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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21D796 it is the complementary color #DE2869. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21D796. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21D796 shade: #26D791, #37E9A4, #48FBB7, #59FFCA and #6AFFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21D796. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21D796 shade: #21D796, #10C583, #00B370, #00A15D and #008F4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21D796 shade: #22D897, #22D866, #22D835, #40D822 and #71D822

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21D796 shade: #22D897, #22D8C8, #22B7D8, #2286D8 and #2255D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21D796 shade matches the following richer shades: #22D897 and #0EEC9D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21D796 shade: #22D897, #36C491, #4AB08B, #5E9C86 and #738780

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21D796 shade: #22D834, #22D865, #22D895, #22D8C6 and #22BAD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21D796 shade: #179165, #1CB47E, #22D897, #42E1A8 and #65E7B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21D796 shade: #21D796, #2240D8 and #D84C22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21D796 shade: #21D796, #9522D8 and #D89522

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21D796 shade: #21D796, #2240D8, #D82265 and #D8BA22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21D796 shade: #21D796, #3A22D8, #D82265 and #C0D822

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 30 / 16

HEX #21D796

RGB 33 215 150

HSL 158.57, 0.73%, 0.49%

LAB 76.76, -57.75, 20.21

 

Complementary color

CMYK 0 / 82 / 53 / 13

HEX #DE2869

RGB 222 40 105

HSL 338.57, 0.73%, 0.51%

LAB 49.58, 70.29, 9.57

 

CMYK 82 / 0 / 33 / 16

HEX #26D791

RGB 38 215 145

HSL 156.27, 0.7%, 0.5%

LAB 76.71, -58.4, 22.78

 

CMYK 76 / 0 / 30 / 9

HEX #37E9A4

RGB 55 233 164

HSL 156.74, 0.8%, 0.56%

LAB 82.79, -59.38, 21.27

 

CMYK 71 / 0 / 27 / 2

HEX #48FBB7

RGB 72 251 183

HSL 157.21, 0.96%, 0.63%

LAB 88.82, -60.07, 19.89

 

CMYK 65 / 0 / 21 / 0

HEX #59FFCA

RGB 89 255 202

HSL 160.84, 1%, 0.67%

LAB 90.74, -55, 12.87

 

CMYK 58 / 0 / 13 / 0

HEX #6AFFDD

RGB 106 255 221

HSL 166.31, 1%, 0.71%

LAB 91.6, -47.74, 4.35

 

CMYK 85 / 0 / 30 / 16

HEX #21D796

RGB 33 215 150

HSL 158.57, 0.73%, 0.49%

LAB 76.76, -57.75, 20.21

 

CMYK 92 / 0 / 34 / 23

HEX #10C583

RGB 16 197 131

HSL 158.12, 0.85%, 0.42%

LAB 70.65, -56.26, 21.85

 

CMYK 100 / 0 / 37 / 30

HEX #00B370

RGB 0 179 112

HSL 157.54, 1%, 0.35%

LAB 64.49, -54.36, 23.64

 

CMYK 100 / 0 / 42 / 37

HEX #00A15D

RGB 0 161 93

HSL 154.66, 1%, 0.32%

LAB 58.3, -51.75, 25.62

 

CMYK 100 / 0 / 48 / 44

HEX #008F4A

RGB 0 143 74

HSL 151.05, 1%, 0.28%

LAB 51.99, -48.99, 27.65

 

CMYK 84 / 0 / 30 / 15

HEX #22D897

RGB 34 216 151

HSL 158.57, 0.73%, 0.49%

LAB 77.09, -57.82, 20.15

 

CMYK 84 / 0 / 53 / 15

HEX #22D866

RGB 34 216 102

HSL 142.42, 0.73%, 0.49%

LAB 76.32, -66.78, 43.9

 

CMYK 84 / 0 / 75 / 15

HEX #22D835

RGB 34 216 53

HSL 126.26, 0.73%, 0.49%

LAB 75.89, -72.09, 63.62

 

CMYK 70 / 0 / 84 / 15

HEX #40D822

RGB 64 216 34

HSL 110.11, 0.73%, 0.49%

LAB 76.26, -69.17, 69.43

 

CMYK 48 / 0 / 84 / 15

HEX #71D822

RGB 113 216 34

HSL 93.96, 0.73%, 0.49%

LAB 77.72, -57.39, 71.28

 

CMYK 84 / 0 / 30 / 15

HEX #22D897

RGB 34 216 151

HSL 158.57, 0.73%, 0.49%

LAB 77.09, -57.82, 20.15

 

CMYK 84 / 0 / 7 / 15

HEX #22D8C8

RGB 34 216 200

HSL 174.73, 0.73%, 0.49%

LAB 78.24, -45.65, -4.27

 

CMYK 84 / 15 / 0 / 15

HEX #22B7D8

RGB 34 183 216

HSL 190.88, 0.73%, 0.49%

LAB 68.87, -25.43, -27.06

 

CMYK 84 / 38 / 0 / 15

HEX #2286D8

RGB 34 134 216

HSL 207.03, 0.73%, 0.49%

LAB 54.39, 1.6, -49.7

 

CMYK 84 / 61 / 0 / 15

HEX #2255D8

RGB 34 85 216

HSL 223.19, 0.73%, 0.49%

LAB 40.89, 32.6, -71.5

 

CMYK 84 / 0 / 30 / 15

HEX #22D897

RGB 34 216 151

HSL 158.57, 0.73%, 0.49%

LAB 77.09, -57.82, 20.15

 

CMYK 94 / 0 / 33 / 7

HEX #0EEC9D

RGB 14 236 157

HSL 158.65, 0.89%, 0.49%

LAB 83.19, -64.9, 25.36

 

