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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21BB8B it is the complementary color #DE4474. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21BB8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21BB8B shade: #26BB86, #37CD99, #48DFAC, #59F1BF and #6AFFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21BB8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21BB8B shade: #21BB8B, #10A978, #009765, #008552 and #00733F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21BB8B shade: #21BA8B, #21BA61, #21BA38, #33BA21 and #5DBA21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21BB8B shade: #21BA8B, #21BAB4, #2197BA, #216EBA and #2145BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21BB8B shade matches the following richer shades: #21BA8B and #0FCC91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21BB8B shade: #21BA8B, #33A984, #44977D, #568577 and #687370

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21BB8B shade: #21BA38, #21BA61, #21BA8A, #21BAB3 and #2199BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21BB8B shade: #157456, #1B9770, #21BA8B, #2BDAA3 and #4EE0B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21BB8B shade: #21BB8B, #2133BA and #BA4C21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21BB8B shade: #21BB8B, #8A21BA and #BA8A21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21BB8B shade: #21BB8B, #2133BA, #BA2152 and #BAA821

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21BB8B shade: #21BB8B, #3D21BA, #BA2152 and #9EBA21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 26 / 27

HEX #21BB8B

RGB 33 187 139

HSL 161.3, 0.7%, 0.43%

LAB 67.82, -49.45, 13.67

 

Complementary color

CMYK 0 / 69 / 48 / 13

HEX #DE4474

RGB 222 68 116

HSL 341.3, 0.7%, 0.57%

LAB 52.87, 62.71, 7.57

 

CMYK 80 / 0 / 28 / 27

HEX #26BB86

RGB 38 187 134

HSL 158.66, 0.66%, 0.44%

LAB 67.78, -50.12, 16.33

 

CMYK 73 / 0 / 25 / 20

HEX #37CD99

RGB 55 205 153

HSL 159.2, 0.6%, 0.51%

LAB 74.05, -50.92, 14.9

 

CMYK 68 / 0 / 23 / 13

HEX #48DFAC

RGB 72 223 172

HSL 159.74, 0.7%, 0.58%

LAB 80.25, -51.43, 13.6

 

CMYK 63 / 0 / 21 / 5

HEX #59F1BF

RGB 89 241 191

HSL 160.26, 0.84%, 0.65%

LAB 86.4, -51.75, 12.41

 

CMYK 58 / 0 / 18 / 0

HEX #6AFFD2

RGB 106 255 210

HSL 161.88, 1%, 0.71%

LAB 91.34, -50.27, 9.66

 

CMYK 82 / 0 / 26 / 27

HEX #21BB8B

RGB 33 187 139

HSL 161.3, 0.7%, 0.43%

LAB 67.82, -49.45, 13.67

 

CMYK 91 / 0 / 29 / 34

HEX #10A978

RGB 16 169 120

HSL 160.78, 0.83%, 0.36%

LAB 61.52, -48.11, 15.25

 

CMYK 100 / 0 / 33 / 41

HEX #009765

RGB 0 151 101

HSL 160.13, 1%, 0.3%

LAB 55.15, -46.34, 17

 

CMYK 100 / 0 / 38 / 48

HEX #008552

RGB 0 133 82

HSL 156.99, 1%, 0.26%

LAB 48.74, -43.72, 19

 

CMYK 100 / 0 / 45 / 55

HEX #00733F

RGB 0 115 63

HSL 152.87, 1%, 0.23%

LAB 42.19, -40.94, 21.09

 

CMYK 82 / 0 / 25 / 27

HEX #21BA8B

RGB 33 186 139

HSL 161.57, 0.7%, 0.43%

LAB 67.51, -49.05, 13.22

 

CMYK 82 / 0 / 48 / 27

HEX #21BA61

RGB 33 186 97

HSL 145.1, 0.7%, 0.43%

LAB 66.75, -57.6, 34.47

 

