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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21DACA it is the complementary color #DE2535. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21DACA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21DACA shade: #26DAC5, #37ECD8, #48FEEB, #59FFFE and #6AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21DACA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21DACA shade: #21DACA, #10C8B7, #00B6A4, #00A491 and #00927E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21DACA shade: #20D9C9, #20D998, #20D966, #20D934 and #3FD920

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21DACA shade: #20D9C9, #20B8D9, #2086D9, #2054D9 and #2022D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21DACA shade matches the following richer shades: #20D9C9 and #0CEEDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21DACA shade: #20D9C9, #35C5B9, #49B1A8, #5D9D97 and #718987

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21DACA shade: #20D964, #20D996, #20D9C7, #20BBD9 and #2089D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21DACA shade: #169287, #1BB6A8, #20D9C9, #41E3D5 and #65E8DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21DACA shade: #21DACA, #3320D9 and #D97D20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21DACA shade: #21DACA, #C720D9 and #D9C720

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21DACA shade: #21DACA, #3320D9, #D92033 and #C7D920

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21DACA shade: #21DACA, #6A20D9, #D92033 and #8FD920

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 7 / 15

HEX #21DACA

RGB 33 218 202

HSL 174.81, 0.74%, 0.49%

LAB 78.89, -46.03, -4.39

 

Complementary color

CMYK 0 / 83 / 76 / 13

HEX #DE2535

RGB 222 37 53

HSL 354.81, 0.74%, 0.51%

LAB 48.4, 68.17, 39.34

 

CMYK 83 / 0 / 10 / 15

HEX #26DAC5

RGB 38 218 197

HSL 173, 0.71%, 0.5%

LAB 78.8, -47.04, -1.84

 

CMYK 77 / 0 / 8 / 7

HEX #37ECD8

RGB 55 236 216

HSL 173.37, 0.83%, 0.57%

LAB 84.87, -48.11, -2.98

 

CMYK 72 / 0 / 7 / 0

HEX #48FEEB

RGB 72 254 235

HSL 173.74, 0.99%, 0.64%

LAB 90.9, -48.94, -4.02

 

CMYK 65 / 0 / 0 / 0

HEX #59FFFE

RGB 89 255 254

HSL 179.64, 1%, 0.67%

LAB 92.04, -42.17, -12.14

 

CMYK 58 / 0 / 0 / 0

HEX #6AFFFF

RGB 106 255 255

HSL 180, 1%, 0.71%

LAB 92.49, -39.29, -11.95

 

CMYK 85 / 0 / 7 / 15

HEX #21DACA

RGB 33 218 202

HSL 174.81, 0.74%, 0.49%

LAB 78.89, -46.03, -4.39

 

CMYK 92 / 0 / 9 / 22

HEX #10C8B7

RGB 16 200 183

HSL 174.46, 0.85%, 0.42%

LAB 72.78, -44.49, -3.16

 

CMYK 100 / 0 / 10 / 29

HEX #00B6A4

RGB 0 182 164

HSL 174.07, 1%, 0.36%

LAB 66.62, -42.64, -1.81

 

CMYK 100 / 0 / 12 / 36

HEX #00A491

RGB 0 164 145

HSL 173.05, 1%, 0.32%

LAB 60.42, -40.24, -0.29

 

CMYK 100 / 0 / 14 / 43

HEX #00927E

RGB 0 146 126

HSL 171.78, 1%, 0.29%

LAB 54.09, -37.79, 1.3

 

CMYK 85 / 0 / 7 / 15

HEX #20D9C9

RGB 32 217 201

HSL 174.81, 0.74%, 0.49%

LAB 78.55, -45.94, -4.36

 

CMYK 85 / 0 / 30 / 15

HEX #20D998

RGB 32 217 152

HSL 158.92, 0.74%, 0.49%

LAB 77.4, -58.13, 20.05

 

