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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21D274 it is the complementary color #DE2D8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21D274. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21D274 shade: #26D26F, #37E482, #48F695, #59FFA8 and #6AFFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21D274. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21D274 shade: #21D274, #10C061, #00AE4E, #009C3B and #008A28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21D274 shade: #21D475, #21D445, #2ED421, #5ED421 and #8ED421

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21D274 shade: #21D475, #21D4A5, #21D2D4, #21A2D4 and #2172D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21D274 shade matches the following richer shades: #21D475 and #0DE874

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21D274 shade: #21D475, #35C076, #49AC77, #5C9879 and #70857A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21D274 shade: #2DD421, #21D445, #21D474, #21D4A4 and #21D4D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21D274 shade: #168C4D, #1BB061, #21D475, #3DE18A and #61E6A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21D274 shade: #21D274, #215DD4 and #D42D21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21D274 shade: #21D274, #7421D4 and #D47421

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21D274 shade: #21D274, #215DD4, #D42180 and #D49821

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21D274 shade: #21D274, #2127D4, #D42180 and #D4CE21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 45 / 18

HEX #21D274

RGB 33 210 116

HSL 148.14, 0.73%, 0.48%

LAB 74.62, -62.63, 34.91

 

Complementary color

CMYK 0 / 80 / 37 / 13

HEX #DE2D8B

RGB 222 45 139

HSL 328.14, 0.73%, 0.52%

LAB 51, 72.03, -8.98

 

CMYK 82 / 0 / 47 / 18

HEX #26D26F

RGB 38 210 111

HSL 145.47, 0.69%, 0.49%

LAB 74.61, -63.02, 37.4

 

CMYK 76 / 0 / 43 / 11

HEX #37E482

RGB 55 228 130

HSL 146.01, 0.76%, 0.55%

LAB 80.69, -64.11, 35.79

 

CMYK 71 / 0 / 39 / 4

HEX #48F695

RGB 72 246 149

HSL 146.55, 0.91%, 0.62%

LAB 86.73, -64.85, 34.27

 

CMYK 65 / 0 / 34 / 0

HEX #59FFA8

RGB 89 255 168

HSL 148.55, 1%, 0.67%

LAB 90.08, -61.99, 29.28

 

CMYK 58 / 0 / 27 / 0

HEX #6AFFBB

RGB 106 255 187

HSL 152.62, 1%, 0.71%

LAB 90.86, -55.16, 20.79

 

CMYK 84 / 0 / 45 / 18

HEX #21D274

RGB 33 210 116

HSL 148.14, 0.73%, 0.48%

LAB 74.62, -62.63, 34.91

 

CMYK 92 / 0 / 49 / 25

HEX #10C061

RGB 16 192 97

HSL 147.61, 0.85%, 0.41%

LAB 68.51, -60.95, 36.65

 

CMYK 100 / 0 / 55 / 32

HEX #00AE4E

RGB 0 174 78

HSL 146.9, 1%, 0.34%

LAB 62.36, -58.76, 38.45

 

CMYK 100 / 0 / 62 / 39

HEX #009C3B

RGB 0 156 59

HSL 142.69, 1%, 0.31%

LAB 56.18, -55.65, 40.27

 

CMYK 100 / 0 / 71 / 46

HEX #008A28

RGB 0 138 40

HSL 137.39, 1%, 0.27%

LAB 49.89, -52.22, 41.77

 

CMYK 84 / 0 / 45 / 17

HEX #21D475

RGB 33 212 117

HSL 148.16, 0.73%, 0.48%

LAB 75.26, -63.14, 35.23

 

CMYK 84 / 0 / 67 / 17

HEX #21D445

RGB 33 212 69

HSL 132.07, 0.73%, 0.48%

LAB 74.72, -69.65, 56.61

 

CMYK 78 / 0 / 84 / 17

HEX #2ED421

RGB 46 212 33

HSL 115.64, 0.73%, 0.48%

LAB 74.68, -70.76, 68.13

 

CMYK 56 / 0 / 84 / 17

HEX #5ED421

RGB 94 212 33

HSL 99.55, 0.73%, 0.48%

LAB 75.81, -61.32, 69.56

 

CMYK 33 / 0 / 84 / 17

HEX #8ED421

RGB 142 212 33

HSL 83.46, 0.73%, 0.48%

LAB 77.84, -46.21, 72.12

 

CMYK 84 / 0 / 45 / 17

HEX #21D475

RGB 33 212 117

HSL 148.16, 0.73%, 0.48%

LAB 75.26, -63.14, 35.23

 

CMYK 84 / 0 / 22 / 17

HEX #21D4A5

RGB 33 212 165

HSL 164.25, 0.73%, 0.48%

LAB 76.15, -53.15, 11.41

 

CMYK 84 / 1 / 0 / 17

HEX #21D2D4

RGB 33 210 212

HSL 180.67, 0.73%, 0.48%

LAB 76.78, -39.65, -12.88

 

CMYK 84 / 24 / 0 / 17

HEX #21A2D4

RGB 33 162 212

HSL 196.76, 0.73%, 0.48%

LAB 62.44, -15.9, -34.8

 

CMYK 84 / 46 / 0 / 17

HEX #2172D4

RGB 33 114 212

HSL 212.85, 0.73%, 0.48%

LAB 48.4, 12.33, -57.03

 

CMYK 84 / 0 / 45 / 17

HEX #21D475

RGB 33 212 117

HSL 148.16, 0.73%, 0.48%

LAB 75.26, -63.14, 35.23

 

CMYK 94 / 0 / 50 / 9

HEX #0DE874

RGB 13 232 116

HSL 148.22, 0.89%, 0.48%

LAB 81.32, -71.03, 43.36

 

