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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21C620 it is the complementary color #DE39DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21C620. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21C620 shade: #26C61B, #37D82E, #48EA41, #59FC54 and #6AFF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21C620. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21C620 shade: #21C620, #10B40D, #00A200, #009000 and #007E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21C620 shade: #21C520, #4EC520, #7AC520, #A7C520 and #C5B720

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21C620 shade: #21C520, #20C54C, #20C578, #20C5A5 and #20B9C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21C620 shade matches the following richer shades: #21C520 and #0FD80E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21C620 shade: #21C520, #33B333, #46A045, #588E58 and #6A7B6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21C620 shade: #7BC520, #4FC520, #23C520, #20C549 and #20C576

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21C620 shade: #157E15, #1BA21A, #21C520, #32DE31 and #56E355

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21C620 shade: #21C620, #20A7C5 and #C52065

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21C620 shade: #21C620, #2023C5 and #C52023

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21C620 shade: #21C620, #20A7C5, #C320C5 and #C53E20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21C620 shade: #21C620, #2076C5, #C320C5 and #C57020

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 84 / 22

HEX #21C620

RGB 33 198 32

HSL 119.64, 0.72%, 0.45%

LAB 70.05, -68.23, 64.13

 

Complementary color

CMYK 0 / 74 / 0 / 13

HEX #DE39DF

RGB 222 57 223

HSL 299.64, 0.72%, 0.55%

LAB 55.87, 79.64, -50.36

 

CMYK 81 / 0 / 86 / 22

HEX #26C61B

RGB 38 198 27

HSL 116.14, 0.76%, 0.44%

LAB 70.09, -67.9, 65.33

 

CMYK 75 / 0 / 79 / 15

HEX #37D82E

RGB 55 216 46

HSL 116.82, 0.69%, 0.51%

LAB 76.14, -70.02, 66.13

 

CMYK 69 / 0 / 72 / 8

HEX #48EA41

RGB 72 234 65

HSL 117.51, 0.8%, 0.59%

LAB 82.17, -71.53, 66.06

 

CMYK 65 / 0 / 67 / 1

HEX #59FC54

RGB 89 252 84

HSL 118.21, 0.97%, 0.66%

LAB 88.15, -72.59, 65.46

 

CMYK 58 / 0 / 60 / 0

HEX #6AFF67

RGB 106 255 103

HSL 118.82, 1%, 0.7%

LAB 89.66, -68.18, 59.55

 

CMYK 83 / 0 / 84 / 22

HEX #21C620

RGB 33 198 32

HSL 119.64, 0.72%, 0.45%

LAB 70.05, -68.23, 64.13

 

CMYK 91 / 0 / 93 / 29

HEX #10B40D

RGB 16 180 13

HSL 118.92, 0.87%, 0.38%

LAB 63.98, -65.23, 62.51

 

CMYK 100 / 0 / 100 / 36

HEX #00A200

RGB 0 162 0

HSL 120, 1%, 0.32%

LAB 57.89, -61.38, 59.24

 

CMYK 100 / 0 / 100 / 44

HEX #009000

RGB 0 144 0

HSL 120, 1%, 0.28%

LAB 51.78, -56.31, 54.35

 

CMYK 100 / 0 / 100 / 51

HEX #007E00

RGB 0 126 0

HSL 120, 1%, 0.25%

LAB 45.53, -51.12, 49.34

 

CMYK 83 / 0 / 84 / 23

HEX #21C520

RGB 33 197 32

HSL 119.64, 0.72%, 0.45%

LAB 69.73, -67.94, 63.83

 

CMYK 60 / 0 / 84 / 23

HEX #4EC520

RGB 78 197 32

HSL 103.27, 0.72%, 0.45%

LAB 70.63, -60.19, 64.99

 

CMYK 38 / 0 / 84 / 23

HEX #7AC520

RGB 122 197 32

HSL 87.27, 0.72%, 0.45%

LAB 72.34, -47.11, 67.17

 

CMYK 15 / 0 / 84 / 23

HEX #A7C520

RGB 167 197 32

HSL 70.91, 0.72%, 0.45%

LAB 74.98, -29.86, 70.48

 

CMYK 0 / 7 / 84 / 23

HEX #C5B720

RGB 197 183 32

HSL 54.91, 0.72%, 0.45%

LAB 73.44, -10.15, 70.11

 

CMYK 83 / 0 / 84 / 23

HEX #21C520

RGB 33 197 32

HSL 119.64, 0.72%, 0.45%

LAB 69.73, -67.94, 63.83

 

CMYK 84 / 0 / 61 / 23

HEX #20C54C

RGB 32 197 76

HSL 136, 0.72%, 0.45%

LAB 70.01, -64.35, 48.43

 

CMYK 84 / 0 / 39 / 23

HEX #20C578

RGB 32 197 120

HSL 152, 0.72%, 0.45%

LAB 70.59, -57.42, 27.59

 

CMYK 84 / 0 / 16 / 23

HEX #20C5A5

RGB 32 197 165

HSL 168.36, 0.72%, 0.45%

LAB 71.53, -47.15, 4.8

 

CMYK 84 / 6 / 0 / 23

HEX #20B9C5

RGB 32 185 197

HSL 184.36, 0.72%, 0.45%

LAB 68.78, -32.64, -16.77

 

CMYK 83 / 0 / 84 / 23

HEX #21C520

RGB 33 197 32

HSL 119.64, 0.72%, 0.45%

LAB 69.73, -67.94, 63.83

 

CMYK 93 / 0 / 94 / 15

HEX #0FD80E

RGB 15 216 14

HSL 119.7, 0.88%, 0.45%

LAB 75.6, -75.2, 72.09

 

