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Color name
HEX #21CC40

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21CC40 it is the complementary color #DE33BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21CC40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21CC40 shade: #26CC3B, #37DE4E, #48F061, #59FF74 and #6AFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21CC40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21CC40 shade: #21CC40, #10BA2D, #00A81A, #009607 and #008400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21CC40 shade: #21CA3F, #30CA21, #5DCA21, #8BCA21 and #B8CA21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21CC40 shade: #21CA3F, #21CA6D, #21CA9B, #21CAC8 and #219ECA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21CC40 shade matches the following richer shades: #21CA3F and #0EDD33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21CC40 shade: #21CA3F, #34B74C, #47A458, #5A9164 and #6D7E70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21CC40 shade: #5FCA21, #32CA21, #21CA3D, #21CA6A and #21CA97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21CC40 shade: #158329, #1BA634, #21CA3F, #36DE54 and #59E472

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21CC40 shade: #21CC40, #218CCA and #CA2148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21CC40 shade: #21CC40, #3D21CA and #CA3D21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21CC40 shade: #21CC40, #218CCA, #CA21AE and #CA5F21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21CC40 shade: #21CC40, #2159CA, #CA21AE and #CA9121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 69 / 20

HEX #21CC40

RGB 33 204 64

HSL 130.88, 0.72%, 0.46%

LAB 72.15, -67.71, 55.82

 

Complementary color

CMYK 0 / 77 / 14 / 13

HEX #DE33BF

RGB 222 51 191

HSL 310.88, 0.72%, 0.54%

LAB 53.66, 76.63, -35.54

 

CMYK 81 / 0 / 71 / 20

HEX #26CC3B

RGB 38 204 59

HSL 127.59, 0.69%, 0.47%

LAB 72.17, -67.65, 57.78

 

CMYK 75 / 0 / 65 / 13

HEX #37DE4E

RGB 55 222 78

HSL 128.26, 0.72%, 0.54%

LAB 78.23, -69.28, 56.88

 

CMYK 70 / 0 / 60 / 6

HEX #48F061

RGB 72 240 97

HSL 128.93, 0.85%, 0.61%

LAB 84.26, -70.41, 55.72

 

CMYK 65 / 0 / 55 / 0

HEX #59FF74

RGB 89 255 116

HSL 129.76, 1%, 0.67%

LAB 89.35, -70.16, 53.38

 

CMYK 58 / 0 / 47 / 0

HEX #6AFF87

RGB 106 255 135

HSL 131.68, 1%, 0.71%

LAB 90.01, -64.17, 45.48

 

CMYK 84 / 0 / 69 / 20

HEX #21CC40

RGB 33 204 64

HSL 130.88, 0.72%, 0.46%

LAB 72.15, -67.71, 55.82

 

CMYK 91 / 0 / 76 / 27

HEX #10BA2D

RGB 16 186 45

HSL 130.24, 0.84%, 0.4%

LAB 66.07, -65.32, 56.51

 

CMYK 100 / 0 / 85 / 34

HEX #00A81A

RGB 0 168 26

HSL 129.29, 1%, 0.33%

LAB 59.96, -62.18, 56.37

 

CMYK 100 / 0 / 95 / 41

HEX #009607

RGB 0 150 7

HSL 122.8, 1%, 0.29%

LAB 53.84, -57.8, 54.85

 

CMYK 100 / 0 / 100 / 48

HEX #008400

RGB 0 132 0

HSL 120, 1%, 0.26%

LAB 47.63, -52.86, 51.02

 

CMYK 84 / 0 / 69 / 21

HEX #21CA3F

RGB 33 202 63

HSL 130.65, 0.72%, 0.46%

LAB 71.5, -67.2, 55.53

 

CMYK 76 / 0 / 84 / 21

HEX #30CA21

RGB 48 202 33

HSL 114.67, 0.72%, 0.46%

LAB 71.54, -67.51, 65.31

 

