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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21D479 it is the complementary color #DE2B86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21D479. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21D479 shade: #26D474, #37E687, #48F89A, #59FFAD and #6AFFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21D479. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21D479 shade: #21D479, #10C266, #00B053, #009E40 and #008C2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21D479 shade: #21D479, #21D449, #2AD421, #5AD421 and #8AD421

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21D479 shade: #21D479, #21D4A9, #21CED4, #219ED4 and #216ED4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21D479 shade matches the following richer shades: #21D479 and #0DE879

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21D479 shade: #21D479, #35C079, #49AC7A, #5C987A and #70857A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21D479 shade: #2AD421, #21D448, #21D477, #21D4A7 and #21D1D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21D479 shade: #168C50, #1BB065, #21D479, #3DE18E and #61E6A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21D479 shade: #21D479, #215AD4 and #D43021

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21D479 shade: #21D479, #7721D4 and #D47721

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21D479 shade: #21D479, #215AD4, #D4217D and #D49B21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21D479 shade: #21D479, #2124D4, #D4217D and #D4D121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 43 / 17

HEX #21D479

RGB 33 212 121

HSL 149.5, 0.73%, 0.48%

LAB 75.32, -62.44, 33.29

 

Complementary color

CMYK 0 / 81 / 40 / 13

HEX #DE2B86

RGB 222 43 134

HSL 329.5, 0.73%, 0.52%

LAB 50.66, 72.04, -6.48

 

CMYK 82 / 0 / 45 / 17

HEX #26D474

RGB 38 212 116

HSL 146.9, 0.7%, 0.49%

LAB 75.3, -62.86, 35.79

 

CMYK 76 / 0 / 41 / 10

HEX #37E687

RGB 55 230 135

HSL 147.43, 0.78%, 0.56%

LAB 81.38, -63.94, 34.18

 

CMYK 71 / 0 / 38 / 3

HEX #48F89A

RGB 72 248 154

HSL 147.95, 0.93%, 0.63%

LAB 87.41, -64.68, 32.67

 

CMYK 65 / 0 / 32 / 0

HEX #59FFAD

RGB 89 255 173

HSL 150.36, 1%, 0.67%

LAB 90.17, -61.04, 26.88

 

CMYK 58 / 0 / 25 / 0

HEX #6AFFC0

RGB 106 255 192

HSL 154.63, 1%, 0.71%

LAB 90.96, -54.14, 18.37

 

CMYK 84 / 0 / 43 / 17

HEX #21D479

RGB 33 212 121

HSL 149.5, 0.73%, 0.48%

LAB 75.32, -62.44, 33.29

 

CMYK 92 / 0 / 47 / 24

HEX #10C266

RGB 16 194 102

HSL 148.99, 0.85%, 0.41%

LAB 69.22, -60.79, 35.04

 

CMYK 100 / 0 / 53 / 31

HEX #00B053

RGB 0 176 83

HSL 148.3, 1%, 0.35%

LAB 63.07, -58.64, 36.86

 

CMYK 100 / 0 / 59 / 38

HEX #009E40

RGB 0 158 64

HSL 144.3, 1%, 0.31%

LAB 56.9, -55.62, 38.74

 

CMYK 100 / 0 / 68 / 45

HEX #008C2D

RGB 0 140 45

HSL 139.29, 1%, 0.27%

LAB 50.62, -52.3, 40.4

 

CMYK 84 / 0 / 43 / 17

HEX #21D479

RGB 33 212 121

HSL 149.5, 0.73%, 0.48%

LAB 75.32, -62.44, 33.29

 

CMYK 84 / 0 / 66 / 17

HEX #21D449

RGB 33 212 73

HSL 133.41, 0.73%, 0.48%

LAB 74.76, -69.25, 55.03

 

CMYK 80 / 0 / 84 / 17

HEX #2AD421

RGB 42 212 33

HSL 116.98, 0.73%, 0.48%

LAB 74.63, -71.25, 68.06

 

CMYK 58 / 0 / 84 / 17

HEX #5AD421

RGB 90 212 33

HSL 100.89, 0.73%, 0.48%

LAB 75.68, -62.35, 69.39

 

CMYK 35 / 0 / 84 / 17

HEX #8AD421

RGB 138 212 33

HSL 84.8, 0.73%, 0.48%

LAB 77.64, -47.64, 71.86

 

CMYK 84 / 0 / 43 / 17

HEX #21D479

RGB 33 212 121

HSL 149.5, 0.73%, 0.48%

LAB 75.32, -62.44, 33.29

 

CMYK 84 / 0 / 20 / 17

HEX #21D4A9

RGB 33 212 169

HSL 165.59, 0.73%, 0.48%

LAB 76.24, -52.18, 9.41

 

CMYK 84 / 3 / 0 / 17

HEX #21CED4

RGB 33 206 212

HSL 182.01, 0.73%, 0.48%

LAB 75.59, -37.82, -14.68

 

CMYK 84 / 25 / 0 / 17

HEX #219ED4

RGB 33 158 212

HSL 198.1, 0.73%, 0.48%

LAB 61.25, -13.73, -36.66

 

CMYK 84 / 48 / 0 / 17

HEX #216ED4

RGB 33 110 212

HSL 214.19, 0.73%, 0.48%

LAB 47.27, 14.86, -58.85

 

CMYK 84 / 0 / 43 / 17

HEX #21D479

RGB 33 212 121

HSL 149.5, 0.73%, 0.48%

LAB 75.32, -62.44, 33.29

 

CMYK 94 / 0 / 48 / 9

HEX #0DE879

RGB 13 232 121

HSL 149.59, 0.89%, 0.48%

LAB 81.39, -70.24, 41.03

 

