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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21CD1B it is the complementary color #DE32E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21CD1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21CD1B shade: #26CD16, #37DF29, #48F13C, #59FF4F and #6AFF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21CD1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21CD1B shade: #21CD1B, #10BB08, #00A900, #009700 and #008500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21CD1B shade: #20CB1A, #50CB1A, #80CB1A, #AFCB1A and #CBB71A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21CD1B shade: #20CB1A, #1ACB44, #1ACB74, #1ACBA3 and #1AC3CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21CD1B shade matches the following richer shades: #20CB1A and #0FDE08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21CD1B shade: #20CB1A, #32B92D, #43A640, #549352 and #668165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21CD1B shade: #81CB1A, #52CB1A, #23CB1A, #1ACB41 and #1ACB70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21CD1B shade: #158211, #1BA716, #20CB1A, #31E32B and #55E850

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21CD1B shade: #21CD1B, #1AB1CB and #CB1A6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21CD1B shade: #21CD1B, #1A23CB and #CB1A23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21CD1B shade: #21CD1B, #1AB1CB, #C21ACB and #CB351A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21CD1B shade: #21CD1B, #1A7CCB, #C21ACB and #CB6A1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 87 / 20

HEX #21CD1B

RGB 33 205 27

HSL 117.98, 0.77%, 0.45%

LAB 72.27, -70.46, 67.23

 

Complementary color

CMYK 3 / 78 / 0 / 11

HEX #DE32E4

RGB 222 50 228

HSL 297.98, 0.77%, 0.55%

LAB 55.49, 82.31, -53.78

 

CMYK 81 / 0 / 89 / 20

HEX #26CD16

RGB 38 205 22

HSL 114.75, 0.81%, 0.45%

LAB 72.32, -70.12, 68.24

 

CMYK 75 / 0 / 82 / 13

HEX #37DF29

RGB 55 223 41

HSL 115.38, 0.74%, 0.52%

LAB 78.31, -72.4, 69.53

 

CMYK 70 / 0 / 75 / 5

HEX #48F13C

RGB 72 241 60

HSL 116.02, 0.87%, 0.59%

LAB 84.28, -74.07, 69.83

 

CMYK 65 / 0 / 69 / 0

HEX #59FF4F

RGB 89 255 79

HSL 116.59, 1%, 0.65%

LAB 89.02, -73.99, 68.25

 

CMYK 58 / 0 / 62 / 0

HEX #6AFF62

RGB 106 255 98

HSL 116.94, 1%, 0.69%

LAB 89.61, -68.7, 61.6

 

CMYK 84 / 0 / 87 / 20

HEX #21CD1B

RGB 33 205 27

HSL 117.98, 0.77%, 0.45%

LAB 72.27, -70.46, 67.23

 

CMYK 91 / 0 / 96 / 27

HEX #10BB08

RGB 16 187 8

HSL 117.32, 0.92%, 0.38%

LAB 66.27, -67.31, 65.04

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 84 / 0 / 87 / 20

HEX #20CB1A

RGB 32 203 26

HSL 117.97, 0.77%, 0.45%

LAB 71.62, -70.03, 66.85

 

CMYK 61 / 0 / 87 / 20

HEX #50CB1A

RGB 80 203 26

HSL 101.69, 0.77%, 0.45%

LAB 72.56, -61.99, 68.03

 

CMYK 37 / 0 / 87 / 20

HEX #80CB1A

RGB 128 203 26

HSL 85.42, 0.77%, 0.45%

LAB 74.43, -47.68, 70.38

 

CMYK 14 / 0 / 87 / 20

HEX #AFCB1A

RGB 175 203 26

HSL 69.49, 0.77%, 0.45%

LAB 77.22, -29.57, 73.84

 

CMYK 0 / 10 / 87 / 20

HEX #CBB71A

RGB 203 183 26

HSL 53.22, 0.77%, 0.45%

LAB 73.96, -7.67, 72.11

 

CMYK 84 / 0 / 87 / 20

HEX #20CB1A

RGB 32 203 26

HSL 117.97, 0.77%, 0.45%

LAB 71.62, -70.03, 66.85

 

CMYK 87 / 0 / 67 / 20

HEX #1ACB44

RGB 26 203 68

HSL 134.24, 0.77%, 0.45%

LAB 71.79, -67.62, 53.82

 

CMYK 87 / 0 / 43 / 20

HEX #1ACB74

RGB 26 203 116

HSL 150.51, 0.77%, 0.45%

LAB 72.36, -60.77, 31.97

 

CMYK 87 / 0 / 20 / 20

HEX #1ACBA3

RGB 26 203 163

HSL 166.44, 0.77%, 0.45%

LAB 73.27, -50.54, 8.38

 

CMYK 87 / 4 / 0 / 20

HEX #1AC3CB

RGB 26 195 203

HSL 182.71, 0.77%, 0.45%

LAB 71.93, -35.89, -15.3

 

CMYK 84 / 0 / 87 / 20

HEX #20CB1A

RGB 32 203 26

HSL 117.97, 0.77%, 0.45%

LAB 71.62, -70.03, 66.85

 

CMYK 93 / 0 / 96 / 13

HEX #0FDE08

RGB 15 222 8

HSL 118.04, 0.93%, 0.45%

LAB 77.5, -76.93, 74.25

 

CMYK 84 / 0 / 87 / 20

HEX #20CB1A

RGB 32 203 26

HSL 117.97, 0.77%, 0.45%

LAB 71.62, -70.03, 66.85

 

