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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21BA9D it is the complementary color #DE4562. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21BA9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21BA9D shade: #26BA98, #37CCAB, #48DEBE, #59F0D1 and #6AFFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21BA9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21BA9D shade: #21BA9D, #10A88A, #009677, #008464 and #007251

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21BA9D shade: #21BA9D, #21BA74, #21BA4B, #21BA21 and #4ABA21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21BA9D shade: #21BA9D, #21AEBA, #2185BA, #215BBA and #2132BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21BA9D shade matches the following richer shades: #21BA9D and #0FCCA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21BA9D shade: #21BA9D, #33A992, #449787, #56857C and #687371

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21BA9D shade: #21BA4A, #21BA73, #21BA9C, #21B0BA and #2187BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21BA9D shade: #157462, #1B9780, #21BA9D, #2BDAB8 and #4EE0C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21BA9D shade: #21BA9D, #2121BA and #BA5E21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21BA9D shade: #21BA9D, #9C21BA and #BA9C21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21BA9D shade: #21BA9D, #2121BA, #BA2140 and #BABA21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21BA9D shade: #21BA9D, #4F21BA, #BA2140 and #8CBA21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 16 / 27

HEX #21BA9D

RGB 33 186 157

HSL 168.63, 0.7%, 0.43%

LAB 67.93, -44.54, 3.98

 

Complementary color

CMYK 0 / 69 / 56 / 13

HEX #DE4562

RGB 222 69 98

HSL 348.63, 0.7%, 0.57%

LAB 52.58, 60.9, 17.96

 

CMYK 80 / 0 / 18 / 27

HEX #26BA98

RGB 38 186 152

HSL 166.22, 0.66%, 0.44%

LAB 67.87, -45.37, 6.65

 

CMYK 73 / 0 / 16 / 20

HEX #37CCAB

RGB 55 204 171

HSL 166.71, 0.59%, 0.51%

LAB 74.15, -46.19, 5.38

 

CMYK 68 / 0 / 14 / 13

HEX #48DEBE

RGB 72 222 190

HSL 167.2, 0.69%, 0.58%

LAB 80.37, -46.76, 4.24

 

CMYK 63 / 0 / 13 / 6

HEX #59F0D1

RGB 89 240 209

HSL 167.68, 0.83%, 0.65%

LAB 86.53, -47.14, 3.19

 

CMYK 58 / 0 / 11 / 0

HEX #6AFFE4

RGB 106 255 228

HSL 169.13, 1%, 0.71%

LAB 91.77, -46.08, 0.98

 

CMYK 82 / 0 / 16 / 27

HEX #21BA9D

RGB 33 186 157

HSL 168.63, 0.7%, 0.43%

LAB 67.93, -44.54, 3.98

 

CMYK 90 / 0 / 18 / 34

HEX #10A88A

RGB 16 168 138

HSL 168.16, 0.83%, 0.36%

LAB 61.61, -43.19, 5.38

 

CMYK 100 / 0 / 21 / 41

HEX #009677

RGB 0 150 119

HSL 167.6, 1%, 0.29%

LAB 55.22, -41.45, 6.93

 

CMYK 100 / 0 / 24 / 48

HEX #008464

RGB 0 132 100

HSL 165.45, 1%, 0.26%

LAB 48.79, -38.95, 8.72

 

CMYK 100 / 0 / 29 / 55

HEX #007251

RGB 0 114 81

HSL 162.63, 1%, 0.22%

LAB 42.2, -36.37, 10.63

 

CMYK 82 / 0 / 16 / 27

HEX #21BA9D

RGB 33 186 157

HSL 168.63, 0.7%, 0.43%

LAB 67.93, -44.54, 3.98

 

CMYK 82 / 0 / 38 / 27

HEX #21BA74

RGB 33 186 116

HSL 152.55, 0.7%, 0.43%

LAB 67.05, -54.1, 24.98

 

