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Color name
HEX #22307A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #22307A it is the complementary color #DDCF85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #22307A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #22307A shade: #273075, #384288, #49549B, #5A66AE and #6B78C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #22307A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #22307A shade: #22307A, #111E67, #000C54, #000041 and #00002E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #22307A shade: #23317B, #2D237B, #44237B, #5C237B and #74237B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #22307A shade: #23317B and #23237B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #22307A shade matches the following richer shades: #23317B, #162888 and #091F95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #22307A shade: #23317B, #303A6F, #3C4262, #494B55 and #565448

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #22307A shade: #23617B, #23497B, #23327B, #2C237B and #43237B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #22307A shade: #11173B, #1A245B, #23317B, #2C3E9C and #354ABC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #22307A shade: #22307A, #7B2378 and #557B23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #22307A shade: #22307A, #7B2332 and #327B23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #22307A shade: #22307A, #7B2378, #7B6D23 and #237B26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #22307A shade: #22307A, #7B235E, #7B6D23 and #237B40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 61 / 0 / 52

HEX #22307A

RGB 34 48 122

HSL 230.45, 0.56%, 0.31%

LAB 23.2, 21.2, -43.94

 

Complementary color

CMYK 0 / 6 / 40 / 13

HEX #DDCF85

RGB 221 207 133

HSL 50.45, 0.56%, 0.69%

LAB 82.75, -5.57, 38.51

 

CMYK 67 / 59 / 0 / 54

HEX #273075

RGB 39 48 117

HSL 233.08, 0.5%, 0.31%

LAB 23.1, 20.11, -40.91

 

CMYK 59 / 51 / 0 / 47

HEX #384288

RGB 56 66 136

HSL 232.5, 0.42%, 0.38%

LAB 30.68, 18.14, -40.55

 

CMYK 53 / 46 / 0 / 39

HEX #49549B

RGB 73 84 155

HSL 231.95, 0.36%, 0.45%

LAB 38.06, 16.64, -40.23

 

CMYK 48 / 41 / 0 / 32

HEX #5A66AE

RGB 90 102 174

HSL 231.43, 0.34%, 0.52%

LAB 45.27, 15.45, -39.97

 

CMYK 45 / 38 / 0 / 24

HEX #6B78C1

RGB 107 120 193

HSL 230.93, 0.41%, 0.59%

LAB 52.3, 14.49, -39.78

 

CMYK 72 / 61 / 0 / 52

HEX #22307A

RGB 34 48 122

HSL 230.45, 0.56%, 0.31%

LAB 23.2, 21.2, -43.94

 

CMYK 83 / 71 / 0 / 60

HEX #111E67

RGB 17 30 103

HSL 230.93, 0.72%, 0.24%

LAB 15.63, 24.17, -44.1

 

CMYK 100 / 86 / 0 / 67

HEX #000C54

RGB 0 12 84

HSL 231.43, 1%, 0.16%

LAB 8.16, 27.45, -43.73

 

CMYK 100 / 100 / 0 / 75

HEX #000041

RGB 0 0 65

HSL 240, 1%, 0.13%

LAB 3.45, 24.03, -38.21

 

CMYK 100 / 100 / 0 / 82

HEX #00002E

RGB 0 0 46

HSL 240, 1%, 0.09%

LAB 1.78, 12.52, -26.91

 

CMYK 72 / 60 / 0 / 52

HEX #23317B

RGB 35 49 123

HSL 230.45, 0.56%, 0.31%

LAB 23.62, 21.05, -43.89

 

CMYK 63 / 72 / 0 / 52

HEX #2D237B

RGB 45 35 123

HSL 246.82, 0.56%, 0.31%

LAB 20.79, 31.95, -48.48

 

CMYK 45 / 72 / 0 / 52

HEX #44237B

RGB 68 35 123

HSL 262.5, 0.56%, 0.31%

LAB 23.21, 36.1, -44.44

 

CMYK 25 / 72 / 0 / 52

HEX #5C237B

RGB 92 35 123

HSL 278.86, 0.56%, 0.31%

LAB 26.47, 41.32, -38.99

 

CMYK 6 / 72 / 0 / 52

HEX #74237B

RGB 116 35 123

HSL 295.23, 0.56%, 0.31%

LAB 30.27, 47, -32.7

 

CMYK 72 / 60 / 0 / 52

HEX #23317B

RGB 35 49 123

HSL 230.45, 0.56%, 0.31%

LAB 23.62, 21.05, -43.89

 

CMYK 72 / 72 / 0 / 52

HEX #23237B

RGB 35 35 123

HSL 240, 0.56%, 0.31%

LAB 20, 30.52, -49.81

 

CMYK 72 / 60 / 0 / 52

HEX #23317B

RGB 35 49 123

HSL 230.45, 0.56%, 0.31%

LAB 23.62, 21.05, -43.89

 

CMYK 84 / 71 / 0 / 47

HEX #162888

RGB 22 40 136

HSL 230.53, 0.72%, 0.31%

LAB 21.82, 30.77, -55.05

 

CMYK 94 / 79 / 0 / 42

HEX #091F95

RGB 9 31 149

HSL 230.57, 0.89%, 0.31%

LAB 20.86, 40.52, -64.74

 

CMYK 72 / 60 / 0 / 52

HEX #23317B

RGB 35 49 123

HSL 230.45, 0.56%, 0.31%

LAB 23.62, 21.05, -43.89

 