CMYK 85 / 0 / 53 / 15

HEX #20D966

RGB 32 217 102

HSL 142.7, 0.74%, 0.49%

LAB 76.61, -67.27, 44.26

 

CMYK 85 / 0 / 76 / 15

HEX #20D934

RGB 32 217 52

HSL 126.49, 0.74%, 0.49%

LAB 76.18, -72.63, 64.22

 

CMYK 71 / 0 / 85 / 15

HEX #3FD920

RGB 63 217 32

HSL 109.95, 0.74%, 0.49%

LAB 76.55, -69.74, 70.12

 

CMYK 85 / 0 / 7 / 15

HEX #20D9C9

RGB 32 217 201

HSL 174.81, 0.74%, 0.49%

LAB 78.55, -45.94, -4.36

 

CMYK 85 / 15 / 0 / 15

HEX #20B8D9

RGB 32 184 217

HSL 190.7, 0.74%, 0.49%

LAB 69.18, -25.75, -27.13

 

CMYK 85 / 38 / 0 / 15

HEX #2086D9

RGB 32 134 217

HSL 206.92, 0.74%, 0.49%

LAB 54.41, 1.83, -50.24

 

CMYK 85 / 61 / 0 / 15

HEX #2054D9

RGB 32 84 217

HSL 223.14, 0.74%, 0.49%

LAB 40.67, 33.49, -72.44

 

CMYK 85 / 84 / 0 / 15

HEX #2022D9

RGB 32 34 217

HSL 239.35, 0.74%, 0.49%

LAB 30.55, 61.48, -89.15

 

CMYK 85 / 0 / 7 / 15

HEX #20D9C9

RGB 32 217 201

HSL 174.81, 0.74%, 0.49%

LAB 78.55, -45.94, -4.36

 

CMYK 95 / 0 / 8 / 7

HEX #0CEEDA

RGB 12 238 218

HSL 174.69, 0.9%, 0.49%

LAB 85.14, -51, -3.68

 

CMYK 85 / 0 / 7 / 15

HEX #20D9C9

RGB 32 217 201

HSL 174.81, 0.74%, 0.49%

LAB 78.55, -45.94, -4.36

 

CMYK 73 / 0 / 6 / 23

HEX #35C5B9

RGB 53 197 185

HSL 175, 0.58%, 0.49%

LAB 72.36, -39.69, -4.83

 

CMYK 59 / 0 / 5 / 31

HEX #49B1A8

RGB 73 177 168

HSL 174.81, 0.42%, 0.49%

LAB 66.28, -32.02, -4.4

 

CMYK 41 / 0 / 4 / 38

HEX #5D9D97

RGB 93 157 151

HSL 174.38, 0.26%, 0.49%

LAB 60.49, -21.99, -3.33

 

CMYK 18 / 0 / 1 / 46

HEX #718987

RGB 113 137 135

HSL 175, 0.1%, 0.49%

LAB 55.23, -8.98, -1.79

 

CMYK 85 / 0 / 54 / 15

HEX #20D964

RGB 32 217 100

HSL 142.05, 0.74%, 0.49%

LAB 76.59, -67.56, 45.17

 

CMYK 85 / 0 / 31 / 15

HEX #20D996

RGB 32 217 150

HSL 158.27, 0.74%, 0.49%

LAB 77.36, -58.57, 21.04

 

CMYK 85 / 0 / 8 / 15

HEX #20D9C7

RGB 32 217 199

HSL 174.16, 0.74%, 0.49%

LAB 78.49, -46.49, -3.37

 

CMYK 85 / 14 / 0 / 15

HEX #20BBD9

RGB 32 187 217

HSL 189.73, 0.74%, 0.49%

LAB 70.08, -27.25, -25.76

 

CMYK 85 / 37 / 0 / 15

HEX #2089D9

RGB 32 137 217

HSL 205.95, 0.74%, 0.49%

LAB 55.29, 0.03, -48.85

 