CMYK 82 / 0 / 60 / 27

HEX #21BA4B

RGB 33 186 75

HSL 136.47, 0.7%, 0.43%

LAB 66.48, -60.85, 44.82

 

CMYK 82 / 0 / 82 / 27

HEX #21BA21

RGB 33 186 33

HSL 120, 0.7%, 0.43%

LAB 66.18, -64.64, 60.33

 

CMYK 60 / 0 / 82 / 27

HEX #4ABA21

RGB 74 186 33

HSL 103.92, 0.7%, 0.43%

LAB 67.04, -57.31, 61.44

 

CMYK 82 / 0 / 16 / 27

HEX #21BA9D

RGB 33 186 157

HSL 168.63, 0.7%, 0.43%

LAB 67.93, -44.54, 3.98

 

CMYK 82 / 6 / 0 / 27

HEX #21AEBA

RGB 33 174 186

HSL 184.71, 0.7%, 0.43%

LAB 65.07, -30.7, -16.29

 

CMYK 82 / 28 / 0 / 27

HEX #2185BA

RGB 33 133 186

HSL 200.78, 0.7%, 0.43%

LAB 52.56, -9.03, -35.58

 

CMYK 82 / 51 / 0 / 27

HEX #215BBA

RGB 33 91 186

HSL 217.25, 0.7%, 0.43%

LAB 40.16, 17.04, -55.32

 

CMYK 82 / 73 / 0 / 27

HEX #2132BA

RGB 33 50 186

HSL 233.33, 0.7%, 0.43%

LAB 29.79, 43.55, -72.29

 

CMYK 82 / 0 / 16 / 27

HEX #21BA9D

RGB 33 186 157

HSL 168.63, 0.7%, 0.43%

LAB 67.93, -44.54, 3.98

 

CMYK 93 / 0 / 18 / 20

HEX #0FCCA8

RGB 15 204 168

HSL 168.57, 0.86%, 0.43%

LAB 73.62, -50.24, 6.18

 

CMYK 82 / 0 / 16 / 27

HEX #21BA9D

RGB 33 186 157

HSL 168.63, 0.7%, 0.43%

LAB 67.93, -44.54, 3.98

 

CMYK 70 / 0 / 14 / 34

HEX #33A992

RGB 51 169 146

HSL 168.31, 0.54%, 0.43%

LAB 62.64, -37.93, 2.45

 

CMYK 55 / 0 / 11 / 41

HEX #449787

RGB 68 151 135

HSL 168.43, 0.38%, 0.43%

LAB 57.18, -29.26, 0.79

 

CMYK 35 / 0 / 7 / 48

HEX #56857C

RGB 86 133 124

HSL 168.51, 0.21%, 0.43%

LAB 52.07, -18.13, -0.23

 

CMYK 10 / 0 / 2 / 55

HEX #687371

RGB 104 115 113

HSL 169.09, 0.05%, 0.43%

LAB 47.49, -4.55, -0.31

 

CMYK 82 / 0 / 60 / 27

HEX #21BA4A

RGB 33 186 74

HSL 136.08, 0.7%, 0.43%

LAB 66.47, -60.97, 45.27

 

CMYK 82 / 0 / 38 / 27

HEX #21BA73

RGB 33 186 115

HSL 152.16, 0.7%, 0.43%

LAB 67.04, -54.3, 25.49

 

CMYK 82 / 0 / 16 / 27

HEX #21BA9C

RGB 33 186 156

HSL 168.24, 0.7%, 0.43%

LAB 67.9, -44.81, 4.49

 

CMYK 82 / 5 / 0 / 27

HEX #21B0BA

RGB 33 176 186

HSL 183.92, 0.7%, 0.43%

LAB 65.69, -31.67, -15.37

 

CMYK 82 / 27 / 0 / 27

HEX #2187BA

RGB 33 135 186

HSL 200, 0.7%, 0.43%

LAB 53.16, -10.17, -34.63

 

