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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #222B3E it is the complementary color #DDD4C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #222B3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #222B3E shade: #272B39, #383D4C, #494F5F, #5A6172 and #6B7385

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #222B3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #222B3E shade: #222B3E, #11192B, #000718 and #000005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #222B3E shade: #222B3E, #22233E, #28223E, #30223E and #37223E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #222B3E shade: #222B3E, #22233E and #22223E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #222B3E shade matches the following richer shades: #222B3E, #1A2846, #12254E, #0A2356 and #03205D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #222B3E shade: #222B3E, #2A2E36, #32312E, #393326 and #41361F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #222B3E shade: #223A3E, #22333E, #222B3E, #22243E and #28223E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #222B3E shade: #050609, #131823, #222B3E, #313D59 and #3F5073

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #222B3E shade: #222B3E, #3A223E and #373E22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #222B3E shade: #222B3E, #3E222B and #2B3E22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #222B3E shade: #222B3E, #3A223E, #3E3522 and #263E22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #222B3E shade: #222B3E, #3E2239, #3E3522 and #223E27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 31 / 0 / 76

HEX #222B3E

RGB 34 43 62

HSL 220.71, 0.29%, 0.19%

LAB 17.53, 2.01, -13.31

 

Complementary color

CMYK 0 / 4 / 13 / 13

HEX #DDD4C1

RGB 221 212 193

HSL 40.71, 0.29%, 0.81%

LAB 85.15, -0.09, 10.5

 

CMYK 32 / 25 / 0 / 78

HEX #272B39

RGB 39 43 57

HSL 226.67, 0.19%, 0.19%

LAB 17.71, 2.17, -9.54

 

CMYK 26 / 20 / 0 / 70

HEX #383D4C

RGB 56 61 76

HSL 225, 0.15%, 0.26%

LAB 25.86, 1.82, -9.81

 

CMYK 23 / 17 / 0 / 63

HEX #494F5F

RGB 73 79 95

HSL 223.64, 0.13%, 0.33%

LAB 33.64, 1.55, -10.14

 

CMYK 21 / 15 / 0 / 55

HEX #5A6172

RGB 90 97 114

HSL 222.5, 0.12%, 0.4%

LAB 41.12, 1.31, -10.5

 

CMYK 20 / 14 / 0 / 48

HEX #6B7385

RGB 107 115 133

HSL 221.54, 0.11%, 0.47%

LAB 48.36, 1.1, -10.88

 

CMYK 45 / 31 / 0 / 76

HEX #222B3E

RGB 34 43 62

HSL 220.71, 0.29%, 0.19%

LAB 17.53, 2.01, -13.31

 

CMYK 60 / 42 / 0 / 83

HEX #11192B

RGB 17 25 43

HSL 221.54, 0.43%, 0.12%

LAB 8.9, 2.78, -13.33

 

CMYK 100 / 71 / 0 / 91

HEX #000718

RGB 0 7 24

HSL 222.5, 1%, 0.05%

LAB 1.97, 1.38, -9.39

 

CMYK 100 / 100 / 0 / 98

HEX #000005

RGB 0 0 5

HSL 240, 1%, 0.01%

LAB 0.1, 0.7, -1.89

 

CMYK 45 / 31 / 0 / 76

HEX #222B3E

RGB 34 43 62

HSL 220.71, 0.29%, 0.19%

LAB 17.53, 2.01, -13.31

 

CMYK 45 / 44 / 0 / 76

HEX #22233E

RGB 34 35 62

HSL 237.86, 0.29%, 0.19%

LAB 14.9, 7.79, -17.43

 

CMYK 35 / 45 / 0 / 76

HEX #28223E

RGB 40 34 62

HSL 252.86, 0.29%, 0.19%

LAB 15.19, 10.55, -16.94

 

CMYK 23 / 45 / 0 / 76

HEX #30223E

RGB 48 34 62

HSL 270, 0.29%, 0.19%

LAB 16.11, 13.43, -15.43

 

CMYK 11 / 45 / 0 / 76

HEX #37223E

RGB 55 34 62

HSL 285, 0.29%, 0.19%

LAB 17.01, 16.04, -13.95

 

CMYK 45 / 31 / 0 / 76

HEX #222B3E

RGB 34 43 62

HSL 220.71, 0.29%, 0.19%

LAB 17.53, 2.01, -13.31

 

CMYK 45 / 44 / 0 / 76

HEX #22233E

RGB 34 35 62

HSL 237.86, 0.29%, 0.19%

LAB 14.9, 7.79, -17.43

 

CMYK 45 / 45 / 0 / 76

HEX #22223E

RGB 34 34 62

HSL 240, 0.29%, 0.19%

LAB 14.58, 8.52, -17.93

 

CMYK 45 / 31 / 0 / 76

HEX #222B3E

RGB 34 43 62

HSL 220.71, 0.29%, 0.19%

LAB 17.53, 2.01, -13.31

 

CMYK 63 / 43 / 0 / 73

HEX #1A2846

RGB 26 40 70

HSL 220.91, 0.46%, 0.19%

LAB 16.4, 4.75, -20.64

 

CMYK 77 / 53 / 0 / 69

HEX #12254E

RGB 18 37 78

HSL 221, 0.63%, 0.19%

LAB 15.5, 8.57, -27.58

 

CMYK 88 / 59 / 0 / 66

HEX #0A2356

RGB 10 35 86

HSL 220.26, 0.79%, 0.19%

LAB 15.16, 12.49, -33.56

 

CMYK 97 / 66 / 0 / 64

HEX #03205D

RGB 3 32 93

HSL 220.67, 0.94%, 0.19%

LAB 14.64, 17.22, -39.12

 