CMYK 84 / 0 / 43 / 17

HEX #21D479

RGB 33 212 121

HSL 149.5, 0.73%, 0.48%

LAB 75.32, -62.44, 33.29

 

CMYK 72 / 0 / 37 / 25

HEX #35C079

RGB 53 192 121

HSL 149.35, 0.57%, 0.48%

LAB 69.35, -52.89, 25.47

 

CMYK 58 / 0 / 29 / 33

HEX #49AC7A

RGB 73 172 122

HSL 149.7, 0.4%, 0.48%

LAB 63.61, -40.82, 17.22

 

CMYK 39 / 0 / 20 / 40

HEX #5C987A

RGB 92 152 122

HSL 150, 0.25%, 0.48%

LAB 58.17, -26.54, 9.72

 

CMYK 16 / 0 / 8 / 48

HEX #70857A

RGB 112 133 122

HSL 148.57, 0.09%, 0.48%

LAB 53.63, -9.92, 3.39

 

CMYK 80 / 0 / 84 / 17

HEX #2AD421

RGB 42 212 33

HSL 116.98, 0.73%, 0.48%

LAB 74.63, -71.25, 68.06

 

CMYK 84 / 0 / 66 / 17

HEX #21D448

RGB 33 212 72

HSL 133.07, 0.73%, 0.48%

LAB 74.75, -69.35, 55.43

 

CMYK 84 / 0 / 44 / 17

HEX #21D477

RGB 33 212 119

HSL 148.83, 0.73%, 0.48%

LAB 75.29, -62.79, 34.26

 

CMYK 84 / 0 / 21 / 17

HEX #21D4A7

RGB 33 212 167

HSL 164.92, 0.73%, 0.48%

LAB 76.19, -52.67, 10.41

 

CMYK 84 / 1 / 0 / 17

HEX #21D1D4

RGB 33 209 212

HSL 181.01, 0.73%, 0.48%

LAB 76.48, -39.19, -13.33

 

CMYK 84 / 0 / 43 / 45

HEX #168C50

RGB 22 140 80

HSL 149.49, 0.73%, 0.32%

LAB 51.27, -45.16, 23.51

 

CMYK 85 / 0 / 43 / 31

HEX #1BB065

RGB 27 176 101

HSL 149.8, 0.73%, 0.4%

LAB 63.53, -53.93, 28.24

 

CMYK 84 / 0 / 43 / 17

HEX #21D479

RGB 33 212 121

HSL 149.5, 0.73%, 0.48%

LAB 75.32, -62.44, 33.29

 

CMYK 73 / 0 / 37 / 12

HEX #3DE18E

RGB 61 225 142

HSL 149.63, 0.73%, 0.56%

LAB 80.06, -60.07, 28.92

 

CMYK 58 / 0 / 29 / 10

HEX #61E6A3

RGB 97 230 163

HSL 149.77, 0.73%, 0.64%

LAB 82.8, -51.66, 21.94

 

CMYK 84 / 0 / 43 / 17

HEX #21D479

RGB 33 212 121

HSL 149.5, 0.73%, 0.48%

LAB 75.32, -62.44, 33.29

 

CMYK 84 / 58 / 0 / 17

HEX #215AD4

RGB 33 90 212

HSL 220.89, 0.73%, 0.48%

LAB 41.83, 27.78, -67.68

 

CMYK 0 / 77 / 84 / 17

HEX #D43021

RGB 212 48 33

HSL 5.03, 0.73%, 0.48%

LAB 47.26, 61.91, 48.21

 

CMYK 84 / 0 / 43 / 17

HEX #21D479

RGB 33 212 121

HSL 149.5, 0.73%, 0.48%

LAB 75.32, -62.44, 33.29

 

CMYK 44 / 84 / 0 / 17

HEX #7721D4

RGB 119 33 212

HSL 268.83, 0.73%, 0.48%

LAB 37.41, 67.34, -74.67

 

CMYK 0 / 44 / 84 / 17

HEX #D47721

RGB 212 119 33

HSL 28.83, 0.73%, 0.48%

LAB 59.25, 30.66, 58.53

 

CMYK 84 / 0 / 43 / 17

HEX #21D479

RGB 33 212 121

HSL 149.5, 0.73%, 0.48%

LAB 75.32, -62.44, 33.29

 

CMYK 84 / 58 / 0 / 17

HEX #215AD4

RGB 33 90 212

HSL 220.89, 0.73%, 0.48%

LAB 41.83, 27.78, -67.68

 

CMYK 0 / 84 / 41 / 17

HEX #D4217D

RGB 212 33 125

HSL 329.16, 0.73%, 0.48%

LAB 47.71, 71.03, -5.61

 

CMYK 0 / 27 / 84 / 17

HEX #D49B21

RGB 212 155 33

HSL 40.89, 0.73%, 0.48%

LAB 67.69, 11.29, 65.63

 

CMYK 84 / 0 / 43 / 17

HEX #21D479

RGB 33 212 121

HSL 149.5, 0.73%, 0.48%

LAB 75.32, -62.44, 33.29

 

CMYK 84 / 83 / 0 / 17

HEX #2124D4

RGB 33 36 212

HSL 238.99, 0.73%, 0.48%

LAB 30.25, 59.19, -86.75

 

CMYK 0 / 84 / 41 / 17

HEX #D4217D

RGB 212 33 125

HSL 329.16, 0.73%, 0.48%

LAB 47.71, 71.03, -5.61

 

CMYK 0 / 1 / 84 / 17

HEX #D4D121

RGB 212 209 33

HSL 58.99, 0.73%, 0.48%

LAB 81.68, -16.8, 77.24

 

Description

Color code: HEX #21D479 | qconv.com Color code: HEX #21D479 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 212 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 212 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 43 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 43% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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