CMYK 54 / 0 / 84 / 21

HEX #5DCA21

RGB 93 202 33

HSL 98.7, 0.72%, 0.46%

LAB 72.68, -58.04, 66.76

 

CMYK 31 / 0 / 84 / 21

HEX #8BCA21

RGB 139 202 33

HSL 82.37, 0.72%, 0.46%

LAB 74.72, -43.06, 69.35

 

CMYK 9 / 0 / 84 / 21

HEX #B8CA21

RGB 184 202 33

HSL 66.39, 0.72%, 0.46%

LAB 77.6, -25.17, 72.96

 

CMYK 84 / 0 / 69 / 21

HEX #21CA3F

RGB 33 202 63

HSL 130.65, 0.72%, 0.46%

LAB 71.5, -67.2, 55.53

 

CMYK 84 / 0 / 46 / 21

HEX #21CA6D

RGB 33 202 109

HSL 146.98, 0.72%, 0.46%

LAB 72.01, -61.09, 35.08

 

CMYK 84 / 0 / 23 / 21

HEX #21CA9B

RGB 33 202 155

HSL 163.31, 0.72%, 0.46%

LAB 72.85, -51.6, 12.09

 

CMYK 84 / 0 / 1 / 21

HEX #21CAC8

RGB 33 202 200

HSL 179.29, 0.72%, 0.46%

LAB 74.02, -39.55, -10.54

 

CMYK 84 / 22 / 0 / 21

HEX #219ECA

RGB 33 158 202

HSL 195.62, 0.72%, 0.46%

LAB 60.82, -17.23, -31.74

 

CMYK 84 / 0 / 69 / 21

HEX #21CA3F

RGB 33 202 63

HSL 130.65, 0.72%, 0.46%

LAB 71.5, -67.2, 55.53

 

CMYK 94 / 0 / 77 / 13

HEX #0EDD33

RGB 14 221 51

HSL 130.72, 0.88%, 0.46%

LAB 77.31, -74.99, 65.59

 

CMYK 84 / 0 / 69 / 21

HEX #21CA3F

RGB 33 202 63

HSL 130.65, 0.72%, 0.46%

LAB 71.5, -67.2, 55.53

 

CMYK 72 / 0 / 58 / 28

HEX #34B74C

RGB 52 183 76

HSL 130.99, 0.56%, 0.46%

LAB 65.84, -57.09, 43.69

 

CMYK 57 / 0 / 46 / 36

HEX #47A458

RGB 71 164 88

HSL 130.97, 0.4%, 0.46%

LAB 60.42, -44.23, 31.25

 

CMYK 38 / 0 / 31 / 43

HEX #5A9164

RGB 90 145 100

HSL 130.91, 0.23%, 0.46%

LAB 55.43, -28.15, 18.3

 

CMYK 13 / 0 / 11 / 51

HEX #6D7E70

RGB 109 126 112

HSL 130.59, 0.07%, 0.46%

LAB 51.09, -9.16, 5.53

 

CMYK 53 / 0 / 84 / 21

HEX #5FCA21

RGB 95 202 33

HSL 97.99, 0.72%, 0.46%

LAB 72.75, -57.49, 66.85

 

CMYK 75 / 0 / 84 / 21

HEX #32CA21

RGB 50 202 33

HSL 113.96, 0.72%, 0.46%

LAB 71.57, -67.21, 65.36

 

CMYK 84 / 0 / 70 / 21

HEX #21CA3D

RGB 33 202 61

HSL 129.94, 0.72%, 0.46%

LAB 71.49, -67.39, 56.29

 

CMYK 84 / 0 / 48 / 21

HEX #21CA6A

RGB 33 202 106

HSL 145.92, 0.72%, 0.46%

LAB 71.96, -61.6, 36.53

 

CMYK 84 / 0 / 25 / 21

HEX #21CA97

RGB 33 202 151

HSL 161.89, 0.72%, 0.46%

LAB 72.76, -52.55, 14.12

 