CMYK 82 / 0 / 70 / 27

HEX #21BA38

RGB 33 186 56

HSL 129.02, 0.7%, 0.43%

LAB 66.31, -62.95, 52.77

 

CMYK 73 / 0 / 82 / 27

HEX #33BA21

RGB 51 186 33

HSL 112.94, 0.7%, 0.43%

LAB 66.47, -62.09, 60.71

 

CMYK 50 / 0 / 82 / 27

HEX #5DBA21

RGB 93 186 33

HSL 96.47, 0.7%, 0.43%

LAB 67.69, -52.13, 62.28

 

CMYK 82 / 0 / 25 / 27

HEX #21BA8B

RGB 33 186 139

HSL 161.57, 0.7%, 0.43%

LAB 67.51, -49.05, 13.22

 

CMYK 82 / 0 / 3 / 27

HEX #21BAB4

RGB 33 186 180

HSL 177.65, 0.7%, 0.43%

LAB 68.56, -38.15, -7.75

 

CMYK 82 / 19 / 0 / 27

HEX #2197BA

RGB 33 151 186

HSL 193.73, 0.7%, 0.43%

LAB 58.04, -19, -27.05

 

CMYK 82 / 41 / 0 / 27

HEX #216EBA

RGB 33 110 186

HSL 209.8, 0.7%, 0.43%

LAB 45.66, 4.81, -46.49

 

CMYK 82 / 63 / 0 / 27

HEX #2145BA

RGB 33 69 186

HSL 225.88, 0.7%, 0.43%

LAB 34.24, 31.59, -64.97

 

CMYK 82 / 0 / 25 / 27

HEX #21BA8B

RGB 33 186 139

HSL 161.57, 0.7%, 0.43%

LAB 67.51, -49.05, 13.22

 

CMYK 93 / 0 / 29 / 20

HEX #0FCC91

RGB 15 204 145

HSL 161.27, 0.86%, 0.43%

LAB 73.11, -55.81, 17.79

 

CMYK 82 / 0 / 25 / 27

HEX #21BA8B

RGB 33 186 139

HSL 161.57, 0.7%, 0.43%

LAB 67.51, -49.05, 13.22

 

CMYK 70 / 0 / 22 / 34

HEX #33A984

RGB 51 169 132

HSL 161.19, 0.54%, 0.43%

LAB 62.29, -41.48, 9.76

 

CMYK 55 / 0 / 17 / 41

HEX #44977D

RGB 68 151 125

HSL 161.2, 0.38%, 0.43%

LAB 56.92, -31.77, 6.11

 

CMYK 35 / 0 / 11 / 48

HEX #568577

RGB 86 133 119

HSL 162.13, 0.21%, 0.43%

LAB 51.93, -19.32, 2.48

 

CMYK 10 / 0 / 3 / 55

HEX #687370

RGB 104 115 112

HSL 163.64, 0.05%, 0.43%

LAB 47.46, -4.76, 0.24

 

CMYK 82 / 0 / 70 / 27

HEX #21BA38

RGB 33 186 56

HSL 129.02, 0.7%, 0.43%

LAB 66.31, -62.95, 52.77

 

CMYK 82 / 0 / 48 / 27

HEX #21BA61

RGB 33 186 97

HSL 145.1, 0.7%, 0.43%

LAB 66.75, -57.6, 34.47

 

CMYK 82 / 0 / 26 / 27

HEX #21BA8A

RGB 33 186 138

HSL 161.18, 0.7%, 0.43%

LAB 67.48, -49.29, 13.74

 

CMYK 82 / 0 / 4 / 27

HEX #21BAB3

RGB 33 186 179

HSL 177.25, 0.7%, 0.43%

LAB 68.53, -38.44, -7.24

 

CMYK 82 / 18 / 0 / 27

HEX #2199BA

RGB 33 153 186

HSL 192.94, 0.7%, 0.43%

LAB 58.65, -20.07, -26.1

 