CMYK 73 / 0 / 76 / 27

HEX #32B92D

RGB 50 185 45

HSL 117.86, 0.61%, 0.45%

LAB 66.19, -61.19, 56.77

 

CMYK 60 / 0 / 61 / 35

HEX #43A640

RGB 67 166 64

HSL 118.24, 0.44%, 0.45%

LAB 60.64, -49.3, 43.34

 

CMYK 43 / 0 / 44 / 42

HEX #549352

RGB 84 147 82

HSL 118.15, 0.28%, 0.45%

LAB 55.44, -34.11, 28.18

 

CMYK 21 / 0 / 22 / 49

HEX #668165

RGB 102 129 101

HSL 117.86, 0.12%, 0.45%

LAB 51.23, -15.55, 12.06

 

CMYK 36 / 0 / 87 / 20

HEX #81CB1A

RGB 129 203 26

HSL 85.08, 0.77%, 0.45%

LAB 74.48, -47.32, 70.44

 

CMYK 60 / 0 / 87 / 20

HEX #52CB1A

RGB 82 203 26

HSL 101.02, 0.77%, 0.45%

LAB 72.61, -61.51, 68.11

 

CMYK 83 / 0 / 87 / 20

HEX #23CB1A

RGB 35 203 26

HSL 116.95, 0.77%, 0.45%

LAB 71.65, -69.73, 66.9

 

CMYK 87 / 0 / 68 / 20

HEX #1ACB41

RGB 26 203 65

HSL 133.22, 0.77%, 0.45%

LAB 71.77, -67.92, 55

 

CMYK 87 / 0 / 45 / 20

HEX #1ACB70

RGB 26 203 112

HSL 149.15, 0.77%, 0.45%

LAB 72.3, -61.49, 33.92

 

CMYK 84 / 0 / 87 / 49

HEX #158211

RGB 21 130 17

HSL 117.88, 0.77%, 0.29%

LAB 47.19, -49.72, 47.18

 

CMYK 84 / 0 / 87 / 35

HEX #1BA716

RGB 27 167 22

HSL 117.93, 0.77%, 0.37%

LAB 59.82, -60.18, 57.3

 

CMYK 84 / 0 / 87 / 20

HEX #20CB1A

RGB 32 203 26

HSL 117.97, 0.77%, 0.45%

LAB 71.62, -70.03, 66.85

 

CMYK 78 / 0 / 81 / 11

HEX #31E32B

RGB 49 227 43

HSL 118.04, 0.77%, 0.53%

LAB 79.48, -74.28, 70.05

 

CMYK 63 / 0 / 66 / 9

HEX #55E850

RGB 85 232 80

HSL 118.03, 0.77%, 0.61%

LAB 81.96, -67.13, 60.32

 

CMYK 84 / 0 / 87 / 20

HEX #21CD1B

RGB 33 205 27

HSL 117.98, 0.77%, 0.45%

LAB 72.27, -70.46, 67.23

 

CMYK 87 / 13 / 0 / 20

HEX #1AB1CB

RGB 26 177 203

HSL 188.81, 0.77%, 0.45%

LAB 66.5, -27.22, -23.55

 

CMYK 0 / 87 / 48 / 20

HEX #CB1A6A

RGB 203 26 106

HSL 332.88, 0.77%, 0.45%

LAB 44.91, 68.57, 1.78

 

CMYK 84 / 0 / 87 / 20

HEX #21CD1B

RGB 33 205 27

HSL 117.98, 0.77%, 0.45%

LAB 72.27, -70.46, 67.23

 

CMYK 87 / 83 / 0 / 20

HEX #1A23CB

RGB 26 35 203

HSL 236.95, 0.77%, 0.45%

LAB 28.73, 56.68, -84.05

 

CMYK 0 / 87 / 83 / 20

HEX #CB1A23

RGB 203 26 35

HSL 356.95, 0.77%, 0.45%

LAB 43.59, 64.79, 43.2

 

CMYK 84 / 0 / 87 / 20

HEX #21CD1B

RGB 33 205 27

HSL 117.98, 0.77%, 0.45%

LAB 72.27, -70.46, 67.23

 

CMYK 87 / 13 / 0 / 20

HEX #1AB1CB

RGB 26 177 203

HSL 188.81, 0.77%, 0.45%

LAB 66.5, -27.22, -23.55

 

CMYK 4 / 87 / 0 / 20

HEX #C21ACB

RGB 194 26 203

HSL 296.95, 0.77%, 0.45%

LAB 47.65, 78.47, -52.32

 

CMYK 0 / 74 / 87 / 20

HEX #CB351A

RGB 203 53 26

HSL 9.15, 0.77%, 0.45%

LAB 46.07, 57.42, 49.72

 

CMYK 84 / 0 / 87 / 20

HEX #21CD1B

RGB 33 205 27

HSL 117.98, 0.77%, 0.45%

LAB 72.27, -70.46, 67.23

 

CMYK 87 / 39 / 0 / 20

HEX #1A7CCB

RGB 26 124 203

HSL 206.78, 0.77%, 0.45%

LAB 50.62, 2.14, -48.35

 

CMYK 4 / 87 / 0 / 20

HEX #C21ACB

RGB 194 26 203

HSL 296.95, 0.77%, 0.45%

LAB 47.65, 78.47, -52.32

 

CMYK 0 / 48 / 87 / 20

HEX #CB6A1A

RGB 203 106 26

HSL 27.12, 0.77%, 0.45%

LAB 55.15, 33.62, 57.02

 

Description

Color code: HEX #21CD1B | qconv.com Color code: HEX #21CD1B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 205 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 205 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 87 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 87% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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