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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #220240 it is the complementary color #DDFDBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #220240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #220240 shade: #27023B, #38144E, #492661, #5A3874 and #6B4A87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #220240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #220240 shade: #220240, #11002D, #00001A, #000007 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #220240 shade: #220240, #330240, #40023D, #40022C and #40021B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #220240 shade: #220240, #110240 and #020240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #220240 shade matches the following richer shades: #220240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #220240 shade: #220240, #22073B, #220D36, #221230 and #21172B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #220240 shade: #020440, #110240, #210240, #320240 and #40023E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #220240 shade: #000000, #0D0118, #220240, #370368 and #4D0490

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #220240 shade: #220240, #400215 and #024008

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #220240 shade: #220240, #402102 and #024021

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #220240 shade: #220240, #400215, #214002 and #02402E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #220240 shade: #220240, #400202, #214002 and #024040

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 97 / 0 / 75

HEX #220240

RGB 34 2 64

HSL 270.97, 0.94%, 0.13%

LAB 6.81, 30.02, -31.87

 

Complementary color

CMYK 13 / 0 / 25 / 1

HEX #DDFDBF

RGB 221 253 191

HSL 90.97, 0.94%, 0.87%

LAB 95.74, -20.95, 26.33

 

CMYK 34 / 97 / 0 / 77

HEX #27023B

RGB 39 2 59

HSL 278.95, 0.93%, 0.12%

LAB 7.14, 29.66, -27.7

 

CMYK 28 / 74 / 0 / 69

HEX #38144E

RGB 56 20 78

HSL 277.24, 0.59%, 0.19%

LAB 14.91, 29.18, -28.34

 

CMYK 25 / 61 / 0 / 62

HEX #492661

RGB 73 38 97

HSL 275.59, 0.44%, 0.26%

LAB 22.53, 28.45, -28.7

 

CMYK 22 / 52 / 0 / 55

HEX #5A3874

RGB 90 56 116

HSL 274, 0.35%, 0.34%

LAB 30.07, 27.49, -28.83

 

CMYK 21 / 45 / 0 / 47

HEX #6B4A87

RGB 107 74 135

HSL 272.46, 0.29%, 0.41%

LAB 37.43, 26.55, -28.91

 

CMYK 47 / 97 / 0 / 75

HEX #220240

RGB 34 2 64

HSL 270.97, 0.94%, 0.13%

LAB 6.81, 30.02, -31.87

 

CMYK 62 / 100 / 0 / 82

HEX #11002D

RGB 17 0 45

HSL 262.67, 1%, 0.09%

LAB 2.79, 16.86, -24.49

 

CMYK 100 / 100 / 0 / 90

HEX #00001A

RGB 0 0 26

HSL 240, 1%, 0.05%

LAB 0.67, 4.73, -12.88

 

CMYK 100 / 100 / 0 / 97

HEX #000007

RGB 0 0 7

HSL 240, 1%, 0.01%

LAB 0.14, 0.97, -2.65

 

CMYK 47 / 97 / 0 / 75

HEX #220240

RGB 34 2 64

HSL 270.97, 0.94%, 0.13%

LAB 6.81, 30.02, -31.87

 

CMYK 20 / 97 / 0 / 75

HEX #330240

RGB 51 2 64

HSL 287.42, 0.94%, 0.13%

LAB 9.93, 33.1, -26.64

 

CMYK 0 / 97 / 5 / 75

HEX #40023D

RGB 64 2 61

HSL 302.9, 0.94%, 0.13%

LAB 12.42, 35.14, -20.36

 

CMYK 0 / 97 / 31 / 75

HEX #40022C

RGB 64 2 44

HSL 319.35, 0.94%, 0.13%

LAB 11.38, 32.45, -9.64

 

CMYK 0 / 97 / 58 / 75

HEX #40021B

RGB 64 2 27

HSL 335.81, 0.94%, 0.13%

LAB 10.65, 30.46, 2.09

 

CMYK 47 / 97 / 0 / 75

HEX #220240

RGB 34 2 64

HSL 270.97, 0.94%, 0.13%

LAB 6.81, 30.02, -31.87

 

CMYK 73 / 97 / 0 / 75

HEX #110240

RGB 17 2 64

HSL 254.52, 0.94%, 0.13%

LAB 4.81, 26.01, -35.21

 

CMYK 97 / 97 / 0 / 75

HEX #020240

RGB 2 2 64

HSL 240, 0.94%, 0.13%

LAB 3.85, 22.96, -36.82

 

CMYK 47 / 97 / 0 / 75

HEX #220240

RGB 34 2 64

HSL 270.97, 0.94%, 0.13%

LAB 6.81, 30.02, -31.87

 

CMYK 47 / 97 / 0 / 75

HEX #220240

RGB 34 2 64

HSL 270.97, 0.94%, 0.13%

LAB 6.81, 30.02, -31.87

 

CMYK 42 / 88 / 0 / 77

HEX #22073B

RGB 34 7 59

HSL 271.15, 0.79%, 0.13%

LAB 7.3, 25.69, -27.48

 