CMYK 82 / 0 / 16 / 55

HEX #157462

RGB 21 116 98

HSL 168.63, 0.69%, 0.27%

LAB 43.55, -30.85, 2.45

 

CMYK 82 / 0 / 15 / 41

HEX #1B9780

RGB 27 151 128

HSL 168.87, 0.7%, 0.35%

LAB 56.01, -37.73, 2.97

 

CMYK 82 / 0 / 16 / 27

HEX #21BA9D

RGB 33 186 157

HSL 168.63, 0.7%, 0.43%

LAB 67.93, -44.54, 3.98

 

CMYK 80 / 0 / 16 / 15

HEX #2BDAB8

RGB 43 218 184

HSL 168.34, 0.7%, 0.51%

LAB 78.53, -50.03, 4.71

 

CMYK 65 / 0 / 13 / 12

HEX #4EE0C4

RGB 78 224 196

HSL 168.49, 0.7%, 0.59%

LAB 81.25, -45.21, 2.34

 

CMYK 82 / 0 / 16 / 27

HEX #21BA9D

RGB 33 186 157

HSL 168.63, 0.7%, 0.43%

LAB 67.93, -44.54, 3.98

 

CMYK 82 / 82 / 0 / 27

HEX #2121BA

RGB 33 33 186

HSL 240, 0.7%, 0.43%

LAB 26.61, 52.65, -77.56

 

CMYK 0 / 49 / 82 / 27

HEX #BA5E21

RGB 186 94 33

HSL 23.92, 0.7%, 0.43%

LAB 50.16, 33.15, 49.13

 

CMYK 82 / 0 / 16 / 27

HEX #21BA9D

RGB 33 186 157

HSL 168.63, 0.7%, 0.43%

LAB 67.93, -44.54, 3.98

 

CMYK 16 / 82 / 0 / 27

HEX #9C21BA

RGB 156 33 186

HSL 288.24, 0.7%, 0.43%

LAB 40.74, 67.55, -53.86

 

CMYK 0 / 16 / 82 / 27

HEX #BA9C21

RGB 186 156 33

HSL 48.24, 0.7%, 0.43%

LAB 65.22, -0.76, 62.45

 

CMYK 82 / 0 / 16 / 27

HEX #21BA9D

RGB 33 186 157

HSL 168.63, 0.7%, 0.43%

LAB 67.93, -44.54, 3.98

 

CMYK 82 / 82 / 0 / 27

HEX #2121BA

RGB 33 33 186

HSL 240, 0.7%, 0.43%

LAB 26.61, 52.65, -77.56

 

CMYK 0 / 82 / 66 / 27

HEX #BA2140

RGB 186 33 64

HSL 347.84, 0.7%, 0.43%

LAB 41.05, 59.77, 22.25

 

CMYK 0 / 0 / 82 / 27

HEX #BABA21

RGB 186 186 33

HSL 60, 0.7%, 0.43%

LAB 73.33, -16.43, 69.4

 

CMYK 82 / 0 / 16 / 27

HEX #21BA9D

RGB 33 186 157

HSL 168.63, 0.7%, 0.43%

LAB 67.93, -44.54, 3.98

 

CMYK 58 / 82 / 0 / 27

HEX #4F21BA

RGB 79 33 186

HSL 258.04, 0.7%, 0.43%

LAB 30.15, 56.25, -71.59

 

CMYK 0 / 82 / 66 / 27

HEX #BA2140

RGB 186 33 64

HSL 347.84, 0.7%, 0.43%

LAB 41.05, 59.77, 22.25

 

CMYK 25 / 0 / 82 / 27

HEX #8CBA21

RGB 140 186 33

HSL 78.04, 0.7%, 0.43%

LAB 70.04, -35.61, 65.26

 

Description

Color code: HEX #21BA9D | qconv.com Color code: HEX #21BA9D | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 186 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 186 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 16 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 16% 27% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

49% - Event Networking App...
Link: http://moozup.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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