CMYK 84 / 0 / 45 / 17

HEX #21D475

RGB 33 212 117

HSL 148.16, 0.73%, 0.48%

LAB 75.26, -63.14, 35.23

 

CMYK 72 / 0 / 39 / 25

HEX #35C076

RGB 53 192 118

HSL 148.06, 0.57%, 0.48%

LAB 69.3, -53.47, 26.98

 

CMYK 58 / 0 / 31 / 33

HEX #49AC77

RGB 73 172 119

HSL 147.88, 0.4%, 0.48%

LAB 63.55, -41.44, 18.78

 

CMYK 39 / 0 / 20 / 40

HEX #5C9879

RGB 92 152 121

HSL 149, 0.25%, 0.48%

LAB 58.14, -26.75, 10.26

 

CMYK 16 / 0 / 8 / 48

HEX #70857A

RGB 112 133 122

HSL 148.57, 0.09%, 0.48%

LAB 53.63, -9.92, 3.39

 

CMYK 79 / 0 / 84 / 17

HEX #2DD421

RGB 45 212 33

HSL 115.98, 0.73%, 0.48%

LAB 74.67, -70.89, 68.11

 

CMYK 84 / 0 / 67 / 17

HEX #21D445

RGB 33 212 69

HSL 132.07, 0.73%, 0.48%

LAB 74.72, -69.65, 56.61

 

CMYK 84 / 0 / 45 / 17

HEX #21D474

RGB 33 212 116

HSL 147.82, 0.73%, 0.48%

LAB 75.25, -63.31, 35.71

 

CMYK 84 / 0 / 23 / 17

HEX #21D4A4

RGB 33 212 164

HSL 163.91, 0.73%, 0.48%

LAB 76.12, -53.39, 11.92

 

CMYK 84 / 0 / 0 / 17

HEX #21D4D4

RGB 33 212 212

HSL 180, 0.73%, 0.48%

LAB 77.38, -40.55, -11.99

 

CMYK 84 / 0 / 45 / 45

HEX #168C4D

RGB 22 140 77

HSL 147.97, 0.73%, 0.32%

LAB 51.22, -45.74, 25.08

 

CMYK 85 / 0 / 45 / 31

HEX #1BB061

RGB 27 176 97

HSL 148.19, 0.73%, 0.4%

LAB 63.46, -54.67, 30.25

 

CMYK 84 / 0 / 45 / 17

HEX #21D475

RGB 33 212 117

HSL 148.16, 0.73%, 0.48%

LAB 75.26, -63.14, 35.23

 

CMYK 73 / 0 / 39 / 12

HEX #3DE18A

RGB 61 225 138

HSL 148.17, 0.73%, 0.56%

LAB 80, -60.82, 30.87

 

CMYK 58 / 0 / 30 / 10

HEX #61E6A0

RGB 97 230 160

HSL 148.42, 0.73%, 0.64%

LAB 82.74, -52.25, 23.42

 

CMYK 84 / 0 / 45 / 18

HEX #21D274

RGB 33 210 116

HSL 148.14, 0.73%, 0.48%

LAB 74.62, -62.63, 34.91

 

CMYK 84 / 56 / 0 / 17

HEX #215DD4

RGB 33 93 212

HSL 219.89, 0.73%, 0.48%

LAB 42.62, 25.83, -66.39

 

CMYK 0 / 79 / 84 / 17

HEX #D42D21

RGB 212 45 33

HSL 4.02, 0.73%, 0.48%

LAB 46.95, 62.78, 47.94

 

CMYK 84 / 0 / 45 / 18

HEX #21D274

RGB 33 210 116

HSL 148.14, 0.73%, 0.48%

LAB 74.62, -62.63, 34.91

 

CMYK 45 / 84 / 0 / 17

HEX #7421D4

RGB 116 33 212

HSL 267.82, 0.73%, 0.48%

LAB 37.03, 66.97, -75.31

 

CMYK 0 / 45 / 84 / 17

HEX #D47421

RGB 212 116 33

HSL 27.82, 0.73%, 0.48%

LAB 58.6, 32.24, 57.98

 

CMYK 84 / 0 / 45 / 18

HEX #21D274

RGB 33 210 116

HSL 148.14, 0.73%, 0.48%

LAB 74.62, -62.63, 34.91

 

CMYK 84 / 56 / 0 / 17

HEX #215DD4

RGB 33 93 212

HSL 219.89, 0.73%, 0.48%

LAB 42.62, 25.83, -66.39

 

CMYK 0 / 84 / 40 / 17

HEX #D42180

RGB 212 33 128

HSL 328.16, 0.73%, 0.48%

LAB 47.81, 71.32, -7.29

 

CMYK 0 / 28 / 84 / 17

HEX #D49821

RGB 212 152 33

HSL 39.89, 0.73%, 0.48%

LAB 66.95, 12.91, 65.01

 

CMYK 84 / 0 / 45 / 18

HEX #21D274

RGB 33 210 116

HSL 148.14, 0.73%, 0.48%

LAB 74.62, -62.63, 34.91

 

CMYK 84 / 82 / 0 / 17

HEX #2127D4

RGB 33 39 212

HSL 237.99, 0.73%, 0.48%

LAB 30.71, 57.84, -86

 

CMYK 0 / 84 / 40 / 17

HEX #D42180

RGB 212 33 128

HSL 328.16, 0.73%, 0.48%

LAB 47.81, 71.32, -7.29

 

CMYK 0 / 3 / 84 / 17

HEX #D4CE21

RGB 212 206 33

HSL 57.99, 0.73%, 0.48%

LAB 80.88, -15.3, 76.57

 

Description

Color code: HEX #21D274 | qconv.com Color code: HEX #21D274 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 210 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 210 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 45 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 45% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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