CMYK 57 / 48 / 0 / 56

HEX #303A6F

RGB 48 58 111

HSL 230.48, 0.4%, 0.31%

LAB 26.16, 12.83, -32.11

 

CMYK 39 / 33 / 0 / 62

HEX #3C4262

RGB 60 66 98

HSL 230.53, 0.24%, 0.31%

LAB 28.74, 6.4, -19.66

 

CMYK 14 / 12 / 0 / 67

HEX #494B55

RGB 73 75 85

HSL 230, 0.08%, 0.31%

LAB 32.04, 1.53, -6.19

 

CMYK 0 / 2 / 16 / 66

HEX #565448

RGB 86 84 72

HSL 51.43, 0.09%, 0.31%

LAB 35.57, -1.55, 7.31

 

CMYK 72 / 21 / 0 / 52

HEX #23617B

RGB 35 97 123

HSL 197.73, 0.56%, 0.31%

LAB 38.44, -10.68, -20.36

 

CMYK 72 / 41 / 0 / 52

HEX #23497B

RGB 35 73 123

HSL 214.09, 0.56%, 0.31%

LAB 30.77, 4.46, -32.4

 

CMYK 72 / 59 / 0 / 52

HEX #23327B

RGB 35 50 123

HSL 229.77, 0.56%, 0.31%

LAB 23.9, 20.35, -43.44

 

CMYK 64 / 72 / 0 / 52

HEX #2C237B

RGB 44 35 123

HSL 246.14, 0.56%, 0.31%

LAB 20.7, 31.79, -48.63

 

CMYK 46 / 72 / 0 / 52

HEX #43237B

RGB 67 35 123

HSL 261.82, 0.56%, 0.31%

LAB 23.09, 35.9, -44.64

 

CMYK 71 / 61 / 0 / 77

HEX #11173B

RGB 17 23 59

HSL 231.43, 0.55%, 0.15%

LAB 9.38, 10.99, -24.19

 

CMYK 71 / 60 / 0 / 64

HEX #1A245B

RGB 26 36 91

HSL 230.77, 0.56%, 0.23%

LAB 16.68, 16.17, -34.41

 

CMYK 72 / 60 / 0 / 52

HEX #23317B

RGB 35 49 123

HSL 230.45, 0.56%, 0.31%

LAB 23.62, 21.05, -43.89

 

CMYK 72 / 60 / 0 / 39

HEX #2C3E9C

RGB 44 62 156

HSL 230.36, 0.56%, 0.39%

LAB 30.35, 26.07, -53.36

 

CMYK 72 / 61 / 0 / 26

HEX #354ABC

RGB 53 74 188

HSL 230.67, 0.56%, 0.47%

LAB 36.53, 31.16, -62.37

 

CMYK 72 / 61 / 0 / 52

HEX #22307A

RGB 34 48 122

HSL 230.45, 0.56%, 0.31%

LAB 23.2, 21.2, -43.94

 

CMYK 0 / 72 / 2 / 52

HEX #7B2378

RGB 123 35 120

HSL 302.05, 0.56%, 0.31%

LAB 31.28, 48.17, -29.13

 

CMYK 31 / 0 / 72 / 52

HEX #557B23

RGB 85 123 35

HSL 85.91, 0.56%, 0.31%

LAB 47.26, -28.03, 41.85

 

CMYK 72 / 61 / 0 / 52

HEX #22307A

RGB 34 48 122

HSL 230.45, 0.56%, 0.31%

LAB 23.2, 21.2, -43.94

 

CMYK 0 / 72 / 59 / 52

HEX #7B2332

RGB 123 35 50

HSL 349.77, 0.56%, 0.31%

LAB 28.49, 38.99, 12.44

 

CMYK 59 / 0 / 72 / 52

HEX #327B23

RGB 50 123 35

HSL 109.77, 0.56%, 0.31%

LAB 45.59, -40.11, 39.59

 

CMYK 72 / 61 / 0 / 52

HEX #22307A

RGB 34 48 122

HSL 230.45, 0.56%, 0.31%

LAB 23.2, 21.2, -43.94

 

CMYK 0 / 72 / 2 / 52

HEX #7B2378

RGB 123 35 120

HSL 302.05, 0.56%, 0.31%

LAB 31.28, 48.17, -29.13

 

CMYK 0 / 11 / 72 / 52

HEX #7B6D23

RGB 123 109 35

HSL 50.45, 0.56%, 0.31%

LAB 46, -3.56, 41.52

 

CMYK 72 / 0 / 69 / 52

HEX #237B26

RGB 35 123 38

HSL 122.05, 0.56%, 0.31%

LAB 45.17, -43.39, 37.7

 

CMYK 72 / 61 / 0 / 52

HEX #22307A

RGB 34 48 122

HSL 230.45, 0.56%, 0.31%

LAB 23.2, 21.2, -43.94

 

CMYK 0 / 72 / 24 / 52

HEX #7B235E

RGB 123 35 94

HSL 319.77, 0.56%, 0.31%

LAB 29.96, 43.98, -14.52

 

CMYK 0 / 11 / 72 / 52

HEX #7B6D23

RGB 123 109 35

HSL 50.45, 0.56%, 0.31%

LAB 46, -3.56, 41.52

 

CMYK 72 / 0 / 48 / 52

HEX #237B40

RGB 35 123 64

HSL 139.77, 0.56%, 0.31%

LAB 45.49, -39.68, 24.89

 

Description

Color code: HEX #22307A | qconv.com Color code: HEX #22307A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 48 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 48 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 61 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 61% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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