CMYK 84 / 0 / 30 / 15

HEX #22D897

RGB 34 216 151

HSL 158.57, 0.73%, 0.49%

LAB 77.09, -57.82, 20.15

 

CMYK 72 / 0 / 26 / 23

HEX #36C491

RGB 54 196 145

HSL 158.45, 0.57%, 0.49%

LAB 71.08, -49.24, 15.04

 

CMYK 58 / 0 / 21 / 31

HEX #4AB08B

RGB 74 176 139

HSL 158.24, 0.41%, 0.49%

LAB 65.26, -38.62, 10.17

 

CMYK 40 / 0 / 14 / 39

HEX #5E9C86

RGB 94 156 134

HSL 158.71, 0.25%, 0.49%

LAB 59.78, -25.28, 5.25

 

CMYK 15 / 0 / 5 / 47

HEX #738780

RGB 115 135 128

HSL 159, 0.08%, 0.49%

LAB 54.59, -8.7, 1.33

 

CMYK 84 / 0 / 76 / 15

HEX #22D834

RGB 34 216 52

HSL 125.93, 0.73%, 0.49%

LAB 75.88, -72.17, 63.94

 

CMYK 84 / 0 / 53 / 15

HEX #22D865

RGB 34 216 101

HSL 142.09, 0.73%, 0.49%

LAB 76.31, -66.92, 44.36

 

CMYK 84 / 0 / 31 / 15

HEX #22D895

RGB 34 216 149

HSL 157.91, 0.73%, 0.49%

LAB 77.05, -58.26, 21.15

 

CMYK 84 / 0 / 8 / 15

HEX #22D8C6

RGB 34 216 198

HSL 174.07, 0.73%, 0.49%

LAB 78.19, -46.2, -3.28

 

CMYK 84 / 14 / 0 / 15

HEX #22BAD8

RGB 34 186 216

HSL 189.89, 0.73%, 0.49%

LAB 69.76, -26.94, -25.69

 

CMYK 84 / 0 / 30 / 43

HEX #179165

RGB 23 145 101

HSL 158.36, 0.73%, 0.33%

LAB 53.35, -42.47, 14.57

 

CMYK 84 / 0 / 30 / 29

HEX #1CB47E

RGB 28 180 126

HSL 158.68, 0.73%, 0.41%

LAB 65.28, -50.15, 17.18

 

CMYK 84 / 0 / 30 / 15

HEX #22D897

RGB 34 216 151

HSL 158.57, 0.73%, 0.49%

LAB 77.09, -57.82, 20.15

 

CMYK 71 / 0 / 25 / 12

HEX #42E1A8

RGB 66 225 168

HSL 158.49, 0.73%, 0.57%

LAB 80.65, -54.02, 16.24

 

CMYK 56 / 0 / 20 / 9

HEX #65E7B9

RGB 101 231 185

HSL 158.77, 0.73%, 0.65%

LAB 83.66, -46.64, 11.7

 

CMYK 85 / 0 / 30 / 16

HEX #21D796

RGB 33 215 150

HSL 158.57, 0.73%, 0.49%

LAB 76.76, -57.75, 20.21

 

CMYK 84 / 70 / 0 / 15

HEX #2240D8

RGB 34 64 216

HSL 230.11, 0.73%, 0.49%

LAB 35.92, 45.75, -79.67

 

CMYK 0 / 65 / 84 / 15

HEX #D84C22

RGB 216 76 34

HSL 13.85, 0.73%, 0.49%

LAB 51.71, 53.05, 51.91

 

CMYK 85 / 0 / 30 / 16

HEX #21D796

RGB 33 215 150

HSL 158.57, 0.73%, 0.49%

LAB 76.76, -57.75, 20.21

 

CMYK 31 / 84 / 0 / 15

HEX #9522D8

RGB 149 34 216

HSL 277.91, 0.73%, 0.49%

LAB 41.99, 71.95, -69.32

 

CMYK 0 / 31 / 84 / 15

HEX #D89522

RGB 216 149 34

HSL 37.91, 0.73%, 0.49%

LAB 66.68, 16.29, 64.67

 

CMYK 85 / 0 / 30 / 16

HEX #21D796

RGB 33 215 150

HSL 158.57, 0.73%, 0.49%

LAB 76.76, -57.75, 20.21

 

CMYK 84 / 70 / 0 / 15

HEX #2240D8

RGB 34 64 216

HSL 230.11, 0.73%, 0.49%

LAB 35.92, 45.75, -79.67

 

CMYK 0 / 84 / 53 / 15

HEX #D82265

RGB 216 34 101

HSL 337.91, 0.73%, 0.49%

LAB 47.86, 69.81, 9.43

 

CMYK 0 / 14 / 84 / 15

HEX #D8BA22

RGB 216 186 34

HSL 50.11, 0.73%, 0.49%

LAB 75.97, -3.37, 72.42

 

CMYK 85 / 0 / 30 / 16

HEX #21D796

RGB 33 215 150

HSL 158.57, 0.73%, 0.49%

LAB 76.76, -57.75, 20.21

 

CMYK 73 / 84 / 0 / 15

HEX #3A22D8

RGB 58 34 216

HSL 247.91, 0.73%, 0.49%

LAB 31.81, 62.38, -86.44

 

CMYK 0 / 84 / 53 / 15

HEX #D82265

RGB 216 34 101

HSL 337.91, 0.73%, 0.49%

LAB 47.86, 69.81, 9.43

 

CMYK 11 / 0 / 84 / 15

HEX #C0D822

RGB 192 216 34

HSL 67.91, 0.73%, 0.49%

LAB 82.07, -28.52, 76.73

 

Description

Color code: HEX #21D796 | qconv.com Color code: HEX #21D796 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 215 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 215 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 30 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 30% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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