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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21CE8F it is the complementary color #DE3170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21CE8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21CE8F shade: #26CE8A, #37E09D, #48F2B0, #59FFC3 and #6AFFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21CE8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21CE8F shade: #21CE8F, #10BC7C, #00AA69, #009856 and #008643

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21CE8F shade: #22CE8F, #22CE61, #22CE32, #3FCE22 and #6ECE22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21CE8F shade: #22CE8F, #22CEBE, #22B0CE, #2281CE and #2253CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21CE8F shade matches the following richer shades: #22CE8F and #0EE295

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21CE8F shade: #22CE8F, #35BB8A, #48A785, #5C947F and #6F817A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21CE8F shade: #22CE33, #22CE61, #22CE8F, #22CEBD and #22B1CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21CE8F shade: #16875E, #1CAB77, #22CE8F, #3ADFA3 and #5EE5B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21CE8F shade: #21CE8F, #223ECE and #CE4A22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21CE8F shade: #21CE8F, #8F22CE and #CE8F22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21CE8F shade: #21CE8F, #223ECE, #CE2261 and #CEB122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21CE8F shade: #21CE8F, #3922CE, #CE2261 and #B7CE22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 31 / 19

HEX #21CE8F

RGB 33 206 143

HSL 158.15, 0.72%, 0.47%

LAB 73.84, -55.9, 19.88

 

Complementary color

CMYK 0 / 78 / 50 / 13

HEX #DE3170

RGB 222 49 112

HSL 338.15, 0.72%, 0.53%

LAB 50.57, 68.53, 6.7

 

CMYK 82 / 0 / 33 / 19

HEX #26CE8A

RGB 38 206 138

HSL 155.71, 0.69%, 0.48%

LAB 73.8, -56.53, 22.48

 

CMYK 75 / 0 / 30 / 12

HEX #37E09D

RGB 55 224 157

HSL 156.21, 0.73%, 0.55%

LAB 79.93, -57.46, 20.97

 

CMYK 70 / 0 / 27 / 5

HEX #48F2B0

RGB 72 242 176

HSL 156.71, 0.87%, 0.62%

LAB 86.01, -58.09, 19.58

 

CMYK 65 / 0 / 24 / 0

HEX #59FFC3

RGB 89 255 195

HSL 158.31, 1%, 0.67%

LAB 90.59, -56.54, 16.26

 

CMYK 58 / 0 / 16 / 0

HEX #6AFFD6

RGB 106 255 214

HSL 163.49, 1%, 0.71%

LAB 91.43, -49.36, 7.73

 

CMYK 84 / 0 / 31 / 19

HEX #21CE8F

RGB 33 206 143

HSL 158.15, 0.72%, 0.47%

LAB 73.84, -55.9, 19.88

 

CMYK 91 / 0 / 34 / 26

HEX #10BC7C

RGB 16 188 124

HSL 157.67, 0.84%, 0.4%

LAB 67.67, -54.44, 21.53

 

CMYK 100 / 0 / 38 / 33

HEX #00AA69

RGB 0 170 105

HSL 157.06, 1%, 0.33%

LAB 61.45, -52.56, 23.33

 

CMYK 100 / 0 / 43 / 40

HEX #009856

RGB 0 152 86

HSL 153.95, 1%, 0.3%

LAB 55.2, -49.91, 25.34

 

CMYK 100 / 0 / 50 / 47

HEX #008643

RGB 0 134 67

HSL 150, 1%, 0.26%

LAB 48.83, -47.08, 27.39

 

CMYK 83 / 0 / 31 / 19

HEX #22CE8F

RGB 34 206 143

HSL 158.02, 0.72%, 0.47%

LAB 73.85, -55.81, 19.9

 

CMYK 83 / 0 / 53 / 19

HEX #22CE61

RGB 34 206 97

HSL 141.98, 0.72%, 0.47%

LAB 73.12, -64.25, 42.38

 