CMYK 37 / 76 / 0 / 79

HEX #220D36

RGB 34 13 54

HSL 270.73, 0.61%, 0.13%

LAB 8.08, 20.78, -22.59

 

CMYK 29 / 63 / 0 / 81

HEX #221230

RGB 34 18 48

HSL 272, 0.45%, 0.13%

LAB 8.88, 15.62, -16.92

 

CMYK 23 / 47 / 0 / 83

HEX #21172B

RGB 33 23 43

HSL 270, 0.3%, 0.13%

LAB 9.88, 10.12, -11.67

 

CMYK 97 / 94 / 0 / 75

HEX #020440

RGB 2 4 64

HSL 238.06, 0.94%, 0.13%

LAB 4.24, 22.08, -36.18

 

CMYK 73 / 97 / 0 / 75

HEX #110240

RGB 17 2 64

HSL 254.52, 0.94%, 0.13%

LAB 4.81, 26.01, -35.21

 

CMYK 48 / 97 / 0 / 75

HEX #210240

RGB 33 2 64

HSL 270, 0.94%, 0.13%

LAB 6.66, 29.8, -32.12

 

CMYK 22 / 97 / 0 / 75

HEX #320240

RGB 50 2 64

HSL 286.45, 0.94%, 0.13%

LAB 9.73, 32.91, -26.97

 

CMYK 0 / 97 / 3 / 75

HEX #40023E

RGB 64 2 62

HSL 301.94, 0.94%, 0.13%

LAB 12.49, 35.32, -20.97

 

CMYK 46 / 96 / 0 / 91

HEX #0D0118

RGB 13 1 24

HSL 271.3, 0.92%, 0.05%

LAB 1.56, 7.25, -9.88

 

CMYK 47 / 97 / 0 / 75

HEX #220240

RGB 34 2 64

HSL 270.97, 0.94%, 0.13%

LAB 6.81, 30.02, -31.87

 

CMYK 47 / 97 / 0 / 59

HEX #370368

RGB 55 3 104

HSL 270.89, 0.94%, 0.21%

LAB 14.83, 42.58, -45.94

 

CMYK 47 / 97 / 0 / 44

HEX #4D0490

RGB 77 4 144

HSL 271.29, 0.95%, 0.29%

LAB 22.58, 54.09, -58.62

 

CMYK 47 / 97 / 0 / 75

HEX #220240

RGB 34 2 64

HSL 270.97, 0.94%, 0.13%

LAB 6.81, 30.02, -31.87

 

CMYK 0 / 97 / 67 / 75

HEX #400215

RGB 64 2 21

HSL 341.61, 0.94%, 0.13%

LAB 10.47, 29.95, 6.33

 

CMYK 97 / 0 / 88 / 75

HEX #024008

RGB 2 64 8

HSL 125.81, 0.94%, 0.13%

LAB 22.64, -30.82, 26.98

 

CMYK 47 / 97 / 0 / 75

HEX #220240

RGB 34 2 64

HSL 270.97, 0.94%, 0.13%

LAB 6.81, 30.02, -31.87

 

CMYK 0 / 48 / 97 / 75

HEX #402102

RGB 64 33 2

HSL 30, 0.94%, 0.13%

LAB 16.42, 12.26, 23.47

 

CMYK 97 / 0 / 48 / 75

HEX #024021

RGB 2 64 33

HSL 150, 0.94%, 0.13%

LAB 22.96, -26.91, 13.9

 

CMYK 47 / 97 / 0 / 75

HEX #220240

RGB 34 2 64

HSL 270.97, 0.94%, 0.13%

LAB 6.81, 30.02, -31.87

 

CMYK 0 / 97 / 67 / 75

HEX #400215

RGB 64 2 21

HSL 341.61, 0.94%, 0.13%

LAB 10.47, 29.95, 6.33

 

CMYK 48 / 0 / 97 / 75

HEX #214002

RGB 33 64 2

HSL 90, 0.94%, 0.13%

LAB 23.65, -22.79, 30.8

 

CMYK 97 / 0 / 28 / 75

HEX #02402E

RGB 2 64 46

HSL 162.58, 0.94%, 0.13%

LAB 23.26, -23.53, 5.91

 

CMYK 47 / 97 / 0 / 75

HEX #220240

RGB 34 2 64

HSL 270.97, 0.94%, 0.13%

LAB 6.81, 30.02, -31.87

 

CMYK 0 / 97 / 97 / 75

HEX #400202

RGB 64 2 2

HSL 0, 0.94%, 0.13%

LAB 10.09, 28.88, 15.05

 

CMYK 48 / 0 / 97 / 75

HEX #214002

RGB 33 64 2

HSL 90, 0.94%, 0.13%

LAB 23.65, -22.79, 30.8

 

CMYK 97 / 0 / 0 / 75

HEX #024040

RGB 2 64 64

HSL 180, 0.94%, 0.13%

LAB 23.84, -17.58, -5.18

 

Description

Color code: HEX #220240 | qconv.com Color code: HEX #220240 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 2 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 2 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 97 magenta, none yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 97% 0% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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