB 134 96 35

HSL 36.97, 0.59%, 0.33%

LAB 43.59, 9.19, 39.44

 

CMYK 60 / 0 / 74 / 47

HEX #358623

RGB 53 134 35

HSL 109.09, 0.59%, 0.33%

LAB 49.41, -43.58, 43.59

 

CMYK 74 / 47 / 0 / 48

HEX #224785

RGB 34 71 133

HSL 217.58, 0.59%, 0.33%

LAB 30.74, 9.59, -38.66

 

CMYK 0 / 74 / 9 / 47

HEX #86237A

RGB 134 35 122

HSL 307.27, 0.59%, 0.33%

LAB 33.3, 51.22, -27.08

 

CMYK 0 / 28 / 74 / 47

HEX #866023

RGB 134 96 35

HSL 36.97, 0.59%, 0.33%

LAB 43.59, 9.19, 39.44

 

CMYK 74 / 0 / 66 / 47

HEX #23862E

RGB 35 134 46

HSL 126.67, 0.59%, 0.33%

LAB 49.01, -46.48, 38.29

 

Description

Color code: HEX #224785 | qconv.com Color code: HEX #224785 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 71 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 71 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 47 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 47% 0% 48% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

47% - SINAI IMOBILIÁRIA
Link: http://sinai.sigyonline.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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