CMYK 82 / 0 / 26 / 55

HEX #157456

RGB 21 116 86

HSL 161.05, 0.69%, 0.27%

LAB 43.24, -34.12, 9.16

 

CMYK 82 / 0 / 26 / 41

HEX #1B9770

RGB 27 151 112

HSL 161.13, 0.7%, 0.35%

LAB 55.62, -41.89, 11.5

 

CMYK 82 / 0 / 25 / 27

HEX #21BA8B

RGB 33 186 139

HSL 161.57, 0.7%, 0.43%

LAB 67.51, -49.05, 13.22

 

CMYK 80 / 0 / 25 / 15

HEX #2BDAA3

RGB 43 218 163

HSL 161.14, 0.7%, 0.51%

LAB 78.05, -55.12, 15.18

 

CMYK 65 / 0 / 21 / 12

HEX #4EE0B2

RGB 78 224 178

HSL 161.1, 0.7%, 0.59%

LAB 80.82, -49.52, 11.25

 

CMYK 82 / 0 / 26 / 27

HEX #21BB8B

RGB 33 187 139

HSL 161.3, 0.7%, 0.43%

LAB 67.82, -49.45, 13.67

 

CMYK 82 / 73 / 0 / 27

HEX #2133BA

RGB 33 51 186

HSL 232.94, 0.7%, 0.43%

LAB 30, 42.95, -71.94

 

CMYK 0 / 59 / 82 / 27

HEX #BA4C21

RGB 186 76 33

HSL 16.86, 0.7%, 0.43%

LAB 46.6, 42.23, 45.86

 

CMYK 82 / 0 / 26 / 27

HEX #21BB8B

RGB 33 187 139

HSL 161.3, 0.7%, 0.43%

LAB 67.82, -49.45, 13.67

 

CMYK 26 / 82 / 0 / 27

HEX #8A21BA

RGB 138 33 186

HSL 281.18, 0.7%, 0.43%

LAB 37.91, 64.48, -58.57

 

CMYK 0 / 26 / 82 / 27

HEX #BA8A21

RGB 186 138 33

HSL 41.18, 0.7%, 0.43%

LAB 60.54, 9.05, 58.38

 

CMYK 82 / 0 / 26 / 27

HEX #21BB8B

RGB 33 187 139

HSL 161.3, 0.7%, 0.43%

LAB 67.82, -49.45, 13.67

 

CMYK 82 / 73 / 0 / 27

HEX #2133BA

RGB 33 51 186

HSL 232.94, 0.7%, 0.43%

LAB 30, 42.95, -71.94

 

CMYK 0 / 82 / 56 / 27

HEX #BA2152

RGB 186 33 82

HSL 340.78, 0.7%, 0.43%

LAB 41.43, 60.91, 11.42

 

CMYK 0 / 10 / 82 / 27

HEX #BAA821

RGB 186 168 33

HSL 52.94, 0.7%, 0.43%

LAB 68.43, -7.15, 65.21

 

CMYK 82 / 0 / 26 / 27

HEX #21BB8B

RGB 33 187 139

HSL 161.3, 0.7%, 0.43%

LAB 67.82, -49.45, 13.67

 

CMYK 67 / 82 / 0 / 27

HEX #3D21BA

RGB 61 33 186

HSL 250.98, 0.7%, 0.43%

LAB 28.45, 54.51, -74.46

 

CMYK 0 / 82 / 56 / 27

HEX #BA2152

RGB 186 33 82

HSL 340.78, 0.7%, 0.43%

LAB 41.43, 60.91, 11.42

 

CMYK 15 / 0 / 82 / 27

HEX #9EBA21

RGB 158 186 33

HSL 70.98, 0.7%, 0.43%

LAB 71.21, -28.32, 66.74

 

Description

Color code: HEX #21BB8B | qconv.com Color code: HEX #21BB8B | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 187 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 187 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 26 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 26% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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