CMYK 83 / 0 / 84 / 23

HEX #21C520

RGB 33 197 32

HSL 119.64, 0.72%, 0.45%

LAB 69.73, -67.94, 63.83

 

CMYK 72 / 0 / 72 / 30

HEX #33B333

RGB 51 179 51

HSL 120, 0.56%, 0.45%

LAB 64.31, -58.59, 52.71

 

CMYK 56 / 0 / 57 / 37

HEX #46A045

RGB 70 160 69

HSL 119.34, 0.4%, 0.45%

LAB 58.86, -45.6, 38.93

 

CMYK 38 / 0 / 38 / 44

HEX #588E58

RGB 88 142 88

HSL 120, 0.23%, 0.45%

LAB 54.16, -29.48, 23.28

 

CMYK 14 / 0 / 14 / 52

HEX #6A7B6A

RGB 106 123 106

HSL 120, 0.07%, 0.45%

LAB 49.82, -9.8, 7.21

 

CMYK 38 / 0 / 84 / 23

HEX #7BC520

RGB 123 197 32

HSL 86.91, 0.72%, 0.45%

LAB 72.39, -46.76, 67.23

 

CMYK 60 / 0 / 84 / 23

HEX #4FC520

RGB 79 197 32

HSL 102.91, 0.72%, 0.45%

LAB 70.66, -59.94, 65.03

 

CMYK 82 / 0 / 84 / 23

HEX #23C520

RGB 35 197 32

HSL 118.91, 0.72%, 0.45%

LAB 69.75, -67.72, 63.87

 

CMYK 84 / 0 / 63 / 23

HEX #20C549

RGB 32 197 73

HSL 134.91, 0.72%, 0.45%

LAB 69.98, -64.71, 49.72

 

CMYK 84 / 0 / 40 / 23

HEX #20C576

RGB 32 197 118

HSL 151.27, 0.72%, 0.45%

LAB 70.56, -57.8, 28.59

 

CMYK 83 / 0 / 83 / 51

HEX #157E15

RGB 21 126 21

HSL 120, 0.71%, 0.29%

LAB 45.82, -48.2, 44.77

 

CMYK 83 / 0 / 84 / 36

HEX #1BA21A

RGB 27 162 26

HSL 119.56, 0.72%, 0.37%

LAB 58.18, -58.48, 54.82

 

CMYK 83 / 0 / 84 / 23

HEX #21C520

RGB 33 197 32

HSL 119.64, 0.72%, 0.45%

LAB 69.73, -67.94, 63.83

 

CMYK 77 / 0 / 78 / 13

HEX #32DE31

RGB 50 222 49

HSL 119.65, 0.72%, 0.53%

LAB 77.96, -72.34, 66.95

 

CMYK 62 / 0 / 63 / 11

HEX #56E355

RGB 86 227 85

HSL 119.58, 0.72%, 0.61%

LAB 80.5, -64.72, 56.67

 

CMYK 83 / 0 / 84 / 22

HEX #21C620

RGB 33 198 32

HSL 119.64, 0.72%, 0.45%

LAB 70.05, -68.23, 64.13

 

CMYK 84 / 15 / 0 / 23

HEX #20A7C5

RGB 32 167 197

HSL 190.91, 0.72%, 0.45%

LAB 63.32, -23.73, -25.09

 

CMYK 0 / 84 / 49 / 23

HEX #C52065

RGB 197 32 101

HSL 334.91, 0.72%, 0.45%

LAB 44.01, 65.47, 3.44

 

CMYK 83 / 0 / 84 / 22

HEX #21C620

RGB 33 198 32

HSL 119.64, 0.72%, 0.45%

LAB 70.05, -68.23, 64.13

 

CMYK 84 / 82 / 0 / 23

HEX #2023C5

RGB 32 35 197

HSL 238.91, 0.72%, 0.45%

LAB 28.22, 55.06, -81.38

 

CMYK 0 / 84 / 82 / 23

HEX #C52023

RGB 197 32 35

HSL 358.91, 0.72%, 0.45%

LAB 42.8, 61.9, 42.02

 

CMYK 83 / 0 / 84 / 22

HEX #21C620

RGB 33 198 32

HSL 119.64, 0.72%, 0.45%

LAB 70.05, -68.23, 64.13

 

CMYK 84 / 15 / 0 / 23

HEX #20A7C5

RGB 32 167 197

HSL 190.91, 0.72%, 0.45%

LAB 63.32, -23.73, -25.09

 

CMYK 1 / 84 / 0 / 23

HEX #C320C5

RGB 195 32 197

HSL 299.27, 0.72%, 0.45%

LAB 47.84, 76.62, -48.53

 

CMYK 0 / 69 / 84 / 23

HEX #C53E20

RGB 197 62 32

HSL 10.91, 0.72%, 0.45%

LAB 46.2, 52.28, 46.68

 

CMYK 83 / 0 / 84 / 22

HEX #21C620

RGB 33 198 32

HSL 119.64, 0.72%, 0.45%

LAB 70.05, -68.23, 64.13

 

CMYK 84 / 40 / 0 / 23

HEX #2076C5

RGB 32 118 197

HSL 208.73, 0.72%, 0.45%

LAB 48.63, 3.97, -48.1

 

CMYK 1 / 84 / 0 / 23

HEX #C320C5

RGB 195 32 197

HSL 299.27, 0.72%, 0.45%

LAB 47.84, 76.62, -48.53

 

CMYK 0 / 43 / 84 / 23

HEX #C57020

RGB 197 112 32

HSL 29.09, 0.72%, 0.45%

LAB 55.65, 28.09, 54.99

 

Description

Color code: HEX #21C620 | qconv.com Color code: HEX #21C620 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 198 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 198 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 84 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 84% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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