CMYK 85 / 0 / 8 / 43

HEX #169287

RGB 22 146 135

HSL 174.68, 0.74%, 0.33%

LAB 54.53, -33.91, -3.22

 

CMYK 85 / 0 / 8 / 29

HEX #1BB6A8

RGB 27 182 168

HSL 174.58, 0.74%, 0.41%

LAB 66.91, -40.27, -3.57

 

CMYK 85 / 0 / 7 / 15

HEX #20D9C9

RGB 32 217 201

HSL 174.81, 0.74%, 0.49%

LAB 78.55, -45.94, -4.36

 

CMYK 71 / 0 / 6 / 11

HEX #41E3D5

RGB 65 227 213

HSL 174.81, 0.74%, 0.57%

LAB 82.31, -43.93, -5.15

 

CMYK 56 / 0 / 5 / 9

HEX #65E8DD

RGB 101 232 221

HSL 174.96, 0.74%, 0.65%

LAB 84.84, -38.51, -5.54

 

CMYK 85 / 0 / 7 / 15

HEX #21DACA

RGB 33 218 202

HSL 174.81, 0.74%, 0.49%

LAB 78.89, -46.03, -4.39

 

CMYK 76 / 85 / 0 / 15

HEX #3320D9

RGB 51 32 217

HSL 246.16, 0.74%, 0.49%

LAB 31.22, 63.04, -88

 

CMYK 0 / 42 / 85 / 15

HEX #D97D20

RGB 217 125 32

HSL 30.16, 0.74%, 0.49%

LAB 61.24, 29.53, 60.81

 

CMYK 85 / 0 / 7 / 15

HEX #21DACA

RGB 33 218 202

HSL 174.81, 0.74%, 0.49%

LAB 78.89, -46.03, -4.39

 

CMYK 8 / 85 / 0 / 15

HEX #C720D9

RGB 199 32 217

HSL 294.16, 0.74%, 0.49%

LAB 49.72, 80.47, -56.99

 

CMYK 0 / 8 / 85 / 15

HEX #D9C720

RGB 217 199 32

HSL 54.16, 0.74%, 0.49%

LAB 79.44, -9.67, 75.79

 

CMYK 85 / 0 / 7 / 15

HEX #21DACA

RGB 33 218 202

HSL 174.81, 0.74%, 0.49%

LAB 78.89, -46.03, -4.39

 

CMYK 76 / 85 / 0 / 15

HEX #3320D9

RGB 51 32 217

HSL 246.16, 0.74%, 0.49%

LAB 31.22, 63.04, -88

 

CMYK 0 / 85 / 76 / 15

HEX #D92033

RGB 217 32 51

HSL 353.84, 0.74%, 0.49%

LAB 47.01, 67.83, 38.68

 

CMYK 8 / 0 / 85 / 15

HEX #C7D920

RGB 199 217 32

HSL 65.84, 0.74%, 0.49%

LAB 82.85, -26.16, 78

 

CMYK 85 / 0 / 7 / 15

HEX #21DACA

RGB 33 218 202

HSL 174.81, 0.74%, 0.49%

LAB 78.89, -46.03, -4.39

 

CMYK 51 / 85 / 0 / 15

HEX #6A20D9

RGB 106 32 217

HSL 264, 0.74%, 0.49%

LAB 36.19, 67.32, -79.62

 

CMYK 0 / 85 / 76 / 15

HEX #D92033

RGB 217 32 51

HSL 353.84, 0.74%, 0.49%

LAB 47.01, 67.83, 38.68

 

CMYK 34 / 0 / 85 / 15

HEX #8FD920

RGB 143 217 32

HSL 84, 0.74%, 0.49%

LAB 79.37, -47.97, 73.67

 

Description

Color code: HEX #21DACA | qconv.com Color code: HEX #21DACA | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 218 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 218 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 7 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 7% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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