CMYK 45 / 31 / 0 / 76

HEX #222B3E

RGB 34 43 62

HSL 220.71, 0.29%, 0.19%

LAB 17.53, 2.01, -13.31

 

CMYK 22 / 15 / 0 / 79

HEX #2A2E36

RGB 42 46 54

HSL 220, 0.13%, 0.19%

LAB 18.85, 0.38, -5.7

 

CMYK 0 / 2 / 8 / 80

HEX #32312E

RGB 50 49 46

HSL 45, 0.04%, 0.19%

LAB 20.33, -0.23, 2.07

 

CMYK 0 / 11 / 33 / 78

HEX #393326

RGB 57 51 38

HSL 41.05, 0.2%, 0.19%

LAB 21.5, 0.18, 9.24

 

CMYK 0 / 17 / 52 / 75

HEX #41361F

RGB 65 54 31

HSL 40.59, 0.35%, 0.19%

LAB 23.21, 1.17, 16.24

 

CMYK 45 / 6 / 0 / 76

HEX #223A3E

RGB 34 58 62

HSL 188.57, 0.29%, 0.19%

LAB 22.7, -8.07, -5.43

 

CMYK 45 / 18 / 0 / 76

HEX #22333E

RGB 34 51 62

HSL 203.57, 0.29%, 0.19%

LAB 20.26, -3.51, -9.11

 

CMYK 45 / 31 / 0 / 76

HEX #222B3E

RGB 34 43 62

HSL 220.71, 0.29%, 0.19%

LAB 17.53, 2.01, -13.31

 

CMYK 45 / 42 / 0 / 76

HEX #22243E

RGB 34 36 62

HSL 235.71, 0.29%, 0.19%

LAB 15.22, 7.06, -16.92

 

CMYK 35 / 45 / 0 / 76

HEX #28223E

RGB 40 34 62

HSL 252.86, 0.29%, 0.19%

LAB 15.19, 10.55, -16.94

 

CMYK 44 / 33 / 0 / 96

HEX #050609

RGB 5 6 9

HSL 225, 0.29%, 0.03%

LAB 1.65, 0.16, -1.23

 

CMYK 46 / 31 / 0 / 86

HEX #131823

RGB 19 24 35

HSL 221.25, 0.3%, 0.11%

LAB 8.25, 1.22, -8.37

 

CMYK 45 / 31 / 0 / 76

HEX #222B3E

RGB 34 43 62

HSL 220.71, 0.29%, 0.19%

LAB 17.53, 2.01, -13.31

 

CMYK 45 / 31 / 0 / 65

HEX #313D59

RGB 49 61 89

HSL 222, 0.29%, 0.27%

LAB 25.9, 3.43, -18.33

 

CMYK 45 / 30 / 0 / 55

HEX #3F5073

RGB 63 80 115

HSL 220.38, 0.29%, 0.35%

LAB 34.05, 3.51, -22.13

 

CMYK 45 / 31 / 0 / 76

HEX #222B3E

RGB 34 43 62

HSL 220.71, 0.29%, 0.19%

LAB 17.53, 2.01, -13.31

 

CMYK 6 / 45 / 0 / 76

HEX #3A223E

RGB 58 34 62

HSL 291.43, 0.29%, 0.19%

LAB 17.42, 17.17, -13.28

 

CMYK 11 / 0 / 45 / 76

HEX #373E22

RGB 55 62 34

HSL 75, 0.29%, 0.19%

LAB 24.87, -8.44, 16.25

 

CMYK 45 / 31 / 0 / 76

HEX #222B3E

RGB 34 43 62

HSL 220.71, 0.29%, 0.19%

LAB 17.53, 2.01, -13.31

 

CMYK 0 / 45 / 31 / 76

HEX #3E222B

RGB 62 34 43

HSL 340.71, 0.29%, 0.19%

LAB 17.19, 14.86, -0.22

 

CMYK 31 / 0 / 45 / 76

HEX #2B3E22

RGB 43 62 34

HSL 100.71, 0.29%, 0.19%

LAB 23.92, -13.9, 14.84

 

CMYK 45 / 31 / 0 / 76

HEX #222B3E

RGB 34 43 62

HSL 220.71, 0.29%, 0.19%

LAB 17.53, 2.01, -13.31

 

CMYK 6 / 45 / 0 / 76

HEX #3A223E

RGB 58 34 62

HSL 291.43, 0.29%, 0.19%

LAB 17.42, 17.17, -13.28

 

CMYK 0 / 15 / 45 / 76

HEX #3E3522

RGB 62 53 34

HSL 40.71, 0.29%, 0.19%

LAB 22.6, 0.71, 13.46

 

CMYK 39 / 0 / 45 / 76

HEX #263E22

RGB 38 62 34

HSL 111.43, 0.29%, 0.19%

LAB 23.58, -15.99, 14.34

 

CMYK 45 / 31 / 0 / 76

HEX #222B3E

RGB 34 43 62

HSL 220.71, 0.29%, 0.19%

LAB 17.53, 2.01, -13.31

 

CMYK 0 / 45 / 8 / 76

HEX #3E2239

RGB 62 34 57

HSL 310.71, 0.29%, 0.19%

LAB 17.75, 17.58, -9.23

 

CMYK 0 / 15 / 45 / 76

HEX #3E3522

RGB 62 53 34

HSL 40.71, 0.29%, 0.19%

LAB 22.6, 0.71, 13.46

 

CMYK 45 / 0 / 37 / 76

HEX #223E27

RGB 34 62 39

HSL 130.71, 0.29%, 0.19%

LAB 23.44, -16.55, 10.91

 

Description

Color code: HEX #222B3E | qconv.com Color code: HEX #222B3E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 43 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 43 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 31 magenta, none yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 31% 0% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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