CMYK 83 / 0 / 76 / 19

HEX #22CE32

RGB 34 206 50

HSL 125.58, 0.72%, 0.47%

LAB 72.7, -69.38, 61.45

 

CMYK 69 / 0 / 83 / 19

HEX #3FCE22

RGB 63 206 34

HSL 109.88, 0.72%, 0.47%

LAB 73.1, -66.23, 66.58

 

CMYK 47 / 0 / 83 / 19

HEX #6ECE22

RGB 110 206 34

HSL 93.49, 0.72%, 0.47%

LAB 74.55, -54.53, 68.44

 

CMYK 83 / 0 / 31 / 19

HEX #22CE8F

RGB 34 206 143

HSL 158.02, 0.72%, 0.47%

LAB 73.85, -55.81, 19.9

 

CMYK 83 / 0 / 8 / 19

HEX #22CEBE

RGB 34 206 190

HSL 174.42, 0.72%, 0.47%

LAB 74.95, -44.1, -3.74

 

CMYK 83 / 15 / 0 / 19

HEX #22B0CE

RGB 34 176 206

HSL 190.47, 0.72%, 0.47%

LAB 66.4, -25.18, -25.35

 

CMYK 83 / 37 / 0 / 19

HEX #2281CE

RGB 34 129 206

HSL 206.86, 0.72%, 0.47%

LAB 52.39, 0.85, -47.23

 

CMYK 83 / 60 / 0 / 19

HEX #2253CE

RGB 34 83 206

HSL 222.91, 0.72%, 0.47%

LAB 39.55, 30.11, -67.94

 

CMYK 83 / 0 / 31 / 19

HEX #22CE8F

RGB 34 206 143

HSL 158.02, 0.72%, 0.47%

LAB 73.85, -55.81, 19.9

 

CMYK 94 / 0 / 34 / 11

HEX #0EE295

RGB 14 226 149

HSL 158.21, 0.88%, 0.47%

LAB 79.99, -63.01, 25.13

 

CMYK 83 / 0 / 31 / 19

HEX #22CE8F

RGB 34 206 143

HSL 158.02, 0.72%, 0.47%

LAB 73.85, -55.81, 19.9

 

CMYK 72 / 0 / 26 / 27

HEX #35BB8A

RGB 53 187 138

HSL 158.06, 0.56%, 0.47%

LAB 68.12, -47.31, 14.67

 

CMYK 57 / 0 / 20 / 35

HEX #48A785

RGB 72 167 133

HSL 158.53, 0.4%, 0.47%

LAB 62.26, -36.39, 9.24

 

CMYK 38 / 0 / 14 / 42

HEX #5C947F

RGB 92 148 127

HSL 157.5, 0.23%, 0.47%

LAB 57.06, -23.43, 5.31

 

CMYK 14 / 0 / 5 / 49

HEX #6F817A

RGB 111 129 122

HSL 156.67, 0.08%, 0.47%

LAB 52.38, -8.05, 1.58

 

CMYK 83 / 0 / 75 / 19

HEX #22CE33

RGB 34 206 51

HSL 125.93, 0.72%, 0.47%

LAB 72.71, -69.31, 61.13

 

CMYK 83 / 0 / 53 / 19

HEX #22CE61

RGB 34 206 97

HSL 141.98, 0.72%, 0.47%

LAB 73.12, -64.25, 42.38

 

CMYK 83 / 0 / 31 / 19

HEX #22CE8F

RGB 34 206 143

HSL 158.02, 0.72%, 0.47%

LAB 73.85, -55.81, 19.9

 

CMYK 83 / 0 / 8 / 19

HEX #22CEBD

RGB 34 206 189

HSL 174.07, 0.72%, 0.47%

LAB 74.92, -44.38, -3.24

 

CMYK 83 / 14 / 0 / 19

HEX #22B1CE

RGB 34 177 206

HSL 190.12, 0.72%, 0.47%

LAB 66.7, -25.69, -24.89

 