CMYK 84 / 0 / 69 / 49

HEX #158329

RGB 21 131 41

HSL 130.91, 0.72%, 0.3%

LAB 47.69, -48.11, 39.02

 

CMYK 84 / 0 / 69 / 35

HEX #1BA634

RGB 27 166 52

HSL 130.79, 0.72%, 0.38%

LAB 59.67, -57.71, 47.29

 

CMYK 84 / 0 / 69 / 21

HEX #21CA3F

RGB 33 202 63

HSL 130.65, 0.72%, 0.46%

LAB 71.5, -67.2, 55.53

 

CMYK 76 / 0 / 62 / 13

HEX #36DE54

RGB 54 222 84

HSL 130.71, 0.72%, 0.54%

LAB 78.27, -68.78, 54.4

 

CMYK 61 / 0 / 50 / 11

HEX #59E472

RGB 89 228 114

HSL 130.79, 0.72%, 0.62%

LAB 81.2, -60.9, 44.4

 

CMYK 84 / 0 / 69 / 20

HEX #21CC40

RGB 33 204 64

HSL 130.88, 0.72%, 0.46%

LAB 72.15, -67.71, 55.82

 

CMYK 84 / 31 / 0 / 21

HEX #218CCA

RGB 33 140 202

HSL 202.01, 0.72%, 0.46%

LAB 55.42, -7.2, -40.18

 

CMYK 0 / 84 / 64 / 21

HEX #CA2148

RGB 202 33 72

HSL 346.15, 0.72%, 0.46%

LAB 44.39, 64.55, 22.21

 

CMYK 84 / 0 / 69 / 20

HEX #21CC40

RGB 33 204 64

HSL 130.88, 0.72%, 0.46%

LAB 72.15, -67.71, 55.82

 

CMYK 70 / 84 / 0 / 21

HEX #3D21CA

RGB 61 33 202

HSL 249.94, 0.72%, 0.46%

LAB 30.26, 59.05, -80.86

 

CMYK 0 / 70 / 84 / 21

HEX #CA3D21

RGB 202 61 33

HSL 9.94, 0.72%, 0.46%

LAB 46.98, 54.36, 47.24

 

CMYK 84 / 0 / 69 / 20

HEX #21CC40

RGB 33 204 64

HSL 130.88, 0.72%, 0.46%

LAB 72.15, -67.71, 55.82

 

CMYK 84 / 31 / 0 / 21

HEX #218CCA

RGB 33 140 202

HSL 202.01, 0.72%, 0.46%

LAB 55.42, -7.2, -40.18

 

CMYK 0 / 84 / 14 / 21

HEX #CA21AE

RGB 202 33 174

HSL 309.94, 0.72%, 0.46%

LAB 47.88, 74.44, -34.93

 

CMYK 0 / 53 / 84 / 21

HEX #CA5F21

RGB 202 95 33

HSL 22.01, 0.72%, 0.46%

LAB 52.79, 39.04, 52.39

 

CMYK 84 / 0 / 69 / 20

HEX #21CC40

RGB 33 204 64

HSL 130.88, 0.72%, 0.46%

LAB 72.15, -67.71, 55.82

 

CMYK 84 / 56 / 0 / 21

HEX #2159CA

RGB 33 89 202

HSL 220.12, 0.72%, 0.46%

LAB 40.79, 24.59, -63.62

 

CMYK 0 / 84 / 14 / 21

HEX #CA21AE

RGB 202 33 174

HSL 309.94, 0.72%, 0.46%

LAB 47.88, 74.44, -34.93

 

CMYK 0 / 28 / 84 / 21

HEX #CA9121

RGB 202 145 33

HSL 39.76, 0.72%, 0.46%

LAB 64.09, 12.32, 62.15

 

Description

Color code: HEX #21CC40 | qconv.com Color code: HEX #21CC40 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 204 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 204 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 69 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 69% 20% C M Y K

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Provide designers and agencies with accurate color values.

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