CMYK 84 / 0 / 30 / 47

HEX #16875E

RGB 22 135 94

HSL 158.23, 0.72%, 0.31%

LAB 49.87, -40.13, 13.73

 

CMYK 84 / 0 / 30 / 33

HEX #1CAB77

RGB 28 171 119

HSL 158.18, 0.72%, 0.39%

LAB 62.26, -48.22, 16.84

 

CMYK 83 / 0 / 31 / 19

HEX #22CE8F

RGB 34 206 143

HSL 158.02, 0.72%, 0.47%

LAB 73.85, -55.81, 19.9

 

CMYK 74 / 0 / 27 / 13

HEX #3ADFA3

RGB 58 223 163

HSL 158.18, 0.72%, 0.55%

LAB 79.8, -55.41, 17.65

 

CMYK 59 / 0 / 22 / 10

HEX #5EE5B3

RGB 94 229 179

HSL 157.78, 0.72%, 0.63%

LAB 82.74, -48.51, 13.51

 

CMYK 84 / 0 / 31 / 19

HEX #21CE8F

RGB 33 206 143

HSL 158.15, 0.72%, 0.47%

LAB 73.84, -55.9, 19.88

 

CMYK 83 / 70 / 0 / 19

HEX #223ECE

RGB 34 62 206

HSL 230.23, 0.72%, 0.47%

LAB 34.48, 43.43, -76.27

 

CMYK 0 / 64 / 83 / 19

HEX #CE4A22

RGB 206 74 34

HSL 13.95, 0.72%, 0.47%

LAB 49.66, 50.43, 49.45

 

CMYK 84 / 0 / 31 / 19

HEX #21CE8F

RGB 33 206 143

HSL 158.15, 0.72%, 0.47%

LAB 73.84, -55.9, 19.88

 

CMYK 31 / 83 / 0 / 19

HEX #8F22CE

RGB 143 34 206

HSL 278.02, 0.72%, 0.47%

LAB 40.31, 69.04, -66.32

 

CMYK 0 / 31 / 83 / 19

HEX #CE8F22

RGB 206 143 34

HSL 38.02, 0.72%, 0.47%

LAB 64.07, 15.19, 62

 

CMYK 84 / 0 / 31 / 19

HEX #21CE8F

RGB 33 206 143

HSL 158.15, 0.72%, 0.47%

LAB 73.84, -55.9, 19.88

 

CMYK 83 / 70 / 0 / 19

HEX #223ECE

RGB 34 62 206

HSL 230.23, 0.72%, 0.47%

LAB 34.48, 43.43, -76.27

 

CMYK 0 / 83 / 53 / 19

HEX #CE2261

RGB 206 34 97

HSL 338.02, 0.72%, 0.47%

LAB 45.81, 66.99, 8.74

 

CMYK 0 / 14 / 83 / 19

HEX #CEB122

RGB 206 177 34

HSL 49.88, 0.72%, 0.47%

LAB 72.68, -3.04, 69.3

 

CMYK 84 / 0 / 31 / 19

HEX #21CE8F

RGB 33 206 143

HSL 158.15, 0.72%, 0.47%

LAB 73.84, -55.9, 19.88

 

CMYK 72 / 83 / 0 / 19

HEX #3922CE

RGB 57 34 206

HSL 248.02, 0.72%, 0.47%

LAB 30.57, 59.5, -82.7

 

CMYK 0 / 83 / 53 / 19

HEX #CE2261

RGB 206 34 97

HSL 338.02, 0.72%, 0.47%

LAB 45.81, 66.99, 8.74

 

CMYK 11 / 0 / 83 / 19

HEX #B7CE22

RGB 183 206 34

HSL 68.02, 0.72%, 0.47%

LAB 78.65, -27.48, 73.59

 

Description

Color code: HEX #21CE8F | qconv.com Color code: HEX #21CE8F | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 206 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 206 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 31 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 31% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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